BILL EVANS Schallplatten & CDs

Review: The plainspoken title Previously Unheard Recordings was given to Stan Getz and Bill Evans' six-track set of rarities back in 1974. The result of a recording session completed over ten years earlier in 1963, all the pieces heard here shine bright lights on the pianist and saxophonist's synergistic powers, and come backed by auxiliary instrumental incantations from two bassists, Ron Carter and Richard Davis, as well as drumming by Elvin Jones. Emblematic of the cool jazz style, the overgirding mood is one of time-lapsed delight and lightness of being, but yet which is not fearful of life's downer moments; this loyalty to jazz's complexity of mood can be heard all the way from 'Night And Day' or the closing 'Grandfather's Waltz'.

Review: It's not often that a previous unheard recording of a giant of jazz is found loitering in the depths of someone's personal collection, but that's the case here. These recordings of legendary jazz pianist Bill Evans, laid to high-quality tape in 1964, were discovered last year in the personal archive of jazz musician Ole Matthiessen. Now fully mastered, it's a genuine unheard "Holy grail" - a set of recordings that show the versatility and quality of Evans' playing. Basically, it's a fantastic collection of piano jazz numbers, with Evans either playing solo, or accompanied by little more than a drummer and a double bassist. If you love jazz, you need this in your life.

Review: The Tony Bennett Bill Evans Album (1975) brings together two legends of modern music. Featuring just vocal and piano, without any additional musicians, the two artists selected the songs and worked out the arrangements for what was to become the first of two albums together. The frankly-Christened The Tony Bennett Bill Evans Album was thus born, and is a stunning introduction to a particular coming-together of two iconic instruments. This new edition is released as part of the OJC Series and is pressed on 180-gram vinyl at RTI, with all-analogue mastering from the original tapes by Kevin Gray at Cohearent Audio.

Review: Know What I Mean? is a sublime collaboration between two jazz giants. Released in 1961, it showcases the unparalleled musical chemistry between Adderley's exuberant alto saxophone and Evans' masterful piano. With tracks like 'Waltz for Debby' and 'Elsa,' it blends lyrical melodies with inventive improvisation to mesmerise the mind while Adderley's dynamic energy contrasts beautifully with Evans' introspective style. That captivating interplay highlights the best of both musicians and means this album is a timeless gem in the jazz canon that is rightfully celebrated for its sophistication.