GWENNO Schallplatten & CDs

Review: Not named after the notorious-famous Berlin techno institution Tresor, but instead taking its name from 'treasure' in Cornish, Gwenno presents her third full-length studio album, largely written in St. Ives, with most of the words Cornish, too. If that sounds pretty adventurous, then wait until you hear the tracks themselves, which benefit from handiwork by collaborator and friend Rhys Edwards, who is also credited with production of the record.

Introduction over, this is a wildly diverse and spectacularly different album. At times things feel haunting, almost choral. In other moments, we're in a 1960s-hued pop-y place, while work like 'Ardamm' seems born amid the dark room chug of underground goth post punk disco. Overall, it's certainly the artist's most spectacularly idea-filled outing, ensuring nobody is going to forget about it in a hurry.