PETRE INSPIRESCU Schallplatten & CDs

Review: Back in 2015, Petre Inspirescu popped up on Mule Musiq with Vin Pholie, an album considered a significant departure from his previous work. While he made his name with club-ready, heavily textured takes on tech-house and minimal techno, Vin Pholie saw him work with piano, strings and woodwind instruments for the first time, resulting in a set that sat somewhere between ambient and neo-classical. Vintul Prin Salcii, his belated follow-up, explores similar sonic territory, adding in vintage synthesizers and occasional nods to dub techno - see the becalmed pulse of "Miroslav 3" - to slightly broaden the approach. The result is a melodious sequence of musical movements that also doffs a sly wink to krautrock synthesizer pioneers as well as classical composers, American minimalists and ambient legends.

Review: Back in 2015, Petre Inspirescu popped up on Mule Musiq with Vin Pholie, an album considered a significant departure from his previous work. While he made his name with club-ready, heavily textured takes on tech-house and minimal techno, Vin Pholie saw him work with piano, strings and woodwind instruments for the first time, resulting in a set that sat somewhere between ambient and neo-classical. Vintul Prin Salcii, his belated follow-up, explores similar sonic territory, adding in vintage synthesizers and occasional nods to dub techno - see the becalmed pulse of "Miroslav 3" - to slightly broaden the approach. The result is a melodious sequence of musical movements that also doffs a sly wink to krautrock synthesizer pioneers as well as classical composers, American minimalists and ambient legends.