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Boss DD-8 Digital Delay Effects Pedal
Cat: 996038 Rel: 29 Feb 24
 
Digital delay effects pedal
Notes: Introducing the DD-8, the most wide-ranging and feature-rich BOSS compact series delay ever. This loaded pedal delivers more of everything-more great sounds, more delay time, more control options, and more connectivity. And it does it all in a standard BOSS pedal that slides easily into any mono or stereo setup. Eleven modes provide delay colours from basic to exotic, plus a looper with unlimited overdub capability and external control support. For maximum versatility in a minimum amount of space, there's no better delay stomp than the DD-8.

Equipped with a diverse selection of delays, the DD-8 packs impressive sonic range into one small pedal. Clean digital delays, vintage analogue and tape types, and modulation echo are available, plus specialty delays like shimmer and reverse. There's a new Warm type for softer echo tones, and a +RV type that blends delay and reverb together. Warp is perfect for dynamic ambient textures, while the new GLT type is great for glitchy rhythmic effects.

Everything sounds bigger and better in stereo, and the DD-8 delivers with full stereo I/O support and your choice of three output modes. The default independent mode provides linked parallel delays on the left and right channels, allowing you to maintain the true balance of stereo input sources in the effect sound. There's also a panning mode for ping-pong delay effects, and a wide stereo mode for enhanced spatial depth.

The DD-8's extensive real-time delay options help bring your music to life. You can tap in tempos with the onboard pedal switch, and control the Warp and GLT modes for unique expressive effects. Adding one or two footswitches unlocks more creative possibilities, like on-demand tap tempo, extended looper control, and a cool Twist effect for soaring echo sounds. Alternately, an expression pedal can be used for continuous control of level, feedback, or delay time-or all of them at once.

Having a looper on your pedalboard is a handy thing-it's great for practice, checking sounds at gigs, and creating on-the-fly backing while performing. The DD-8's looper mode has you covered, so you don't have to take up precious space with a dedicated pedal. All looper functions can be controlled with the onboard switch, providing all-in-one operation. But if you prefer to work with extended controls, just connect one or two footswitches to operate the looper's stop and clear functions externally.

The DD-8's inputs and outputs have smart functionality, allowing you to set the pedal for any application simply by connecting cables in different ways. A variety of mono and stereo connections are supported, including discrete dry and effect outputs for wet/dry setups. It's even possible to defeat the dry signal entirely, perfect for delay-only blending in a parallel effects loop.

Analog-Classic analogue BBD delay sound.
Standard-Clear digital delay.
Tape-Vintage tape-based delay sound.
Warm-Digital delay with a softer sound.
Reverse-Backwards delay for cool psychedelic effects and other unique tones.
+RV-Digital delay with reverb added.
Shimmer-Pitch-shifted delay for lush, shimmering textures.
Mod-Digital delay with modulation added on the repeats.
Warp-Unique delay with expressive pedal control. Holding the pedal switch increases feedback and level, allowing you to create ambient swell effects.
GLT-Newly developed delay mode that creates glitchy machine-gun effects when the pedal switch is pressed. Adjust the Feedback and Time knobs for a wide variety of sounds.
Loop-Loop recorder with overdub capability and up to 40 seconds of recording time with mono input (20 seconds with stereo input).

Specifications

Nominal Input Level: -20 dBu
Input Impedance1 M ohm
Nominal Output Level: -20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Bypass: Buffered bypass
Controls: MODE knob, TIME knob, FEEDBACK knob, E.LEVEL(Effect Level) knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT-A(MONO)/INPUT-B jack: 1/4-inch phone type
OUTPUT-A(MONO)/OUTPUT-B jack: 1/4-inch phone type
TEMPO/EXP jack: TRS 1/4-inch phone type
DC IN jack

Power Supply:
Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)

Current Draw: 100 mA

Expected battery life under continuous use
Alkaline: Approx. 3.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)
AC adaptor: PSA series
Footswitch: FS-5U, FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight (including battery): 440 g / 1 lb
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MRP:$180.02 SAVE 20%
 1 in stock $144.22
Boss DS-1 Distortion Effects Pedal
Boss DS-1 Distortion Effects Pedal (distortion effects pedal)
Cat: 996884 Rel: 15 Feb 24
 
Distortion effects pedal
Notes: The Benchmark in Guitar Distortion

The DS-1 Distortion is a true icon in the world of guitar effects. Introduced in 1978, BOSS's first distortion pedal defined a bold new sound, delivering hard-edged attack and smooth sustain that's been a staple of players for generations. The DS-1 is the top-selling BOSS compact pedal ever, and its original, unchanged design continues to inspire the creation of great music everywhere. The classic DS-1 tone is behind the signature sounds of numerous rock legends, and is ready to fuel your own signature sound today.

Genre-Defining Distortion

Before the DS-1, most distortion pedals produced harsh, buzzy tones and muddy sound at high gain settings. In 1978, BOSS engineers changed all that by developing a unique distortion circuit for the DS-1 that produces tight, hard-edged gain with rich harmonics while retaining the unique characteristics of different guitars and playing techniques. Hard rock, metal, and punk styles began to flourish in the '70s and '80s, and the DS-1's tone had a defining influence on these genres. That trend has endured through multiple generations, and players around the world continue to seek out the classic DS-1 sound.

Gain from Mild to Heavy

From its modest three-knob interface, many different sound colours can be coaxed from the DS-1. Its pioneering two-stage circuit incorporates both transistor and op-amp gain stages. This approach is critical to the DS-1's characteristic low-frequency fullness, which is loved by guitarists that play heavy music genres. The distortion knob offers an extremely wide range, from a mild boost for driving amps and pedals to full-throttle gain for monster rock riffs.

Powerful Tone Shaping

Unlike typical tone controls that only cut highs, the DS-1's tone circuit features an innovative design that offers far more range. Turning the knob clockwise increases highs and decreases lows, while going counter-clockwise has the opposite effect. This lets you dial in everything from tight, cutting rhythm sounds to smooth, fat lead voices. The tone control is particularly effective for maintaining low-end definition when using the DS-1 as a booster with vintage-style amps, which often sound muddy when driven with other distortion pedals.

Nominal Input Level-20 dBu
Input Impedance: 1 M ohm
Nominal Output Level-20 dBu
Output Impedance: 1 k ohm
Recommended Load Impedance: 10 k ohms or greater
Controls: Pedal switch, TONE knob, LEVEL knob, DIST knob
Indicator: CHECK indicator (Used for indication of check battery)
Connectors:
INPUT jack: 1/4-inch phone type
OUTPUT jack: 1/4-inch phone type
DC IN jack
Power Supply:
Alkaline battery (9 V, 6LR61) or Carbon-zinc battery (9 V, 6F22)
AC adaptor (PSA series: sold separately)
Current Draw10 mA

Expected battery life under continuous use:
Carbon: Approx. 50 hours
Alkaline: Approx. 80 hours
* These figures will vary depending on the actual conditions of use.
Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Carbon-zinc battery (9 V, 6F22)
Option (sold separately)AC adaptor (PSA series)

Size & weight (incl. battery)
Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height59 mm / 2-3/8 inches
Weight: 360 g / 13 oz
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MRP:$77.90 SAVE 19%
 1 in stock $63.15
Boss RE-2 Space Echo Effects Pedal
Cat: 996050 Rel: 19 Feb 24
 
Space echo effects pedal
Notes: Introduced in 1974 and produced for over 14 years, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units in music history. Known for its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks, this tape-based classic continues to inspire musicians, producers, and audio mixers over four decades on.

With the RE-2, the authentic sound and behaviour of the Space Echo is now available in the famous BOSS compact series for the first time. Backed by intensive R&D and our latest innovations, the RE-2 delivers the coveted magic of the RE-201 in a pedalboard-friendly footprint-realized in flawless detail by the company that designed the original.

When tape-based echoes were standard in the music world, the RE-201 was a leader in its class. Equipped with three evenly spaced tape heads and a spring reverb tank, it could produce everything from clean, single delays to dense, rhythmic echoes and ambient washes. The RE-201's appealing sound was influenced by many factors, from the warm compression of magnetic tape saturation to the evolving modulation produced by motor speed fluctuations, friction, and other elements. Last but not least, analogue preamp circuitry was a key ingredient in the Space Echo's rich sonic recipe.

In developing the RE-2 and its big brother, the RE-202, BOSS engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. We carefully analysed several vintage RE-201s, including a pristine original unit from the BOSS and Roland factory archive. Everything that influences the sound has been recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, spring reverb character, and more.

The RE-2 squeezes the complete sonic character of the RE-201 into the classic BOSS compact pedal format. The 11-position mode selector lets you dial in different virtual tape heads with or without spring reverb, and you can balance the echo/reverb blend with independent level knobs. Every behaviour is accurately replicated, such as the gradual pitch change that occurs with Repeat Rate tweaks and the runaway feedback that happens when maxing the Intensity knob. And with the expressive Wow & Flutter control, you can conjure all the natural modulation characteristics that are essential to the Space Echo sound.

The RE-2 takes the Space Echo experience further with versatile features for today's music. Delay time has been doubled and tap tempo control is supported, and there's a cool Twist function for creating evocative special effects as you perform. For the dry sound, you can choose between the warm and fat RE-201 preamp tone or a clean signal with zero processing. Full stereo I/O is available, and it's possible to mute the dry signal for parallel effect setups and studio use. The RE-2 also supports expanded control via external footswitches or an expression pedal, including continuous pedal control of multiple panel functions at once.

Specifications

Modes: 11 modes
Nominal Input Level: INPUT A(MONO), INPUT B: -20 dBu
Maximum Input Level: INPUT A(MONO), INPUT B: +7 dBu
Input Impedance: INPUT A(MONO), INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A(MONO), OUTPUT B: -20 dBu
Maximum Output Level: OUTPUT A(MONO), OUTPUT B: +7 dBu
Output Impedance: OUTPUT A(MONO), OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A(MONO), OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass

Controls: MODE knob, REPEAT RATE knob, WOW & FLUTTER knob, INTENSITY knob, TONE knob, ECHO knob, REVERB knob, CARRYOVER switch
Pedal switch
Indicator: CHECK indicator (Used for indication of check battery)

Connectors: INPUT A(MONO) jack, INTPUT B jack, OUTPUT A(MONO) jack, OUTPUT B jack: 1/4-inch phone type
CTL/EXP jack: 1/4-inch TRS phone type
DC IN jack
Power Supply: Alkaline battery (9 V, 6LR61)
AC adaptor (PSA series: sold separately)
Current Draw: 75 mA

Expected battery life under continuous use: Alkaline: Approx. 4.5 hours
*These figures will vary depending on the actual conditions of use.

Accessories: Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Dry battery (9 V, 6LR61)
Options (sold separately)AC adaptor: PSA series
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5

Size & weight

Width: 73 mm / 2-7/8 inches
Depth: 129 mm / 5-1/8 inches
Height: 59 mm / 2-3/8 inches
Weight: (including battery)450 g / 1 lb
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MRP:$233.71 SAVE 20%
 1 in stock $187.39
Boss RE-202 Space Echo Effects Pedal
Cat: 997454 Rel: 01 Mar 24
 
Space echo effects pedal
Notes: Based on the legendary Roland Space Echo, the RE-202 brings tape-style delay effects into the future. Classic vintage sound in a modern, user-friendly package.

Supplier's Notes:
A Masterpiece Returns in the Modern Era

Introduced in 1974, the Roland RE-201 Space Echo stands among the most legendary and sought-after effect units ever produced. This tape-based classic remained in production for over 14 straight years, and its distinctive rhythmic echo sounds, warm character, and highly playable sonic quirks still inspire musicians, producers, and audio mixers over four decades on.

Backed by intensive R&D and Boss' latest innovations, the RE-202 faithfully delivers the authentic sound and behaviour of the Space Echo like never before. Built by the company that designed the original, this advanced pedal captures the RE-201's magic in flawless detail, from the magnetic tape and motor properties to the vibrant spring reverb and colourful preamp circuit. And to take things even further, Boss have expanded the vintage Space Echo experience with lots of new features tuned for today's music.

Tape Echo Magic

Tape echo was the first delay effect and one of the first effect processors available for electronic musicians. In contrast with today's CPU-based digital units, a tape echo is a simple machine that uses a motor to pull magnetic tape across one or more record/playback heads. Warm, full, and dynamic, the tape echo sound is influenced by many factors. The ever-changing input level colours the sound with varying amounts of tape saturation and compression. In addition, motor speed fluctuations, friction, wow and flutter, and other elements introduce an appealing modulated character that's subtle and continually evolving.

RE-201 Space Echo: Simply Legendary

The RE-201 was a benchmark Roland product and one of the leading tape echo units of its era. It featured three evenly spaced heads that produced a wider range of echo effects than typical single-head designs, plus an innovative free-running tape system that provided superior performance with minimal tape wear. Grab-and-go controls enabled quick access to clean, single delays or various head combinations for dense, rhythmic echoes. A spring reverb tank was included too, making the RE-201 a one-stop shop for quality ambience effects. Last but not least, analogue preamp circuitry was another key ingredient in the Space Echo's rich sonic recipe.

A Masterpiece Reborn

Realized through the latest technologies and exhaustive analysis of several vintage RE-201s-including a pristine original unit from the BOSS and Roland factory archive-the RE-202 brings the complete Space Echo experience to life in a versatile modern pedal.

While previous BOSS designs captured the true sonic flavour and essential characteristics of the Space Echo, new advancements have allowed us to go much deeper than ever before. With the RE-202, Boss' engineers have fully reproduced all the complex, non-linear behaviours that contribute to the RE-201's immortal character. Everything that influences the sound was carefully examined and recreated with all-new algorithms, including the tape path, record/playback mechanism, motor variations, preamp coloration, tape age, spring reverb character, and more.

Retro Sound at Your Fingertips

The RE-202 delivers the full vintage vibe of the RE-201-without the need for regular tape replacement and hardware maintenance. All the core controls of the original are here, including the iconic 12-position mode selector. Every behaviour is replicated with complete accuracy, such as the gradual pitch change that occurs when the Repeat Rate knob is tweaked, or the cool runaway feedback that happens when the Intensity knob is maxed.

With selectable tape age and variable controls, you can dial in everything from a brand-new Space Echo to the worn character and quirks of a well-loved vintage piece. The Saturation control has been carefully calibrated based on the actual magnetic tape and preamp behaviours of the RE-201, with the sound becoming warmer and more compressed as you turn up the knob.

Sampling Frequency: 48 kHz

AD Conversion: 24 bits + AF method
AF method (Adaptive Focus method) This is a proprietary method from Roland & BOSS that vastly improves the signal-to-noise (SN) ratio of the AD converter.

DA Conversion: 32 bits
Processing: 32-bit floating point
Modes: 12 modes
Memory127 + Manual
Nominal Input Level: INPUT A/MONO, INPUT B: -10 dBu
Maximum Input Level: INPUT A/MONO, INPUT B: +7 dBu
Input Impedance: INPUT A/MONO, INPUT B: 1 M ohm
Nominal Output Level: OUTPUT A/MONO, OUTPUT B: -10 dBu
Maximum Output Level: OUTPUT A/MONO, OUTPUT B: +7 dBu
Output Impedance: OUTPUT A/MONO, OUTPUT B: 1 k ohm
Recommended Load Impedance: OUTPUT A/MONO, OUTPUT B: 10 k ohms or greater
Bypass: Buffered bypass
Controls: ON/OFF switch, MEMORY switch, TAP switch, SATURATION knob, WOW & FLUTTER knob, MODE SELECTOR knob, BASS knob, TREBLE knob, REVERB VOL knob, REPEAT RATE knob, INTENSITY knob, ECHO VOL knob, MEMORY button, INPUT button, TAPE button

Connectors: INPUT A/MONO jack, INTPUT B jack, OUTPUT A/MONO jack, OUTPUT B jack: 1/4-inch phone type
CTL 1, 2/EXP jack: 1/4-inch TRS phone type
MIDI (IN, OUT) jacks: Stereo miniature phone type
DC IN jack
USB port: USB micro B-type (program update only)
Power Supply: AC adapter
Current Draw: 140 mA
Accessories: AC adapter, Owner's Manual, Leaflet ("USING THE UNIT SAFELY," "IMPORTANT NOTES," and "Information"), Rubber foot

Options (sold separately)
Footswitch: FS-5U
Dual footswitch: FS-6, FS-7
Expression pedal: FV-500H, FV-500L, EV-30, Roland EV-5
MIDI/TRS connecting cable: BMIDI-5-35, BMIDI-1-35, BMIDI-2-35, BCC-1-3535, BCC-2-3535

Size & weight

Width: 192 mm / 7-9/16 inches
Depth: 133 mm / 5-15/64 inches
Height: 52 mm / 2-3/64 inches
Height (including rubber foot): 53 mm / 2-3/32 inches
Weight: 860 g / 1 lb 15 oz
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MRP:$375.83 SAVE 20%
 2 in stock $300.02
Electro-Harmonix Pico Deep Freeze Digital Delay Effects Pedal (B-STOCK)
Cat: 1010687 Rel: 01 Jan 90
 
B-STOCK: Box damaged, product in perfect working order
Notes: ***B-STOCK: Box damaged, product in perfect working order***


Expanded Freeze in a lowball-sized package!

Meeting between the original Freeze and Superego pedals is the Pico Deep Freeze Sound Retainer. With the ability to freeze a moment in sound, the Deep Freeze can act as a sustain pedal for holding chords and notes as backing for your playing or as a platform to manipulate your tone into new sounds impossible with a normal guitar. In addition to the original Freeze's abilities, the Deep Freeze features layering, adjustable attack/decay speeds, glissando, dedicated volume controls, and 3 modes: Latch, Moment, and Auto, making it powerful pedal punching well above its weight.

The Deep Freeze allows for instant sound freezing in three modes of operation. Latch freezes sound each time the footswitch is pressed until the effect is bypassed, while Moment mode freezes sound only while the footswitch is held down. Auto mode captured sound automatically each time it senses signal above its threshold for virtually foot-free freezes. These three modes make it easy to operate the Deep Freeze in a way that fits any playing style.

Controls on the Deep Freeze let you further tailor the operation of the effect. Separate DRY and EFFECT volume controls let you blend signals from subtle backing to 100% effect experimentation. GLISS adjusts the morph time between freeze sounds creating otherworldly soundscapes. The SPEED/LAYER knob adjusts either the attack/decay time of the effect in Moment and Auto modes, or the amount of layering possible in Latch mode which makes playing impossible chords possible!

Specifications

Circuit: Digital
Bypass: Buffered Bypass
Audio: Mono
Power Supply: 9.6VDC-200mA power adapter included
Dimensions (in): 3.65 x 2.0 x 2.0
Current Draw: 100mA
Year Released: 2023
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MRP:$206.34 SAVE 23%
 1 in stock $159.15
Meris MercuryX Modular Reverb System Pedal
Cat: 975835 Rel: 06 Nov 23
 
Modular reverb system pedal
Notes: Meris describe the MercuryX as the most flexible studio reverb pedal ever made. A bold claim, but hear them out. Immense power with eight custom algorithms in a modular architecture. Full stereo with a wealth of programs from lush plates and twangy springs to experimental weirdness.

Supplier's Notes:
The Meris MercuryX takes the heart and soul of Mercury7 and expands it far beyond sci-fi into the highest quality and most flexible studio reverb ever created in a pedal format. Its modular reverb system format breaks the paradigm of pre-set reverb types and inspires new discoveries. MercuryX features the same easy to use UI as LVX, making it immediately intuitive to navigate.

All of Meris' passion for pro audio has made it into both the algorithms and hardware performance of this pedal. MercuryX combines 8 custom Meris reverb algorithms and incorporates those into a modular system architecture that first introduced with the award winning LVX pedal. It features discrete processing elements and control signal modifiers that can be connected as desired for infinite flexibility in crafting custom reverbs.

Here is a deep dive into the 8 different reverb structures in MercuryX. Each Reverb Structure has Gate controls that can be used to dial in a range of gated reverb effects including the classic percussive gate sound, reverse tail reverb sounds, and slow breathing textures.

Similar to the Dry Blend control of the Predelay, each Reverb Structure features a Predelay Blend control that allows you to put some or all of the predelay reflections in parallel with the reverb tank.

Ultraplate - Adapted from Mercury7, Ultraplate is an inspiring and lush plate with a fast build. Use the Ultraplate's flexible decay range to create a wide range of studio textures.

Cathedra - Adapted from Mercury7, Cathedra is a massive and ethereal algorithm with a slow build. Cathedra is perfect for scifi textures and recreating C-beams glittering in the dark near the Tannhauser gate.

Spring - A flexible algorithm that can be voiced to replicate both the amp based reverb sounds and the classic studio spring tanks featured on early recordings.

78 Room - A lively and direct sound. This algorithm is great for transforming static sounding virtual amps into the difficult to capture sound of a great amp live in the room with you. The Room algorithm features a unique infinite mode (Maxed out Decay controls) that interacts with the Tank Mod to provide deep chorused and flanged reflections.

78 Plate - Fast and dense, the 78 Plate algorithm is a good match for beefing up percussion and vocals.

78 Hall - A large hall with a medium build up of reflections. Great for building up ambient walls of sound. The Hall algorithm's extended reflections are a great base for sculpting with the Bass/Mids/Cross controls. Deep rumbling bass caverns and ethereal upper mid emphasized halos of sound are easy to create. Explore the additional sparse mode for the Hall when Diffusion is set Low.

Prism - The Prism Strucure is an dual tank that allows you to build your own geometric rooms by specificying the size and distance and reflectivity. Prism features a highly configurable modulation section which allows different modulation phases per side to further increase the stereo image.

Gravity - The Gravity Structure works by accelerating indivual windows of your signal and stretching them across the horizon.
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 3 in stock $625.32
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