Review: Earlier in the year, modern minimal wave and coldwave hero Marie Davidson signed a high-profile deal with Ninja Tune. Here, she makes good on that contract, following a couple of killer singles with what could be her strongest album to date. After setting the tone with clandestine, tongue-in-cheek opener "Your Biggest Fan" - a creepy spoken word cut taking aim at stalker-line fans to the accompaniment of heavy analogue synth bass and creepy computer bleeps - Davidson giddily flits between elastic dancefloor workouts (the brilliantly sleazy "Work It" and mind-altering "Workaholic Paranoid Bitch"), attractive post-EBM instrumentals (the psychedelic and fizzing "Lara"), meditative ambient melodiousness ("Day Dreaming"), bizarre experimental weirdness (the suitable dystopian "The Tunnel"), and stylish analogue pop (the whispered vocals and off-kilter early morning funk of "So Right").
Review: Though now famed as a top-drawer live performer with a string of acclaimed albums to her name, there was a time when Marie Davidson's music was less widely appreciated. In fact, when this eponymous EP first appeared on cassette in 2013, she was pretty much unknown. As you'd expect, it's perhaps a little more lo-fi than some of her more recent work, but that's what makes the EP so appealing. Check, for example, the sleazy vocals, distant drum hits and cascading melodies of creepy opener "Ma Vie Sans Moi", the unsettling lead lines, ricocheting cymbal hits and powerful drone bassline of "L'unique" and the dystopian, high-tempo minimal wave-goes-bleep techno trip that is "Le Lieu Ou Vous Voulez Vous Rendre"; all three remain amongst Davidson's most arresting cuts to date.