Back in stock: Breakbeat

Review: Hornsey Hardcore is but one outlet for the prolific cult legend Jerome Hill, but at least you know exactly what you're going to get from these records. Bringing the breakthrough sounds of 1992-1994 into the modern age, Hill manages to maintain the clattering roughness of the OG material while adding in the benefit of modern mixing to make these tracks smack you upside the head in ways the old stuff can only dream of. Just drop in on the manic roll of 'Asylum' and you'll hear all you need to as the off key orchestra stabs and 'Bombscare' break create a five-minute pile-up with enough samples about insanity send a suitably grubby rave into sheer bedlam.

Review: Second time round for Masarima's 'Freak Like U', a sparkling 2020 tribute to post-Italo-disco proto-house, co-produced by Whodamanny and Mystic Jungle. This time round, the track has been reimagined by two stellar talents: West Coast electro stalwart Egyptian Lover and Sheffield-based bleep, hardcore and acid revivalist Luca Lozano. The former handles side A, delivering warming, dreamy, tactile and glassy-eyed electro takes (vocal and instrumental) that reinforce the track's mid 1980s inspiration. Lozano, meanwhile, opts for another kind of nostalgia altogether, first combining house tempo breaks with echo-laden elements of the original (and a couple of hazy new synth stabs) on the 'Breakbeat Guy remix', before layering up the beats on a rather lovely 'Tribal Workout Dub' featuring percussionist Karlos Moran.

Review: Arkajo's seld-titled label rolls out another sophisticated EP as it continues to stand itself apart in its early days. This one kicks off with 'Entwine' which showcases the artist's mastery of deep rhythms that seem to float above the dancefloor. The broken beats are lush and airy, the synths wispy, the vibes uplifting. A Polygonia remix brings a little extra weight to the low end but it remains just as classy. 'Signature' then has a more edgy feel with heavier hits, squelchy bass and a physical feel that is super irresistible. Last of all is the Konduku remix which takes things into tripped-out 5am territory.