Jeff Mills

Review: Back in 2016, legendary Afrobeat drummer Tony Allen approached techno pioneer Jeff Mills with the idea of working together. A series of live gigs and off-the-radar studio sessions followed, with the first fruits of their joint efforts finally appearing on this must-have 10". As you'd expect, the duo's collaborative work combines Allen's traditional Nigerian polyrhythms, traditional Afrobeat instrumentation, and the far-sighted, sci-fi inspired electronic futurism that has always marked out Mills' work. The result is a quartet of cuts that could arguably be described as retro-futurist Afro-tech - all delay-laden beats, basslines and organs subtly sparring with gentle acid lines, Motor City electronics, beguiling deep space textures and shimmering, 31st century motifs. It's arguably Allen's stylistic contributions that dominate, but that's no bad thing.

Review: The first release from the Axis Audiophile Series. Jeff Mills has formed an electronic jazz fusion band and this 12? is a recording of their recent performance in Kobe during the TodaysArt.JP Festival. Mills manages the decks, drums and percussion and is joined Detroit legend and Underground Resistance stalwart Gerald Mitchell (Los Hermanos/Galaxy 2 Galaxy), keyboardist Yumiko Ohno and bassist Kenji Jino. "Eventide" has the same kind of urban, uplifting soul as anything Kaidi Thatham or Mark de Clive-Lowe have made and isn't bad at all! On the flip "Happy Gamma Ray" features uplifting keys and emotive chords backed by funk bass and one of Mills' unmistakeable 909 drum machine workouts. It really seems that there's no limit to this Motor City legend's creativity which has spanned nearly 30 years and we're excited about this new chapter in the Wizard's sonic universe.

Review: Jeff Mills, the legendary Detroit techno pioneer who has been praised and worshipped by everyone club kid over the age of 18 since the late 80s, has focussed his efforts more on the classical side of music in more recent years. His gigs at the Barbican over the last few years, for example, are the shows to which he's dedicated most of his attention to, and it somehow all makes perfect sense. Although legendary tunes like "The Bells" or "Amazon" are straight-up dance floor bombs, there has always been a feeling that Mills' tunes were composed of something more than mere kick drums and monophonic instruments. This new album, Planets, sees the artist showcase the role of science fiction and of an imagined order prominently, something he's always been fascinated with. The likes of "Mercury", "Venus", "Earth" and the rest of the cosmos make more sense here than they do in the academic books; much like the great Sun Ra, it's almost as if these artists have found a simpler, more instinctive way to transmit the power of the universe. And that's through sound. The price might seem hefty, but this will be regarded as a very important release in the future. A fantastic journey through space and time.

Review: The Wizard is getting a little reflective in his old age. While still remaining one of the Motor City's premier futurists, Mills has decided to inaugurate a series built around overlooked or hard-to-find gems from his vast back catalogue. He begins volume one by offering up a stomping and mind-altering "Unreleased Version" of 1993 horror-techno cut "Suspense", before allowing us a second chance to enjoy the off-kilter rhythms, dystopian electronics and melancholic organ chords of 1995 classic "Gamma Player". Over on side B, you'll find the metallic, industrial style percussion, deep space riffs and thrusting drums of "Transformation B (Rotwang's Revenge)" and what appears to be an alternative version of "Exhibitionist 2" track "Hydra & Synergy". The latter is arguably the most "sci-fi techno" cut on the EP.

Review: Jeff Mills' legendary Axis label turned 20 years old last month. To celebrate, the acclaimed Detroit DJ producer has put together this deluxe, two-disc retrospective featuring label favourites, little known gems and stone cold killers. Keen Mills-watchers will know most of the material, but for the rest of us there's plenty to enjoy. Musically, Sequence closely mirrors Mills' career to date, mixing raw and uncompromising techno floor fillers with cascading electro, shuffling ambience and far-sighted Motor City futurism. The balance is just right, confirming our original hunch: this is the sort