Review: Sneaker Social Club are not messing around! Following their previous outings from the legendary trio 2 Bad Mice comes remixes from two impeccably forward thinking break crafters; Sully takes "Gone Too Soon" into some fantastical places as the breaks scream jungle but the big breeze pads scream Alex Reece but both elements work together emotively. Falty DL, meanwhile, gives us a hardcore schooling on "Limit Of Paradise" with its heavily layered breaks, wall of sound pads and dynamic drops into spacious hooks. Bad to the (clear vinyl) bone!
Review: Remixes by 30Hz & DJ Quest. "Robots Ready From Mars" is tackled by Quest who gives the track a heavier, clubby breakbeat mix. Fits nicely next to tracks from the likes of The Stanton Warriors or Tayo.
Review: For the first volume in their brand new Toxic Funk 45s series, the Breakbeat Paradise crew has turned to two stalwarts of the breaks scene, Easy Now Recordings co-founder Tom Showtime and long-serving DJ/producer Badboe. They hit the ground running with A-side "We Funk Tings", a cut-and-paste workout that peppers a head-nodding, bass-heavy hip-hop groove with funk licks, hazy horns and sneaky vocal samples from a variety of ragga and rap records. They continue in a similar vein over on side B, where the horn and piano-heavy hip-hop-funk of "We Have It Hot" is followed by the boom-bap booty business of "The Time Has Come".
Review: Robin Ball has been on a roll of late, flaunting his wares on the Memory Box label amongst others. He makes a second outing on Groovepressure with four tracks of dynamic, inventive machine jams touching on synthwave influences and a healthy dose of electro. There's atmosphere loaded into each of these forthright, roughly hewn workouts, not least on the eerie, trancey synth strings on "Mr Mumble". The B side features the steadiest material in the shape of two versions of "Satin" that tap into the housier end of Ball's output.
John Turrell - "Won't Get Fooled Again" (Basement Freaks remix) (4:20)
Review: Fizzing funkateers Basement Freaks can usually be relied upon to bring the dancefloor goods. That's certainly the case on this dancefloor-focused seven-inch. On the A-side they rework one of their own classic cuts, offering a punchier and heavier take on 2016 Kylie Auldist collaboration "White Hot". Rich in flash-friend funk guitars, crunchy breaks and life-affirming horns, their new revision is undoubtedly more DJ-friendly than the original album version. Turn to the flip to hear their tidy new take on Smoove collaborator John Turrell's 2013 cut "Won't Get Fooled Again", which they cannily refurbish as a wobble bass-propelled chunk of P-funk flavoured dancefloor soul.
Review: Bristol-based badman Borai has been quietly issuing some of the city's most immense club wreckers for many years now, sometimes in partnership with October, and sometimes flying solo (as on the crucial Anybody From London for Hotline Recordings). Here he's inaugurating Higher Level with some absolute dance slayers, kicking off with the mammoth pitched-down drum funk and gut-wrenching bass of "Razor" before switching stance for the dreamier but no less rowdy "Predators." Both cuts are a masterclass in classic breakbeat science, delivering the foundational UK sound with panache that sets these weapons far apart from the rest of the pack.
Review: Caldera has been previously spotted on WNCL Recordings amongst other establishments, so you know he comes with a certain stamp of quality for rough and tumble hi-jinx in the more interesting corners of proper party music. He lands on the blossoming Boogie Box label with a diverse package that leads in with the percussive trysts of "Akman's Rhythm" and then swerves into the fractured minimal dub exercise "Old Hands". "Anaconda Legs" is a twitchy, atmospheric slow strutting house cut that sits right with the offbeat minimal crowd but actually sports a rich and expressive sound and FX palette. "A Moment To Breathe" blows up the dub touches across the EP and goes into full head-nodding meditation mode, and it's fantastic.
Review: London-based retroverts Art Of Dark return with a wicked double header here for their third vinyl release. Antonin Hifda aka Daif takes up the A side, offering up the hardcore rave reductions of "Another Version Of The Truth" followed by the deep down Detroit styled electro beats of "Devil". On the flip, it's all about newcomers DC EFX who follow through with the electro bass vibe on the absolutely booming "Expansionz", before closing with the bass-driven acid techno "The Roller Express".
Review: Elusive producer Disk has been busy of late, delivering two low-key - but also highly regarded - EPs in the last few months. This latest 12", which also appears via his Whiteloops imprint, boasts another two tried-and-tested dancefloor treats. First up is "High Hill", a bustling chunk of rolling dancefloor voodoo built around chunky deep house drums, flash-fried samples and fluttering tech-house flourishes. He takes a totally different approach on the B-side, paying tribute to the dreamy chords, loved-up breadowns and skittering breakbeats of early British hardcore productions. It sounds like 808 State's "Pacific" was a major influence, though the breaks on Disk's production boast a much funkier swagger.
Review: A throwback to early '90s hardcore rave here, courtesy of tight knit UK producers Objekt and Call Super. Running with the story of the mythical DJ Bogdan: legend and resident DJ of Berlin's fictitious Q Bar in the city's Schoeneberg district - which ran from the early 90s until its closure in 2012. "Love Inna Basement" is presented here in its two original versions: the Morning Dub which is cited by Objekt as the inspiration behind his 2016 tribute "Theme From Q", and 'Midnite XTC', hailed by Call Super as 'the track I've taken the most garys to in my entire life'.
Review: Since bursting on to the scene with three superb singles in 2017, Armand Jakobsson AKA DJ Seinfeld has been surprisingly quiet. In fact, the "Galazy EP" is only his second single since. We can happily confirm that he's in fine form, though, gleefully between the dreamy electro/breakbeat/ambient techno fusion of opener "Electrian", the cut-up hip-hop breaks and lo-fi electronics of "Mono Melo", the hot-stepping, sub-heavy growl of EP standout "Uforia" and the mid-tempo breakbeat retro-futurism of closer "Galazy". The latter track boasts a unique combination of hip-house style breakbeats, whistling new age synth melodies and the kind of mind-mangling sub-bass more readily associated with 1990 style UK techno.
Review: London duo Dusky are up next on Running Back, with what appears to be the first volume in their new Life Signs series. Best described by Gerd Janson and Co. as British bass science applied on classic house tropes, where breakbeats underpin transcendent melodies and IDM meets UKG. The lads behind the much lauded 17 Steps label are in fine form here: from the electrifying Italo disco influenced number "Boris Borrison's Trip To Morrisons" on the A side being unlike anything we've heard from the pair before. On the flip, it's a throwback to the illegal dance parties of the early '90s on the pitched-down hardcore breaks of "Lea Valley" and harking back to a similar era is the euphoric "Static".
Review: These days we're accustomed to producers serving up deep, dreamy and life-affirming fusions of breakbeat, deep house and ambient techno. This wasn't so much the case when Ex-Terrestrial released his debut EP, "Paraworld" in 2016. As this surprise reissue proves, it remains one of the best EPs of its kind. There's much to admire throughout, from title track's bongo-laden, new age deep house warmth, to the seductive ambient bliss of "Dreams of Jupiter", which still reminds us of 2015's Slow Riffs 12" on Mood Hut. Arguably best of all, though, is "Blue Smoke", a brilliant fusion of pitched-down rave breakbeats and comforting, Pete Namlook style ambient chords.