EVERSINES Schallplatten & CDs

Review: Organ-filled ambient house courtesy of a four-way collab between AP, DJ Tjizza, Eversines and Michelle, who all form parts of the UK dance music collective Picnic. Refractive acid, dreamatic plastics, stoic echoics... every possible corner of trance-inducing dance heaven is scoured on this all-encompassing EP, the highlights of which, in our humble opinions, are 'Nyxation' and 'Panther'.

Review: Fresh from delivering a fantastic, club-focused album on Ninih (the robust 'Dwang'), Remco Hazewinkel AKA Eversines returns to Kalahari Oyster Cult for the first time in three years. He hits the ground running with opener 'Gaze', a moody and acid-saturated slab of nostalgic house-tempo techno full of foreboding motifs and psychedelic electronics, before wrapping winding TB-303 lines and dreamy pads around a rubbery bassline and elastic house beats on 'Fast Fall'. Over on the B-side, 'Affection Toward The Urban Environment' joins the dots between early 90s Dutch techno, Yorkshire bleep & bass and acid-flecked new beat, while 'Wavedash' is a bleep-sporting acid-electro shuffler that may well be the EP's standout moment.

Review: The latest release to come from rising Dutch label, Ninih, is Eversines' second solo album project, Dwang. An evocative sonic exploration of the themes of inner struggles and personal growth, Dwang traces many sides of Eversines' sound, touching on dreamy ambient, breaks, acid techno and trance over the course of the album. Kicking things off with the delicate, melodic ambient track, 'Bridge', like drifting down a slow moving river, with a hand outstretched to feel the flow of cool water below, we enter seamlessly into Eversines' soundworld. On the flipside of the first LP, 'Resist' is perhaps the ultimate dark-prog track, full-bodied and driving, this track strikes the perfect balance between moments of softness and heaviness. 'Fog' could perhaps be described as glitch-prog - dissolving into tumbling drums and pulsating, growling synths before re-entering with renewed force and flecks of ear-opening, leftfield sound design. A fantastic second album from the quickly rising star.

Review: London-based Undersound Recordings serve up four janky, stanky new ones on their latest compilation vinyl, flaunting four tracks of deep, dubby and ploddy electro and hous. Omar Santis, Eversines, Dynamic Wave and Enrica Falqui all come to the fore. Omar's 'Quiero Bailar' sets the weirder tones on the opening track, with its new wavey jaunts and licks and slapdash feel, while Falqui's closing 'Divine Time' proving a neat counterpoint; a no more overthought exercise in wondrous, synaptic ambience.