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Eight Weeks: All Genres

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Behringer Pro-1 Analog Synthesiser
Cat: 781519 Rel: 20 Oct 20 • View all Synthesizer
 
analog synthesiser
Notes: The Behringer Pro-1 is a clone of the popular retro classic Sequential Circuits Pro-One which was once conceived to be a monophonic Prophet-5. Those who know and love recordings of Depeche Mode and Yazoo, will enjoy recognizing a lot of those sounds with the Pro-1.

The two assertive oscillators, each based on a CEM3340 chip, have sawtooth and square waveforms, an octave switch, fine tuning and pulse width control. Oscillator A can be synchronized to oscillator B, the second tone generator is additionally equipped with the triangle waveform and can be switched to low mode as well as decoupled from the pitch control. Both VCOs are brought together in the mixer, where the noise generator is also located, which can be replaced by an external signal. The beautiful basic sound is processed with a characterful 24dB lowpass filter, also known as Curtis VCF. It behaves similar to a Moog filter, but due to the IC CEM3320 it sounds different than the transistor cascade. The two crisp ADSR envelopes are assigned to the filter and VCA. An LFO with three waveforms is connected to the targets via the modulation bus. The special features of this instrument include the waveforms that can be activated simultaneously in both oscillators and in the LFO.

The modulations are assigned on the left side of the control panel. The filter envelope, oscillator B and the LFO, each with their own attenuator, are available in parallel as sources. These are assigned to the targets frequency oscillator A+B, pulse width oscillator A+B and cutoff directly or via the modulation wheel (or midi controller). Wild oscillator drifts, sync sounds, sirens, FM for filter and/or oscillator A as well as pulse width modulation are possible if used with care. If you turn everything up at once, it gets really wild! The modulation bus is the hottest feature of the Pro-1 next to the sound.

The ingeniously simple sequencer provides access to two patterns, each of which can be up to 40 steps long; pauses can also be programmed. The notes are played via a connected MIDI keyboard. After the input, the patterns can be transposed with the keyboard. The Arpeggiator primarily offers the playback modes Up and Up&Down, but can also be integrated into the pattern. Synchronization to other equipment is done via the analog clock input or MIDI/USB.
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 6 in stock $305.16
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quote 781519
Electrosmith Daisy Field Programable Monosynth, Drum Machine & MIDI Sequencer
Cat: 786205 Rel: 11 Sep 20 • View all Synthesizer
 
Monosynth/drum machine/MIDI sequencer
Notes: Desktop module incarnation of Electrosmith's customisable DSP platform, designed with plenty of audio, MIDI and CV connectivity to allow you to create your own synths, drum machines and sequencers.

Supplier's Notes:
Create a mono-synth, drum machine, or MIDI sequencer with the Field! It works as a great development tool, or handy small-form synth to take with you on the go. Comes with Daisy installed and 9V power adapter.
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MRP:$530.54 SAVE 17%
 4 in stock $442.11
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quote 786205
Kali Audio Independence IN-8 3 Way Powered Studio Monitor (white, single)
Cat: 790958 Rel: 30 Sep 20 • View all Studiomonitore
 
3-way powered studio monitor
Notes: Really clever design from this rising Southern California brand. Coaxial midrange and tweeter gives three-way sound from a compact, two-way-sized box with 8-inch woofer.

Supplier's Notes:
Kali's IN-8 is one of the most innovative studio monitors ever made. Combining the natural advantages of a 3-way design with hyper-realistic imaging of a co-axial mid-range and tweeter, it offers more transparency, lower distortion, and a soundstage that must be heard to be believed.

Power. Detail. Soundstage.

The IN-8 Studio Monitor is a speaker like no other. Using the same woofer and tweeter from Kali's celebrated LP-8, the IN-8 adds a midrange driver that surrounds the tweeter, and acts as its waveguide.

In doing so, both the tweeter and the woofer are unburdened; with a smaller workload, they are able to play more clearly and with less distortion.

The coaxial nature of the midrange and tweeter make the IN-8 an acoustic point source. Off-axis lobing is thereby eliminated, resulting in a stereo soundstage that presents the listener with a hyper-realistic level of detail.

All of this means that the IN-8 is extremely accurate and easy to mix on, and that mixes made on the IN-8 will transfer wonderfully to other systems.

IN-8: 140W
Class D Power
37 Hz
Lower Frequency Response
< 1.4% System THD
94 dB @ 1M
114 dB
Max SPL

The single most important aspect of a studio monitor is its accuracy. A good studio monitor should present the material it's playing faithfully, allowing you to make critical decisions that you know will translate to all the systems that your work will ultimately be played on.

Not only does the IN-8 do this, but its coincident architecture allows it to be more accurate than other speakers in a wider variety of challenging acoustic environments.

Rather than make our own claims about the accuracy of our speakers, we had them independently tested. You can find IN-8 test data below from both Pro Sound Testing and Audio Science Review. Please note that the data from Pro Sound Testing requires CLF Reader, which is a free program.

Because of the IN-8's coincident architecture, you may notice a dip between 8-10 kHz when measuring with a single stationary microphone. The dip is an on-axis diffraction artifact of the midrange baffle interface. It is evident in on-axis measurements, but not in total sound power. Perception of timbre should be neutral in most rooms. It is not recommended to apply room-correction EQs to the IN-8s based on single point static measurements.

You may have heard about the "hyper-realistic" imaging of the IN-8. What does that mean?

When you listen to a stereo set of speakers, you're hearing information about where instruments and players were placed when the material was recorded. Even with purely digital material, producers can manipulate physical locations of elements in the mix, and you will hear these on a stereo recording.

Not only does this allow producers to create interesting spatial effects, but it means that you can work faster and with more confidence. An accurate soundstage lets you "see" each element of the mix in front of you, so you can hear exactly what happens when you make changes.

2-way systems with good waveguides, like Kali's LP-6 and LP-8, do a good job at conveying this spatial information. However, because the tweeter and woofer on those speakers (and most studio monitors!) are separate, this information gets lost in the space immediately above and below the speaker. This means that at the listening position, you're not hearing the full stereo picture.

The IN-8 solves this problem. The tweeter and midrange share an acoustic center, and the woofer is crossed over at 330 Hz, so the distance between the woofer and midrange is well under a quarter wavelength at the crossover point. This means that the IN-8 is acoustically a point source. As such, it has the same excellent directivity that the LP-6 and LP-8 have at their sides in a full 360 degrees around the speaker. You're hearing all of the spatial information at the listening position, so the soundstage that you hear will have every detail that's present in the mix.

The IN-8's total harmonic distortion is less than 1.4%, which is exceptional. This is the result of unburdening both the woofer and the tweeter, so that both are doing less work. The woofer is crossed over at 330 Hz, a full 2.5 octaves lower than on the LP-8.
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MRP:$472.31 SAVE 27%
 2 in stock $342.91
Mackie MP-360 Professional In Ear Monitor Headphones
Cat: 762130 Rel: 13 Oct 20 • View all Ohrhörer
 
in-ear monitor headphones
Notes: Superb in-ear monitoring option from a trusted brand. Audiophile-quality sound and up to 40dB isolation to ensure clarity. Ideal monitoring for vocalists.

Supplier's Notes:
When you need to hear yourself and everything else as clearly as possible on stage, in-ear monitors are the ultimate solution. MP Series Professional In-Ear Monitors offer the clarity and bass response you need to perform your best while being comfortable enough to wear all night.

Mackie have been helping artists perform their best for decades with our renowned loudspeaker designs, and now that signature sound has been brought straight to your ears. The precision-tuned drivers, ergonomic design, and rugged construction ensure you'll never miss a beat. When you want to hear yourself clearly on stage without all the noise that comes with it, MP Series In-Ear Monitors have got you covered.

Like its sibling above, MP-360 features a 3-way crossover but instead of dynamic drivers, this model is all custom-designed balanced armature. With the precise nature of this driver type, you will experience breathtaking clarity and detail. This is great for vocalists that need to hear themselves and their mix as faithfully as possible and makes listening to your favorite music a brand new experience.

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 1 in stock $365.56
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quote 762130
Native Instruments Komplete 13 Ultimate Collectors Edition Update Software
Cat: 789889 Rel: 01 Oct 20 • View all Musikproduktionssoftware
 
Music production software update
Notes: Total creative freedom for those who need it all, with flagship synths, sampled instruments, effects, and groundbreaking orchestral libraries - almost everything we've ever released. Including CREMONA QUARTET, GUITAR RIG 6 PRO, ARKHIS, MYSTERIA, PHARLIGHT, STRAYLIGHT, NOIRE, and many more.

PLATFORMS:
KONTAKT 6
REAKTOR 6

SYNTHESIZERS:
ABSYNTH 5
FM8
FORM
KONTOUR
MASSIVE
MASSIVE X
MONARK
RAZOR
REAKTOR PRISM
REAKTOR SPARK
RETRO MACHINES MK2
ROUNDS
SKANNER XT
SUPER 8*
TRK-01

CREATIVE SAMPLERS:
BATTERY 4
FLESH
POLYPLEX

DRUMS AND PERCUSSION:
ABBEY ROAD VINTAGE DRUMMER
ABBEY ROAD 50S DRUMMER
ABBEY ROAD 60S DRUMMER
ABBEY ROAD 70S DRUMMER
ABBEY ROAD 80S DRUMMER
ABBEY ROAD MODERN DRUMMER
DRUMLAB
MASCHINE DRUM SELECTION
STUDIO DRUMMER

WORLD INSTRUMENTS:
BALINESE GAMELAN
CUBA
INDIA
MIDDLE EAST
WEST AFRICA

CONTEMPORARY HORNS AND STRINGS:
SESSION HORNS PRO
SESSION STRINGS PRO 2

ACOUSTIC PIANOS:
ALICIA'S KEYS
NOIRE*
THE GENTLEMAN
THE GIANT
THE GRANDEUR
THE MAVERICK
UNA CORDA

ELECTRIC PIANOS AND ORGANS:
GEORGE DUKE SOUL TREASURES
SCARBEE A-200
SCARBEE CLAVINET/PIANET
SCARBEE MARK I
VINTAGE ORGANS

GUITAR AND BASS:
ELECTRIC SUNBURST
ELECTRIC SUNBURST DELUXE*
PICKED ACOUSTIC*
SCARBEE FUNK GUITARIST
SCARBEE JAY BASS
SCARBEE MM-BASS
SCARBEE MM-BASS AMPED
SCARBEE PRE-BASS
SCARBEE PRE-BASS AMPED
SCARBEE RICKENBACKERr BASS
STRUMMED ACOUSTIC
STRUMMED ACOUSTIC 2

CLASSICAL INSTRUMENTS:
AMATI VIOLA*
BRASS ENSEMBLE
BRASS SOLO
GUARNERI VIOLIN*
PERCUSSION
STRADIVARI CELLO*
STRADIVARI VIOLIN*
STRING ENSEMBLE
WOODWIND ENSEMBLE
WOODWIND SOLO

CINEMATIC:
ACTION STRIKES
ACTION STRINGS
ARKHIS*
DAMAGE
EMOTIVE STRINGS
EVOLVE
EVOLVE MUTATIONS
EVOLVE MUTATIONS 2
KINETIC METAL
KINETIC TOYS
MALLET FLUX*
MYSTERIA*
PHARLIGHT*
RISE & HIT
STRAYLIGHT*
THRILL

STUDIO EFFECTS:
ENHANCED EQ
PASSIVE EQ
RAUM*
RC 24
RC 48
SOLID BUS COMP
SOLID DYNAMICS
SOLID EQ
SUPERCHARGER GT
TRANSIENT MASTER
VARI COMP
VC 160
VC 2A
VC 76

CREATIVE EFFECTS:
CRUSH PACK - BITE
CRUSH PACK - DIRT
CRUSH PACK - FREAK
DRIVER
GUITAR RIG 6 PRO*
MOD PACK - CHORAL
MOD PACK - FLAIR
MOD PACK - PHASIS
MOLEKULAR
REPLIKA XT
THE FINGER
THE MOUTH

ALSO INCLUDES:
73 EXPANSIONS
KOMPLETE KONTROL SOFTWARE
CREATOR TOOLS
NATIVE ACCESS
E-VOUCHER FOR THE NI ONLINE SHOP

SYSTEM REQUIREMENTS:
Windows 10 (64-bit, latest Service Pack)
macOS 10.14 or 10.15 (latest update)
Intel Core i5 or equivalent CPU, 4 GB RAM (6 GB recommended), graphics hardware support for OpenGL 2.1 or higher, 10 GB free disk space (240 GB for complete installation)
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts.
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MRP:$542.19 SAVE 19%
 1 in stock $441.03
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quote 789889
Native Instruments Komplete 13 Ultimate Update Software
Cat: 789858 Rel: 01 Oct 20 • View all Musikproduktionssoftware
 
Music production software
Notes: Everything that makes KOMPLETE 13 so fantastic, expanded with the full range of synths, sampled instruments, and effects, plus a colossal orchestral and cinematic toolkit for artists, sound designers, and composers. Including GUITAR RIG 6 PRO, STRADIVARI VIOLIN, MYSTERIA, STRAYLIGHT, PHARLIGHT, and much more.

PLATFORMS:
KONTAKT 6
REAKTOR 6

CINEMATIC:
ACTION STRIKES
ACTION STRINGS
DAMAGE
EMOTIVE STRINGS
EVOLVE
EVOLVE MUTATIONS
EVOLVE MUTATIONS 2
KINETIC METAL
KINETIC TOYS
MALLET FLUX*
MYSTERIA*
PHARLIGHT*
RISE & HIT
STRAYLIGHT*
THRILL

SYNTHESIZERS:
ABSYNTH 5
FM8
FORM
KONTOUR
MASSIVE
MASSIVE X
MONARK
RAZOR
REAKTOR PRISM
REAKTOR SPARK
RETRO MACHINES MK2
ROUNDS
SKANNER XT
SUPER 8*
TRK-01

CREATIVE SAMPLERS:
BATTERY 4
FLESH
POLYPLEX

PLAY SERIES:
ANALOG DREAMS
BUTCH VIG DRUMS*
CLOUD SUPPLY*
ETHEREAL EARTH
HYBRID KEYS
LO-FI GLOW*
MODULAR ICONS*

DRUMS AND PERCUSSION:
ABBEY ROAD 50S DRUMMER
ABBEY ROAD 60S DRUMMER
ABBEY ROAD 70S DRUMMER
ABBEY ROAD 80S DRUMMER
ABBEY ROAD MODERN DRUMMER
ABBEY ROAD VINTAGE DRUMMER
DRUMLAB
MASCHINE DRUM SELECTION
STUDIO DRUMMER

WORLD INSTRUMENTS:
BALINESE GAMELAN
CUBA
INDIA
MIDDLE EAST
WEST AFRICA

ACOUSTIC PIANOS:
ALICIA'S KEYS
NOIRE*
THE GENTLEMAN
THE GIANT
THE GRANDEUR
THE MAVERICK
UNA CORDA

ELECTRIC PIANOS AND ORGANS:
GEORGE DUKE SOUL TREASURES
SCARBEE A-200
SCARBEE CLAVINET/PIANET
SCARBEE MARK I
VINTAGE ORGANS

GUITAR AND BASS:
ELECTRIC SUNBURST DELUXE*
PICKED ACOUSTIC*
SCARBEE FUNK GUITARIST
SCARBEE JAY BASS
SCARBEE MM-BASS
SCARBEE MM-BASS AMPED
SCARBEE PRE-BASS
SCARBEE PRE-BASS AMPED
SCARBEE RICKENBACKERr BASS
STRUMMED ACOUSTIC
STRUMMED ACOUSTIC 2

CONTEMPORARY HORNS AND STRINGS:
SESSION HORNS PRO
SESSION STRINGS PRO 2

CLASSICAL INSTRUMENTS:
BRASS ENSEMBLE
BRASS SOLO
PERCUSSION
STRADIVARI VIOLIN*
STRING ENSEMBLE
WOODWIND ENSEMBLE
WOODWIND SOLO

STUDIO EFFECTS:
ENHANCED EQ
PASSIVE EQ
RAUM*
RC 24
RC 48
REPLIKA XT
SOLID BUS COMP
SOLID DYNAMICS
SOLID EQ
SUPERCHARGER GT
TRANSIENT MASTER
VARI COMP
VC 160
VC 2A
VC 76

CREATIVE EFFECTS:
CRUSH PACK - BITE
CRUSH PACK - DIRT
CRUSH PACK - FREAK
DRIVER
GUITAR RIG 6 PRO*
MOD PACK - CHORAL
MOD PACK - FLAIR
MOD PACK - PHASIS
MOLEKULAR
REPLIKA XT
THE FINGER
THE MOUTH

ALSO INCLUDES:
39 EXPANSIONS
KOMPLETE KONTROL SOFTWARE
CREATOR TOOLS
NATIVE ACCESS
$25 E-VOUCHER FOR THE NI ONLINE SHOP

SYSTEM REQUIREMENTS:
Windows 10 (64-bit, latest Service Pack)
macOS 10.14 or 10.15 (latest update)
Intel Core i5 or equivalent CPU, 4 GB RAM (6 GB recommended), graphics hardware support for OpenGL 2.1 or higher, 10 GB free disk space (240 GB for complete installation)
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts.
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MRP:$438.67 SAVE 19%
 2 in stock $354.78
Click for better price!
or call +44 20 7424 1960
quote 789858
Native Instruments Komplete 13 Ultimate Upgrade Software For Komplete 8 - 13
Cat: 789879 Rel: 01 Oct 20 • View all Musikproduktionssoftware
 
Upgrade for Komplete 8-13
Notes: Everything that makes KOMPLETE 13 so fantastic, expanded with the full range of synths, sampled instruments, and effects, plus a colossal orchestral and cinematic toolkit for artists, sound designers, and composers. Including GUITAR RIG 6 PRO, STRADIVARI VIOLIN, MYSTERIA, STRAYLIGHT, PHARLIGHT, and much more.

PLATFORMS:
KONTAKT 6
REAKTOR 6

CINEMATIC:
ACTION STRIKES
ACTION STRINGS
DAMAGE
EMOTIVE STRINGS
EVOLVE
EVOLVE MUTATIONS
EVOLVE MUTATIONS 2
KINETIC METAL
KINETIC TOYS
MALLET FLUX*
MYSTERIA*
PHARLIGHT*
RISE & HIT
STRAYLIGHT*
THRILL

SYNTHESIZERS:
ABSYNTH 5
FM8
FORM
KONTOUR
MASSIVE
MASSIVE X
MONARK
RAZOR
REAKTOR PRISM
REAKTOR SPARK
RETRO MACHINES MK2
ROUNDS
SKANNER XT
SUPER 8*
TRK-01

CREATIVE SAMPLERS:
BATTERY 4
FLESH
POLYPLEX

PLAY SERIES:
ANALOG DREAMS
BUTCH VIG DRUMS*
CLOUD SUPPLY*
ETHEREAL EARTH
HYBRID KEYS
LO-FI GLOW*
MODULAR ICONS*

DRUMS AND PERCUSSION:
ABBEY ROAD 50S DRUMMER
ABBEY ROAD 60S DRUMMER
ABBEY ROAD 70S DRUMMER
ABBEY ROAD 80S DRUMMER
ABBEY ROAD MODERN DRUMMER
ABBEY ROAD VINTAGE DRUMMER
DRUMLAB
MASCHINE DRUM SELECTION
STUDIO DRUMMER

WORLD INSTRUMENTS:
BALINESE GAMELAN
CUBA
INDIA
MIDDLE EAST
WEST AFRICA

ACOUSTIC PIANOS:
ALICIA'S KEYS
NOIRE*
THE GENTLEMAN
THE GIANT
THE GRANDEUR
THE MAVERICK
UNA CORDA

ELECTRIC PIANOS AND ORGANS:
GEORGE DUKE SOUL TREASURES
SCARBEE A-200
SCARBEE CLAVINET/PIANET
SCARBEE MARK I
VINTAGE ORGANS

GUITAR AND BASS:
ELECTRIC SUNBURST DELUXE*
PICKED ACOUSTIC*
SCARBEE FUNK GUITARIST
SCARBEE JAY BASS
SCARBEE MM-BASS
SCARBEE MM-BASS AMPED
SCARBEE PRE-BASS
SCARBEE PRE-BASS AMPED
SCARBEE RICKENBACKERr BASS
STRUMMED ACOUSTIC
STRUMMED ACOUSTIC 2

CONTEMPORARY HORNS AND STRINGS:
SESSION HORNS PRO
SESSION STRINGS PRO 2

CLASSICAL INSTRUMENTS:
BRASS ENSEMBLE
BRASS SOLO
PERCUSSION
STRADIVARI VIOLIN*
STRING ENSEMBLE
WOODWIND ENSEMBLE
WOODWIND SOLO

STUDIO EFFECTS:
ENHANCED EQ
PASSIVE EQ
RAUM*
RC 24
RC 48
REPLIKA XT
SOLID BUS COMP
SOLID DYNAMICS
SOLID EQ
SUPERCHARGER GT
TRANSIENT MASTER
VARI COMP
VC 160
VC 2A
VC 76

CREATIVE EFFECTS:
CRUSH PACK - BITE
CRUSH PACK - DIRT
CRUSH PACK - FREAK
DRIVER
GUITAR RIG 6 PRO*
MOD PACK - CHORAL
MOD PACK - FLAIR
MOD PACK - PHASIS
MOLEKULAR
REPLIKA XT
THE FINGER
THE MOUTH

ALSO INCLUDES:
39 EXPANSIONS
KOMPLETE KONTROL SOFTWARE
CREATOR TOOLS
NATIVE ACCESS

SYSTEM REQUIREMENTS:

Windows 10 (64-bit, latest Service Pack)
macOS 10.14 or 10.15 (latest update)
Intel Core i5 or equivalent CPU, 4 GB RAM (6 GB recommended), graphics hardware support for OpenGL 2.1 or higher, 10 GB free disk space (240 GB for complete installation)
Supports ASIO, Core Audio, WASAPI
Runs in 64-bit VST, AU, AAX hosts.
Read more
MRP:$645.71 SAVE 25%
 1 in stock $484.18
Click for better price!
or call +44 20 7424 1960
quote 789879
Yamaha HS7 Matched Pair Powered Studio Monitors (black, pair)
Cat: 785335 Rel: 29 Sep 20 • View all Studiomonitore
 
Studio monitors
Notes: Always a favourite of ours, the HS7s are very capable monitors at a nice price. Two-way design with 6.5-inch woofer and 1-inch dome tweeter. Clear and transparent sound, available here as a matched pair.

Supplier's Notes:
In the 15 years since they were introduced, the HS Series powered studio monitors have become a favourite in professional, project and home studio environments.

The new special edition HS7 MP Set includes two HS7 monitors, both manufactured using a unique process and both utilising specially selected parts. The result is a pair of monitors, each as closely matched to one another as is possible.

2-way bass-reflex bi-amplified nearfield studio monitor with 6.5" cone woofer and 1" dome tweeter
43Hz - 30kHz frequency response
60W LF plus 35W HF bi-amp system for high-performance 95W power amplification
ROOM CONTROL and HIGH TRIM response controls
XLR and TRS phone jack inputs accept balanced or unbalanced signals

The HS Series embodies the design philosophy on which Yamaha has long insisted for its studio monitors, and is now available as a special paired model that uses selected volume parts. The paired model series bears the designation of MP (Matched Pair), and MP stickers are affixed to the back of each unit. Manufactured at the same time and with paired serial numbers, the HS MP models can play a valued role in your recording, mixing, and mastering work.

Yamaha Pro Audio's history of aspiration and innovation goes back to 1969. Since the creation of Yamaha's first pro audio products (the VA120 and VA180 vocal amp systems), they've repeatedly aspired and innovated to create a wide-ranging lineup for applications including broadcast studios and commercial spaces, such as mixing consoles, power amplifiers, speakers, processors, and immersive sound solutions, each with the aim of becoming the new standard in their respective market.

Monitor speakers are one of the product areas that must be mentioned when speaking of Yamaha Pro Audio's fifty-year history. The NS10M STUDIO which went on sale in 1977 was a studio monitor speaker loved by numerous engineers, and earned a role in studios around the world. In 1998 came the MSP5 powered monitor speaker which focused on providing the painstakingly faithful playback of the original sound that is demanded from nearfield monitors. Subsequently, the MSP/MSP STUDIO series that appeared during the period 2000 through 2008 benefited from a full measure of the know-how and technology that has been accumulated in the field of pro studio monitor design, going on sale as a flagship model that boasted a stunning degree of perfection.

Yamaha have insisted on complete fidelity to the original sound and the ability to reproduce the subtle changes of tone and position in the mix, and these principles are exemplified in the HS series that appeared in 2005 with its bright white cones. As high-bit and high-sampling-rate continue as trends in the field of music production, leading to an increasing need for high-quality nearfield monitors, these speakers deliver the high-quality sound and accuracy that are ideal for the studio environment. In 2013, fusing the know-how and cutting-edge analysis technology that has been developed through many years of studio monitor design, and carefully rethinking every element, the next-generation HS series have been announced, adds yet more polish to the accuracy of these speakers.
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MRP:$723.35 SAVE 38%
 2 in stock $451.83
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quote 785335
ADDAC System ADDAC207 Intuitive Quantizer Module (red faceplate)
Cat: 776182 Rel: 08 Sep 20 • View all Synth modules
 
Quantizer module
Notes: 4 Voices of Quantization with a 10 octave range.

Menu Reaction Time can be adjusted and saved.

User definable Scales- any scale is possible.

Simple Intuitive menu with settings such as:
User definable NOTES Intervals for Chord generation
Quantization types: Above, Below, Ignore
Definable Gate Out Length
Octave Offsets
Keyboard Mode (using Buttons as triggers)
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MRP:$489.13 SAVE 19%
 2 in stock $395.74
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quote 776182
ADDAC System ADDAC221 10x9 Channel CV to CC MIDI System Module (red faceplate)
Notes: The ADDAC221 is a standard midi controller that allows CV inputs, converting CV variations to MIDI Control Change Messages. This allows interaction with your favourite standalone synthesisers and softwares through simple plug-and-play midi control.

A dedicated software permits the user to store up to 9 different presets, where the CC values of each channel can be configured as wished.

This way the user can preset his favourite synths to control filters, envelopes and whatnot from CC messages coming from the module CV inputs.

Ships with 2 stereo jack to din5 midi cables.
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 1 in stock $358.00
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quote 776266
ADDAC System ADDAC222 4x6 Voices 1V/Octave to MIDI Notes Module (red faceplate)
Notes: Most recent from the ADDAC MIDI Series, the 222 converts 4 CV inputs to four distinct polyphonic MIDI NOTES streams, with up to 6 note voices per input. This allows the user to send midi notes to external midi devices straight from your modular: just plug it into your classic synth or your favourite virtual instruments. Combined with the ADDAC221 you can fully control any external midi device.

Ships with 2 stereo jack to din5 midi cables.
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 1 in stock $402.21
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quote 776268
ADDAC System ADDAC402 Heuristic Rhythm Generator Module (red faceplate)
Cat: 776311 Rel: 08 Sep 20 • View all Synth modules
 
Rhythm generator module
Notes: This module is a powerful rhythm generation machine- it features 4 voices of gate outputs (including inverted outputs for logic NOT sequences) where each voice can have independent lengths, all configurable with direct knobs anc cv inputs.

Perfect for precise polyrhythmic patterns and all sorts of non-linear sequencing.

The module works by 6 different rhythm generation "algorithms / principles":
Euclidean (equal distribution)
Golomb Rulers (inequal distribution)
Probabilistic (predictable distribution)
Game Of Life (organic progression)
Footwork'n (inducted error progression)
Pong (voltage controlled Pong game)

Plus a 4 channel Gate Sequencer Mode with up to 32 steps and 16 storable presets.

Add ADDAC402B Expansion for full I/O Midi control plus access to a powerful midi interface, with:
Midi Sync
5 cv to midi channels (notes and/or cc)
4 midi to gate channels
All panel controls (knobs, switches and push buttons) as cc controls.

All fully configurable with a midi learn feature for easier configuration.

MECHANICAL:
Format: Eurorack
Width: 20 HP
Depth: 5.5 cm

CONTROL VOLTAGE I/O:
CV inputs: 0 to +10v

ELECTRICAL:
Max current: 150mA
Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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quote 776311
ADDAC System ADDAC501 Complex Random Module (red faceplate)
Cat: 776328 Rel: 08 Sep 20 • View all Synth modules
 
Random CV generator module
Notes: The ADDAC501 does random CV generation and outputs it through four independent channels. You can control the desired range of voltages and time frequency at which new values are generated.

It can also be triggered by an external CV source and the output voltages can be either free or quantized (if you prefer to have a standard C Major scale).

Finally you can choose between pure randomness or a brownian distribution, for both the voltage and time intervals.

Mechanical:
- Format: Eurorack
- Width: 8 HP
- Depth: 5 cm

Control Voltage I/O:
- CV inputs: 0 - 10v
- CV output: 0 - 5v (0 - 10v through jumper)
- Gate in threshold: 2.5v

Electrical:
- Compatible with +-12v and +-15v power supplies
- Max current: 150mA
- Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC503 Marble Physics Module (red faceplate)
Cat: 776332 Rel: 08 Sep 20 • View all Synth modules
 
Marble physics module
Notes: Newtonian physics on a modular synth! The ADDAC503 Marble Physics is a CV generator based on the mechanics behavior of a marble on a tray.

Through this realtime physics simulator you'll be able to control several parameters that will affect the behavior of a model of a spherical object against a plane. You can tilt the plane or bump the marble with a certain strength, which will cause it to roll and bounce on elastic walls.

The model will output the object's XY position or velocity and you can control other physical parameters, like the walls' elasticity or the strength of a bump. When the marble hits walls the bounce output triggers and you can additionally lock the X axis for a one dimension simulation. Finally you can also set the overall speed of the simulation.

By controlling all of these properties you be able simulate several scenarios where the marble falls, gets gently pulled by gravity, orbits indefinitely or bounces on walls like a pinball. Truly engaging physics simulations!

Mechanical:
. Format: Eurorack
. Width: 10 HP
. Depth: 5.2 cm

Control Voltage I/O:
. CV inputs: i 10v
. CV outputs: i 5v

Electrical:
. Max current: 150mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC504 Probabilistic Generator Module (black faceplate)
Notes: This is a complex Gate / CV generator based on probabilities.

Functions:

Knob 1:
%1 = Gate 1 Probability
5TG = Fifth Output Type: Trigger/Gate
N1 = Note 1 Tuning

Knob 2:
%2 = Gate 2 Probability
T.SIZE = Trigger Size
N2 = Note 2 Tuning

Knob 3:
%3 = Gate 3 Probability
DIR = LOCK Mode Direction: Backwards/pendulum/forward
N3 = Note 3 Tuning

Knob 4:
%4 = Gate 4 Probability
S.SIZE = LOCK Mode Sequence Size: up to 16 steps
N4 = Note 4 Tuning

Knob 5:
SWING X = Clock Swing X: 1 to 16
Y = Clock Swing Y: 1 to 16
N5 = Note 5 Tuning

Gate Outputs Behaviour:

At every clock input, based on the four knobs probability settings, the module will select one active gate out, only one of the five gates will be active at all times. All Gate outputs can also behave as a Trigger instead, Trigger size can also be adjusted.

The knobs set the probabilities of each gate to be chosen, here's an example of how this operates

With all first four knobs at 12 o'clock the first Gate has 50% of being the chosen one, the remaining 50% of the times will be passed through the next knobs. So Gate 2 at 12 o'clock has 50% of the remaining 50% left by setting one, which leaves it with 25% chance of being the chosen one, the remaining 25% will be passed through Knob 3 which will have 12.5% chance of being the chosen one, the remaining 12.5% will be sent to Setting 4 which will have a probability of 6.25%. The remaining percentage left by the 4 Settings will always be the probability of Gate 5, in this case the remaining 6.25%.

Here's a couple more examples.

All knobs at 12 0'clock
Setting 1 = 50% chance, 50% left for remaining settings.
Setting 2 = 25% chance, 25% left for remaining settings.
Setting 3 = 12.5% chance, 12.5% left for remaining setting.
Setting 4 = 6.25% chance, 6.25% left for Gate 5.

All knobs at 9 0'clock (aproximate values)
Setting 1 = 20% chance, 80% left for remaining settings.
Setting 2 = 16% chance, 64% left for remaining settings.
Setting 3 = 12.8% chance, 51.2% left for remaining setting.
Setting 4 = 10.24% chance, 40.96% left for Gate 5.

Tuning and CV outputs:

While in the Tuning page you can use all knobs to set the 5 pitches
When in tuning page knobs should be rotated one at a time!
While rotating the knobs the CV out 4 will be used as a monitor, the other 3 CV outs will be behaving normally.
The module detects which pot is being rotated and outputs the relative pitch CV on CV out 4 for all knobs.
While on this page the tuning will be quantized or not relative to the panel Quantize on/off switch. Even if this process is done in quantized mode the module always store the free value in order to allow quantisation to be turned off later.
Once you're happy with the tuning you can exit the page, new values are stores to memory while exiting the page.
When tuning the module detects both the note selected and the relative octave.

CV Outs behaviour
This will be easier to explain with examples

Let's say we tuned these notes:

C0 or 0v
D1 or 1.166v
F2 or 2.466v
G3 or 3.583v
A4 or 4.75v

1. Next Logic out calculated is gate 3.
CV outs 1-2-3 will output a note in octave 2, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 3 (F2)

2. Next Logic out calculated is gate 5.
CV outs 1-2-3 will output a note in octave 4, the note itself is randomised from the 5 tuned notes (C,D,F,G,A).
CV out 4 will output the exact note tuned with knob 5 (A4)

Out 1-2-3 is octave related
Out 4 always output the original tuned note

Knobs Pages access:

MENU/TRIGGER button is used to access pages
After power up it gets to first page by default.

Page 1:
MENU/TRIGGER button is off and blinks with clock inputs

Page 2:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up meaning you're in Page 2, changing knobs will affect the secondary function.
Releasing the button jumps to Page 1

Page 3:
Pressing the MENU/TRIGGER button for 3 seconds the Button Led lights up, keeping it pressed without moving any knob for 3 more seconds makes the Button led go off. At this time you can release the button. After that the button will light up meaning you're in page 3, or the tuning page.
Pressing the button one time jumps to Page 1

Soft-Recall and Memory:

Knob positions are stored in memory while in operation to be able to have a soft recall of the settings, so when jumping from page to page you'll need to rotate the knob until you find the last setting and only then they start to operate. Whenever the pot crosses the last setting point the MENU/TRIGGER button will blink indicating that the knob is now active.

Page 2 & 3 have permanent memory so it will always load the last settings after power up.
Page one is volatile and powers up with the initial knobs settings.
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ADDAC System ADDAC601 VC Fixed Filterbank Module (black faceplate)
Cat: 776346 Rel: 15 Sep 20 • View all Synth modules
 
Analog filterbank module
Notes: Eight independent fixed-frequency filter bands combine with linear VCAs to create massive sonic potential. VCAs also double as envelope followers, with a CV output per band.

Supplier's Notes:

The ADDAC601 Analog Filterbank will have you shaping the spectrum of your sound "tout de suite".

With its 8 fixed frequencies, this very special filterbank has two additional features that you won't find anywhere else. Each of the 8 band volumes can be controlled through a linear high performance VCA, which adds great dynamics and new abilities to the art of filtering. Additionally this module also doubles as an envelope follower, with a dedicated CV output per band.

It features numerous output options: you can select between individual bands, the full processed sound, a wet/dry signal and even choose between odd or even frequencies.

Plus you can add up to two different signals, which are mixed internally by the ADDAC601 inputs.

- Format: Eurorack
- Width: 20 HP
- Depth: 5.5 cm

Control Voltage I/O:
- CV inputs: i 5v
- CV outputs: 0 - 10v

Electrical:
. Compatible with +-12v and +-15v power supplies
. Max current: +340mA/-350mA
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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ADDAC System ADDAC611 Gotharman's VC Tube Filter Module (black faceplate)
Notes: This module was developed upon the Tubaz Filter which was released in 2014 by Gotharman but is currently no longer in production. We loved the original module so much that we officially licensed it's circuit and expanded it to feature several new functionalities.

Here's a paragraph from Gotharman regarding the original design:
"I designed it with the purpose of adding crunch, edge and distortion to my eurorack system. It is not an ideal bandpass filter, that cuts off all frequencies above and below the center frequency.
Because of its high drive, there are, in most cases, some bleedthrough of the harmonics, that should have been cut off. You might consider calling it a "Band Add" filter. The main purpose of it, was to add edge, not to be a perfect bandpass filter."

While everything he mentions is still true we believe he was being modest, It's a dirty, gritty, growling and whining monster which promises you some of the most peculiar filter sounds you'll ever hear.
However do not classify it as a "weird" distortion unit just yet because besides this hairy character it can be easily tamed (using lower volume levels) and then, with some care and intention from the user, it will transforrm itself showing it's feline purrrrr and cuddle sweet and caring, or like any good mut, showing up at night all happy, wet and dirty from a full dog's day and will lay down at your feet while wiggling it's tail howling as yawning just happy to be back home.

As such, standard volume principles do not quite apply to these units, the Audio Levels will go up to x2 amplification, Drive will go up to x11 and master outs go up to x2. The combination of these will cover all diferent qualities it can present. Overall sound can be distorted pre-Tube (raising input levels), in Tube (raising drive) or post-Tube (raising Out levels).
Higher Inputs and Drive will always be gritty, lower Inputs and Drive volumes together with higher Output levels will make the overall behaviour more mellow and closer to what a typical filter would behave like.

No standard expectations should be considered when acquiring these units, all of the tubes were built in the 70's and were bought from various sources, we always kept the premise that no tube was a bad tube (unless not really workinng) so due to each specific characteristics no module will sound exactly the same, making each unit particularly unique. This uniqueness will be particularly evident on their resonance/self-oscilating timbre as well as in their own microphonic qualities.

Regarding power and current draw, the module is designed using a low power tube, so it won't starve your eurorack power supply.

Tech Specs:
12HP
3.5cm deep
90mA +12V
60mA -12V
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ADDAC System ADDAC800X High-End Outputs Module (red faceplate)
Cat: 776392 Rel: 08 Sep 20 • View all Synth modules
 
Outputs module
Notes: Inspired by the legacy designs of premium vintage gear, the ADDAC800X behaves like a high-quality DI box and is all about keeping the sound coming from your Modular free from any undesired noisy interferences, making sure that what you're getting from your outputs is what your Modular is actually producing. It provides galvanic electrical isolation between the Modular system and external sources preventing impedance mismatch and ground loop induced hum. ADDAC's 800X circuit is designed around a unity 1:1 type nickel core Hammond Audio Transformer from the 140UEX series (equivalent to Jensen audio transformers).

Operating in the 20 Hz to 20 KHz range and providing exceptional shielding from external sources, this impedance matching transformer provides the 800X with two fully balanced high-end outputs (via XLR connectors).

Applying a transformer balanced output isolation has lots of advantages over other less expensive ways for dealing with ground loop issues. This method provides the chance to set a very simple and clean circuit in which the signal transfer process develops smoothly and humming free. The transformer is a device that performs both signal balancing and high-to-low (or vice-versa) impedance conversion, while rejecting straggled DC voltage and Radio Frequency Interference from signal passing through a magnetic bridge. In a transformer, two (or more) coils (called windings) of insulated wire wound around a magnetic metal core allow for its input(s) and output(s) not to be physically connected together. When an AC signal passes through the input winding (the primary), a perfectly related AC signal appears on the output winding (the secondary). This way, by the fact that signal flows via inductive coupling between the two windings of the transformer, the ADDAC 800X presents a most accurate electrical isolation between its input and output. A same number of windings on each coil guarantees that there's no gain loss when audio signal passes from the primary to the secondary windings. Furthermore, since these two windings are insulated from each other, the transformer will electrically isolate the 800X from any other device, preventing hum problems coming from an outsider ground.

LEFT IN will output sound to both channels.
Through RIGHT IN, signal will only find its way on OUT 2 (if the LEFT/RIGHT toggle is lifted up, RIGHT IN will be ignored and LEFT IN will be present in both OUTs). With both INs connected you'll have two separate outputs (LEFT IN -> OUT 1 & RIGHT IN -> OUT2). However, lifting up the LEFT/RIGHT toggle you'll also find RIGHT IN ignored and LEFT IN will fed both OUTs.

Each TRANSFORMER ISOLATED OUTPUT section has its signal overload warning led and two dedicated toggle switches: one that works as a simple amplifier / attenuator pad to +6dB / -10dB respectively, and a LIFT/FLOAT/GND toggle. This last one is a 3-way selector that lets you choose between lift, ground or floating ground (toggle's middle position) to be taken as reference for the ground point. In the LIFT position the module circuit will be lifted to ground through a 100R resistor and a 10nF capacitor and pin 1 of the XLR connection will act as the ground point. Choosing GROUND will put ground to be shared between inputs and outputs. Floating ground will leave ins and outs grounds completely apart from each other. Any of these three positions may be the best form of avoiding ground loops or any other undesired interference occurring between your modular and the sound system you're plugging it into. Try out which one of this options will work the best in a given situation.

An HEADPHONES AMPLIFIER (with VOLUME knob) connection is available for quietly working with your modular or pre-listen your sounds before making them public matter in a live situation. This section features an OPA2134 High-Performance Audio Operational Amplifier. This device presents the ideal characteristics for use with an headphones set, like ultra-low distortion and low-noise fully specified for audio applications, in combination with high-output drive capability and excellent DC performance that altogether allow for high-dynamic headroom and really superior sound quality.

Mechanical:
. Format: Eurorack
. Width: 8 HP
. Depth: 6.7 cm

Electrical:
. Max current: 100mA? on each rail
. Bus Board Cable: 8 × 2 IDC (Doepfer style) connector
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Benidub Filtro 4 Pole Filter Effects Unit (requires a 12VDC 1A power supply)
Notes: Filtro is a 4 pole HP/LP VCF. Its performance-oriented design makes it a playable FX unit that allows for dynamic use of its features both in studio or live environments. Switchable HP/LP mode, tap tempo and a wide range of LFO waveforms provides a large variety of filter effects.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 500mA, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.
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Benidub Spring Amp II Spring Reverb Preamplifier (requires a 12VDC 1A power supply)
Notes: The Spring Amp II allows using spring-reverb tanks with standard audio mixers. It combines a HiFi amplifier for spring reverb tanks with a 2 pole VCF that can be used to shape and equalize the spring's output. Different kinds of spring tanks can be used with Spring Amp II offering a wide selection of possible reverb tones.

Audio output: impedance balanced 1/4" TRS Jack

Audio input: impedance balanced 1/4" TRS Jack

DC Input: 12VDC, 1A, centre positive, 2.1mm*5,5mm barrel type connector

Dimensions: 145mm x 130mm x 60mm

*PLEASE NOTE*: This product requires a 12VDC 1A power supply, which is not included.



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quote 791745
Noise Engineering Desmodus Versio Stereo I/O Tail-generator Reverb & User-flashable DSP Platform Module
Notes: Proper creative stuff with this one. Lush, characterful stereo reverb with CV control, distortion, pitchshifting, a freeze button and more. Oh, and it's got user-customisable DSP firmware for good measure.

Supplier's Notes:
Desmodus Versio is Noise Engineering's take on a synthetic-tail generator reverb. In only 10hp, it features true stereo in and out, seven CV-controlled parameters, and three reverb modes. Desmodus Versio's feedback control sets the length of reverberation, from short echoes through infinite regenerations.

At its max, the reverb ducks when it receives input, useful for creating sidechain ducking and atmospheres for percussion. The different reverb modes offer even more sound options with clean, distorted, and pitch-shifting shimmer settings. The FSU button acts as a freeze and also creates some noise to stimulate the reverb when there is no external input.

Desmodus Versio isn't just a reverb, though: it's a DSP platform. Its firmware can be changed via USB, so users can load future firmwares onto it or develop their own with upcoming open-source support.

With Desmodus Versio, Noise Engineering continues their tradition of supporting conservation:a portion of proceeds from every Desmodus Versio sold goes to Bat Conservation International. Find out why bats are not only cool but also an important part of our ecosystem at Bat Conservation International's website, batcon.org.
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Serge Modular Active Pro & Noise & CV Pro Module
Cat: 757147 Rel: 15 Oct 20 • View all Synth modules
 
Active processor/noise module
Notes: The Active Processor (ACPR) is an accurate, linear crossfader for either control voltages or audio signals. The new version designed by Serge in 2017 offers a widely increased precision. This module provides an important link in complex patches, allowing to smoothly change from one control voltage to another. It is possible to cross- fade between different envelopes, for example, or to gradually switch control over a bank of oscillators from one output of a sequencer to another output. The ACPR also offers interesting uses in the audio range, from wave- blending even to waveshaping (with CV in audio-range).

The Serge NOISE SOURCE (NOI) generates both white and pink noise waveforms. The S/H Source output pro- duces the necessary input for a sample and hold function to produce equi-probable random voltages, similar to a 1/F distribution function and is a perfect companion for the Smoothed & Stepped Generator (SSG).

The Precision CV-Processor (CV-PRO) is also a new development that goes beyond adding and inverting control voltages. A precision input stage allows mixing 1V/ Oct voltages, e.g. to cent-accurately transpose sequences (i.e. stay in tune). A switch transposes precisely one octave up or down. The attenuverting stage offers full processing control of level and polarity of three inputs voltages includ- ing Serge’s unique diode-based wave-compression. This new version now allows using the non-linear attenuverter mixing stage with precise 1V/Oct (AUX) inputs without los- ing their precision. IN 1 is normalled to 5V and therefore can be used to add an DC offset when no input signal is present.

The new version has been developed by Serge for and in close cooperation with Random*Source.
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Serge Modular New Timbral Oscillator Module
Cat: 757121 Rel: 15 Oct 20 • View all Synth modules
 
Oscillator module
Notes: The NTO is Serge’s legendary and most ambitious oscillator. It combines raw vintage sound with astonishing precison.

The new NTO by Random*Source has been developed in close cooperation with Serge. It took about 2 years to replace obsolete parts and bring the NTO to SMT with some optimizations (precision references and parts) for stability. It also features a new Pulse Out (square wave) in addition to the classic outputs.
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Serge Modular Resonant Equalizer Module
Cat: 757149 Rel: 15 Oct 20 • View all Synth modules
 
Equalizer module
Notes: The RESONANT EQUALIZER (EQ) is a unique ten-band filter designed specifically for electronic sound synthesis and processing. Except for the top and bottom frequency bands, the bands are spaced at an interval of a major seventh. The Resonant Equalizer is designed to produce formant peaks and valleys similar to those in acoustic insstruments.

There are three equalized outputs: the two COMB outputs provide the sums of the two alternate filter bands, while the two top outputs are the (identical) mix of all filter bands. Please note that there is no sharp separation between the bands, moving any frequency knob will have an influence on both COMB outputs. This equalizer is special in that the bands can be set to be resonant: when the knobs are in the middle position, the response at the main EQ Output is flat. When the knobs are positioned between the 9 and 3 o'clock position, up to 12 db of boost or cut is set at the band. If the knob is set beyond the 3 o'clock position, the band will become resonant, simulating the natural resonance of acoustic instrument formant structures. Below the 9 o'clock position, increased band rejection is achieved.

The Random*Source version of the filter is a licensed and authorized adaption of the legendary Serge equalizer for Eurorack. It adds an input mixer with 2 inputs that can be built/used to attenuate or amplify/distort the input signal(s) before they are sent into the EQ and a Feedback section (knob and phase switch) which allows to feed back the output signal or the inverted output signal (depending on the Phase switch). Adding inverted feedback leads to phase cancellation effects - unlike the "normal" feedback, level decreases and the signal thins out.
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Serge Modular Smooth & Stepped Generator Module
Cat: 757124 Rel: 15 Oct 20 • View all Synth modules
 
Multi-functional generator module
Notes: The Serge Smooth & Stepped Generator (SSG) is a complex multi-functional module which can be patch programmed to provide various slew and sample functions both for audio and CV signals. It is one of the essential Serge modules.

The Smooth section will place a positive and negative slew on input voltage transitions for lag effects, voltage controlled portamento and for low frequency filter applications. In Cycle-mode (cycle jack patched to the input), the Smooth side will oscillate yielding a voltage controlled triangle wave LFO. A high level into the HOLD input will enable the Smooth Function to be used as a track-and-hold circuit with voltage controlled slew rate.

The Stepped function can be used as a sample-and-hold with voltage controlled slew rate limiting. In Cycle mode, a pulse applied to the Sample input will generate complex staircase waveforms for control voltage applications and for use as audio signals.

The Coupler is an internal comparator which compares the output levels of the Smooth and the Stepped Generators. This output is useful for generating complex control voltages or random voltages.

The Random*Source version of the Smooth & Stepped Generator for Euro is a licensed and authorized adaption of the original Serge design that provides an increased audio range of the Smooth Generator and a bipolar ("hot") Coupler output in addition to the regular (unipolar) Coupler output.
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Serge Modular Stereo Mixer Muses Edition Module
Cat: 757122 Rel: 15 Oct 20 • View all Synth modules
 
Stereo mixer module
Notes: The Stereo-Mixer is a 2 input, 2 output equal-power panning mixer designed combine the sound of the famous Serge VCAs with the most audiophile parts available today in a special edition for Eurorack - NJR Muses op-amps and THAT2180 VCA chips. The module has 2 independent input channels (with attenuators) that can be Stereo panned between the 2 outputs. Each channel's gain is controlled by a gain knob and as Gain CV input (with attenuator) which allows to go into massive overdrive with a very organic sound. There are also two AUX inputs that allow signals to be routed in at unity gain. Both panning and Gain CV inputs have been designed to handle audio rates, making the Stereo Mixer a very powerful waveshaping and droning tool.

Beware that the module is able to deliver massive gain, resulting in output levels of up to appr. +/-11V when overdriven, so make sure your other equipment (AD converters, mixers) can handle this

Balanced Outputs, using "a new generation of monolithic audio differential line drivers offering improved performance over conventional crosscoupled designs" for low noise and distortion. These outputs can be connected to balanced or unbalanced equipment (amplifiers, A/D converters...)

NJR Muses op-amps in the audio path.

Optimized value set and easier calibration / setup.

Two Aux inputs can also be used to chain mixers. The output is available at a pair of banana jacks as well as (6.35mm / 1/4") TRS jacks (phone connectors) for connecting to external amplifiers, ADCs etc.
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Serge Modular Variable Slope VCF Module
Cat: 793037 Rel: 15 Oct 20 • View all Synth modules
 
VCF module
Notes: The Serge Extended Variable Slope filter (VCFS) is a unique filter of the Serge system, covering a wide range of sonic character. According to the 1983 Serge catalogue, the VARIABLE SLOPE VCF (VCFS) allows the amount of filtering to be dynamically controlled, from barely perceptible filtering to highly resonant, sharp cut-offs. With the variable slope control in the center position, the VCFS acts as a typical flat-response VCF, with high, low, and band~pass outputs available simultaneously. The slope of the cut-off is 12 db/octave. As the control is moved toward the maximum position, the resonance of the filter increases, so that the cut-off becomes sharper.



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Serge Modular Wave Multipliers Module
Cat: 757126 Rel: 15 Oct 20 • View all Synth modules
 
Wave multipliers module
Notes: The legendary Serge Wave Multipliers (VCM) are designed to dynamically add new harmonically-related overtones to an input waveform. Accroding to the 1982 catalogue, they alter the timbre in exciting new ways, producing interesting alternative forms of signal processing which are unique in the Serge Modular Music System. Since there are three entirely separate and different types of Wave Multipliers in this module, an enormously varied palette of new effects can be synthesized.

The top section offers two different modes, selected by a switch. In the HI position, the module functions to square-up an incoming signal, with a rounded flattening of the signal peaks, somewhat similar to overdriving a tube amplifier (with voltage control!). In LO mode, the module is a linear gain controlled VCA. This is useful for various functions such as amplitude modulation and for gating signals into the other sections.

The middle section generates a sweep of the odd harmonics (1, 3, 5, 7, 9, 11 and 13th) when a sine wave is applied to its input and the FOLD knob is turned up or a control voltage is swept from low to high. This effect is similar to overblowing a wind pipe closed at one end. A second input is included to allow two signals to be mixed before processing. This module can be used to explore timbral areas beyond the range of ring modulation.

The bottom Wave Multiplier performs non-linear wavehaping known as full-wave rectification, but with sophisticated level-compensating conditioning as well. The circuit uses three full-wave rectifier sections linked in a very refined controllable format. Sweeping the VC input over its range will produce a smooth timbral transition using the even harmonics (second, fourth, and eighth). Many other partials are present in this basic sound, however, and the sonorities are very rich and varied. The white output is a squared up version of the black one, resembling an harmonically enhanced pulse width modulation.

The Random*Source version of the Serge Wave Mulitpliers for Euro is a licensed and authorized adaption of the original Serge design, using best parts available today (e.g. Burr-Brown op-amps, C0G capacitors up to 220N) for optimum audio performance.
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Electrosmith Daisy Petal Programmable Effects Pedal
Cat: 786213 Rel: 11 Sep 20 • View all Effects pedals
 
Programmable effects pedal
Notes: Create your own effects programs with the Petal! Simply download a working reverb, delay, or looper example, and start tweaking. Comes with Daisy installed and 9V power adapter.
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Empress Effects Buffer + Stereo Pedal
Cat: 782957 Rel: 10 Sep 20 • View all Effects pedals
 
I/O interface pedal
Notes: The Empress Buffer+ Stereo was designed to be the complete I/O interface for your pedalboard, all while maintaining the highest fidelity of your guitars' signal.

Signal loss due to long. un-buffered cable runs is an issue that has plagued guitar players for decades. The primary goal of the Buffer+ Stereo is to eliminate this signal loss, ensuring that your tone is unchanged by your cables.

All the features of the Buffer+ have been incorporated such as the foot-switchable boost, input padding, noise filters, and variable input loading, as well as a ton of additional features such as input metering and clip level indicators, AB/AY switching, external switch control, and of course full stereo in/out connectivity.

On top of all that, 12 different operating modes have been added, each with its own unique signal routing to provide maximum versatility and adaptability to just about any rig you can throw at it. Whether you're connecting stereo effects out to stereo amps, parallel mono effects chains, dual instruments to switch between, or effects in front of your amp as well as the fx loop, the Buffer+ Stereo has got you covered.

Input Impedance 1: 10kO - 1MO
Input Impedance 2: 1MO
Output Impedance 1: 47O
Output Impedance 2: 600O
Frequency Response: (-3dB): 20Hz - 38kHz
THD: 0.02%
Noise: -104dB
Input Voltage: 9VDC
Required Current: 150mA
Power Input Connector: 2.1mm Barrel Connector
Height (enclosure only): 1.5"
Height (including controls): 2"
Length: 4.5"
Width: 3.5"
Weight: 12.5oz
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Empress Effects Echo System Dual Engine Delay Pedal
Cat: 783107 Rel: 24 Sep 20 • View all Effects pedals
 
Delay pedal
Notes: Spanning the gamut of known delay possibilities and beyond, the Echosystem could be the ultimate delay-crafting tool. Faithful emulations of classics like digital, tape and analog delays are numerous, as well as Empress' own take on each of these delay styles. Moving beyond the traditional, the vast amount of sonic ground the Echosystem can cover becomes apparent. Check out the ambient modes when you're feeling chilled out, or perhaps a visit to the multi tap modes for a taste of inspiration.

The Dual Engine functionality allows any 2 of these delays to be used together, routed in either parallel, series, or left/right configurations.

In addition to delays, there's the super-useful reverb combos, which will elevate any guitar part. Oh, and don't forget Whisky mode, best accompanied by a dram of whatever you've got!

The pedal has 12 algorithm types, all with multiple variations. For example, there are 4 different tape delays on tap.

Emulations of classic tape and analog units are available, as well as our take on these types of delay.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Global tap tempo as well as local tempo with lots of subdivisions are available on all modes, in addition to being able to set the delay time directly with the knob.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

2 delays can be used at the same time, each with its own full set of controls and routed in serial, parallel or left/right.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

Cabinet Simulator - 3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your delay works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control Port(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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Empress Effects Heavy High Gain Distortion Pedal
Cat: 783043 Rel: 10 Sep 20 • View all Effects pedals
 
High gain distortion pedal
Notes: In this aptly named box you'll find a huge range of killer high gain tones. From crisp, mid-driven 80's metal, to scooped, modern down-tuned brutality, this little box of sonic mayhem does it all. The two independent channels can be voiced similarly so that one channel can be used as a solo boost, or they can be voiced entirely differently by using the mid range control in conjunction with the 3 position mid frequency select switch. Add in separate weight controls to shape the low end response of each channel, and a global hi/low eq section that allows you to fine tune your particular amp and cab combination, and you've got a serious tool to create a supremely heavy sounding rig.

On top of all this, there's an extremely responsive and hassle free noise gate that will ensure dead silent operation with even the most obscene amounts of gain added.

Input Impedance: 1M
Output Impedance: 510 Ohm
Frequency Response (-3dB): 35Hz - 17kHz
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: ~ 200mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1lbs
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Empress Effects Multidrive Fuzz/Overdrive/Distortion Pedal
Cat: 783082 Rel: 10 Sep 20 • View all Effects pedals
 
Fuzz/overdrive/distortion pedal
Notes: The idea of blending amps together has been a studio trick used on countless recordings over the years. Being able to blend the strengths of certain amplifiers and have other amps fill in the weaknesses produces a richer, better balanced sound. Up until now, the only way to repoduce this live was to haul a few amps around with you on the road. After a few gigs of doing that, a lot of players end up compromising tone for the ease of carrying 1 amp around with them. This is where the multidrive shines.

The multidrive allows you to blend Overdrive, Distortion and Fuzz together, creating a full and rich array of tones that would not be available otherwise. Let the sustain of fuzz, the bite of distortion and the clarity and note definition of overdrive all work together! It's like having an overdrive pedal, a fuzz pedal, and a distortion pedal, all in one box.

Specifications:
Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption: 180mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
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Empress Effects Nebulus Chorus/Vibrato/Flanger Pedal
Cat: 783089 Rel: 10 Sep 20 • View all Effects pedals
 
Chorus/vibrato/flanger pedal
Notes: The Nebulus brings guitarists high quality chorus, flanger and vibrato effects in a really compact 4.5 by 3.5 inch pedal. To increase the tone range even further 3 variations on each effect are available for a total of 9 tweak-able modes. All this flexibility is easy to access via a preset system capable of storing up to 8 different presets.

The chorus mode offers a lush and warm sounding chorus, a fluid and dreamy multi-chorus, and a unique tremolo'ed chorus. The flanger setting has a classic tape flange, a 70's negative feedback type flanger, and the elusive thru-zero flange. Lastly, but certainly not least, are the vibrato sub-modes which include a standard vibrato, a classic vibe sound, and a rotating speaker effect.

Each mode includes a special switch which allows the guitarist to really tweak crucial settings and it also offers some bonus features like the ability to add compression to vibrato mode, for example. For further fine tuning, a tone switch is available offering warm, clean, and bright voicings to the effect.

This true bypass pedal offers the uncompromising sound quality that guitarists have learned to expect from Empress pedals in an incredibly small box. With chorus, flanger and vibrato all only one touch away, this pedal is an incredible value.

Specifications:
Input Impedance: 1Meg
Output Impedance: 1K
Frequency Response (-3dB) - 8Hz - 18.5kHz
Input Headroom: +10.8dBu
Output Headroom: +10.2dBu
Distortion: 0.40%
Signal to Noise: 102.7dB
Power Input Voltage: 9 - 12 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~300mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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Empress Effects Phaser Pedal
Cat: 783098 Rel: 10 Sep 20 • View all Effects pedals
 
Phaser pedal
Notes: Redefining the phaser effect from the ground up, Empress Effects has created a phaser pedal unlike anything else on the market. Employing a unique VCA based design, the Empress Phaser Pedal offers unparalleled signal-to-noise ratio. Choose between 2 stage, 4 stage or an Empress exclusive 3 stage mode; all controllable via tap tempo sweeping through an impressive set of 8 waveforms.

The Empress Phaser Pedal is the next generation in the evolution of digitally-controlled analog technology. It features an all-analog signal path but is controlled by a microprocessor, allowing it to maintain all its character and analog flavor while adding a ton of possibilities for control and adaptability. Sure, it does the classic jet sounds, super funky auto-wah and ring modulators, as well as having vibrato and Univibe sounds on tap. But what really sets the Empress Phaser Pedal apart are the auto modes: envelope following, audio-triggered sweeps, rhythms and direct control are just a few of the settings found on the Empress Phaser Pedal.

It also offers unsurpassed connectivity by featuring expression pedal control as well as accepting control voltage, external tap, external audio control and MIDI. All of this comes in a rock solid die cast aluminum enclosure with true bypass keeping things clean.

Specifications:

Power Input Voltage: 9 - 18 V DC (Negative tip)
Power Input Connector: 2.1mm barrel connector (Negative tip)
Power Consumption : ~120mA
Enclosure Material: Die Cast Aluminum
Input connector: 1/4" Jack
Output connector: 1/4" Jack
Height (Enclosure only): 1.5"
Height (including controls): 2"
Length: 3.5"
Width: 4.5"
Weight: 1 lb
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Empress Effects Reverb Pedal
Cat: 783099 Rel: 10 Sep 20 • View all Effects pedals
 
Reverb pedal
Notes: Realistic simulations of spaces, as well as never-before-heard surreal ambiances are represented with stunning sound quality. Sporting stereo ins and outs, a small footprint and all the controls at your finger-tips, it strikes the perfect balance of control and ease of use, avoiding laborious menus. Presets, the versatile control port, and MIDI open up a world of possibilities for live performances. Whether you're looking for a classic spring, realistic room or new sonic flavors to expand your creativity, this pedal delivers. And....it's got a beer mode!

The pedal has 12 algorithm types, some include multiple variations. For example, vintage and studio plate, dark and bright springs. Also, as more algorithms get added you can update your pedal via the SD Card. It's the pedal that keeps on giving.

Pristine sounding classic hall, plate, spring and room sounds that rival or surpass studio units costing many times more.

A complete palette of tweak-able ambient sounds that offer the creative player so much territory to explore and make their own.

All the algorithm controls are sitting on a knob in front of you, no fiddling through laborious menus.

Many algorithms have infinite hold settings or the ability to tap in delay time.

Features a signal to noise ratio of >104dB and maintains an analog dry path.

Settings can be saved to 35 presets. With three stomp switches, accessing the presets is easy.

Bank style or scrolling style preset modes.

It can be configured to run with true bypass or buffered bypass if you want to hear trails.

3 variations to choose from, perfect for recording, practicing or for gigs without an amp.

Get hum-free operation when operating in stereo with two amps. Output 2 is isolated with a transformer to eliminate nasty ground loops.

48kHz sampling, with 24 bit conversion and 32 bit internal processing.

Dry signal is left untouched, and blended with the wet signal using VCA. (no zipper noise, hooray!)

The Universal Control Port allows you to connect an expression pedal, external tap switch, control voltage, external audio input and MIDI - all using a standard 1/4" jack!

The Advanced configuration menu lets you configure how your reverb works. Select from true or buffered bypass, 0-35 presets, MIDI configuration, Control port control(expression pedal, external tap, control voltage and MIDI) as well as which style of preset system to use, input signal pad, output transformer enable and more!

The enclosure measures approximately 5.7" by 3.75" by 1.75", which is delightfully small when considering all the features packed into this unit.
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Empress Effects Zoia Modular FX Synthesiser Pedal
Cat: 783109 Rel: 10 Sep 20 • View all Effects pedals
 
Synthesiser pedal
Notes: Well on its way to becoming a cult favourite already, Empress's Zoia brings modular synthesis to a compact pedal format. Create effects, synths, controllers or modules to integrate with other instruments.

Supplier's Notes:

The ZOIA is basically a modular synthesizer in pedal form. Instead of being a delay effect or tremolo, the ZOIA provides the modules necessary to build a delay or tremolo from the ground up. But since you're the one building it, you can make it do whatever you want. With the ZOIA you can build your own custom effects, synthesizers, midi controllers, and virtual pedal boards. And to make life a little easier, these modules have been created for all your standard guitar effects. So for instance, if you want a phaser, you can just plop down a phaser. You don't have to break out the textbooks to learn that they're built out of all-pass filters. (Of course, if you're a nerd like us, you can use the ZOIA to build them out of all-pass filters).

Input Impedance: >= 1M ohms
Output Impedance: 100 ohms
Frequency Response (-3dB): 10Hz - 23.4kHz
Total Harmonic Distortion: 0.22%
Dynamic Range: 105.5 dBA
Input Headroom (no pad): +0.5 dBu
Input Headroom (6dB pad): +5.7 dBu
Input Headroom (12dB pad): +10.8 dBu
Output Headroom: +16.2dBu
Power Input Connector: 2.1mm Barrel Connector
Power Input Voltage: 9V DC (center negative)
Required Current: 300mA
Height (enclosure only): 1.75"
Height (including controls): 2.625"
Length: 5.7"
Width: 3.75"
Weight: 1.5lbs
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Keeley Delay Workstation Delay & Reverb Combi Pedal
Cat: 782388 Rel: 16 Sep 20 • View all Effects pedals
 
Delay & reverb pedal
Notes: Ultra-tweakable delay and reverb designer based on powerful DSP chips. Dial in everything from vintage tape delays to plate reverbs, modulated stereo echo effects and more.

Supplier's Notes:

The Keeley Delay Workstation is a powerful, dual DSP processor delay and reverb machine. Combining Keeley's unique delay and reverb patches in an incredibly small package, the Delay Workstation is an extremely creative tool.

With the Delay Workstation you can combine vintage slapback and multi-head tape echoes with Spring or plate reverbs to create some instantly classic sound spaces. You can set the Delay Workstation for warm sounding analog delays and then use the chamber or hall reverbs to create a huge warm and endless space. Need rhythmic delays with some shimmer? It's here. Always wanted to have the perfect ducking delay? One that backs out of the way until your done with your notes, then the echoes fill in. "Ducking" is a very intelligent way for clearing the clutter in a sound that would normally be overrun with delays and echoes. Wanna get twisted? Try the Pitch delay into the Flanged Reverb.

The Reverb side of the Delay Workstation contains all of the most common reverbs and some delays. The Morph control allows users to put creative twists on the reverb patches like spring tension, shimmer, and random flanging. There are two delays included in the reverb bank. You can use these to setup very cool ping-pong delays and many other creative rhythmic patterns.

Two banks of eight legendary effects. Super Fidelity. Super Compact.

The Delay Workstation has on-board tap tempo on the Delay side and external expression control on the Reverb side.

Effects Include:

Slapback w/reverb

Tape Delay w/tone control

Multi-Head Echo w/3 head control

Analog Delay w/dynamic modulation

Digital Delay w/inverse dynamic modulation

Subdivided Delay w/dotted eighth, eighth, triplet, sixteenth

Ducking w/compression ratio

Pitch Shifting delay with w/octave up/down control

Spring Reverb w/tension control

Chamber Reverb w/filter control

Hall Reverb w/tone control

Plate Reverb w/tone control

Shimmer w/octave up control

Flanged Reverb w/vibrato or random modulation
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Maxon RTC600 Real Tube Series Compressor Pedal
Cat: 783428 Rel: 23 Sep 20 • View all Effects pedals
 
Compressor pedal
Notes: The RTC600 is like taking the finest studio-grade tube compressors and "squeezing" them all down into a single stompbox.

The RTC600 starts out with the same patented DBX compression circuit used in Maxon's popular CP-9 Pro+ pedal - this circuit provides a very smooth, transparent, almost "glassy" compression with very low noise floor, even at maximum settings. Your guitar sounds like your guitar, only with compression added to smooth out the dynamics.

The RTC600's dual-triode tube is positioned pre-compression, adding classic valve warmth to the signal without increasing noise levels.

With up to +30 dB of clean Gain, the RTC can be used as a clean booster or as an attenuator to clean up an already dirty amp.

The Addition of Attack and Release controls to the circuit allow for a wider variety of compression effects, including "Brick Wall" limiting and "Soft Knee" compression.

The RTC600 features an internal charge pump circuit that bumps the incoming voltage up to 25 volts, providing massive headroom and full-range frequency response. The RTC600 can be used with any instrument and for a variety of applications - it can be sent into an amp's front end, placed in an effects loop, or used as an outboard processor for home recordings.

The RTC600 features True Mechanical Bypass switching using a 3PDT switch. The RTC600 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

For studio-quality compression in a compact Stompbox, the RTC600 is the only REAL choice.

Rack tube compressors of this quality can cost thousands of dollars more than the RTC600.

TECH TALK:
The RTC600 features a completely new and improved circuit from its predecessor, the RCP660.

5 controls adjust the compression effect -

Threshold: Variable, 0dB to -40dB
Output gain: Variable, 0dB to 30dB
Compression Ratio: 1:1 to 1:Infinity
Attack time (for 20dB gain increase): Variable, 20mSec to 600mSec
Release time (for 20dB gain decrease): Variable, 140mSec to 700msec

A Gain reduction LED lights when the reduction is 4dB or more.

The RTC features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTC600 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTC600 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Max Output Level: +20dBu (at 1 kHz)

Residual Noise: -94dBu or less (Input shorted, IHF-A weighted)

T.H.D. +N: 0.02% or less (at 1 kHz, -10dBu output)

Controls:
THRESHOLD 0dBu to -40dBu
RATIO 1:1 to infinity: 1
GAIN 0dB to +30dB
ATTACK (for 20dB gain decrease) 20mSec to 600mSec
RELEASE (for 20dB gain increase) 140mSec to 700mSecSwitch: BYPASS/EFFECT (Mechanical True Bypass using 3PDT switch)I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED REDUCTION LED (When REDUCTION LED lights, compression is more than 4dB.)

Internal Circuit Voltage: 25 VDC (i12.5V) (DC to DC Converter)

Power Consumption: 240mA/9VDC

Dimensions: 121 (W) × 152(D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 580g / 1.3 Lbs. (without AC adaptor)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu=0.775Vrm
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quote 783428
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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quote 783432
Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 15 Oct 20 • View all Effects pedals
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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MRP:$490.43 SAVE 14%
 1 in stock $420.54
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