Back catalogue: Ambient/Drone

Review: At least one person has described Scythe's work as "expertly modulated space blues and isolationist architectures." First emerging from the ether (or at least that's how we like to think of it) through a series of clandestine cassette releases on Low Company in 2019 and 2020, Head X'Change almost feels like the culmination of all that has come before. A weird and truly wonderful place to spend time. A collaborative project between David West and R.A. Jones, elements of kosmische intermingle with a kind of earthy ambience, DIY electronics leading into white noise moments or new age melodies. At times it's so joyfully opiate you wonder if there's any way of getting back up off the pillow. In other moments, there's tension, eeriness, and uncertainty. Once you're in, it's a wild ride indeed.

Review: British jazz musician Shabaka Hutchings releases his sophomore album 'Perceive Its Beauty, Acknowledge Its Grace', set to be another distinctive ribbon on top of his well-decorated jazz career including collaborations with Andre 3000 and being a member of Sons of Kemet. The LP marks Hutchings' return to music after giving up the saxophone a year ago. Here he returns to his original instrumental calling, the clarinet, but a wide array of wind and percussion punctuates his musings. Opening track 'End of Innocence', is a brief and understated clarinet and piano marriage. The reverberation of the keys softly drones behind the masterfully precise clarinet lead, with perfectly placed percussion sprinkled throughout. It's introspective, serene and understated - a supremely narrative feel that only instrumental jazz can give off. This pressing is the indie-exclusive red-coloured disc.

Review: Composer and multi-instrumentalist Shabaka Hutchings releases his sophomore LP Perceive Its Beauty, Acknowledge Its Grace', building on his increasingly impressive career working with Andre 3000, Sun Ra Arkestra and heading multiple bands - not least the, now dissolved, The Comet is Coming. The album marks the king's return to music, following his abandonment of the saxophone in 2023. Here he returns to his original instrumental calling, the clarinet, but a wide array of wind is on offer. The first single, the opening track 'End of Innocence', is a succinct clarinet and piano marriage. The reverberation of the keys softly emanates behind the masterfully controlled clarinet lead, with perfectly placed percussion sprinkled throughout. It's introspective, serene and understated - a supremely narrative feel that only instrumental jazz can give off.

Review: Shabaka Hutchings' Perceive Its Beauty is a profound and meditative musical journey that celebrates the richness and grace of African culture. Through a diverse ensemble of renowned musicians, Hutchings invites us to immerse ourselves in a sonic landscape that evokes the beauty and bounty of the Motherland. The album's meditative quality stems from the restraint and collective nature of its creation. The instruments seem to float effortlessly, creating a sonic cloud that carries echoes of Afro-Asian music and the tranquil sounds of nature. Yet, within this understated atmosphere, individual brilliance shines through. The artistry of Jason Moran on the piano and the ethereal voices of Moses Sumney and Eska add layers of nuance and emotional depth. In an era often marked by division and disharmony, Perceive Its Beauty offers a refuge of unity and peace. It invites us to transcend superficial boundaries and embrace the beauty and grace that resides within and around us.

Review: Joseph Shabason, Matthew Sage, and Nicholas Krgovich form a harmonious triangle, both musically and geographically. Hailing from Toronto, Colorado, and Vancouver respectively, they converged at Sage's barn studio nestled at the foot of the Rockies to explore their shared talent for finding beauty in life's mundane moments. Shabason, known for blending late 80s adult-contemporary and smooth jazz aesthetics into ethereal soundscapes, joins forces with Sage, who combines instrumental prowess with synthesis and field recordings to evoke the natural world's whimsy and profundity. Completing the trio is Krgovich, whose observational poetics add a relatable touch to their calm expressionism. Their collaborative album, warmly Shabason, Krgovich, Sage extends the wry and melancholic micro-miracles established in their previous works.