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Four Weeks: All Genres

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Cat: 738759 Rel: 09 Jul 19
 
MIDI breakout cable
Notes: MIDI breakout cable for Yamaha Reface CP37 mini keyboard. Part no: ZP893500.
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 1 in stock $8.08
Cat: 739084 Rel: 12 Jul 19
 
Teenage Engineering USB cable
Notes: Teenage Engineering present the OP-Z USB Cable Type C to Type C, which has been specifically designed for use with their OP-Z synthesiser. 0.75 metre length.
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 2 in stock $31.28
Cat: 739082 Rel: 12 Jul 19
 
Teenage Engineering USB type C to type A cable
Notes: USB Type C to A, designed for the OPZ. 0.75m length.
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 2 in stock $31.28
Cat: 739089 Rel: 12 Jul 19
 
Teenage Engineering 3.5mm to 3.5mm audio cable
Notes: Stereo audio cable designed and shaped to fit the OP-Z. The cable is 75cm long, and has straight 3.5mm stereo jack plugs on both sides.
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 2 in stock $19.04
Cat: 739088 Rel: 12 Jul 19
 
Teenage Engineering cable
Notes: The 1.2 metre Teenage Engineering spiral audio cable features a coiled cable with straight 3.5mm connections for any compatible audio device.
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 2 in stock $31.28
Cat: 739087 Rel: 12 Jul 19
 
Straight 3.5mm to right angle 3.5mm
Notes: The 1.5 metre Teenage Engineering audio cable provides a straight 3.5mm to a right-angle 3.5mm connection for any compatible audio device.
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 2 in stock $31.28
Cat: 739091 Rel: 12 Jul 19
 
5 x 3.5mm stereo cables
Notes: Sync Cable Kit for OP-Z synthesiser, contains five 1/8" TRS minijack cables.
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 2 in stock $41.71
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quote 739091
Tascam Series 208i Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718908 Rel: 03 Jul 19
 
20-in/8-out USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

A Wealth of Outputs:

The SERIES 208i provides eight individual analogue outputs for versatile monitoring (up to four stereo pairs of monitor speakers) and surround audio (up to 7.1) for video production.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.
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 1 in stock $365.08
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quote 718908
Tascam Series 102i USB Audio & MIDI Interface (USB audio & MIDI interface)
Cat: 718909 Rel: 27 Jun 19
 
10-in/2-out portable USB 2.0 audio/MIDI interface with DSP mixer
Notes: Expandability, both internal and bundled effects processing, internal mixing, external software control, and more for studio, home, and live recording. With a new look, including an angled tabletop design and large, easy-to-grab knobs, TASCAM sets a new standard for mid-grade audio interfaces.

Supreme Audio Fidelity:

It all starts with the best sound: TEAC and TASCAM have more than 60 years of high grade audio design experience. TASCAM Ultra-HDDA (High Definition Discrete Amplifier) mic preamp circuitry guarantees transparent natural tone with ultra-low noise.

24-bit/192 kHz:

A new-generation TASCAM audio interface engine delivers high-definition, 24-bit/192 kHz recording and solid stability.

Expandable input capability to grow into:

Easily add more input channels to accommodate future growth by using external microphone preamplifiers with S/MUX optical inputs to record drums, guitars, keyboards, vocals, and more. Each S/MUX optical port can accept up to 8 channels of audio input from an ADAT- or S/MUX-compatible device.

Well-designed interface for quick production:

TASCAM SERIES audio interfaces feature a large, easy-to-grab Monitor control knob that ensures you can quickly adjust the monitor output level. Their angled tabletop design offers easy access to all front-panel controls. A handy Monitor Balance control enables mixing live input with computer playback for zero-latency monitoring. Each analogue input channel is served by an individually switched +48 volt phantom power supply for condenser microphones.

Dual headphone monitoring:

The SERIES interface has 2 individual headphone amplifiers which offer powerful enough dual headphone monitoring.

Control Software for Matrix Mixing, Effects Processors, and More:

Free, easy-to-use TASCAM Control software manages faders, processing, and the ability to route any audio input (analogue, optical, and USB) to any audio output.

Built-in DSP Effects and Processing:

A DSP input and output mixer is complemented with digital reverb, compressor, phase invert, and 4-band EQ for each channel. Having these processors included internally eliminates all latency issues and takes the load off the computer allowing the PC/Mac to process the audio more efficiently.

Mobility:

TASCAM SERIES interfaces support tablets and other mobile devices and are compatible with many applications to meet your recording needs now and in the future.

Start Making Music Immediately with Bundled Software:

TASCAM SERIES audio interfaces are bundled with world-class software. Record with Steinberg Cubase LE DAW for Windows and Mac computers and Steinberg Cubasis LE DAW for iPad. Then process your audio with IK Multimedia AmpliTube guitar/bass modelling and effects software. Finish your high-quality, polished recording projects with IK Multimedia T-RackS mastering software. Both free standing and plug-in versions of AmpliTube and T-RackS are included.

iZotope award-winning plug-in included:

Tascam SERIES 102i/208i - iZotope Neutron Plug-inNeutron Elements provides an easy, fast way to a professional mix - and it is included with every purchase of a Tascam SERIES interface. Neutron brings mix workflows to the 21st century with four modern mixing tools in one mothership plug-in, featuring mix assistance powered by machine-learning with unrivalled quality and speed.
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 4 in stock $272.24
Cat: 738495 Rel: 08 Jul 19
 
Quad multimode oscillator with a vast array of sonic options
Notes: The Synthesis Technology E370 is a 4-channel DSP-based VCO, 54HP wide module that incorporates features from the E340 Cloud Generator and the E350 Morphing Terrarium (both are discontinued), while adding additional modes from the E352 Cloud Terrarium. It uses 105ma of +12V and 32ma of -12V.

VCO Architecture:

Each VCO is independent in the E370, but the 'pooled CV buss' (see description below) allows sharing of CV and mixing of audio outputs if desired.
The VCO is based upon a unique implementation of wavetable synthesis using 256 fixed-sample-length tables of 16-bit values. Each bank in memory consists of 64 wavetables, in an 8x8 array (like a chessboard). Our proprietary DSP algorithms then allow either smooth or 'glitched' morphing between the wavetables in various ways. The E370 comes with 3 factory banks (192 total waves) and internal FLASH memory to hold 26 user-defined banks. This allows over 1,650 individual wavetables to be accessible. The free, cross-platform WaveEdit program is used to generate and import WAV files to user Banks.

Colour LCD/Navigation:

Everyone hates 'menu-diving', us included. That's why we focused on making the most 'shallow' menu system possible. Everything is just 1 or 2 clicks away. No endless screens and pages to remember. The encoder is a mil-spec Grayhill optical encoder with a 25yr typical life. And if it ever needs replacing, it's on a easy to access cable assembly.

Sharing CV Resources:

The factory default state of the E370 is each VCO has 2 PARMs called X and Y. VCO1 has X1 and Y1, VCO2 has X2 and Y2, and so on. However, these are not 'hard' assignments, just the default ones. You can share ANY of the 8 PARMs across 1-4 VCOs. For example, PARM Y3 can be assigned to all 4 VCOs at once, so turning the PARM Y3 knob and the external MOD Y3 CV is fed to every VCO. This voltage can then modulate each VCO in a different way, depending on where you assign it.

User Wavetables and Patch Storage:

Loading and storing your own wavetables is via the uSD card interface. The uSD card is NOT REQUIRED to run the E370. It is also used for firmware updates. The free application WaveEdit is used to format the wave data and bank data into the proper format used inside the E370.

Audio Output Mixer:

The default state of the Mixer is each VCO is full volume and only appears at its own output jack. Using the Mixer screen, each VCO output can be mixed with all the others. This is useful for the Morph + Phase mode, and also during live performance where only 2 audio outs are commonly used. The mixing levels are fixed in log steps: there is no 'CV-controlled mixing' function.

VCO Modes:

Although the E370 excels at smooth morphing between wavetables (first introduced in the E350 Morphing Terrarium in 2010), traditional VCO waves such as saws, pure sines, and filtered noise (using a 4-pole resonant lowpass ladder filter) can be selected. Thru-zero, linear FM (in 3 ranges) can be used on not just triangle waves (as in an analog VCO) but with ANY waveshape or any wavetable. Here are all the different modes you can place each VCO in, and remember each VCO can be a different mode.
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 1 in stock $1,289.24
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quote 738495
Cat: 731219 Rel: 15 Jul 19
 
16 voice oscillator - 12HP
Notes: The Demon Core Oscillator is a 16-voice DCO based on classic keyboard synthesizers.

This module offers also a static detune spread and a CV controllable core stability feature similar to Sequential Synthesizers. It introduces VCO-like pitch drift and jitter, allowing the module to sound like 80's polysynths.

With the help of the separately available expander, the module can be played polyphonically via MIDI.
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 4 in stock $473.55
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quote 731219
Cat: 731220 Rel: 15 Jul 19
 
Expander for the Demon Core Oscillator - 8HP
Notes: This module brings polyphonic control to the Demon Core oscillator.

The stacks can be divided between up to 16 polyphonic voices via MIDI or four 1V/oct inputs with attenuator. The oscillator can be set in continuous streaming mode or in MIDI gating mode with an ADSR envelope for each polyphonic voice.

The time sync can be also triggered via MIDI for each voice.
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 3 in stock $271.19
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quote 731220
Cat: 738775 Rel: 11 Jul 19
 
Two-tier, standing-height, heavy-duty keyboard stand in black, with carry bag
Notes: The new standard in column keyboard stands is here; STAY's TOWER is a sturdy and ingeniously designed solution. Made from ultra-strong extruded aluminium, TOWER weighs nearly half of the leading column stand, yet supports comparable weight easily. Support legs are curved to lift the stand off the floor, allowing pedal placement wherever the player desires - even under the stand. TOWER also breaks down in seconds and comes with a sectioned carry bag for easy transport of all components.

- Maximum load capacity: 120 kg
- Automotive paint
- Ultra fast assembling
- Product net weight: starting at 5.4 kg
- Tote bag included
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 1 in stock $203.39
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quote 738775
Cat: 738765 Rel: 09 Jul 19
 
Compact, portable algorithmic digital synthesiser
Notes: Diverse sound engines include the FM SYNTH, the 8BIT WAVE MEMORY SYNTH that allows editing and morphing, the DNA Explorer that can be used to examine and alter waveforms from captured audio, the SAND FLUTE noise engine, and the SiGRINDER granular synthesizer.

From the day you put your hands on the ELZ_1, you will become a sound adventurer.

Start a journey in search of exciting sounds that are unique to this world.

Step sequencer:

A step sequencer with up to 64 steps and 6-voices has been added in Version 2.

- Length of 1 to 64 steps
- Real-time and step recording
- Notes between steps can be tied
- Up to 128 patterns can be created
- Build sequences in real time during live performances using the five real-time recording modes (add/overwrite tied notes, add/overwrite one-step notes, erase notes)
- Metronome
- Import/export sequence data

Sync with external clock signals (Compatible with volca series and Pocket Operator series):

By connecting a device that outputs a clock pulse of less than 5V*, which includes KORG volcas and Teenage Engineering Pocket Operators, to the ELZ_1 AUX IN jack, their step sequencers and arpeggiators can be synchronized.

Other features:

- With a Pocket Operator, both the clock signal and mono audio signal can be input by connecting with a stereo mini pin cable
- Using the SYNC THRU function, the clock signal can be output from the headphone jack, allowing multiple devices that support synchronization to be chained

Synthesizer enhancements:

Parameters that support modulation have been added to SONICWARE's unique DNA EXPLORER, SiGRINDER and SAND FLUTE synth engines. All the parameters of these synth engines can be modulated with an LFO or envelope.

- Real-time modulation of the EXPLORE parameter in DNA EXPLORER and the DIG parameter in SiGRINDER makes the sounds of these synth engines even more dynamic and further enhances their organic characteristics.
- By adding a GLIDE parameter to the MONO and LEGATO modes of the SAND FLUTE noise engine, the noise sound of different pitches can be tied together smoothly, increasing the expressiveness of this synth.
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 2 in stock $520.50
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Cat: 705117 Rel: 26 Jun 19
 
Complete music production kit featuring pad controller, audio interface, microphone & software
Notes: Produce your tracks and get professional results with this tightly integrated, all-PreSonus production kit. Start triggering samples and loops in real-time with the flexible and intuitive ATOM pad controller. Record vocals and create your own sample library with the bus-powered AudioBox USB 96 audio/MIDI interface and M7 large-diaphragm condenser microphone. Capture and mix it all in Studio One Artist with the bonus MVP Loop content library and the Studio Magic Plug-in Suite for professional results.

ATOM: Fast, flexible control:

Produce beats, play virtual instruments, and trigger sound effects and loops with unsurpassed expressiveness and flexibility! The most versatile pad controller in its class, PreSonus' ATOM pad controller is compatible with most music software and integrates with included Studio One Artist production software to let you create and perform with ease. Perform and produce with virtual instruments and trigger samples and loops in real-time, using 16 full-size, velocity- and pressure-sensitive RGB pads and 8 assignable pad banks. MIDI Keyboard mode, Note Repeat mode, and Full Velocity mode enable you to custom control your instruments. And with 4 programmable rotary encoders and 20 assignable buttons, you can navigate and set more parameters faster.

Studio One Artist makes recording a breeze:

No other recording and production software is this easy to learn and use, yet is capable of creating studio-quality output. Studio One Artist lets you work quickly and stay focused on your inspiration and offers unlimited tracks and plug-ins. Access powerful editing tools without wading through menus. Load and save audio clips, MIDI files, and effects by drag-and-drop. Studio One makes it easy! Best of all, ATOM and Studio One integrate tightly so you can enjoy a blazingly fast, professional-style workflow.

AudioBox USB 96: Simple, reliable, and portable:

The simple, handy AudioBox USB 96 audio/MIDI interface has just the right features for your recording needs, including two combo mic/instrument inputs and zero-latency monitoring, so you can simply plug in and start recording right away. Bus-powered, built to travel, compatible with most recording software for Mac and Windows, and equipped with high-performance microphone preamplifiers and professional-quality, 24-bit, 96 kHz converters, the AudioBox USB 96 makes high-definition recording easy.

Capture every nuance with the M7 condenser microphone:

Get your mic collection off to a good start with the M7 large-diaphragm condenser microphone. Condenser mics are the overwhelming choice of recording studio professionals, enabling you to capture musical details, harmonics, and subtle nuances that would get lost with dynamic mics. Large-diaphragm condenser microphones like the M7 tend to "warm up" a sound, making them go-to microphones for recording vocals and a wide range of instruments.

Everything you need:

With the ATOM Producer Lab and a laptop, you're ready to start producing. You'll love ATOM's expressive pads and flexible controls, and its tight integration with Studio One will open up your production environment and speed up your workflow. You get a wealth of virtual instruments, loops, and drum kits with Studio One, plus the Studio Magic Plug-in Suite and a carefully curated MVP Loops loop and one-shot library custom-designed for ATOM. You can buy even more content from the PreSonus Shop. Check out the ATOM Producer Lab at your favourite PreSonus dealer today!
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 2 in stock $238.87
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quote 705117
NUX PA50 Personal Monitor Guitar Amplifier (monitor/guitar amplifier)
NUX
Cat: 735361 Rel: 15 Jul 19
 
Personal monitoring amplifier featuring 2 separate input channels with different EQ response
Notes: The NuX PA-50 personal monitoring amplifier has a flat frequency response and is equipped with a full range 2-way speaker set. 2 independent channels each have a different EQ response. Channel 1 is improved for dynamic sound and designed to enhance low and high frequencies. Channel 2 has a flat response which does not colour the tone of the input source. Use with a processor or IR loader, such as NUX Solid Studio to give the true sound your favourite guitar amplifier(s) without carrying the whole rig. And use the 3-band EQ and you can fine-tune your output to get a perfect result.
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 2 in stock $167.93
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Cat: 737544 Rel: 26 Jun 19
 
All-analogue distortion & lowpass filter - 4HP
Notes: Viol Ruina is an all-analogue distortion and lowpass filter with an internal envelope follower and self-modulating cutoff. The four-pole design is reminiscent of the classic filters we all know but with a completely new and slightly ridiculous twist. The independently addressable distortion circuit takes VR into overdriven paradise with a shocking amount of drive. Built-in envelope following makes an easy way to create dynamic patches with the flick of a switch, and feedback FM takes VR to a whole new realm of filthiness. Run a sound through VR, you'll get something cool out of it.
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 1 in stock $128.29
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quote 737544
Cat: 735675 Rel: 01 Jul 19
 
2-stage LFO with Sequential, Composite & Modulation modes
Notes: The Malekko Goatkeeper (MGK) is a completely redesigned version of the Lightfoot Labs Goatkeeper, first released in 2007. The core of the pedal is an all analogue tremolo circuit using a THAT Corp VCA, which when combined with the built in waveforms, can produce tremolo sounds from percussive to smooth. The MGK's LFO generation consists of two stages, each with a range of multiplier values and waveform selection.

The two stages can be run in 3 ways:

- Sequential: The two stages are run one after the other
- Composite: The two stages are run simultaneously and the effective waveform is a polyrhythmic composite of the two.
- Modulation: The two stages are run simultaneously and the effective waveform is the equivalent of one modulating the other.

Tempo can be set with the RATE knob or with the Tap/Sync input. The Tap/Sync input accepts a Malekko Lil' Buddy for tap tempo control, or an analogue clock/metronome signal. The DEPTH knob allows the effect to vary from subtle to high intensity.
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 1 in stock $226.34
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Cat: 731192 Rel: 19 Jun 19
 
CV-controlled 5-channel stereo mixer - 10HP
Notes: X-PAN is a compact and powerful 5 channel Voltage Controlled Stereo Mixer with Low Noise and High Headroom allowing for creation of complex panoramic audio imagery in just 10hp.

X-PAN is highly responsive to control signals allowing for exploration of the fluctuating stereo sidebands possible with Audio Rate Crossfading and Panning. X-PAN is Direct coupled for use as a CV Processing and Routing toolbox.

X-PAN consists of two full featured Channels and one simpler Channel. The top two Channels each have voltage controlled cross-fading and panning while the third Channel is a stereo aux input with stereo VCA. All three Channels are combined together at the stereo SUM outputs.
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 More than 10 in stock $207.57
KRK
Cat: 718674 Rel: 12 Jul 19
 
10" 3-way powered mid-field studio monitor
Notes: The new thunderous 10" KRK ROKIT RP103 Generation 4 ("G4") tri-amp professional monitor takes music and sound creativity to a whole new industry-level. A tri-amp monitor ingeniously built for those needing to hear the depths of their productions clearly on every frequency range with DSP-driven room tuning with 25 visual Graphic EQ settings on an LCD, and combined with the included KRK App to help minimize and correct problems in your acoustic environment. Matching drivers (10", 4.5", 1") made with Kevlar ensures the same sonic integrity on every single frequency, minimizes listening-fatigue, and offers an incredibly balanced listening experience.

A scientifically designed high-quality speaker enclosure and newly-designed front-firing port offer exceptional low-end extension, punch and flexible room-positioning. High density Iso-foam pads decouple the speaker from the surface for improved clarity while fluid mechanics fully tuned to the entire system result in a deep and dynamic listening "sweet-spot" with incredible imaging and 3D soundstage. A new custom designed efficient class D power amp reduces operating temperatures to retain better audio integrity while a built-in Brickwall limiter automatically engages at maximum amp-level to maintain a balanced sound, protect the system, and offer better and wider dynamics.

Although truly affordable, price isn't even in the ROKIT conversation-professionals choose ROKITs for their time-tested and reliable results. The new ROKIT Generation 4 Line actually is ROKIT Science.

For Your Creation Environment:

The ROKIT 10-3 G4 Tri-Amp Mid-Field Monitor features rotatable 4.5" and 1" speakers for both vertical and horizontal applications. A more powerful 300 watt class D amplifier and an extended low-end frequency response delivers accurate reproduction in the most demanding of listening environments.

ROKIT Science:

Building on over 30 years of monitor innovation and countless developmental partnerships with successful award-winning music and sound productions, the new KRK ROKIT G4 line has been scientifically re-engineered from the ground up for the way modern artists work - in all genres and environments.

Matching Kevlar Drivers:

Matching driver design ensures the same sonic integrity across all frequencies, minimizes listening-fatigue, and offers unprecedented clarity and sound reproduction.

DSP-driven Onboard EQ with Visual LCD:

An incredibly versatile and sonically accurate monitor. DSP-driven Graphic EQ with 25 settings help condition your acoustic environment while offering new levels of versatility in a studio monitor.

Scientifically Designed Enclosure:

High quality enclosure with a newly-designed front-firing port offers exceptional low-end extension and accuracy, punch and flexible room-positioning.
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 2 in stock $478.78
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Cat: 713618 Rel: 01 Jul 19
 
3-operator FM/phase distortion oscillator with thru-zero frequency modulation & external input
Notes: Complex digital oscillator with unison detune, programmable 3x4 modulation matrix mixer and external input. Intricate arrangements of phase distortion, thru-zero frequency modulation, and complex oscillation are instantly morphable and recallable through a voltage-controlled preset manager. Suitable for genre-targeted sequenced basslines, synthesis of stone, glass, and steel tones, and simulation of the acoustic properties of industrial machinery.

The Hertz Donut Mark III's main oscillator shapes its timbre by distorting the phase of a waveform lookup ramp, offering a linear growth of brass overtones from a simple sine wave whilst performing with exceptional clarity under heavy frequency modulation. The simulated resonance peak familiar to enthusiasts of phase distortion is also present and continuously controllable. The beloved "fractal" distortion from previous iterations of Hertz Donut is simultaneously available. The three waveform parameters operate in a modeless timbre space fully morphable under preset and shared manual/CV control, exhibiting stunning spectral evolutions that are intensified through the module's internal modulation bus. The fold knob is assignable to control one of the three parameters at a time, with the CV input also assignable to any of the three.

Two sinusoidal modulation operators are mixed to four modulation destinations with an external audio input. The operators may be locked to several precise frequency ratios of the main oscillator or set to be otherwise subordinate. The three sources may modulate each other's frequencies, or the amount of phase or fractal distortion. A plethora of control voltage inputs allow full control of the patch, reacting within a +/- 10V range. The first operator has a calibrated 1v/oct control voltage input and fine tune control, for use as an independent oscillator augmented by the modulation bus. The modulation mix is placed under the influence of a master control, so that a single knob and CV input control the degree of modulation in the entire module. Each sound that you design will have a unique and intense behaviour of this modulation control.

The preset manager stores 8 entire panel/menu states for instant recall under manual or voltage control. The control can also cause the creation of elegantly randomized preset data. The preset manager can be placed into a morphing mode where it assumes control of the various parameters, smoothly fading between entire panel states and generating very complicated sounds that are not easily described.

The unison de-tune function mixes in a nearly identical copy of the sound with slightly offset frequency, or optionally in octave or fifth intervals. The Hertz Donut operates at 96khz for a minimum of sampling by-products, able to consistently and competently generate ornate digital beauty and jagged swaths of sonic mayhem. The auxiliary output presents the output of one or both modulation operators, also with optional unison applied. The nearby mix output is an analogue sum of the Main and Aux outputs, facilitating parallel FM algorithm construction. 17 HP panel size. Perfect, genuine, complete, crystalline, pure.
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 2 in stock $469.38
Cat: 731216 Rel: 18 Jun 19
 
4 variable waveshape operators for linear FM synthesis - 30HP
Notes: Implementing frequency modulation synthesis completely from scratch in firmware, the Quad Operator is able to provide a modern take on frequency modulation synthesis.

- One knob per function design for true ease of use
- Any FM algorithm is possible via modulation matrix
- The Algo expander provides algorithm save/recall and crossfading capabilities
- Independent output per operator
- Virtual VCA per operator for both animating modulation and output volume control
- Includes a dedicated "AR FM" input with its own modulation sends, designed to bring an audio rate signal in from your rack for use as a modulator. Try processing a phase locked operator, and feeding it back in!
- Each operator can also be unlocked then tuned and patched independently, making the module a great general purpose oscillator bank
- Convincing digital emulation of classic analogue waveshapes - sine, triangle, square, and saw
- An LFO mode, enabled the generation of phase locked, complex modulation signals
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 5 in stock $500.67
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quote 731216
Cat: 731217 Rel: 18 Jun 19
 
Expander for Quad Operator's algorithm functionality - 4HP
Notes: Where the unexpanded Quad Operator maintains a one knob per function design discipline, we nevertheless recognized the value of some more advanced algorithm-oriented functionality.

The Algo expander for the Quad Operator provides:

- Saving and loading of modulation send knob positions for FM algorithm design reuse

- Crossfade between pairs of saved algorithms, or a saved algorithm and the live knob positions
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 2 in stock $95.95
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Cat: 738763 Rel: 09 Jul 19
 
Bi-amplified studio monitor featuring 7-inch woofer and 1-inch HEDD AMT (Air Motion Transformer) HF driver
Notes: The Type 05 model is a real multi-tasker. Its strong performance, digital connectivity, and compact size turn it into the ideal choice for mobile broadcast stations, recording studios, multichannel-setups, and VoIP conferences. The Type 05 is based on a 2-way-system that provides a solid fundament and a high degree of accuracy in the frequency range between 45Hz and 50kHZ by coordinating the interplay between a 6"-woofer and a high-resolution Air Motion Transformer (HEDD AMT).

Type 05 is, like all of our Series ONE studio monitors, additionally equipped with a modular connection system. Besides standard analogue XLR and RCA connections, the Type 05 features an empty card slot that we have designed to read Dante (Audio-over-IP) and other digital audio protocols.
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 2 in stock $379.68
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Cat: 734840 Rel: 15 Jul 19
 
Analogue VCO focused on all aspects of modulation - 12HP
Notes: The OSC1 from Future Sound Systems presents a voltage-controlled analogue oscillator with a few features unexpected of a basic oscillator, with a particular focus on covering all bases of signal modulation. Once triangle, sinusoidal and pulse waveforms are derived from its sawtooth core, each waveform is passed through a VCA. The outputs from these VCAs are then summed at the Mix output, which can be switched between 2- and 4-quadrant-multiplication modes. These two QM modes allow for a plethora of amplitude modulation effects to be achieved. Level controls for each waveform dictate both static level, but also depth of modulation through careful design of the control summation. Each individual waveform output is taken pre-VCA for maximum patching flexibility.

Shape modulation of the triangular, sinusoidal and pulse waveforms is also available. Both the triangular and sinusoidal waveshapes can be skewed forward or backward into ramp-like shapes, whilst shaping the pulse wave gives standard pulsewidth modulation.

Frequency modulation is available in both Linear and Exponential modes. The OSC1 also tracks to 1V/Octave over four octaves in its audible (HF) range, but can also be used as a low frequency oscillator in LF mode.

A Sync input allows for the OSC1 to be reset by an external signal. A rising edge will reset the sawtooth wave to its peak, from which it descends. The Inject input, meanwhile, allows for external signals to interfere with the sawtooth core. This allows for intermodulation-type effects to be produced, and opens new realms of chaotic oscillations.
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 2 in stock $248.24
Cat: 725951 Rel: 26 Jun 19
 
analogue live sequencer
Notes: Create live sequences with in-depth modulation. The Flame Maander Synthesizer & Sequencer is a four voice synthesizer featuring an onboard sequencer and analog filter bank.

The Flame Maander is a highly versatile desktop synth featuring wavetable sound synthesis including 4OX wavetables and individual filter/amp envelopes. This allows you to get in-depth with your sound design. Create real-time patterns and sequences on the fly using the live sequencer and take your performances to the next level.

The Maander Synthesizer also features USB/MIDI connectivity so you can use it in music production in your favourite DAW. You can even morph between filter types for unique sonic results.
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 2 in stock $946.07
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quote 725951
Cat: 731957 Rel: 03 Jul 19
 
Small compact joystick module with recording function - 8HP
Notes: The module can record the joystick movement up to a length of over a minute. The sequence remains stored in the battery-backed RAM after switching off. When playing the sequence, it can be manipulated in speed and playback direction.

There is a FREEZE function to hold the current joystick position plus an external reset input. In addition, a GATE is set during movement and a CV voltage is output as a function of the joystick movement. The ranges of the X / Y output voltages are bipolar +/- 5v or unipolar from 0 to + 10v. Both channels X and Y have a passive attenuator potentiometer, so that the voltage range can also be set lower.
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 3 in stock $168.97
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quote 731957
Cat: 700730 Rel: 03 Jul 19
 
Eurorack visual generator module
Notes: STRUCTURE is a visual generator module that is based internally on an OpenGL GLSL node based platform. It uses the concept of node structures to push visuals through the system.

STRUCTURE contains a video input system that you can select between two formats, Composite video or LZX 1V RGB (with sync applied to rear of module). The Composite input does full colour decoding. Input video can be mixed through effects, with other generators, effected with audio, etc. Input video can be NTSC or PAL, 480i. STRUCTURE auto detects and converts video inputs.

STRUCTURE contains two mirrored video outputs, both composite, selectable to NTSC or PAL 480i.

Two audio rate CV inputs can be used with audio nodes to generate audio based visuals, effects moved by audio waveform, XY plotting of audio inputs, or just used at low frequency CV inputs when not using audio nodes.

Three CV rate inputs can be used to modulate a variety of controls on each node.

All CV can be set independently to 1V or 5V expected input. Each CV has a scale control and a positive offset control for fine tuning incoming CV voltages.

A joystick can be used to modulate controls in real time, or used to record motion information that is played back in a loop. In addition, the joystick has a metal hat for nice weighted movement.

STRUCTURE can also generate 3D graphics, animate properties of the 3D objects, and allow you to map and node type to the texture of the 3D objects (like video).

Three gate inputs, usable by local buttons as well.

Three macro knobs on the top right, allow for global changes to the output node which are user configurable.

STRUCTURE has a USB input, which you can attach MIDI interfaces, MIDI keyboards, controllers, etc, or even a standard PC keyboard or numeric keypad. You can assign actions or state changes to trigger from any of these input sources.

SDCARD on front and back. Backside SDCARD stores system, front side stores user presets, images, configurations, objects, custom shaders, etc.

STRUCTURE has a full colour 320×240 preview screen which also provides lots of feedback when using.
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 1 in stock $865.75
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quote 700730
Cat: 732833 Rel: 25 Jun 19
 
stereo delay module
Notes: Erica Synths Black Stereo Delay is a hi-fi stereo delay with lot of unique features, based on our custom DSP engine. Developed in collaboration with Tim Pechersky aka TeemKaa of Useful Circuits. Tape, digital and ping-pong modes of delay, hold with overdub and delicate delay time and feedback control in combination with CV and trigger control over various parameters make this module not only great effects unit in your modular system, but also - an instrument on it's own.
Features:
" Stereo delay with adjustable delay time
" Tape, digital and ping-pong delay modes
" Tap and clock synchronization of delay time
" Reverse delay mode
" Hold mode (samples up to 20" of audio) with Add (overdub) feature
" Trigger control over Hold, Add and Reverse
" CV control over delay time, dry/wet mix and feedback
" Feedback path soft limiting compression
" Add to hold soft limiting compression
" Adjustable stereo delay spread
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 4 in stock $365.07
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quote 732833
EBS
Cat: 738498 Rel: 03 Jul 19
 
Flat patch cable TRS stereo, 58 cm
Notes: Stereo cable with 2 narrow angular 6.3 mm plugs.
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 3 in stock $7.82
EBS
Cat: 738497 Rel: 03 Jul 19
 
Flat patch cable TRS stereo, 28 cm
Notes: Stereo cable with 2 narrow angular 6.3 mm plugs.
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 2 in stock $6.25
EBS
Cat: 718776 Rel: 24 Jun 19
 
Flexible overdrive/compression pedal designed in collaboration with Billy Sheehan
Notes: When Billy Sheehan first turned to EBS to create his signature pedal, he needed to capture the essence of his sound in a pedal to serve him when he could not bring his entire rig. It turned out so great it has been a significant part of his main setup ever since and served thousands of other bass players as well. Now it's time for the ultimate version!

"This pedal is a distillate of several important principles in the signal chain for bass. Compression, distortion, tone-shaping and blending all together", Billy said when EBS released his first signature pedal in 2013. The original concept is still the same, but with more features added along the way.

Since the pedal splits the signal into two parallel paths - one clean and one with distortion - it becomes as if running the sound through two different bass rigs at the same time. The two Clean and Drive Level controls decides how you set the mix and melt the paths together. For a tighter, more defined sound you can engage the built-in compressor. Threshold settings for the compressor can be adjusted inside.

A Phase Inverter switch brings back more low-end to the drive channel at times. The Boost footswitch kicks up the drive gain a notch when needed.

The new and major feature of the Ultimate version is the Hi or Lo Frequency Filter. This switch moves the whole frequency spectrum of the Tone filter up or down, to extend the capabilities of the pedal.

The Hi setting adds a whole new palette of distortion sounds that was not possible to create with previous versions of the pedal.

The individual Effect Loops for each channel can be used to colour the channels individually with external effects. The Clean Loop jack can also be used as a clean input if you have a bass that features dual outputs. It sounds great if you run the lows through the Clean Loop jack while the mids/highs go through the main input, which leaves the lows untouched and only the higher frequencies treated by the drive.

This version has inherited all the features from the Deluxe version (including the possibility to swap the drive chip without the need of soldering). But the palette of sounds you can create is expanded by the new Hi or Lo frequency filter to make it complete.
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 1 in stock $221.12
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quote 718776
EBS MicroBass 3 Preamp Pedal (preamp pedal/DI box)
EBS
Cat: 718777 Rel: 24 Jun 19
 
Professional analogue bass preamp/DI box
Notes: The EBS Microbass 3. We've all been there. Being forced by circumstances to rely on someone else's gear and left with that uneasy feeling it could turn into a disaster. With the new EBS Microbass 3, you can let go of that feeling and be confident you'll have your sound no matter the situation.

The EBS MicroBass 3 is a 2-channel preamp, built exclusively with premium components. It is engineered by EBS in Sweden with technologies from the famous HD360 and Fafner II amplifier designs. The preamp operates at a signal level equal to a professional mixing console (+/- 15V) which gives you plenty of headroom. The high signal level makes it suitable to use as a preamp in combination with any type of power amp.

Run the Clean and Drive channels in series or parallel. Use the dual balanced XLR-outputs to tap the signal post and pre EQ at the same time. If you run the Effects loop in stereo mode, the balanced outputs become a Left and Right output instead. With 10 Mohms input impedance, it handles any type of bass - passive, active or with piezo pickups.

The built-in tuner makes it easy to tune between songs without the need of an external device. The MicroBass 3 also carries an onboard compressor, similar to the one found on several EBS amplifiers, and several more features.

The analog EBS MicroBass 3 ensures your sound - every time.
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 2 in stock $332.73
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quote 718777
Cat: 738649 Rel: 10 Jul 19
 
Multi-function module with LFO, switchable VCA, & VC delay - 8HP
Notes: Module A-147-2 is the successor of the VCLFO A-147 but offers much more features than the predecessor. The module is made of these sub-units:

- VCLFO: voltage controlled low frequency oscillator
- VCA: voltage controlled amplifier, switchable to voltage controlled polarizer
- VC delay unit: voltage controlled linear attack envelope (only one parameter: attack) for delayed LFO operation in combination with the VCA (e.g. delayed vibrato/tremolo)

LFO: The voltage controlled LFO has the waveforms Triangle, Sine, Sawtooth and Rectangle available and features a Reset/Sync input. Triangle/Sine and Rectangle are displayed by means of dual-colour LEDs (probably red/green), Sawtooth has a unicolor LED available (probably blue). The output levels are about -4V...+4V for Triangle, Sine and Rectangle. The Sawtooth level is about 0...+8V. The CV control can be switched to attenuator or polarizer ("CV Mode" switch). In polarizer mode the CV inputs affects the frequency in the reverse manner when the CV control is left from the centre position. In the centre position CV has no effect and right from the centre the control works like a normal attenuator. The frequency range (without external CV) is from about 0,005 Hz (i.e. about 3 minutes per period) to 200 Hz (with external CV max. frequency about 1kHz). In addition a ultra-low mode can be activated by means of an internal jumper. When the ultra-low jumper is set a fixed voltage is connected to the switching contact of the "LFO CV" socket. In polarizer mode of the CV control that way extremely low frequencies (up to one hour period and more) are possible. For this a jumper has to be installed on the pin header JP6. In the factory a dummy jumper is installed on the pin header JP7 "Dummy". JP7 has no function and is used only for "parking" of the jumper. Simply remove the jumper from JP7 and plug it on JP6. JP6 is located behind the CV control.

VCA: This is a linear VCA that can be switched to "normal" VCA (i.e. kind of a voltage controlled attenuator) or voltage controlled polarizer ("VCA Mode" switch). In the "normal" VCA mode amplification +1 is achieved with about +5V control voltage. In polarizer mode the amplification ranges from about -0.5 (i.e. inverted signal with about 50% level) with 0V CV to +0.5 (i.e. non-inverted signal with about 50% level) with +5V CV. With about +2.5V CV the signal is suppressed. Details about the functioning of a voltage controlled polarizer can be found in the description of the module A-133. In this mode the VCA can be treated also a DC coupled ring modulator (similar to A-114).

The VCA of the A-147-2 has three sockets available: "In" (signal input), "Out" (signal output) and "CV" (control voltage input).

The Triangle Output of the LFO is normalled to the VCA signal input by means of the switching contact of the "VCA In" socket. If another LFO waveform (or any other signal) should be processed by the VCA the corresponding signal has to be patched to the "VCA In" socket. The VCA can be used also independently from the LFO and the Delay CV. In this case the VCA sockets In, Out and CV have to be patched accordingly. The VCA can be used also as waveshaper for the LFO signals (e.g. by patching VCA In and VCA CV to different LFO signals, if necessary via attenuator A-183-1 or offset generator/attenuator A-183-2).

Attack/Delay: The third sub-unit of the module is a simple, voltage controlled envelope generator that has only the parameter "Delay" (or Attack) available. This unit generates a linear increasing voltage that starts from 0V after each Delay Reset until it reaches about +5V. Then the voltage remains at +5V until the next Delay Reset occurs. The inclination or gradient is controlled by the manual Delay control and the Delay control voltage ("Delay CV" input). The waveform is linear, the control scale is exponential. The output voltage is displayed by a green LED and available at the "Delay Out" socket.
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 1 in stock $124.12
Cat: 738645 Rel: 10 Jul 19
 
Low frequency oscillator with adjustable waveform - 8HP
Notes: Module A-146 (LFO 2) is a Low Frequency Oscillator, which produces periodic control voltages over a wide range of frequencies.

The LFO can be used as a modulation source for a series of modules (for instance pulse width and/or frequency modulation of a VCO, modulation of a VCF cut-off frequency, amplitude modulation with a VCA).

Three outputs are available, with different waveforms: sawtooth / triangle; square wave, and positive-voltage square wave.

The waveform is continuously adjustable from rising sawtooth, through triangle to falling sawtooth. The same control affects the pulse width of the square wave.

A three-way switch can select one of three frequency ranges, spanning from one cycle every few minutes, at the lowest, up to audio frequency at the highest.
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 1 in stock $67.79
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quote 738645
Cat: 738640 Rel: 09 Jul 19
 
Voltage controlled sine-LFO with four separate, phase shifted outputs - 8HP
Notes: Module A-143-9 is a derivative of our planned thru-zero quadrature VCO. It is a voltage controlled sine LFO with 4 outputs. The phase shift between the outputs is 90 degrees. The sine shifted by 90 degrees is also called cosine, the sine shifted by 180 degrees is nothing but the inverted sine, and the sine by 90 degrees is nothing but the inverted cosine.

The frequency range is from some minutes to frequencies beyond audio with three ranges selected by a toggle switch:

- Switch position H: about 30 Hz ... 3.5 kHz with the manual frequency control ("Frq."), beyond 20 kHz with additional external CV
- Switch position M: about 1 Hz ... 150 Hz with the manual frequency control ("Frq.")
- Switch position L: about 0,1 Hz ... 10 Hz with the manual frequency control ("Frq."), down to several minutes with additional external CV

Two exponential frequency control inputs are available: CV1 without attenuator and CV2 with polarizer. Consequently the module can be used even as an experimental sine VCO but does not feature an exact 1V/oct CV input! The precision CV input will be left to the thru-zero quadrature VCO.

Two LEDs display the positive and negative share of the sine output.

The core of the module is a so-called quadrature circuit that generates a sine a cosine signal with very low distortion. The quality of the sine/cosine signals are much better than those generated by a waveform converter with a sawtooth or triangle signal as starting point.

The output levels are about 5 Vss (+/-2.5V) but can be adjusted internally by a trimming potentiometer (P5 "Shape").

Typical applications:

- External sine/cosine oscillator for the frequency shifter A-126
- Modulations with pure sine/cosine waveforms
- Quadrature/barberpole effects (e.g. with the voltage controlled mixer A-135)
- Experimental sine/cosine VCO (e.g. for FM sounds)

Many users suggested to add a common output level control, i.e. four VCAs with one common control (manual + CV without attenuator + CV with polarizer) for the output levels. This is why we also designed the Quad VCA module A-132-2 with the possibility of an internal default connection to the four outputs of the A-143-9 (no soldering required, short 10 pin flat cable with removable connectors on both ends).

The A-143-9 is also a meaningful addition for the Frequency Shifter module A-126. It enables frequency shifting even below 50 Hz generating e.g. these mellow beat sounds with a few Hz frequency shifting only. The following document describes how to connect the A-126 and the A-143-9: A126_A143_connection.pdf.

The thru zero version of the A-143-9 with temperature compensation is the module A-110-4.
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 1 in stock $76.13
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quote 738640
Cat: 738639 Rel: 09 Jul 19
 
Four voltage controlled LFO's/ VCO's with triangle & rectangle outputs in one single module - 22HP
Notes: Module A-143-4 is a fourfold voltage controlled low frequency oscillator (LFO). As the frequency range includes moderate audio frequencies it can be used as a four-fold VCO too.

- Four independent VCLFOs/VCOs with triangle core
- Frequency range switches: low (bottom position) = LFO mode, high (top position) = VCO mode
- Two frequency control CV inputs for each unit
- CV1 without attenuator (~ 1V/oct)
- CV2 with attenuator
- Manual frequency control
- Internal jumpers for the frequency range of the manual frequency controls:
- Jumper not installed: ~ +/- 1 octave range (mainly for VCO applications)
- Jumper installed: ~ +/- 5 octaves range (mainly for VCLFO applications)
- Sync inputs: Combined Reset/Direction inputs for unit #1 - #3 / Separate Reset and Direction inputs for unit #4 (normalled sockets, i.e. Reset is connected to Direction if the Direction socket is unused) / Up/both/down direction switch for unit #4, for technical details concerning the Reset and Direction function please refer to the sketch below
- Triangle and rectangle outputs for each unit
- Typ. output voltage range -5V ... +5V for both outputs (i.e. about 10 Vpp, symmetrical with reference to 0 V)
- Red/yellow LED displays for the triangle outputs (red = negative output voltage, yellow = positive output voltage)
- Common control section with two CV inputs and manual control (these inputs and controls affect the frequency of all four units)
- Sum outputs for triangle and rectangle with red/yellow LED displays
- Optional ultra-low frequency mode: for this a negative voltage can be applied via a jumper internally to the CV2 input of each unit and the common section (i.e. a negative voltage is normalled to the socket CV2 in question). Then the CV2 - - Attenuator control works as a negative frequency control (i.e. turning up this control lowers the frequency). Herewith LFO periods up to about one hour (or even more) are possible.
- Optional CV bus access via jumper (i.e. the module can pick up the CV from the A-100 bus, e.g. generated by a Midi/CV or USB/CV interface A-190-x or a bus access module A-185-1/2), if the jumper is installed the bus CV affects all four units as the bus CV is added to the CV generated by the common control section
- Typ. frequency range: < 0.001 Hz (~ one hour, LFO mode with ultra-low option) ... 15 kHz (VCO mode with installed frequency range jumpers for the manual frequency controls)
- Heat-up time: ~ 15 minutes (required to heat-up the main circuit by the affixed oven)

The module was planned mainly as a quad VCLFO. But we added a range switch (nothing but a switch for two different capacitors) so that even audio frequencies are possible and the module can be used as VCO with some restrictions too. Because of the closeness of the main circuitry (i.e. four VCO cores within less ~ 1 square millimetre) the oscillators may lock if the frequencies are very close to each other and the VCO frequencies interact marginally. If a high quality quad VCO is required the A-111-4 is recommended as this module has four separate VCO circuits available.

The reset circuitry is optimized for the LFO mode. As it takes some time to discharge the oscillator capacitor the discharge time had to be chosen so that the capacitor is fully discharged in LFO mode. In the high range (where a much smaller capacitor is used) this will cause a zero state duration in the 0.3 ms range if the oscillator is synced (during this time the capacitor is shortened for discharge).
The control scale of the inputs "CV1" is about 1V/octave. To improve the behaviour in the VCO mode a tempco circuit is used to keep the temperature of the exponential converter at a fixed temperature (similar to the tempco option of the DIY SYNTH). That way the frequency of the VCOs (and even the VCLFOs) is nearly independent from the environment temperature. But the accuracy (1V/octave scale and temperature compensation) is not as precise as for the dedicated VCOs A-110 and A-111-1.
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 1 in stock $202.35
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quote 738639
Cat: 738636 Rel: 09 Jul 19
 
Simplistic quad LFO module with intuitive front panel - 14HP
Notes: Module A-143-3 is a low-cost four-fold modulation oscillator, often called LFO (low frequency oscillator). Like the other modules of the A-143 series (A-143-1 and A-143-2) not a very "exciting" module, just a bread-and-butter device and a simple demon for work. The module contains four simple LFOs. Each LFO is equipped with three waveform outputs: triangle, rectangle and rising sawtooth. The frequency of the sawtooth output is twice the frequency of the other outputs. A three-way switch is used to select one of three frequency ranges mid-low-high, spanning from about two cycles per minute at the lowest, to moderate audio frequency at the highest (about 5 kHz).

If other waveforms or additional LFO features are required (e.g. reset input, adjustable waveform, voltage controlled frequency) the LFO modules A-145, A-146 and A-147 are available.
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 1 in stock $116.81
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quote 738636
Cat: 738634 Rel: 09 Jul 19
 
Quad AD-generator with four independent Attack-Decay envelopes - 28HP
Notes: Module A-143-1 is a complex envelope generator that consists of Attack/Decay generators. For the complex envelope generator the four units are daisy-chained, i.e. the preceding unit triggers the following unit. The four units can be used even as four separate AD generators (switch position AD) or AD-type LFOs (switch position).

Details: Module A-143-1 contains four separate attack/decay type envelope generators. Each unit can be switched into a free running mode (LFO mode). The LFO mode differs in several points from a regular LFO (like A-145, A-146 or A-147): The slopes are exponential - in contrast to linear slopes of a normal LFO, and the frequency is defined by both controls. The attack control defines the time of the rising slope, the decay control the falling slope.

Each unit has available a comparator that compares the AD output voltage with a manually adjustable threshold and switches the corresponding comparator output (Cp 1...4) to "high" as soon as the AD output voltage goes in the decay phase below this value. The comparator output is normalled to the trigger input of the next stage via the switching contact of the trigger input socket. Consequently the first unit triggers the second, the second triggers the third and so on.

Each AD generator is equipped with a Polarizer (look at the Voltage Controlled Polarizer A-133 concerning details about the polarizer function) and a mixer that adds up all polarizer outputs. This allows to add up all AD/LFO output signals inverting or non-inverting with adjustable level to the mix output. Additionally a single output (Env 1...4) is available for each unit.

If the trigger input of unit 1 is controlled by a normal gate signal (e.g. from a keyboard resp. MIDI-to-CV/Gate interface) one obtains a very complex envelope signal at the mix output. The signal contains 8 segments controlled by Attack 1, Decay 1, Attack 2, Decay 2, Attack 3, Decay 3, Attack 4 and Decay 4. The transition between the stages (i.e. when the following AD generator is triggered) is controlled by threshold knob. The positive or negative contribution of each unit to the mix signal is adjusted with the Mixing Polarizer control. If the trigger input of unit 1 is controlled by the comparator output of unit 4 one obtains a 8 stage LFO.

The single AD outputs can be used to control VCAs or VCFs that open one after another corresponding to the AD signals (a little bit similar to the Shepard generator A-191).

The default-connection between the four units (CPn = Trig.n+1) can be interrupted by patching cables into the trigger inputs. Consequently the four units can be used as separate AD generators or LFOs. In any case the mix signal is available (e.g. mix of four AD generators or LFOs with adjustable level and sign).

In the LFO mode the comparator output serves as LFO rectangle output with adjustable pulse width (= threshold control).

Each unit is equipped with a separate LED display for envelop and comparator output. The shortest attack/decay time is about 5 ms, the longest attack/decay times are about 3 seconds (attack) / 10 seconds (decay). By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

The sketch at the bottom of the page shows the module principle with 4 daisy-chained AD units (as predetermined by the normalled sockets), that are mixed with the integrated polarizing mixer.
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 1 in stock $171.06
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quote 738634
Cat: 738632 Rel: 09 Jul 19
 
Quad Decay featuring four simple envelope generators - 8HP
Notes: Module A-142-4 contains four simple envelope generators. The only time parameter is Decay and can be adjusted manually by means of the Dec. control in the range 2 ms ... 2 seconds. The attack time can be adjusted internally by means of a separate trimming potentiometer for each sub-unit in the range 1 ms ... 15 ms. The factory setting is about 3 ms. This is the attack time of the TB303. Each envelope output has a LED control available. The trigger inputs are normalled (1 -> 2 -> 3 -> 4).

Suggestions for modifications:

Each sub-unit has a pin header with two pins available. When the two pins are shortened (e.g. by means of a jumper or a toggle switch connected to the two pins) the corresponding sub-unit changes to a loop mode. In this mode the unit is triggered by itself like an LFO..

By changing the value of a capacitor the time range can be modified (e.g. 0.2 ms ... 0.2 seconds or 20 ms ... 20 seconds)
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 1 in stock $92.82
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quote 738632
Cat: 738621 Rel: 10 Jul 19
 
Voltage controlled envelope generator with decay parameter - 8HP
Notes: Module A-142-1 is a voltage controlled envelope generator. The only time parameter is decay (like TB303). Decay may be adjusted manually and via voltage control input (with attenuator). The envelope output is displayed with LED control. Additionally from the envelope signal a Gate signal and an inverse Gate signal with adjustable threshold is derived. LED control for Gate output. Thus one obtains a voltage controlled Gate additionally or alternatively to the envelope signal with voltage controlled duration.

The attack time is fixed to about 0.2 ms, the shortest decay time is about 2 ms. By changing the value of a capacitor the shortest time can be modified (details can be found here: A100_Capacitors.htm).

Typical applications: dynamic control of decay e.g. in combination with the Analog/Trigger Sequencer A-155, voltage controlled trigger delay functions (like A-162, but voltage controlled).
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 1 in stock $77.18
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quote 738621
Cat: 738620 Rel: 09 Jul 19
 
Voltage controlled envelope generator, vintage edition - 14HP
Notes: The A-141-2 module is an ADSR envelope generator with voltage controlled attack, decay, sustain and release parameters. Other features include LFO functionality as well as digital end-of-attack and end-of-release outputs. Besides positive and inverted outputs there is an output with voltage controlled amplitude available.

Attack, Decay, Sustain and Release parameters of the A-141-2 can be adjusted manually as well as via control voltages. The CV inputs come equipped with attenuators. In addition, a Comm-CV socket was implemented. Control voltages fed to this input influence all time parameters (A, D and R) simultaneously. Thus, it is possible to make high pitched notes shorter and more percussive. - Just like the behaviour of many acoustic instruments. The time range of the envelope goes from 50 microseconds to six seconds. Using a toggle switch, it is possible to increase these values by a factor of ten (500 us to 60 s) or a factor of hundred (5 ms to 10 min). To activate the envelope, there are gate and retrigger inputs.

The A-141-2 is equipped with a normal and an inverted output. Both connectors work with a fixed level. Furthermore, there is a third, variable output. Here, before reaching the out socket, the envelope signal is fed to a voltage controlled VCA. - Perfect for velocity CV signals. A jumper on the circuit board allows you to choose between a unipolar and a bipolar mode of operation. Other jumpers make it possible to normalize the CV inputs.

Last but not least, there are two digital outputs called EOA and EOR, which emit a gate signal after the attack respectively release phase. This is useful for delayed triggering of other envelopes. By connecting EOA or EOR output to the gate input, you can make the A-141-2 oscillate like a LFO. Adjustments to the envelope times change the frequency and waveform. If you connect the Attack CV input to the inverted output or the Decay respectively Release CV input to the normal output, you can alter the curve characteristics.
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 1 in stock $137.68
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quote 738620
Cat: 738619 Rel: 09 Jul 19
 
Voltage controlled envelope generator, standard edition - 14HP
Notes: The A-141-2 module is an ADSR envelope generator with voltage controlled attack, decay, sustain and release parameters. Other features include LFO functionality as well as digital end-of-attack and end-of-release outputs. Besides positive and inverted outputs there is an output with voltage controlled amplitude available.

Attack, Decay, Sustain and Release parameters of the A-141-2 can be adjusted manually as well as via control voltages. The CV inputs come equipped with attenuators. In addition, a Comm-CV socket was implemented. Control voltages fed to this input influence all time parameters (A, D and R) simultaneously. Thus, it is possible to make high pitched notes shorter and more percussive. - Just like the behaviour of many acoustic instruments. The time range of the envelope goes from 50 microseconds to six seconds. Using a toggle switch, it is possible to increase these values by a factor of ten (500 us to 60 s) or a factor of hundred (5 ms to 10 min). To activate the envelope, there are gate and retrigger inputs.

The A-141-2 is equipped with a normal and an inverted output. Both connectors work with a fixed level. Furthermore, there is a third, variable output. Here, before reaching the out socket, the envelope signal is fed to a voltage controlled VCA. - Perfect for velocity CV signals. A jumper on the circuit board allows you to choose between a unipolar and a bipolar mode of operation. Other jumpers make it possible to normalize the CV inputs.

Last but not least, there are two digital outputs called EOA and EOR, which emit a gate signal after the attack respectively release phase. This is useful for delayed triggering of other envelopes. By connecting EOA or EOR output to the gate input, you can make the A-141-2 oscillate like a LFO. Adjustments to the envelope times change the frequency and waveform. If you connect the Attack CV input to the inverted output or the Decay respectively Release CV input to the normal output, you can alter the curve characteristics.
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 1 in stock $139.76
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quote 738619
Cat: 738617 Rel: 10 Jul 19
 
Versatile module that can also be used as a modulation device - 8HP
Notes: Module A-140-1 is an envelope generator, and, since it puts out control voltages, counts as one of the modulation devices in a modular system. As soon as the gate input receives sufficient voltage, the ADSR generates a variable voltage, changing in time, called an envelope. This varying voltage is output in normal (positive) and inverted form, and can be used, eg. for voltage controlled modulation of a VCO, VCF, or VCA, or for processing other modules' inputs and outputs.

The shape of the envelope is governed by four parameters: Attack, Decay, Sustain and Release.

The envelope is started (triggered) by a gate signal either from the INT.GATE voltage on the system bus, or, if a signal is put into it, from the gate input socket.

The envelope can also be re-triggered, i.e. start from scratch again, each time a trigger signal is sensed at the Retrig. input socket, when the gate is still open.

Module A-140 has available a three-position toggle switch to select one of three time ranges. The time ratios for the three ranges are about 1 : 20 : 1000. The absolute Attack times are about:

20uS ... 100ms (switch position L)
400uS ... 2s (switch position M)
20ms ... 120s (switch position H)
The Decay and Release times are about 3-4 times more. Because of the exponential slope and the gradual asymptotic approach to the zero level the exact specification of the decay and real times is a bit difficult.

The voltage ranges of the ADSR outputs are about 0 ... +8V for the two normal outputs and 0 ... -8V for the inverted output.

In combination with the Comparator module A-167 a free-running "ADSR-LFO" can be realized.
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 1 in stock $76.70
Cat: 734880 Rel: 10 Jul 19
 
Envelope module with two ADSR voltage controlled enevelope generators - 8HP
Notes: The module contains two ADSR type voltage controlled envelope generators with exponential curve shapes (charge/discharge curves of a capacitor) behind a front panel with 8 HP only.

Each ADSR provides these controls and in/outputs:

- LED (displays the envelope output)
- A: manual Attack control
- D: manual Decay control
- S: manual Sustain control
- R: manual Release control
- Gate Input
- Retrigger Input
- CVT Input with attenuator (CVT = CV Time)
- Envelope Output 1
- Envelope Output 2

The output voltage range for each envelope is 0 - 10V (10V = attack peak).

The time range of Attack/Decay/Release is about 1ms to 30s.

By means of internal jumpers one can select which time parameters are controlled by the CVT input (e.g. D only or D+R or A+D+R) and in which direction (i.e. if an increasing CVT shortens or stretches the time parameter in question).

Socket CVT can be normalled to an internal fixed voltage (i.e. the switching contact is connected to an internal fixed voltage). That way it's possible to change all time parameters simultaneously by means of the CVT control.

Another jumper is used to set output 2 to normal or inverted envelope.

And another jumper is used for the normalling of Gate 2 to Gate 1 (i.e. ADSR#2 is also triggered by Gate 1).

Two more jumpers are used for the optional bus access to the gate signal of the bus for each ADSR.
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 6 in stock $122.03
Cat: 738616 Rel: 10 Jul 19
 
Stereo headphone amplifier - 6HP
Notes: The A-139-2 is a headphone amplifier module with two mono inputs and a stereo headphone output. It can be used for driving small loudspeakers, LED strips, small magnets etc.

- Two-channel headphone amplifier
- Two audio inputs with level controls
- Input 1 is normalled to Input 2
- Common loudness/master level control
- Headphone output (stereo 1/4" jack socket)
- Max. output power ~ 2 W per channel (@ 8 Ohm load)
- DC coupled inputs and outputs (i.e. also useful for other applications like small loudspeakers, lamps, LEDs, magnets, motors - provided that the power is sufficient)
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 1 in stock $52.14
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quote 738616
Cat: 577763 Rel: 10 Jul 19
 
8HP Eurorack module featuring two identical VCA's
Notes: Module A-132-3 is composed of two identical voltage controlled amplifiers (VCA). Each VCA has a manual gain control and a control voltage input with attenuator. The character of the control scale can be switched to linear or exponential. All inputs and outputs are DC coupled. Consequently, the VCA's can be used to process both audio and control voltages. The input has no attenuator available but is capable to process up to 16Vss signals (i.e. -8V...+8V) without distortion.
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 1 in stock $95.95
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quote 577763
Cat: 577791 Rel: 10 Jul 19
 
VCA with exponential response for low level sensitivity - 8HP
Notes: Module A-131 provides voltage-controlled amplification. For audio signals, you would normally use the exponential VCA (A-131), and for control voltages, the linear VCA (A-130). It doesn't always have to be that way, though.

The amount of amplification the VCA's provide is determined by the voltage at the CV input, and the position of the gain control, which sets the overall gain in the system.

The VCA has two audio inputs, each with an attenuator. They are amplified by an amount determined by the combination of the gain and the two CV controls.
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 1 in stock $71.96
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quote 577791
Cat: 577767 Rel: 10 Jul 19
 
Voltage-controlled 24 dB low-pass filter - 8HP
Notes: Module A-120 is a voltage controlled low-pass filter, which filters out the higher parts of the sound spectrum, and lets lower frequencies pass through. The Cut-Off Frequency determines the point at which filtering takes effect. You can control this manually, or by voltage control (filter modulation, for instance by an LFO). Three CV inputs are available, and the sum of the voltages from these affects the filter cut-off.

The module is based on a so-called "transistor ladder" design, with a cut-off slope of -24 dB/octave, as in various Moog synthesizers. That's what gives it its classic, legendary Moog sound.

Resonance (or Emphasis) is adjustable all the way up to self-oscillation - in which case the filter behaves like a sine wave oscillator.
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 1 in stock $104.30
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quote 577767
Cat: 734878 Rel: 09 Jul 19
 
Quad precision VCO - 18HP
Notes: A-111-4 contains four precision VCOs and has individual controls, inputs and outputs for each VCO available as well as a common control and output unit. After all the A-111-4 is very similar to four A-111-3 without LFO mode but built in output mixers for the three waveforms, and a master unit for all four VCOs.

Controls, inputs and outputs for each of the four VCOs:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: ~ 2 semitones / ~ 1 octave / ~ 4 octaves)
- Modulation CV input
- Modulation destination: Upper position: exponential frequency modulation (XM) / Lower position: linear frequency modulation (LM) or pulsewidth modulation of the rectangle (PM), selectable via internal jumper
- Frequency Modulation (FM) or Pulsewidth Modulation of the rectangle (PWM)
- Modulation intensity
- Triangle output
- Sawtooth output
- Rectangle output (about 50% without external PWM)
- Sync input (hard or soft sync internally selectable via jumper, CEM3340 hard sync type)
- CEM3340 based VCO (triangle core)
- Each VCO has it's own separate internal +/- power supply for each for best stability and the prevention of unwanted synchronisation of the VCOs

Controls, inputs and outputs of the master section:

- 1V/Octave CV input
- Octave switch (+1 / 0 / -1 octave)
- Tune control (range internally adjustable by jumpers: 2 semitones / 1 octave / 4 octaves)
- Frequency Modulation CV input (FM)
- FM intensity
- Triangle sum output
- Sawtooth sum output
- Rectangle sum output
- As soon as the single waveform output of a VCO is patched this waveform of the VCO in question is removed from the sum (this function can be turned off for each single output socket by means of solder bridges on the pc board, i.e. the sum contains then all signals independent of the patching of the single output)
- CV output (outputs the sum CV that is used to control all four VCOs)
- Bus CV (via jumper, optional, please remove the bus jumper if this feature is not used to avoid unwanted frequency modulation as then the unused CV line of the bus works as a kind of antenna)

Typical applications:

- Fat sounding monophonic VCO with the possibility to adjust any intervals
- Paraphonic patches in combination with the polyphonic CV interface A-190-5 (all four VCOs processed by one VCF/VCA)
- Full polyphonic patches in combination with the polyphonic CV interface A-190-5 and four complete VCF/VCA sections
- Complex VCO patches with up to four VCOs by means of the frequency modulation features (exponential an linear) and the sync functions
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 5 in stock $379.67
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quote 734878
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