DANIEL AVERY Schallplatten & CDs

Review: Daniel Avery's heartfelt tribute to the late, great Andrew Weatherall, the melancholic masterpiece that is 'Lone Swordsmen', was one of the standout tracks on his most recent album, the critically acclaimed Ultra Truth. Here the track returns in remixed form, with Throbbing Gristle's Chris Carter putting his spin on Avery's bittersweet, late-90s style IDM gem. Carter's version is a touch warmer and more percussively up-beat, with Avery's lilting lead lines, poignant melodies and glistening electronic motifs rising above a slipped breakbeat and moody bass. It's an excellent remix all told, and a fine example of how to rework on already excellent track to enhance its key features.

Review: Daniel Avery is one of electronic music's most talented artist right now. Whatever he doe sis worth hearing, even if it is an unlikely partnership with Alessandro Cortini, the Nine Inch Nails synth artist. This is their debut work together and is a fascinating coming toter of their own respective worlds - the ethereal pads of Cortini and more rugged electronic drones and textures of Avery. It was all done remotely, with no real concept, over many years, and is a delicate yet hugely powerful album of absorbingly bleak ambient, occasionally frosty textures and moments of true synth beauty.

Review: London's Phonica Records is celebrating being 20 years strong, not only a shop but also a label that serves as a breeding ground for all manner of new musical talents. What better way to mark the commencement of its third decade, then, than with some new music? 20 Years Of Phonica: Sampler 3 pulls together artists from the electronic vanguard, starting with Paramida & E-Talking's 'Read My Lips' which is an acid-laced 90s techno revival. Dauwd's 'Slam' is stripped back and pulses with acid and Daniel Avery's 'Bell' is languid, melodic and gorgeously serene techno. Willow's 'Willbush' is a skeletal minimal rhythm with some nice wobbly bass weight.