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Maxon AD-999 Analog Delay Vintage Series Pedal
Cat: 783426 Rel: 15 Oct 20 • View all Effects pedals
 
Analogue pedal
Notes: The AD999's Delay tone is pure analog heaven - rich, round and three-dimensional, it reacts to your playing and breathes life into your performance.

The AD999 is loaded with eight custom Bucket Brigade IC's for 900 milliseconds of warm, organic analog tone. These BBD's are clocked extremely low to achieve the longest delay time possible, creating a HUGE delay tone that recalls early 70's Pink Floyd with stunning accuracy.

Yet the real magic of the AD999 is in the Delay repeats - they exhibit a slightly overdriven tonality that sits perfectly behind dirty tones and adds depth and dimension to clean sounds. This distortion reacts dynamically to your pick attack, making the initial repeat pop slightly while the remaining repeats blend seamlessly with your original notes.

The repeats also feature a slight EQ spike at around 1.5 kHz, preventing them from getting muddy or non-descript. This also allows the AD999 to maintain presence in a mix without having to raise your volume.

While there are more affordable and more feature-laden Delays out there, you'd be hard-pressed to find one that sounds better than the AD999. When players wax poetic about the mojo and mystery of analog delay - THIS is what they are talking about.

TECH TALK:
A high impedance input buffer passes signal to a Compander stage that acts as a compressor/expander, bringing the input signal up to an ideal level and keeping it there as it decays. This is good for signal-to- noise ratio and also gives the delay chips a clean, strong signal to work with.

The eight x Maxon MC4107D BBD delay IC's are controlled by 2 of the 3 clock drivers in the pedal. These drivers are running the BBDs at a very low clock rate to achieve maximum delay time. This rolls off a fair amount of high frequencies, giving the AD999 its big, warm delay sound.

The delayed signal hits another Compander to level everything out and then goes to a mixer/amplifier that blends the clean and delayed signals and provides a low impedance output.

The AD999 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Residual Noise: -95 dB (input shorted, IHF-A weighted)

Delay Time: 40 mSec 900 mSec

Control: Delay Time, Repeat, Delay Level

Switch: Normal/Effect (4PDT mechanical true bypass)

I/O: Input, Output (Mix in mono, Wet only in stereo), Dry Output

Current Consumption: 46 mA at 9VDC / 48 mA at 10VDC

Dimensions: 117 (W) x 150 (D) x 60 (H) mm

Weight: 600 Grams
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quote 783426
Maxon CS-550 Stereo Chorus Pro Vintage Series Pedal
Cat: 783420 Rel: 15 Oct 20 • View all Effects pedals
 
Chorus pedal
Notes: With a circuit based around the Panasonic MN3207 Bucket Brigade IC, the CS550's "straight-outta '79" chorus effect is bold and resonant without sounding harsh. Unlike the sterile chorus sounds of the 80's, the 550 has an edgy, almost grainy quality that keeps your tone articulate and prevents wash-out.

The CS550's custom-tuned oscillator circuit provides enough speed for authentic rotary speaker simulation, and just the right amount of modulation for a lush vibrato that won't leave you feeling queasy.

With its Delay Time control the CS550 can venture into Flanger territory, adding a resonant, hollow quality to the effect that's great for solos.

A rear-mounted Blend control allows you to adjust the level of the Chorus effect to set it back in the mix against your dry signal.

A unique feature of the CS550 is its ability to create spatial effects that add dimension to your guitar tone without the traditional Chorus wobble. With Speed and Depth set low and the Delay Time at max, the 550 thickens your sound much in the manner of a double-tracked guitar, adding girth and life without excessive modulation.

The CS550 features stereo outputs for mono, stereo, or inverted mono signal routing.

The CS550 is about as close as you're going to get to the legendary Boss CE-1 chorus/vibrato sound, and also offers many additional sounds unattainable with that vintage gem.

TECH TALK:
The CS550 circuit is similar to the Arion SCH-1 Stereo Chorus, or an updated Boss Chorus Ensemble. A high-impedance input buffer passes next into a Compander stage that acts as a compressor/expander, bringing the input level of the signal up to an ideal output level and keeping it there as the signal decays - this provides a good signal-to-noise ratio and gives the chorusing section a nice, steady signal to modulate.

The Chorus effect is produced by a Panasonic MN3102 low-voltage clock driver IC and a Panasonic MN3207 BBD IC which is controlled by the MN3102.

The Delay Time control exhibits an inverse relation between the delay time and the frequency shift of the chorus - as the delay time increases, the frequency that is shifted decreases. This inverse relation creates "double level" and "cancellation" peaks and notches at particular frequency points to create an amazingly realistic, three-dimensional chorus effect. In addition, the Delay Time control is interactive with the Rate and Depth controls, so that if you increase the Depth, the Delay Time range increases, and if you increase the Speed, the Delay Time changes faster.

After the Chorus section, the signal hits another Compander to level everything out and is then fed to an output buffer.

At the end of the circuit the signal is phase-split and sent to the two low-impedance stereo outputs - Output A is in-phase and Output B is phase inverted (90 degrees out of phase).

The CS550 features Mechanical True Bypass switching on both outputs via a Fujisoku 4PDT switch.

* Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is receommended.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack (2)

Output: 2Residual Noise: -100 dB (Level, VR Min)

Maximum Output Level: +5 dB

Delay Time: 0.8 mSec 6.3 mSec

LFO Speed: 0.4 Hz 8 Hz

Controls: Delay Time, Depth, Speed, Mix-Level

Switch: Normal/Effect

Power Voltage: DC10 V (AC-adaptor)

Current Consumption: 21 mA (10 VDC)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: Maxon AC210N Adaptor (9VDC/200mA)

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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Maxon D&S Distortion & Sustainer Reissue Series Pedal
Cat: 783406 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: The EH Big Muff Pi defined the guitar tones of the 70's and then re-defined them in the 90's. Yet for all its legendary pedigree, the Pi of today is a far cry from the triangle knobs and ram's heads that came before it.

Originally released in 1974, the D&S Distortion & Sustainer creates the same silky, compressed fuzz that those vintage Muffs are famous for. Yet where Muffs have a tendency to "blanket" your original guitar tone, the D&S retains more of the original sound and feel of your instrument and amp.

By using hand-selected low-noise transistors, the D&S actually offers more gain than a vintage Black & Red, yet with a lower noise floor. That's right - MORE distortion with LESS noise.

The smooth EQ sweep of the D&S Tone control covers a frequency range that is narrower yet more useful than the Pi's - This tighter, more focused EQ provides superior note definition, even when playing chords.

The combination of these elements gives the D&S the ability to produce huge amounts of distortion with minimal alteration to your guitar's tone.

One big wall of raw, grungy nastiness in a box - the D&S takes the sound of the greatest vintage Muff and turns it up to 11.

TECH TALK:
The secret to the D&S' smooth tone and natural response lies in two areas of its circuit. First, the Hi boost/Hi cut Tone control retains low end response while adding top-end clarity to notes. Next, high-grade, low noise Toshiba 2SC1815 transistors offer more intense distortion with minimal noise and signal degradation.

The D&S features buffered, JFET bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms

Output Jack: 1/4 inch standard phone jack

Output: 1

Controls: Distortion, Tone, Balance

Switch: Normal/Effect

Noise (IHF-A): -110 dBu

Max Amplitude: 40 dBu

Power Supply: 9V Manganese dry cell battery (S-006P) or special AC adaptor

Power Voltage: DC9 V (Battery) / DC10 V (AC-adaptor)

Current Consumption: 6 mA (9V) / 7 mA (10 V)

AC Adaptor: AC210N (option) Input: AC120V Output: DC9V/200 mA Center - / Sleeve +)

Dimensions (main body): 61 mm (W) x 112 mm (D) x 35 mm (H)

Dimensions (whole): 70 mm (W) x 112 mm (D) x 55 mm (H)

Weight: 260 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783406
Maxon DS-830 Distortion Master Vintage Series Pedal
Cat: 783425 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: Despite its modest array of controls, the DS830 is one of the most flexible distortion boxes you will ever encounter.

The DS830 can generate insane amounts of gain while still retaining remarkable evenness and transparency. Yet far from being a one-trick pony, the DS830 is also capable of lightly overdriven blues tones and even semi-clean solo boosts at lower Gain settings.

Clarity and punch may seem like self-canceling traits, yet the DS830 provides both. The high-gain settings don't force a particular color on your tone - a great trait if you're pleased with your particular guitar/amp combination.

The DS830's dual tone controls are surgically effective and highly interactive. The Bass knob contributes low-end muscle that makes a combo sound like a stack and turns a full stack into a wrecking ball. The Treble control dials in just the right amount of bite without excessive top-end sizzle. Between the two, you can get everything from penetrating bite to an obese square-wave bordering on fuzz.

This additional tone-shaping makes the DS830 ideal for use with Bass Guitar, generating an edgy, aggressive tone that retains the note clarity and character of your instrument.

For full-bodied distortion with an amp-like feel and a huge variety of useable tones, the DS830 Distortion Master is unrivaled in its sonic range.

*Please note: Maxon has discontinued the AC210 AC Adapter. Due to this, the Maxon Vintage series pedals will no longer ship with power supply included. The Maxon Vintage Series Pedals can be run with a standard 9vdc Center Negative Adapter. The PA-9 Power-All is recommended.

TECH TALK:
The DS830's gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a degree of "chewiness" to the pedal's voice.

The DS830 features a complex tone control which acts like an active two-band filter by changing the gain of the treble and bass frequencies going into the Op Amp. The Bass and Treble controls are highly interactive and complementary. For example; turning up the Bass doesn't just add low-end, but will also help to smooth out any harshness in the Treble frequencies.

The DS830 features buffered, Mechanical bypass switching with a low impedance output, allowing it to drive long cable lengths or other effect units without loss of signal.

Input Impedance: 500K Ohms

Input Jack: 1/4 inch standard phone jack

Output Impedance: 10K Ohms or less

Output Jack: 1/4 inch standard phone jack

Output: 1

Equivalent Input Noise: -114 dB (VR Max)

Residual Noise: -110 dB (Level, VR Min)

Maximum Gain: +59 dB (VR Max) (At 1 KHz)

Controls: Gain, Bass, Treble, Level

Switch: Normal/Effect

Current Consumption: 8 mA (9 V)

Dimensions (whole): 117 mm (W) x 150 mm (D) x 60 mm (H)

Weight: 500 g

Accessories: 9V Manganese dry cell battery (S-006P) x 1

Non-skid pad: x 1

Warranty Card: x 1

User's Manual: x 1
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quote 783425
Maxon FA-10 Fuzz Elements Air Ten Series Fuzz Pedal
Cat: 783271 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: The FA10 Fuzz Elements Air accurately recreates the distinctive square wave clipping and octave harmonics of one of history's most desirable dirt boxes, the Super Fuzz.

The original Super Fuzz was created by Shin-Ei, but saw later incarnations under brands such as Apollo, Shaftesbury, JAX, Tiesco, Memphis, and most famously, Univox.

It was used on countless recordings in the late 60's & 70's, most notably the Who classic Live at Leeds. Long out of production, the Super Fuzz saw resurgence in the 90's during the Grunge & Alternative Rock era, appearing on the Beastie Boys' Gratitude, Mudhoney's Big Muff Super Fuzz album and Monster Magnet's stoner-rock classic, Superjudge.

The Super Fuzz used dual germanium diodes and a unique full-wave rectification circuit to produce sizzling upper octave harmonics as well as subtle lower harmonics that filled out the guitar sound.

The FA10's analog circuitry nails the Super Fuzz's crushing, compressed tone with surgical precision, and includes the two position Tone switch to toggle between flat and scooped EQ curves. These settings produce wildly different sounds, offering stark contrast to one another and effectively making the FA10 two pedals in one.

A unique aspect of the FA10 is its ability to reproduce rhythm or lead lines with equal clarity, yet without changing settings on the pedal.

Featuring authentic Vintage tones and modern features, the Fuzz Elements Air is the perfect vehicle to make your playing soar.

TECH TALK:
The FA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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Maxon FV-10 Fuzz Elements Void Ten Series Fuzz Pedal
Cat: 783304 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: Strangled squeals, cacophonous chords, raucous ring modulations and other amazingly unpredictable mayhem - that's just a sample of what you can expect from the Fuzz Elements FV10 Void.

Designed to emulate the otherworldly sounds of the vintage Ampeg Scrambler, the FV10 circuit is loaded with tons of even-order harmonics to create unique octave/fuzz sounds that are dynamic- and frequency-dependent. This means that the FV10's effect is generated not only by which notes you play, but how you play them!

The FV10's effect is not for the faint of heart - Spongy, strangely synthetic guitar tones that swell up out of the depths of some black Void and then sizzle off into infinity. Octave-up OR octave-down effects can be produced, depending on the position of the controls and the playing position on the neck. Likewise, single notes or chords can both be played, each generating their own unique sounds.

By chaining the FV10 with other distortion devices and adjusting the Blend knob, an entire new range of unique fuzz/distortion effects can be achieved as the FV10's circuit interacts with the complex harmonic content of the other device.

Unlike the original Scrambler, the FV10 features a Level control with a significant volume boost. This allows the user to match the pedal's output level to unity gain or to other effect pedals in their signal chain.

Mechanical True Bypass switching makes certain that all this chaos is kept locked up until you decide to unleash it.

TECH TALK:
The FV10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783304
Maxon FWA-10 Fuzz Elements Water Ten Series Fuzz Pedal
Cat: 783307 Rel: 15 Oct 20 • View all Effects pedals
 
Fuzz pedal
Notes: Reproducing the sounds of the EH Big Muff has become a cottage industry within this cottage industry of effect building. Yet with dozens of circuit variations and wildly inconstant component selections, it's virtually impossible to cite any one particular Big Muff incarnation as the most desirable version to pay homage to.

The FWA10 Water narrows the playing field by taking the authentic Ram's Head replication of the Fuzz Elements Earth and adding a parametric EQ circuit to the mix.

Water's powerful parametric equalizer covers a massive frequency range from a punchy 100 Hz to ear-splitting 5 kHz. Select a frequency and then boost or cut to tweak your tone with pinpoint accuracy.

By manipulating Water's EQ, the user can dial in the entire palette of Big Muff variations, from the more mid-heavy, musical snarl of the original Triangle-Knob Muff to the harmonically-rich sustain of the Ram's Head all the way through to the super-compressed, scooped-mid mayhem of the Green Russian Sovtek's.

The FWA10 Water: Why settle for one Muff, when you can have them all?

TECH TALK:
The FWA10 features mechanical true bypass switching, Effect LED Indicator, and 9-Volt DC Battery or external adaptor operation.
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quote 783307
Maxon OSD-9 OD Soft Distortion Nine Series Pedal
Cat: 783330 Rel: 15 Oct 20 • View all Effects pedals
 
Distortion pedal
Notes: In 1977 Maxon released their first effect pedal - the OD880 Overdrive/Soft Distortion - and the world would never be the same.

Employing a passive distortion circuit based around the 741 Op Amp (also used in the popular DOD 250), the OD880 was coveted for its warm and natural overdrive tone. The 880 was perfect for use as a transparent booster to take a tube-amp over the edge, offering singing blues tones unrivaled by other boxes.

Japanese guitar legend Char made the OD880 famous as his booster-of-choice, causing original versions to skyrocket into the $600 range on the vintage market.

In the early 90's Maxon reissued a limited edition run of the OD880. Yet with no distribution outside of Japan, this model went largely unnoticed by the rest of the world, leaving its amazing tone a secret to all save the discerning collector.

Now Maxon has once again resurrected the OD880 in the form of the OSD-9 Overdrive/Soft Distortion.

The OSD-9 offers a warm, open-sounding overdrive with a mild high-end roll off. It reacts smoothly to input level changes, offering a highly interactive response to player dynamics. Perfect as a stand-alone dirt box or for pushing an amp, the OSD-9 can also be stacked with other OD's to add clarity and character to their tone.

The OSD offers up all these classic sounds in Maxon's indestructible, industry standard 9-Series chassis. Modern-day utility features such as mechanical true bypass switching and a voltage regulator have also been added to provide smooth, consistent performance.

Over 30 years after the original OD880 was released, the OSD-9 promises to bestow the legendary tones of its predecessor upon a new generation of discerning players - are you ready?

TECH TALK:
The OSD-9 signal path starts with a 2SK246 jFET buffer which provides high input impedance and low output impedance into the 1st Op Amp - a UA741CP. The UA741CP is a vintage style 741 single Op Amp with superior resistance to latching up (distorting in a non-musical way) - it is not as "precise" as modern IC's, giving it a more vintage, warmer, "analog-ish" response.

This 1st Op Amp is set up to provide a 20 to 120x gain in signal.

After the 1st Op Amp we have a pair of diodes to ground, just like classic boxes such as the MXR Distortion+, Pro Co Rat and Boss DS-1. From here it's into another UA741CP with an amplification factor of 10 to boost the signal back to a high enough level to drive the input of an amplifier if necessary - a feature that the Distortion+ and DS-1 do not offer.

From here the signal is routed to a 4558 Op Amp unity gain amplifier, a volume control voltage divider, and then another unity gain 4558 to provide a low impedance output.

The OSD-9 uses a NJM2374A Voltage converter to stabilize the operating voltage at 9 VDC regardless of the voltage level coming off the battery, providing a smoother, more consistent operation and tonality.

The OSD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch - the input of circuit is switched to ground when bypassed.

NOTE ON POWERING THE OSD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the OSD-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 41.5dB (700Hz)

Equivalent Input Noise: -107dB or less (IHF-A)

Control: DRIVE, LEVEL

Operating Voltage: 9V

Power Consumption: 14mA/DC 9V, 14mA/DC 10V

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Weight: 580g (including battery)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life: Manganese dry battery 17 hours 25deg C / 77deg F (Panasonic 6F22NB)
Alkaline dry battery 34 hours 25deg C / 77deg F (Panasonic 6LR61G)

Option: Maxon AC adaptor (Maxon AC210N for North America)* All specifications are subject to change for improvement without notice or obligation.
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MRP:$213.52 SAVE 11%
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quote 783330
Maxon RTD800 Real Tube Series Overdrive/Distortion Pedal
Cat: 783432 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive/distortion pedal
Notes: With independent Overdrive, Distortion, Boost and Noise Gate circuits all under one hood, the RTD800 may be the last "dirt" pedal that you'll ever need.

By combining various solid-state clipping stages with a real dual-triode tube, the RTD800 offers a massive array of saturated guitar tones. From traditional tube overdrive through full-on gated metal distortion, no other drive pedal offers this degree of versatility in a single package.

The RTD's 3-band EQ circuit is incredibly versatile and can literally dial in any tone imaginable. With zero frequency overlap, all the three controls are highly interactive and make even the slightest of tone tweaks possible under any playing situation.

The Overdrive channel of the RTD creates a warm, organic tone that's like driving a maxxed-out amp with an OD pedal. Where some pedals can get in the way of your dynamics, the RTD retains an expressive and dynamic interaction between your guitar and amp, cleaning up beautifully when you roll back on your guitar's volume and effortlessly tracking picking nuances.

The RTD's Distortion channel offers up all the gain and character of a hot-rodded Plexi, JCM800 or Soldano. Searing, sizzling solo tones and sustain for days, yet with a distinct clarity that lets individual notes "pop" and chime through. Even at maximum distortion settings the RTD retains an expressiveness and dynamic response that takes your playing to the next level.

For even more versatility, the RTD800 features a foot switchable Boost function that can be varied between 3-9 dB via an internal trim pot. The boost comes post OD/Distortion, allowing the user to dial in the perfect level boost for solos.

Higher gain settings on either channel can be kept tight and noise-free using the RTD's switchable Noise Gate with variable Threshold. The gate itself is incredibly responsive and tight, with none of the false-triggering and "sputter" common to other pedals.

Like all Maxon products, the RTD800 features True Mechanical Bypass switching using a 3PDT switch. The RTD800 comes complete with the Maxon AC2009 9-Volt power supply, an auto sensing digital power supply that can be used anywhere in the world.

When you require an unparalleled variety of REAL-tube tones, only the Maxon RTD800 will do.

With four independent functions averaging around $100 apiece, the RTD800 may be the most cost-effective, versatile and space-saving pedal available.

TECH TALK:
The RTD800's independent and selectable Overdrive and Distortion modes are configured as follows:

The Overdrive circuit features two stages of clipping - a bi-directional clipping diode in the feedback loop of the op-amp and then a single-diode in the second stage for asymmetrical clipping.

The Distortion circuit also features two clipping stages, but configured differently - a bi-directional clipping diode in feedback loop of the op-amp, and then a 2nd stage with a passive bi-directional clipping circuit.

Unlike other tube overdrive pedals, the RTD800 places the tube after the OD/Distortion circuits, making it the best tube overdrive pedal to recreate an authentic tube-amp tone.

The RTD features an In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch). This system dramatically extends the tube life. Once the pedal is engaged, 12.6 VDC is applied to the tube heater.

The RTD800 features mechanical true bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE RTD800 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms

Max Gain: 72dB (at 1.5 kHz)

Equivalent Input Noise: -110 dBu or less (Input shorted, IHF-A weighted)

Control: GAIN, NR, MASTER, BASS, MID, TREBLE

Switch: BYPASS/EFFECT (Mechanical 3PDT); BOOST ON/OFF, NR ON/OFF, OD/DIST

I/O: INPUT JACK, OUTPUT JACK, DC INPUT JACK

Indicator: BYPASS/EFFECT LED, BOOST LED, GATE LED

Internal Circuit Voltage: 12.6VDC (DC to DC Converter)

Power Consumption: 440mA / 9VDC

Dimensions: 121 (W) × 152 (D) × 60 (H) mm / 4.8" (W) x 6" (D) x 2.4" (H)

Weight: Approx. 620g / 1.4 Lbs. (without power supply)

Power Supply: AC adaptor AC2009

Accessory: AC adaptor AC2009* 0dBu = 0.775Vrms
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quote 783432
Maxon TBO-9 True Tube Booster/Overdrive Nine Series Pedal
Cat: 783397 Rel: 05 Oct 20 • View all Effects pedals
 
Booster/overdrive pedal
Notes: The TBO-9 combines Clean Boost and Overdrive capabilities with a tube gain stage to create a versatile tone-shaping tool.

The ideal complement to non-master volume tube amps, the TBO allows you to drive a clean or semi-clean amp to the breaking point, giving it that "on 10" tonality at a much lower volume level and without altering the amp's signature tone.

The TBO-9's tube stage is controlled by the Boost knob which adds a fat, warm bottom end with a slight mid bump as it increases the output level.

The Drive knob blends clean and distorted signals, allowing the user to dial in a small amount of grit with minimal coloration.

The TBO-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for massive headroom and maximum transparency.

When you need to drive your amp without driving the audience towards the door, the TBO-9 does the job without commanding the center stage.

The TBO-9 is the perfect complement to non-master volume tube amps, boosting level and drive while retaining maximum transparency.

TECH TALK:
The basic TBO-9 circuit architecture is very similar to the Maxon OD820, including the dual-function Drive pot that blends clean and dirty signals while increasing saturation.

The circuit starts with a tube gain stage featuring a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube positioned at the front of the audio path. This tube stage does not provide any distortion, with the exception of overdriving the input of the clipping op amp.

After the tube gain stage, the TBO's secondary gain section features a dual-stage clipping design that combines the classic "808" clipping (diodes in feedback loop) with a pair of diodes to ground ala' the SD-9 and RAT. This design effectively clips the signal twice, and the round smooth clipping of the feedback loop followed by the edgier diodes to ground adds a slight "chewiness" to the pedal's overdrive voice.

The TBO-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for stable tone with massive headroom and zero harmonic distortion.

The TBO also features Maxon's In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch) - This system dramatically extends the tube life.

The TBO-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE TBO-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 52 dB (1.6 KHz)

Equivalent Input Noise: -110 dB or less (IHF-A)

Control: BOOST, DRIVE, TONE, LEVELSwitch: BYPASS/EFFECT (mechanical TBS)

In/Out: INPUT, OUTPUT, INVERSE OUTPUT

Indicator: BYPASS/EFFECT LEDInternal Circuit Voltage: 30 VDC (DC-DC Converter)

Current Consumption: 270 mA / 9 VDC

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 560 g (excluding AC adaptor) / 19.75 Oz.

Power Supply: Maxon AC2009 (no battery operation)

Accessory: Maxon AC2009

Option: Adaptor type (for foreign countries)
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quote 783397
Maxon TOD-9 True Tube Overdrive Nine Series Pedal
Cat: 783395 Rel: 15 Oct 20 • View all Effects pedals
 
Overdrive pedal
Notes: The TOD-9 takes Maxon's classic OD-9 circuit and adds a tube gain stage at the front end to create an ultra-compact, tube-driven tone machine.

The Maxon OD-9 circuit has achieved a legendary status among tone connoisseurs as the ultimate tool for driving a tube amp. Yet sometimes you need that little "something extra," and the TOD-9 provides this missing ingredient in spades.

The TOD features a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube complete with its own separate Gain control (Tube knob). This tube stage is positioned at the front of the audio path, driving the OD-9 circuit.

With the Tube knob at zero, the TOD sounds exactly like an OD-9. Engage this control and experience the unmistakable magic of tube tone - a big, FAT, natural-sounding bottom end and the characteristic tube "sag" that makes lead lines sing.

With the Drive knob down, the Tube knob will add warmth and dimension to your tone. With Drive knob up you'll get all this extra girth as well as increased saturation as the tube drives the clipping stage of the pedal.

If big, warm tube tones are your bag, the TOD-9 offers them up in a familiar package that continues to withstand the tests of time.

The TOD-9 provides all the classic tonality of the Maxon OD-9 with the ability to blend in Tube-generated warmth and additional saturation.

TECH TALK:
The TOD takes the classic OD-9 overdrive circuit and adds a mil-spec 5703WB JAN Raytheon sub-miniature vacuum tube positioned at the front of the audio path, driving the OD-9 circuit.

The TOD-9 features internal voltage doublers that bump the incoming 9 VDC up to 30 VDC for stable tone with low distortion and increased headroom.

The TOD also features Maxon's In-Rush Current Control system - As soon as power is applied to the pedal, a small current is applied to the tube and begins heating it at a very low voltage (much like a tube amp standby switch) - This system dramatically extends the tube life.

The TOD-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE TOD-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.



Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Gain: 48.5 dB (1.6 KHz)

Equivalent Input Noise: -106.8 dB or less (IHF-A)

Controls: TUBE, DRIVE, TONE, LEVEL

Switch: BYPASS/EFFECT (mechanical TBS)

In/Out: INPUT, OUTPUT

Indicator: BYPASS/EFFECT LED

Internal Circuit Voltage: 30 VDC (DC-DC Converter)

Current Consumption: 260 mA / 9 VDC

Dimensions: 74 mm (W) x 124 mm (D) x 54 mm (H) / 2.9" (W) x 4.9" (D) x 2.13" (H)

Weight: 560 g (excluding AC adaptor) / 19.75 Oz.

Power Supply: Maxon AC2009 (no battery operation)

Accessory: Maxon AC2009

Option: Adaptor type (for foreign countries)
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quote 783395
Maxon VJR-9 Vintage Jet Riser Flanger Nine Series Pedal
Cat: 783398 Rel: 15 Oct 20 • View all Effects pedals
 
Flanger/noise pedal
Notes: Designed in homage to classic 70's distortion modulators such as the Flying Pan and Jetlyzer (both of which Maxon designed and built for Ibanez), the VJR-9 Vintage Jet Riser creates a Doppler jet effect so realistic you can almost feel the wind in your hair.

Rather than sticking with the old-school Jet design of phase shifter into distortion, the VJR-9 features an analog Bucket-Brigade Flanger as the modulation source to add a more realistic depth of field to the effect. Speed and Width controls allow adjustment of the flanging from slow takeoff to sonic boom.

In similar fashion, Maxon has forgone the use of a distortion circuit in favor of a voltage-controlled white noise generator to more accurately simulate the sound of a jet in flight. Featuring a combination of VCA and VCF circuits, the VJR-9's Jet effect reacts to playing dynamics within a range preset by the Sensitivity, Range and Jet controls.

These two circuits can be used separately or in combination to create a wide variety of effects from subtle to extreme - classic chorus and flanging; tremolo-like auto-wah; massive sky-is-falling Jet sweeps; bizarre and other-worldly metallic tones bordering on ring-modulation - all these and more are possible with the VJR-9.

The VJR-9 also features a jack to connect an external switch (bypass or momentary) for the Jet function, allowing the user to add the effect in against the Flange when desired to accentuate certain note, phrases, or song sections.

The VJR-9's internal voltage-doubling circuitry provides maximum headroom to eliminate input distortion. The higher operating voltage also allows it to be used in an FX loop in order to place the effect post-gain.

The Maxon VJR-9 Vintage Jet Riser - get ready for takeoff.

The VJR-9 is an updated version of vintage FL-70 Jetlyzer with added features and superior performance.

TECH TALK:
The VJR-9 features Mechanical True Bypass switching via a Fujisoku 4PDT switch.

NOTE ON POWERING THE VJR-9 - this pedal's voltage regulator IC requires a high inrush current of approximately 2000 mA upon startup. When using with a Power Brick such as the Voodoo Labs Pedal Power 2+, this pedal should be connected to a high current power jack when possible.

If it is not possible to connect to a high current jack, you can power the VJR-9 by leaving a battery in the pedal. Upon initial start-up, unplug the external DC power input cable, engage the pedal, and then plug the DC power input cable back in - the pedal will now power up normally off the external power supply until you power down your pedalboard.

Input Impedance: 500K Ohms

Output Impedance: 10K Ohms or less

Maximum Output Range: +12 dBu (400 Hz)

Controls: RANGE, JET, SENSITIVITY, SPEED, WIDTH

Switch: BYPASS/EFFECT (mechanical TBS)

External Foot Switch Jack: Jet Sound on/off

Delay Time: 1.0 mSec - 30.0 mSe

Speed Frequency: 0.04 Hz - 12 Hz

Residual Noise: -90 dBu or less (IHF-A)

Indicator: Bypass / Effect LED

Internal Circuit Voltage: 13 VDC (DC to DC Converter)

Power Supply: 9 volt battery of Maxon AC adaptor

Power Consumption: appox. 60 mA / 9 VDC

Dimensions: 74 (W) x 124 (D) x 54 (H) mm

Standard Accessory: AC adaptor AC2009, user's guide

Weight: approx. 630 g (including battery, excluding adaptor)

Battery: 9V battery (6LR61 or 6F22) x 1 or Maxon AC adaptor

Battery life:
Manganese - 50 minutes @ 25 degress C
Alkaline - 3 hours @ 25 degrees C

Option: Maxon AC adaptor
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MRP:$508.96 SAVE 14%
 1 in stock $436.43
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quote 783398
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