Back in stock: All genres

Notes: Compact phono stage to boost turntable output to line level. Add turntable inputs or upgrade the sound of your DJ mixer. Adjustable capacitance and gain to suit a range of cartridges.

Supplier's notes:
The DJ PRE II acts as an interface between your turntable and your audio recording/playback system. The analog input capacitance can be switched between 100pF and 200pF to optimize your phono cartridge response. A switchable low cut filter removes turntable rumble while leaving the audio pristine. The front gain trim control and signal/clip LED allow you to optimize the preamp's gain for a wide range of input sources. The built-in low noise phono preamp circuitry is highly accurate and precisely conforms to the RIAA standard. The line output jacks are low impedance and can be used with any sound card. Housed in an all aluminum black anodized case, the DJ PRE II can be powered by a wide variety of external supplies. If you need to amplify and EQ your vinyl records to interface with your audio workstation, sound card, home stereo system or main monitor system, the DJ PRE II gives you flawless audio reproduction in a rugged and reliable package.

Notes: STMix is a four-channel stereo mixer in 28hp and 1U format. It can work independently or as an expansion of Befaco's Hexmix module via the six-pin connector located in the back. The module is designed under the Intellijel 1U format.

Features

Four channels stereo inputs with volume control.
AC Coupled inputs to improve audio performance.
Output clipping LED indicators.
Connector at the back to interface with the Hexmix module.
1U Intellijel format

Specs:

Current needs: +12V: 30mA, -12V: 30mA
Width: 28 HP
Depth: 20mm (including power connector)
Aluminium, heat-treated front panel
Designed, kits prepared and completed modules assembled in Barcelona

Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz

Review: As part of Atlantic Records' 75th Anniversary celebration, the label has launched an extensive year-long vinyl series featuring 90 releases spanning the entire history of the company, from its earliest days until the present. Of these emerges this latest reissue of Crosby, Stills & Nash's self-titled debut album, first released on the label all the way back in 1969. The album features some of CSN's most well known and iconic songs; 'Suite: Judy Blue Eyes,' 'Marrakesh Express,' 'Guinnevere,' 'Wooden Ships,' 'Helplessly Hoping' and 'Long Time Gone.' This album saw a shift in sound to what was popular at the time - blues based rock - opting for a more folk rock, and sometimes jazz-based sound. It would lay the foundations for the California Sound that would be popularised out of Laurel Canyon in the '70s. Artists such as The Eagles, Jackson Browne and Fleetwood Mac would take inspiration from the sound of this record.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Module A-149-1 is the first module of the A-149-x range. In this group we present by popular request several functions of Don Buchla's "Source of Uncertainty 265/266" (SOU) modules that cannot be realized with existing A-100 modules. Many functions of Buchla's 265 and 266 SOU can be realized with existing A-100 modules. For details please refer to A-100 patch examples.

Module A-149-1 has available four different analogue random control voltages that are generated in different ways.

The "Quantized Random Voltages" section has available 2 CV outputs: "N+1 states" and "2N states". N is an integer number in the range 1...6 that can be adjusted with the manual control (Man N) and an external control voltage CVN with attenuator. Whenever the rising edge of the input clock signal (Clk In) appears a new random voltage is generated at the N+1 resp. 2N output. The N+1 output is capable to generate N+1 different voltage levels (or states), the 2N output up to 2N different states. If for example N is set to 4 the N+1 output generates up to 5, the 2N output 16 different states. The voltage steps of the 2N output are adjusted to 1/12 V in the factory. Consequently, exact semitones can be obtained in combination with a VCO. The voltage steps of the n+1 output are adjusted to 1.0 V in the factory corresponding to octave intervals in combination with a VCO. For each output a trimming potentiometer is available on the pc board that enables the user to select other voltage steps for the output in question.

Even the "Stored Random Voltages" section has 2 stepped CV outputs available: one with even voltage distribution of the max. 256 output states and second one with adjustable voltage distribution probability. The distribution probability is adjusted by a manual control (Man D) and an external control voltage CVD with attenuator. With the control set fully counter-clockwise most of the random voltages will be low magnitude but even medium and high magnitude voltages may appear but with smaller probability. As the control is turned to the right (or a positive control voltage appears at the CVD input) the distribution moves through medium to high magnitude voltage probability. The symbol at the lower jack socket shows this coherence graphically. The voltage range is 0...+5V for both outputs of the "Stored Random Voltages" section. For each output a trimming potentiometer is available on the pc board that enables the user to select another voltage range for the output in question.

The A-149-1 can be extended by 8 random digital voltages with the A-149-2 Digital Random Voltages module.

Dimensions
12 HP
60 mm deep

Current draw
40 mA +12V
10 mA -12V

Notes: We took the Big Muff Pi circuit and simply shrunk it without changing its rich, creamy, violin-like sustain and sound!

The EHX Nano Big Muff Pi works and sounds identical in every way to our classic NYC Big Muff Pi. Get a piece of the pi for yourself!

Crushing distortion
Singing sustain with attitude
Compact, rugged nano enclosure
True bypass
Adjustable tone
9V battery included

Specifications:
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
3mA
Year Released
2013

Notes: Delivers overdrive and distortion with impact, and the modern player in mind!

The EHX OD Glove provides a rich, overtone laden sound that doesn't get muddy. Responsive controls that take you from sparkling, clean boost through brown crunch and all the way to thick, saturated hi-gain. Advanced features like Tone Shift and selectable 9 or 18V internal voltage for surgical sound sculpting.

Versatile MOSFET overdrive/distortion
Tone Shift switch
Selectable 9V or 18V internal voltage
True bypass
Tough, compact die-cast chassis
9V battery included

SPECIFICATIONS
Circuit
Analog
Bypass
True Bypass
Audio
Mono
Power Supply
9V battery included (optional 9.6VDC-200mA power adapter not included)
Dimensions (in)
4.5 x 2.75 x 2.1
Current Draw
12mA
Year Released
2013

Notes: 3xMIA is a 6-channel attenuverting mixer/offset/scale/polarizer.

3 blocks of 2-channel attenuverting mixers, using dual concentric pots. Each channel can be switched to mix with the subsequent channel, allowing for 2-2-2, 4-2, 6 mix configurations.

With nothing plugged into an input, an offset is normalled to that channel. The inner knobs control the A inputs, while the outer knobs control the B inputs.

DC coupled, so it can be used for audio, CV, or both at the same time.

80 mA +12V
80 mA -12V
35 mm Depth
6 HP wide

Notes: You're a visionary videographer, an intrepid journalist, a dedicated podcaster. And when you're out in the field, you want to be able to record high-quality audio for your projects with the hands-free convenience of a lavalier microphone, and you want to do it without breaking the bank.

That's where iRig Mic Lav comes in, it's an ultra-affordable and compact professional-quality mobile lavalier microphone for iPhone, iPad, iPod touch and Android.

iRig Mic Lav is chainable. That means it can double your recording power by letting you easily chain up to two iRig Mic Lav's to the same device. Each iRig Mic Lav captures high-quality audio thanks to its omnidirectioinal condenser capsule and foam pop shield. And recording convenience is taken to the next level thanks to its on-board headphone monitoring output, secure mounting clip, generous cable length and durable roadworthy design. And best of all, you can have all these premium features at a price as small as the device itself.

Portable performance:
iRig Mic Lav gives you the power to record great sounding audio anytime and anywhere. Designed to meet the exacting demands of broadcast professionals, its omnidirectional condenser capsule lets you capture a 30Hz - 16kHz frequency range of crystal-clear audio from all directions. It comes with a foam pop filter to eliminate vocal plosives, wind noises and other unwanted sounds. And like all good lavalier microphones, it comes with a durable mounting clip that you can easy mount on a t-shirt, lapel or other material for dependable and secure hands-free recording. Just clip it on, and you'll be ready to go.

Effortless monitoring:
Capturing great audio in the field requires more than just superior microphone technology. To get the best sound, you have to be able to monitor your source as its being recorded. Not all lavalier microphones come with on-board monitoring, but iRig Mic Lav does. In fact, among major brands, it's the first mobile lavalier microphone to offer this feature.

It comes with a combo 1/8" TRRS port that can be used to output audio to your favorite pair of headphones. Just set the toggle switch next to the port to "monitor" and plug in your headphones, and you'll be on your way to recording effortlessly amazing audio.

Chainable power:
There's a saying that goes something like, "two heads are better than one."

The same can be said for microphones - when you're out in the field, sometimes you need to record more than one person.

iRig Mic Lav lets you chain and record with up to two iRig Mic Lav's on the same device thanks to the same dual-purpose 1/8" TRRS port used for headphone monitoring.

Simply set the toggle switch to "input," and then plug a second iRig Mic Lav in to record with two microphones.

To monitor a dual iRig Mic Lav setup, you just need to set the switch on the second iRig Mic Lav's jack to 2monitor," and then you'll be able to plug in your headphones.

Go mobile:
You never know what mobile device you'll have accessible while you're out conducting that next heated interview or spontaneous Youtube video. This can be a problem if a microphone is specifically made for one type of device. Fortunately, you'll never have that problem when iRig Mic Lav is in your pocket. It outputs its sound via an analog 1/8" TRRS output jack, and it captures the same high-quality audio no matter whether it's plugged into an iPhone or an Android device with a compatible TRRS input jack compliant with the CTIA/AHJ wiring standard.

In other words, with iRig Mic Lav you can make quality recordings anytime, anywhere and on any mobile device.

Presenting with Power:
Pair iRig Mic Lav with VocaLive or EZ Voice and an iLoud portable speaker, and you'll have the perfect "hands-free" portable PA system that you can easily fit in a briefcase or backpack for trade shows, small group gatherings and other mobile presentations.

Powered up with apps:
With iRig Mic Lav, you're ready to record right out of the box thanks to its powerful suite of included apps. You get iRig Recorder FREE for iPhone, iPad and iPod touch and Android, a straightforward audio capture app that is great for everything from recording journalistic interviews to making podcasts while on the go (and everything in between).

VocaLive is an expandable, powerful effects processor and multi-track recording app that's perfect for adding a creative touch to audio. EZ Voice for iPhone, iPad and Android is a streamlined and easy-to-use app loaded with vocal effects that make it easy to practice and record over any song stored in your device's music library.

Notes: From news-worthy broadcasts to ensemble performances and everything in between, your videos will take centre stage with iRig Mic Video. Capture crystal clear audio for video with this noise-rejecting digital shotgun microphone and stand out from the crowd with serious production quality.

Compatible with the widest range of devices - smartphones, tablets and DSLR cameras - iRig Mic Video has you covered no matter where or how you create videos. And with multiple mounting options, iRig Mic Video can take you from one scene to another at a moment's notice.

Equipped with professional features for high quality audio capture, adjustable monitoring options, and features for flexible outdoor use, iRig Mic Video will take the worry out of recording great audio every time.

Say goodbye to unwanted noise:

iRig Mic Video makes it effortless to capture clear, high-quality audio. It features a gold-sputtered condenser capsule with a tight, directional pickup that focuses directly on the subject in front of you and rejects distracting background noise and surrounding sounds. Enjoy a quiet, clean signal thanks to 24-bit, 96 kHz converters. iRig Mic Video is also the first shotgun-style mic for smartphones to offer adjustable gain. And for outdoor use, simply pop on the included windscreen.

Any device, anywhere:

Whether your go-to video device is a smartphone, tablet, professional DSRL camera or a combination, you'll never miss that perfect shot. iRig Mic Video features a magnetic mount that quickly snaps onto your mobile device, even with a case, and includes a hot shoe adaptor to easily mount to many DSRLs. With the included Lightning, Micro-USB, USB-C and DSRL cables, you'll be ready wherever your day leads, so you can switch from a serious studio setup to ultra-mobile outdoor rig without missing a beat.

Sound your best:

To ensure you're always recording great audio, a multi-colour LED lets you conveniently and discretely check signal level at a glance, and the headphone out lets you monitor directly in real-time, or listen back to processed audio, so it fits into your workflow flawlessly.

Unlimited options:

iRig Mic Video works with any app that records audio, from the built-in camera app to the most high-end video capture solutions. To get you started right out of the box, iRig Mic Video includes iRig Recorder 3 LE (iPhone/iPad/Android) - an easy-to-use, high quality audio and video app. Record, trim, edit and share, right from your device.

With the iRig Mic Video and its innovative features at your fingertips, you'll always lead the charge with great-sounding audio.

An all-in-one, run-and-gun solution:

Looking for a small but comprehensive video rig? Check out the iRig Mic Video Bundle, combining iRig Mic Video and iKlip Grip Pro, IK's multi-function smartphone and camera stand. With an elegant, ergonomic design that transforms from handgrip to monopod to tripod in seconds, iKlip Grip Pro is the ideal way to securely position your smartphone - and a standard UNC 1/4" thread lets you mount iRig Mic Video, lights or other accessories on top. It's everything you need to capture pro-level video in any situation, in a lightweight and portable rig.

Includes:

- iRig Mic Video microphone
- Lightning to micro-USB connection cable (16cm/6.3")
- USB C-Type to micro-USB connection cable (30cm/11.81")
- Micro-USB OTG-Type to micro-USB connection cable (16cm/6.3")
- TRS 1/8" jack connection cable for digital cameras
- Hot shoe mount for digital cameras
- Windshield
- 2x ferromagnetic plates

Notes: The Voltage Controlled Amplifier or "VCA" is one of the most essential and useful building blocks in a synthesis patch. The DUAL VCA 1U packs two high quality, DC coupled, linear VCAs into a very compact 1U package.

The two VCAs can be used completely independently or in tandem via the handy signal normalling. The DC coupling means that the VCA can be used for the amplitude control of both control voltages (CV) and audio signals.

Some application/use examples:

- Dual, independent VCA for dynamic level control of two different audio or cv sources
- Stereo VCA (use the CV normalling where CV A normals to CV B) for processing stereo sources or CV pairs.
- CV/Audio summing (when Out A is not patched, it normals to sum with OUT B, CV A and B control the independent levels)
- Voltage/signal doubling (use input A only and the doubled voltage will appear at OUT B when a CV of +5V applied to CV A)

Notes: Mixup is a versatile, expandable audio mixer for Eurorack format. It has eight inputs (6 on the front panel) and two outputs. Inputs 1 and 2 are single-channel mono inputs, each with its own mute switch and level control; Input 3 is a dual-channel stereo input with a shared mute and level control; and input 4 is an auxiliary unity-gain, non-mutable stereo input.

Using bus connectors on the back panel, you can chain multiple Mixups together in series, giving you the ability to mix together even more inputs, or to create sub-mixes for routing around larger systems.

Because Mixup is designed specifically for audio (and not for CV mixing), it uses AC-coupled circuitry (which reduces the potential for 'pops' when muting and unmuting audio), and it uses audio-grade, logarithmic attenuators for a smooth, even response across the entire volume range.

Notes: This module has 1/8" jacks to accept either mono or stereo audio signals from your modular gear.

It features input level indicator LEDs, and contains all the gain control circuitry necessary to drive external audio gear at the proper levels.

A ribbon cable is included for connecting it to either the Stereo Out Jacks 1U module, or a compatible Intellijel case with 1/4" jacks (e.g. 7U x 104HP, 7U x 84HP, or Palette 62).

Review: A selection of fifteen pieces from the soundtrack of the cult anime Dragon Ball Z, on a limited 2xLP edition, fully licensed, including the main opening track 'CHA-LA HEAD-CHA-LA'. This soundtrack accompanies the anime's key moment in which Dragon Ball Z resumes five years after Son Goku's wedding. Radditz, a mysterious warrior, arrives on Earth to find Goku, who learns that he comes from a planet of warriors from a planet of warriors, of which only four remain. The plot is based on a succession of increasingly strong opponents to be fought, but there's often a quest or travel motif that adds interest beyond the duels. All this, and more, is bolstered by this electrifying soundtrack edition.

Review: The Mars Volta's debut album remains one of the band's creative high-points. After the post-hardcore rush of At The Drive-In burst into flames, few could have dreamed something as ambitious and progressive as De Loused In The Comatorium could have emerged. The clue's in the word progressive, as Cedric Bixler-Zavala, Omar Rodriguez-Lopez and Jeremy Ward pooled their resources (with some bass assistance from Flea) to create long, spiralling narratives around the concept of Cerpin Taxt, the comatose hero of this nebulous story. Still sounding visionary 20 years later, it was the start of an exciting new chapter for a band truly unlike any other.

Review: With a superhero like Spiderman being recognised the world over by those who've legitimately never even held a comic book, it makes sense that any film adaption should rely on the current sounds of the modern era to deliver an entertaining and reliably engaging soundtrack. Where 2002's game-changing Sam Raimi adaptation boasted a retrospectively cheesy bevvy of nu-metal adjacent radio rock with the film's lead single even being penned by Nickelback frontman Chad Kroeger, the music selection on this latest experimental animated series of films; Across The Spider Verse, turns to the current realms of radio dominating pop-rap. Overseen by acclaimed trap producer Metro Boomin and enlisting a who's who of modern artists such as Don Toliver, Lil Uzi Vert, Future, Nas and A$AP Rocky to name just a small handful, the collection serves equally as an of the time and on the pulse soundtrack, but also as a banging collaborative compilation of some of the best hip-hop acts in the scene today.

Notes: The Impact GX49 and GX61 are dynamic and expressive instruments, tailored to composition & performance with your computer music system. The no-fuss interface is a great entry into the world of Nektar controllers.

Featuring a 49-note (4 octave) or 61-note (5 octave) keyboard, pitch-bend wheel, modulation wheel and foot switch socket. Two multi-colored octave buttons enable shifting the keyboard range up or down -3/+4 octaves with the LED colors changing to show the exact status, Impact GX are well equipped to deliver a great workflow.

Dedicated transpose buttons allow you to shift the keyboard range up to +/- 12 semi tones. The buttons can quickly be re-purposed to change the Global MIDI Channel or send Program messages. Additionally an assignable potentiometer provides control over any MIDI parameter, by default controls mixer volume.

Nektar DAW Integration for many of the most commonly used DAWs makes it easy to get going, and a pleasure to use. With Impact GX49 your controller keyboard is part of your system, giving you the creative freedom to compose, perform and play, without having to reach for your mouse constantly.

Transport - Extended!

Eight buttons intended for DAW control, are at the center of the Impact GX. Essential tasks like transport activation or navigating tracks are highly repetitive and reaching for the mouse every time, can kill any seed of inspiration. Used with Nektar DAW integration, the 8 buttons extend functionality to include control over transport and a host of other important DAW functions, right from Impact GX.

The buttons can also be assigned to MIDI messages for use with any MIDI software that's not supported by Nektar DAW Integration. A primary and a secondary message can be programmed for each of 7 buttons, delivering 14 programmable options total.

Nektar DAW integration - ticking all the right boxes:

Nektar DAW integration is carefully crafted to give the best experience with your Nektar hardware. It delivers the freedom to create, instead of having to reach for the mouse constantly when you are in the middle of capturing an idea.

With Nektar DAW integration, the hard work is done, so you don't have to. Once installation is complete, Impact GX offers an extended feature set, normally unavailable on a compact controller.

MIDI control & setup functions:

Impact GX is a MIDI controller as well as a DAW controller. If you use MIDI software that's not supported by Nektar DAW Integration, a host of options are available for you to set up MIDI control yourself.

Each of the 14 assignable MIDI buttons, the modulation wheel, foot switch and of course the big control knob, can be assigned to send out MIDI cc messages. The assignable buttons (14) can in addition be configured to send out Program message or MMC transport control. MMC (MIDI Machine Control) is often supported by DAWs that don't allow for advanced integration, so with this option Impact GX covers all the bases.

Connectivity & Apple iOS:

As a low powered USB device, Impact GX works with all USB devices that feature a Class compliant MIDI driver. That includes all version of Windows from XP and higher, Apple OS X 10.5 and higher plus Linux (as long as a USB MIDI driver package is installed).

And if you are often on the move you can easily hook your Impact GX keyboard to an Apple iPad using the iPad's optional USB camera connection kit (optional). Of course the Impact GX is powered by the iPad so you can work away for as long as your iPad remains charged.

Bitwig 8-track included:

Bitwig 8-Track in included with every Impact GX so you can start producing, performing, and designing sounds like a pro from day one. Bitwig 8-Track gives you access to over 50 software instruments and effects for use on up to 8 audio or MIDI project tracks, and you can use any 3rd party VST plug-ins you might own too if you like. The 'Bitwig Essentials Package', a highly versatile handpicked selection of loops, clips, and samples, is also included to help you get started. So put all that together and you have a powerful sketchpad for your musical ideas featuring the acclaimed workflow of Bitwig Studio.

Notes: Ultimate strength 100-capacity record box with 20mm aluminium frame, removable lid and reinforced corners.

Notes: Control the expression inputs of your effects with Old Blood Noise's clever Ramper. Glide or step between two adjustable expression settings. A cheap and effective way to expand creative options.

Supplier's Notes:
Expression Ramper - Parameter Mover

Simplicity is the heart of innovation. This is exactly what the Expression Ramper from Old Blood Noise Endeavors offers - a super simple, yet highly innovative way to automate expression control, letting you conjure sounds you never thought possible from any pedal with an expression input. It's time to release your Inner-Ramper!

The Expression Ramper allows you to pick two expression settings and move between them, either in one motion or as a continuous LFO activated by a single footswitch. Just hook up the Expression Ramper to your expression-enabled effects pedal, simply pick your first expression setting in the A position, then your second in the B position and you're good to go.

From here, you can set Expression Ramper to move between A and B in three different ways. In TRI mode, it glides in a linear Triangle wave sweep from A to B, while in SQR mode it will make instant Square Wave jumps. Both TRI and SQR are LFO modes - you start the LFO when you hit the footswitch once, then stop it as you press the switch again. Alternatively, A<>B mode triggers a cool one-shot sweep, where every press of the footswitch jumps from one position to the other. The speed of the LFO and One-Shot movement is set via the Rate knob.

These simple and intuitive features can unlock worlds of sound. For instance, if you have Expression Ramper hooked up to a pitchshifter, you can create classic Whammy-like octave glides in one-shot mode, stretchy modulation in Triangle wave mode or hypnotic pitch sequences in Square wave mode. Got an expression-enabled phaser? Turn it into a step-filter with Expression Ramper's square wave. Or maybe an expression-enabled delay pedal? Use Expression Ramper to create swelling Feedback waves in Triangle mode or jump between two preset delay times in one-shot mode. The list goes on and on and the possibilities are basically endless.

While it should suit most effects pedals right out the box, Expression Ramper can easily be configured for different polarity or types of expression pedal simulation by using the internal jumpers. Plus, you can even change the supplied internal 50K digital socketed potentiometer and replace it with one of 10K or 100K values if needed. This enables the pedal to be specifically tailored for whatever expression-enabled devices you might have like keyboards, synths, vintage gear or more esoteric sound devices. All of this goodness is packed into a highly compact enclosure, ensuring that you can fit the Expression Ramper (or several Expression Rampers) into any setup.

Review: The mysterious Sault troupe is back with a call to action and revolutionary soul soundtrack that really bangs the box. "Ain't nothing gunna keep us silent" the lead singer yelps on 'Stop Der', which is an immediate banger after the soothing ambience and closely mic-ed whispers of the opener, which muse on what it means to be black. The rest of the record is a hard hitting mix of crisp drums and empowering vocals, with elements of classic soul as well as contemporary jazz colouring the grooves. This is powerful music with an even more powerful message.

Notes: A Digital DJ looking for a professional, durable case solution for your NI Traktor Kontrol S4 MK3/ S2 MK3 controllers? Then look no further, UDG have developed a super light EVA Hardcase designed for life on the road. Constructed from durable lightweight compression moulded EVA material with a laminated nylon exterior these cases provides protection against drops, scratches & liquids. Skilfully designed & moulded to fit the NI Traktor Kontrol S4 MK3/ S2 MK3 controllers, these cases are perfect for the travelling DJ that needs to protect their equipment.

Specifications:

Colour: Black
Weight: 1,89 kg / 4.158 lbs
Outer Dimensions (W x H x D): 61 x 38 x 13 cm | 24 x 14.9 x 5.1 inch
Inner Dimensions (W x H x D): 58.5 x 35.5 x 8.4 cm | 23 x 13.9 x 3.3 inch
Material: Durashock molded EVA foam
Protection: Soft fleece interior

Extras

Easy grip zipper puller
Convenient carry handles
Shoulder strap

Fits:

NI Traktor Kontrol S4 MK3/ S2 MK3 Controller
Pioneer DDJ-REV1
Numark Mixstream Pro
Behringer RD-8
Roland DJ-707M

Notes: UDG developed a light EVA turntable hard case designed for life on the road. The UDG Turntable Hardcase is constructed from durable lightweight compression moulded EVA material with a water repellent laminated nylon exterior. This quality case provides second-to-none protection against drops, scratches & liquids. High density Egg crate interior padding protects turntable platter, faders and buttons of the turntable.

Specifications

Colour: Black
Weight: 3,17 kg / 6.974 lbs
Outer Dimensions (W x H x D): 51.0 x 42.5 x 21.0 cm | 20.1 x 16.7 x 8.3 inch
Inner Dimensions (W x H x D): 46.0 x 37.5 x 17.0 cm | 18.1 x 14.7 x 6.7 inch
Material: Durashock-moulded EVA foam
Protection: Soft fleece interior
Removable top-bottom egg crate foam prevent damage from vibrations and shocks

Extras

Includes adjustable foam pads to fit various turntables
Convenient carry handles
Convenient shoulder strap
Easy grip zipper puller

Fits:
- Technics SL-1200MK7, SL-1200MK6, SL-1200 MK5, SL-1200 MK4, SL-1200 MK3, SL-1200 MK2, SL-1200GR, SL-1200GAE
- Denon VL12 Prime, SC6000,
- Pioneer PLX-1000, PLX-500, CDJ-3000,
- Reloop RP-8000 MK2, RP-8000 Straight, RP-8000, Reloop RP-1000M, RP-1000 MK2, RP-2000 MK2, RP-2000 USB MK2, RP-4000 MK2, RP-7000, RP-7000 MK2, RP-7000 MK2 GLD, RP-7000 MK2 Silver
- Audio Technica LP120-USB, LP120XUSB, LP1240-USBXP, LP1240-USB, LP140XP, LP3, LP5, LP7, LPW40WN
- Stanton STR8-150, ST-150, T.52, T.55 USB, T.62, T.92 USB
- Mixars STA, LTA
- Vestax PDX-3000, PDX-3000Mix, PDX-3000MKII or similar size turntable

Review: Armin van Buuren's A State Of Trance Year Mix 2023 is yet another meticulously crafted journey through the best trance music of the year from the Dutch genre king. Spanning over two hours, this mix showcases the genre's continued diversity and evolution and features tracks from both established artists and rising talents. With seamless transitions and expertly curated selections, van Buuren captures the essence of the trance scene in 2023 with all the usual hallmarks - from uplifting melodies to driving beats, euphoric atmospheres to epic synth lines. As such this it a must-listen and more proof no one quite knows the genre like Armin.

Notes: The Zomo VS-Box 200 is a practical way to store your vinyl in a stylish and efficient way.

The VS-Box 200 is made of solid wood and laminated with tough water-repellent decor. This model is easy to install, multi-stackable and can be combined with other VS-Boxes. The Box is also compatible to vinyls in protection covers. The capacity can be various by the thickness of your vinyl.