Review: Planet Mu usher in the return of Ital Tek and a new sonic approach for the long-term label associate, as Hollowed finds Alan Myson switching up his approach. The chance to immerse himself in a new studio set up was the impetus for Myson to engage in laying down countless hours' worth of loops, drones and textures. It is apparently a method he used as a teenager, but armed with years of recording experience he was now able to make the record he had then envisaged. Fans of the crisp style of dubstep Ital Tek made his name on might be a bit taken aback by this new direction, but there is plenty of fine music to explore here for those that like their sounds abstract and impressionistic.
Review: Alan Myson makes a very welcome return with this new body of work under his Ital Tek moniker. As a staple of Planet Mu since his debut in 2008, his style has grown on its own terms while retaining a core identity. Myson's instinct for looming, cinematic melodies is maintained to great effect, coming through in abundance on driving-yet-beatless opener "Chamber Music". It's not all poised and refined though - "Deadhead" slaps with a darkside heft that nods to the heavier side of Myson's musical roots. Likewise "Bladed Terrain", which has a strong whiff of synthwave coursing through its veins thanks to those buzzing leads. With towering production values and strong melodic themes throughout, this is Ital Tek through and through, but equally a strong step on for a staggeringly skilled and ever-evolving artist.
Review: Has there been a Planet Mu or Ital Tek release that hasn't packed a punch? Often divisive as a result, whether it's usually the right punch or not is a personal matter, but suffice to say yaysayers will be won over by the latest from both stable and producer. It's heavy, intelligent music that's steadfast in its rejection of anything like the norms - sitting somewhere between IDM, EBM, ambient and dubstep. As you'd expect, then, there are moments of real intensity. In fact, more than a few. The dystopian hoovers and thunderous kick drum of slow death rave anthem 'Bladed Terrain', or the equally well-titled bassbin killer 'Deadhead'. But although plentiful (and bountiful), those moments are contrasted by elegance and wide-eyed cinematic grandeur - 'Chamber Music', 'Open Heart' and 'Diamond Child'. Perhaps one of the best bass records you'll find in summer 2020.