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Startseite  Eight Weeks  All genres  All genres
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Artikel 1 bis 7 von 7 auf Seite 1 von 1 anzeigen
After Later Audio Bartender Stereo Performance Mixer Module
Cat: 1004400 Rel: 11 Mar 24
 
4-channel stereo production mixer module - 24HP
Notes: Neatly implemented performance mixer with four stereo channels. CV control of level and pan, two pre- or post-fader stereo send busses, quiet mutes and cueing via a front-panel headphone socket.

Supplier's Notes:
Four channel stereo production mixer

Mixer section

Each channel has the following:

Stereo or mono - Each channel can be treated as a stereo channel or a mono channel with two summed inputs.

CV inputs for both panning and level control

Two send buses - You can route each channel to one of two send buses. Each send bus is stereo. You can choose if you want the send to come before or after the level/panning controls.

Mute - The mute has both latching mute (up) and a momentary mute (down). The mute uses a capacitor to slow the turn off and on of the mute action. So it is mostly click-less, but you may find an occasional pop.

Cue bus - You can route each channel to the cue bus.

Mains Section

Two stereo sends outputs
Two stereo returns - which can also be used to directly insert into the main mix.
Main stereo outputs - level controlled with the slider and stereo VU meter.
Main mono output - summed output of the main L&R. If you are after an 8ch mono mix, you can use each channel in stereo mode, use the level control to control the level and then pan control to control the levels of the two channels.

Cue Section

1/4" Headphone jack along with level control
Fader control to listen to the main mix, cue mix, or an adjustable mix of the two.
Expandable

Bartenders can be cascaded to create 8ch, 12ch, or 16ch mixer. The main level is what is sent the main level control can act as a group control.

Barbacks can be added to add 2ch to your mix. Barbacks can also be cascaded enabling up to a 16ch mixer configuration.

Send-VCA can be added for CV control of the level of the send.

DVCA, Cast Iron, Mingles, and USB-2CH can all be connected with Dupont cables (aka female to female breadboard cables) via pin headers on the back of the modules. Connecting the in and out pins will send/receive the audio into the next module.

Width: 24hp
12V: 260mA
-12V: 225mA
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 1 in stock $351.84
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Crosspatch Triggerpad Dynamic Trigger Sequencer Module
Cat: 995020 Rel: 04 Apr 24
 
8-channel sequencer module - 6HP
Notes: Neat little interface module to help pad controllers play nicely with Eurorack. Hook up a device like a Launchpad or APC and jam out rhythms with retriggering options, dynamic control and MIDI sync.

Supplier's Notes:
Triggerpad is a dynamic trigger/gate sequencer in eurorack format on only 6hp. A USB MIDI controller with an 8×8 grid like Launchpad or APC is used to display and edit the patterns (see the list of compatible controllers). The user experience is tailored to live performance and detailed composition: dial in simple rhythms or complex polyrhythms, retrigger at audio rate, create dynamic percussions with velocity triggers or use longer pulses to create steppy modulations.

By using USB MIDI controllers that you might already have and maybe not use anymore, we avoid producing more plastic. Give your old gear a second life!

Dimensions & consumption

Width: 6hp
Depth: 39mm
+12V: 120mA (without USB MIDI controller connected)
-12V: 20mA
5V: 0mA
USB MIDI controllers consume up to 150mA on +12V

Connectivity

8 dynamic trigger/gate outputs (0-10V)
USB MIDI Host
Clock in
Clock out
Reset in
Reset out

Compatibility

Launchpad Pro Mk3
Launchpad X
Launchpad Mini Mk3
Launchpad Mini Mk2
Launchpad Pro
Launchpad Mk2
Launchpad S
APC Mini Mk1
APC Mini Mk2
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 2 in stock $311.36
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Hexinverter Mutant Hot Glue 4-Channel Mixer Module With Effects & Compressor
Cat: 1014462 Rel: 23 Apr 24
 
4-channel mxer module with effects send, hi-fidelity analogue compressor & voltage controlled analogue distortion - 24HP
Notes: The Mutant Hot Glue is a versatile bus mixer for analogue effects chain design. The included analogue compressor offers series or parallel compression and a sidechain input, making it particularly well suited to drum processing. The voltage controlled distortion is based on ideas borrowed from the guitar pedals responsible for a lot of yesterday's acid style techno sounds, but improved over the guitar equivalents, and made specifically for synthesizer and drum processing. The distortion can be used in its default position, normalized to the effects send, or like every other part of the module, broken out and used elsewhere in your modular system.

Features

4 Channel Mixer with Effects Send

4 input channels, each with their own level and effects send control
Channel A mixer bypass switch and dedicated output for easy sidechain compression
Channel B is dual input, but shares level/send controls (for dual output modules, like the Mutant Hihats)
Channel C+D summed output
Main mixer output normalized to compressor input

Hi-Fidelity Analogue Compressor

Soft-knee compressor based on the same family of premium audio ICs used in some 500 Series studio gear
Dedicated threshold and compression ratio controls
Gain control dials in up to +40dB of compressor make-up gain
Compressor sidechain input for creating pumping effects
LED indicator actively displays the amount of compressor gain reduction

Voltage Controlled Analogue Distortion

A classic distortion topology reborn for modular analogue synthesizers and drum processing
In/Outputs are conveniently normalized to the module's send and return jacks
Blend control lets you adjust the mix of distorted and clean input signal
Fast responding CV input allows for complex modulation patterns and even modulating with audio signals

By default, the 4 channel mixer's output conveniently feeds into the compressor's input, giving access to easy New York style parallel compression by way of the compressor blend control. The dedicated output and mixer bypass switch for channel A allow you to use it as a sidechain source for the compressor. An effects send and return allow you to create complex effects routings within your modular system. With the number of excellent DSP and other effects modules on the market today, this makes it easy to combine modules to great effect, all within the eurorack modular domain.

Redesigned by Erica Synths in close collaboration with Hexinverter. Minor alterations were made in mechanical assembly and digital controls to address Erica synths manufacturing routines and chip shortages, but the analogue signal path is 100% identical to the original version.

In September 2022 Stacy Gaudreau - the founder of Hexinverter Electronique, announced closing down the operations. Following their announcement, Erica Synths in cooperation with Hexinverter Electronique saw a way for their incredible and truly unique music instruments to keep on inspiring musicians and finding a home in countless studios to come.
The effort and innovation incorporated in Hexinverter Electronique eurorack modules are far too great to prematurely become history. Erica Synths will take over the manufacturing, sales, and support of several Hexinverter Electronique modules. While retaining all functionality of Hexinverter Electronique modules, Erica Synths redesigned the hardware of modules and will provide support for reissue modules only.

Technical specifications

Width: 24HP | Depth: 30mm
Current draw: +70mA, -70mA @ 12V
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 2 in stock $311.36
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Noise Engineering Opp Ned 4-Channel Arpeggiator Module (black)
Cat: 1007462 Rel: 28 Mar 24
 
Arpeggiator module with four outputs & CV-able scales - 8HP
Notes: Really nice take on an arpeggiator module here. Four-channel design features editable arpeggio patterns, CV control and transposition. Real-time performance meets customisable melody generation.

Supplier's Notes:
Four-channel arpeggiator with customizable patterns and CV control

Opp Ned is a four-channel arpeggiator designed for creating patterns that can be modified with CV. Opp Ned ships with 12 of Noise Engineering's favourite arps, including tetrads, major, pentatonic major, minor third, and pentatonic minor, but you can edit and save custom arpeggios to twelve memory slots. Recall your custom arpeggios manually or with CV using the Ptn input. If you ever want to restore the factory arps, just head to the Noise Engineering Customer Portal.

The transpose input makes it easy to combine Opp Ned with external sequencers, too!

Arps have never been easier than with Opp Ned.

Features

Size and Power
8HP Eurorack
+12v: 60mA
-12v: 10mA

Opp from Norwegian Opp for "Up"
Ned from Norwegian Ned "down"
"Ups and downs"

What's in the box

Module
Power cable

*** Noise Engineering no longer include screws with newly packaged modules. Bulk screws are available for purchase. ***
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 1 in stock $330.05
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Noise Engineering Sinc Legio Multimode Stereo Oscillator Module (silver)
Cat: 1003584 Rel: 04 Mar 24
 
Simple stereo oscillator module with wavemorphing, folding & PM - 6HP
Notes: Stereo oscillator with wavemorphing, folding, and PM

"We may have just gotten the perfect Noise Engineering oscillator - in the most compact package possible." -- CDM Blog

Sinc Legio is a simple oscillator with some tricks up its proverbial sleeve. If you need some basic waveforms, Sinc has you covered - and it makes it easy to spice up those waveforms with phase modulation, wavefolding, or hard sync. Sinc pairs well with other oscillators in your system, too: hard-sync and stereo PM inputs make complex sounds easy to patch. Combine broad-ranging timbral parameters with a vintage-inspired chorus, and you're well on your way to stereo sound-design heaven in just 6 HP.

Sinc's multiple algorithms give a world of timbral possibility at the flip of a switch. Phase modulation, plucky FM, and bright and heavy modulation await. And on top of that, Noise Engineering have added a wavefolder to it. Shape and fold to your heart's content in Fold mode.

Not only is Sinc an incredible oscillator on its own, it's also part of the Legio platform. Use the included USB cable to connect to the Customer Portal and swap the firmware to any other Legio firmware, completely free, at any time. Let that sinc in!
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 1 in stock $306.18
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Rossum Electro-Music Linnaeus Stereo Thru-Zero State Variable Filter Module (black)
Cat: 996358 Rel: 15 Apr 24
 
Stereo thru-zero state variable filter module - 16HP
Notes: Following in the tradition of Evolution and Morpheus, LINNAEUS represents yet another Dave Rossum innovation in filter technology.

LINNAEUS is a stereo state variable filter that provides the unique ability to linearly modulate its resonant frequency through zero into negative frequency, while maintaining stability. With extensive voltage control of nearly every parameter, Linnaeus lets you manipulate the filter's natural response curve in new ways, to create both subtle and dramatic timbral effects. And with a "one-knob-per-parameter" interface, LINNAEUS inspires sonic creativity that invites (and rewards) real-time interaction.

LINNAEUS's cutoff/resonant frequency is exponentially voltage controllable from sub-audio to ultrasonic frequencies, while its resonant gain (Q) is exponentially voltage controllable from 0dB to greater than 60dB.

LINNAEUS's channel output response characteristics are independently and continuously variable from Lowpass, through Bandpass, Highpass and Notch, to Low and High Shelving characteristics. Voltage control of the response characteristics are independently selectable for each of the two channels.

The linear thru-zero modulation is provided by an integrated modulation oscillator and/or an External Linear FM modulation input.

The voltage-controllable modulation oscillator can track the filter's exponential frequency or operate independently. The modulation oscillator's output waveform is continuously variable from Off through Sine, Triangle, and Sawtooth, to Square. The modulation oscillator output is summed with the external linear FM input and applied to the modulation index VCA, which controls the linear thru-zero modulation index from zero to 8X. The modulation index is, of course, also voltage controllable.

LINNAEUS features include:

- Ultra-wide frequency range, exponentially voltage-controllable from sub-audio to ultrasonic via precise 1V/OCT and attenuverted CV inputs.

- Thru-zero linear frequency modulation via an internal modulation oscillator and/or an external linear FM input.

- Variable linear modulation index, voltage-controllable via an attenuverted CV input.

- Resonance (Q) exponentially voltage-controllable from 0dB to greater than 60dB via 6dB/V and attenuverted CV inputs.

- Continuously variable response characteristics independently selectable for each of the two channels via individual Response Enable controls. Characteristics include Lowpass (12db/oct and 6db/oct), Bandpass, Highpass (12db/oct and 6db/oct), Notch, and Low and High Shelving.

- Voltage control of response characteristics via an attenuverted CV input. Individual Response CV Enable controls let you independently enable or disable CV control of response for each channel.

- An integrated modulation oscillator with continuously variable waveform from Off through Sine, Triangle, Sawtooth and Square. Its frequency can be exponentially voltage controlled via an attenuverted CV input.

- A Track control that lets the modulation oscillator precisely track the filter's exponential frequency.

- Stereo inputs and outputs. LINNAEUS can process a stereo signal or two independent mono signals. While the two channels share the filter's cutoff/resonant frequency, the filter response characteristics can be independently controlled for each channel.

- The solid, high-quality construction you expect from Rossum Electro-Music.

What's with the egg?

The functional description above describes LINNAEUS as originally conceived and designed by Dave. However, late in the beta testing process, Rossum's tester, Chris Meyer, raised the possibility of alternative behavior that would let LINNAEUS function as a self-contained (i.e., no input required) stereo oscillator and/or FM percussion voice with some really powerful timbral capabilities.

While Rossum were initially hesitant to try to shoehorn the new functions into the existing interface, once Dave had prototyped them, it was clear to us all that they were just too cool not to include. So, Rossum have provided them in the form of alternate firmware accessed by pressing and holding the Egg button.

LINNAEUS is 16HP wide and 25mm deep.

Power requirements (max): 155mA +12V, 36mA -12V. Reverse polarity protected.
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 1 in stock $485.73
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TipTop Audio Octopus USB/MIDI To ART Interface & Voice Manager Module
Cat: 947146 Rel: 04 Mar 24
 
USB/MIDI to ART interface & voice manager module - 18HP
Notes: OCTOPUS is a powerhouse ART controller that takes MIDI in via the USB or DIN connector and outputs 8 ART channels with 8 velocity CV plus 8 drum triggers. Together with the ART oscillators the OCTOPUS provide unprecedented simplicity connecting the modular to your computer sequencers, hardware midi sequencers and keyboards. Each ART channel can play polyphonic notes, monophonic notes or create multi-channel polyphony using an internal voice manager. All together OCTOPUS can play more voices and notes from a single controller than ever was possible in modular. Using ART high speed control signals OCTOPUS can maintain low jitter for tight timing.

Please note, OCTOPUS is not a 1V/Oct midi to CV and should not be confused as one.

Size: 18HP - Depth: 40mm / 1.5"
Power: +12V 140mA / -12V 100mA
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 1 in stock $340.43
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