Ambient/Drone charts

Review: On the back of Kompakt's expansive retrospective of his work under the Gas alias, the essential Box, Wolfgang Voigt has decided to deliver a new album - his first for 17 years. Predictably, Narkopop is as cinematic, widescreen and densely layered as anything the German ambient producer has done to date. Over 11 spellbinding tracks, Voigt blends field recordings and droning electronics with sweeping, almost orchestral movements, swirling melodic cycles, and occasional forays into rhythmic hypnotism. The result is a collection of "wall of sound" ambient compositions that does a terrific job tiptoeing the fine lines between both grandiosity and intimacy, and joy and pain. In a word: essential.

Review: Barnt returns for a weighty, new wavey three-tracker on Kompakt, not quite straying from his trademark minimal tech style, but nevertheless working in novel elements. 'This Is For The Decor Only' is a glistening ambient trance cut, working in detuned leads and melodic 'woahs' (woah indeed), while 'You Know What's Gone' recalls everything from mid-80s body music, new romantic dance, and medieval music. 'Fan' is the ambient closer, revealing the producer's musical talents far beyond that of mere dance music. As Barnt says, he wanted to touch on a "ceremonial, emotional, grand spirit", and he's achieved just that.

Review: To date Wata Igarashi has released most of his work as singles. The Japanese techno producer has steadily risen in profile thanks to releases for the likes of The Bunker New York, Nidgar, Bitta and Delsin, but now his trajectory shifts into a different gear as he offers up his first fully-fledged artist album outside of Japan for the mighty Kompakt. It's clear from the offset he's relished the opportunity to stretch out on an album and we're treated to some stunningly rendered ambient and downtempo soundscapes - just listen to the slow rise and fall of 'Searching' and you'll be instantly sold. There's space for drama and accomplished composition as on 'Ceremony Of The Dead', jazzy exploits on 'Burning' and much more besides, showcasing the unbridled imagination of one of Japan's brightest talents.

Review: With Kompakt shorthand for royalty-grade electronic music we definitely shouldn't need to sell this one. Sacramento, California duo Blank Gloss may be less familiar, though, albeit those paying attention to the label will no doubt remember their stunning 2021 debut for the imprint, 'Melt'. A showpiece for the beautiful piano and synth work of Morgan Fox and Patrick Hills' tranquil guitars, it truly stood out.

Cornered is the pair's third LP overall, and picks up where that predecessor left off, kind of. It certainly comes from around the same period, recorded in just two days of December 2020, but there's plenty of progress that you can hear on the album. While never ones to overfill things, what's here - instrumentally speaking - seems to shine like a candle surrounded by darkness. Not sparse, but precious, vulnerable, and intimate, allowing plenty of space for the melodies and movements to take hold of you.

Review: For those that enjoy the more accessible, melodic end of ambient and deeper, gentler explorations of electronica, Kompakt's long-running Pop Ambient series has always been a must-check annual treat. The Cologne label's latest edition undoubtedly lives up to the quality of its many predecessors. Beginning with the spacey swell of T. Raumschmiere's 'Eternal', the collection attractively sashays between delicate, new-age influenced aural bliss (Mikkel Metal), immersive sunrise soundscapes (Yui Onodera), birdsong-smattered beatless beauty (Triola), enveloping sound design epics (Thore Pfieffer and Niko Tzoukmanis), crackling ambient transmissions from another dimension (Sono Kollektiv), nods to the Orb's FFWD collaboration with Robert Fripp (Blank Gloss) and cavernous explorations of slowly shifting audio textures (Umit Han).