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Review: Remastered at Abbey Road studios, 'Flesh & Blood' saw the first studio album made after the departure of drummer Paul Thompson. With his absence, the British rock group moved to a more accessible and palatable sound that paid off, earning the group their first No.1 Album since 1973 with 'Stranded'. The tone of Brian Ferry's vocal is of melancholy and depression, of unrequited love with a woman who ultimately can't stand the sight of him. The album was a huge hit in the UK but has been lost in the greater discussion of Roxy Music records either due to living in the shadow of the immensely popular 'Avalon' (a la 'Good Kid m.a.a.d City' to 'To Pimp a Butterfly') or thanks to the slamming negative review from Rolling Stone sealing its poor rating with American audiences. 42 years on, the album is finally being given the treatment it deserved on release - 'Oh Yeah!' and 'Rain, Rain, Rain' were arguably a few years ahead of their time and are just a sample of the great instrumental and vocals on this album.

Review: The 1982 glam-rock swan song for British rock group Roxy Music sees another limited reissue, a departure from the more edgy and abrasive sounds the group went for prior. The word that people constantly use to describe 'Avalon' is mature, in multiple senses of the word. At its core, the record is sensual and seductive make-out material, a 10 track package pining on romance named after the fantastical romantic gesture of King Arthur's body being sent to the titular island. It's plain to see why 'Avalon' is the band's most acclaimed and influential project, spawning off other New Wave acts like Spandau Ballet, Duran Duran and Tears for Fears. 'More Than This', the title track, has stood the test of time and is still playlisted and cited as one of the greatest British New Wave tracks of all time. 'Avalon' is accessible, seductive and, without doubt, a classic.

Review: The second studio album from Yello was added to the pantheons of weirdo electronic pop some time ago. In fact, some 31 years ago to be exact. While not by any stretch the outfit's most famous effort, that belongs to fourth album, Stella, and in particular the 1980s movie anthem 'Oh Yeah', in many ways that track doesn't encapsulate the spirit of the band anything like the tunes here.

At times low slung ('Ballet Mecanique') and occupying a space somewhere between roots and fairground, in other moments tragically epic and approaching New Romanticism ('Quad El Habib'), while the music itself is wildly varied and unarguably original, the overall magic is still found in how much fun it sounds like they were having, and how much fun we have hearing it.