Review: Attention all DJs seeking that crowd-rocking curveball to get the people freaking out. This cheeky one-sided 12" from Digwah is guaranteed to fly out thanks to its canny sampling of Destiny's Child's "Jumpin' Jumpin'". These iconic hooks are strapped to a rolling minimal tech groove with pattering machine drum beats and a mean bass synth that gets right under your skin. Fun on top, serious underneath, this is one of those unmissable club 12"s that will always do the damage when you want to liven up the party.
Review: Another single-sided sizzler from the Digwah camp, whose irregular tech-house reworks of well-loved old cuts are rarely less than excellent. This time round, they've turned their attention to a sprightly, memorable chunk of '80s soul - an American club cut of the period that has been re-edited numerous times by disco diggers. The Digwah version, though, is an almost complete overhaul; while snippets of the original version's vocals and guitars are present in the mix, they largely play second fiddle to chunky tech-house beats and a bold, huggable bassline that propels the revision forward towards peak-time dancefloors. It's decent and scintillating like most Digwah remixes.
Review: Mystery label Digwah debuted in the summer, with a soul soaked trip into minimal techno territory that was supported by Ricardo Villalobos, amongst others. Like that 12", Something Else is a single-sided, hand-stamped affair, with no information given about the identity of the producer (or producers) involved. This cut retains the late night techno vibe of the original, but with percussion and whizzing electronic noises that recall classic tech-house from the likes of Swag, Rob Mello and David Duriez, rather than Berghain-friendly minimalism. The subtle, party-minded approach is confirmed by the use of cut-up vocal samples from Cuba Gooding Jr's "Happiness Is Just Around The Bend", which also featured on Nightmares On Wax's 1990 bleep techno anthem, "Aftermath".