Back in stock: All genres

Review: There's certainly plenty to talk about here. British chart-topping and stadium-filling enigmas The 1975 return to prove you really can't predict what the troupe will do next, delivering what would be their most divisive and explorative album if it weren't for the fact they command so much loyalty from fans you could be forgiven for thinking dark forces were at play. 'Notes On A Conditional Form' is easily the furthest we've wandered from the formative years of a band that cut teeth doing teen-punk covers, and it's hard not to notice the subtle theme here. From 'Having No Head', which rides on a sharp house groove, through the garage breaks of 'Yeah I Know', low slung dub of 'Shiny Collarbone' and the shoegaze of 'Streaming', it plays out like a celebration of the breadth and diversity of UK pop culture.

Review: Tresor is celebrating 30 years in the game with a series of special reissue projects. This one really goes way back to almost the start, when Juan Atkins was already defining the early techno sound. For this one he linked up with Moritz von Oswald and Thomas Fehlmann in 1992 for a second iteration of the 3 Men in Berlin project. The monumental results join the dots between Detroit and Berlin across a collection of timeless cuts that meld bassline funk, hypnotic minimalism and soulful machine sounds into propulsive, emotive dance floor joy. The unbridled energy and cosmic elegance of 'Jazz Is The Teacher' might just be the highlight.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


We're never short of new Ricardo Villalobos material and he's generous with his time as a mixer, but this project offers something different from the Chilean mad scientist of minimal. A Mountain Of One are a duo who deal in Balearic-leaning pop with a subtle charm and an adventurous spirit, and they initially approached Villalobos for a single remix of one of their tracks. As a fan of their sound, Villalobos ran with the project and it wound up as a full remix album of seven different versions. On the earlier tracks Ricardo takes a surprisingly light touch, while the later stages find us knee deep in the mesmerising roll of his minimal house, shot through with dubbed out ingredients from the original songs. It's surprising and satisfying in equal measure, showing Villalobos at his best and quite the scoop for A Mountain Of One.

Review: Three years after delivering a stunning debut album that cemented their position as this century's finest fusionists of Middle Eastern music and analogue electronic music, Acid Arab return with a sophomore set that's every bit as impressive. The basic ingredients remain the same - think Arabic vocals, instrumentation and percussion mixed with heavy drum machine rhythms, raw electronics and mind-altering TB-303 motifs - though the resultant tracks arguably draw on a wider range of electronic music influences. So as well as nods towards acid house and techno, the album also contains throbbing, dancefloor-centric workouts informed by EBM, Italo-disco, new wave, synth-pop and industrial. It's a subtle switch-up, but one wholly in keeping with the French quartet's distinctive vision.

Review: He may now be a bona-fide global celebrity with a string of books, TV shows and film appearances to his name, but Action Bronson remains a fine rapper - even if we don't hear those skills as much as we once did. If you still need convincing, check out Only For Dolphins, his first album on two years. His love of trash talking, tall tales and classic boom-bap style flows has not changed, but his subject matter is more varied. The beats he raps over have evolved significantly, too. Over the course of the album, there are fewer bog-standard "golden era" type backing tracks; instead, you'll find killer beats that offer nods towards Brazilian samba and MPB, reggae, smoky jazz and Latin music.

Review: Brooklyn-based Pakistani vocalist Aroof Aftab presents her third studio album, and a record that has the power to transport listeners pretty much anywhere. While steeped in traditions stereotypically associated with her homeland, ears more attuned will quickly pick up on just how divergent this is. Whether you'd consider it a classical album is down to how you gauge that genre term, we'd say it has grown broad enough over the past century to definitely include this, but ultimately even that seems reductive.

Elements of poetry, ambient trance, jazz, minimalism, and new age, it's a spiritual and musical experience based around themes of discovery, loss, memory, and intimate connections with the Earth. Sonically, that translates as something that's at once sublime and yet also surprising, combining a multitude of influences from aeons of songwriting to create something that could not have existed in any previous era.

Notes: Bumper case in extra rugged silicone. For extra protection on the go. Made from 100% recycled silicone.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


Alice in Chains' Jar of Flies from 1994 is a masterful album that showcases the band's versatility and songwriting prowess across an acoustic-driven collection of tracks. They deliver plenty of haunting melodies and introspective lyrics that make for a deeply immersive listen. There is a real melancholic beauty to 'Nutshell' while a gritty intensity pervades 'No Excuses.' Each song offers a glimpse into the band's emotional depth and musical complexity, always with raw emotion and captivating performances that make this one a standout release in Alice in Chains' discography.

Review: Is there a more hard-working pair of party-starters than the Allergies' Rackabeat and DJ Moneyshot? The Bristol-based duo have been prolific over the last few years, yet the quality of their work seemingly hasn't suffered. Promised Land, their fifth album, is another invigorating, thrill-a-minute ride through hip-hop/funk/soul/rock/breakbeat fusion, where almost every cut is ripe for dancefloor plays. Highlights include the bluesy breakbeat bustle of 'Working On Me', the scratch-happy, Fatboy Slim-esque fun of 'Jumping Off', growling Dynamite MC hook-up 'Lean On You' (which reminded us a little of Plantlife), soul stomper 'Love Somebody' and 'Are You Ready', where Ugly Duckling's Andy Cooper and singer Marietta Smith both make their mark.

Review: ***B-STOCK: Slight split on top of outer sleeve, poster and inner sleeve damaged due to being glued to each other***


Canadian singer, songwriter and visual artists Allie X - real name Alexandra Ashley Hughes - is a great representative for the resurgent live electro-synth scene. Emerging from the Toronto indie circuit in the mid-2000s, it was a relocation to Los Angeles, a heartland for neon sounds, and early work with producers Circuit and Billboard that first saw an identity begin to form, which is as retro as it is futuristic, picking up scores of fans along the way, including Katie Perry no less. Girl With No Face is her latest long form, and sees the artist again stick her flag confidently in the ground. Tunes bounce, track, soar, step, pump and - at times - fall apart, emotionally speaking, with clear references to the likes of Ladyhawke, Madonna, Kraftwerk, Cocteau Twins and a-Ha, among others. Definitely one to watch, if you're not already.

Review: The story behind this one is that Vivian Yabby You Jackson once put together a tape that had been labeled The Best Of Patrick Andy but had never been put it out. On it was three unreleased tunes, one unreleased dub, and stereo mixes of several previously mono-only singles. For whatever reason it now sees the light of day and we're glad about it - this forms a fine tribute to a top singer and a legendary producer with some timeless dub. The horns pan, the rhythm tracks are heavy, the studio trickery is impressive throughout.

Review: Axis of Time is the stunning debut album from Philadelphia mallet percussionist and poet Angelo Outlaw. Featuring Eraserhood Sound's signature synth & soul production, the LP is a dazzling blend of jazz, rare groove, funk, soul and r&b. Outlaw's statement of intent is to transport the listener to a dissociated, dream-like state; a retreat into a fantasy from which one may not wish to return. That of a sonic holiday is indeed the vibe of this vibraphonic virtuosum, with landscapes of flute, wah-pedalled guitars and, of course, bell-like harmonies played by Outlaw himself, all evoke the sense of riding on the back of a paradisiacal bird, and into the anaesthetic distance.

Review: Detroit producer Apollo Brown and maverick Buffalo MC Che' Noir have come together to create a new album that draws on their backgrounds in two of America's mostly famously failed cities. Brown brings his usual soul-drenched and head-nodding beatmaking style - the same vibes that have seen him work with the likes of Ghostface Killah and Danny Brown and become a key part of the scene. Che' Noir on the other hand has worked alongside Benny The Butcher, Kool G Rap, and Fred The Godson and here tells some vital stories that take you behind the curtain and up and down city streets, dodging gunshots, hunting for missing fathers and generally trying to game the system.

Review: Arv & Miljo's new album delves into radical environmental activism and draws from the Swedish Plogbill movement's early 90s actions alongside Earth First! and Earth Liberation Front. Mixing monologues, interviews, protest songs, and site recordings with raw kosmische synth music, the pair crafts a mesmerising audio collage. Chaotic yet harmonious, disorienting yet soothing, the album reflects dedication, passion, and the spirit of change. Originally a limited CDR release in 2021, it quickly became a highlight in Arv & Miljo's discography. Now on, Jorden Forst offers a multi-faceted journey through environmental activism and the human spirit's resilience.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


This official reissue of Bela Lugosi's Dead: The Bela Session comes on black and red splattered vinyl this time around and includes previously unreleased tracks that have been mastered from the original demo tapes of their first ever recording session together. The post-punk outfit's debut single was released initially in 1979. Bela Lugosi's Dead is not only their first single, but also often gets mentioned as the first goth record. It has since been covered by Nine Inch Nails, Massive Attack and Nouvelle Vague. The rest of the tunes from the demo session remain hugely innovative, reflecting their post-punk and dark-glam style with dub reggae influences that would further evolve in their output that followed and explain why the band went on to such cult status.

Review: Long-time indie darlings and American dream pop duo Beach House barely ever put a foot wrong, and you won't find a misstep on this, their fifth album, either. Depression Cherry was co-produced by the band with Chris Coady and first came back in 2015. It was written over two years before that and saw the band return to a more simplistic sound with fewer instruments, tunes constructed around a main melody and live drums featuring less than in the past. This was in response to having enlarged their sound as the venues they played grew ever bigger, but dialing it back in was a good move if you ask us.

Review: Here's a masterclass in live jazz recordings, widely considered one of the best of all time and with very good reason. Bill Evans sat down at the piano for five consecutive sets at the Village Vanguard in New York on June 25 1961, joined by drummer Paul Motian and bassist Scott LaFaro (who died just 11 days later). Due to LaFaro's death, the album was put together as a tribute of sorts, bookended by LaFaro's own compositions and with other tracks selected to celebrate his outstanding playing. Other albums such as Waltz For Debby have since drawn on material from these sessions, but this original set remains the unrivalled pinnacle of live sets from Evans.

Review: Biz Markie was one of the true titans of the early East Coast hip hop scene - a staple of Marley Marl's Cold Chillin' label with a cheeky demeanour which showed even the toughest hip-hop didn't have to be moody. 'Just A Friend' originally dropped in 1989 and became a mainstream hit in the US, breaking Markie to the world and ensuring the success of his second LP, The Biz Never Sleeps. Nearly a year since he passed away, Cleopatra have revisited one of his most enduring classics and given it a fresh airing on this tidy 7". If you don't already have it and you take your old-skool hip-hop seriously, don't sleep on this one.

Review: Sweden has so much to answer for in non-conformist music terms. And Gothenburg is responsible for plenty within that. Take Gustaf Dicksson's renowned Blod project, for example, and its formidable 2023 outing Ondskans Fro. As oppose to the preceding two albums, here we find the man in question flying solo on the mic having previously partnered with fair-voiced female vocalists, lending the record a sense not just of the personal and intimate, but solitary isolation. That may sound slightly sombre, but it shouldn't. In reality, while we often jump to miserable conclusions when we think of words like 'alone', there's no greater strength than our ability to be happy as individuals - self love being a prerequisite to loving anyone else. In many ways, that's a resounding takeaway here. Medieval ambient folk that is warm, inviting, peaceful, and often dreamy.

Review: Mr. Bongo takes us back to the release of Waltel Blanco's jazz-funk masterwork, 'Meu Balanco', first released in 1995. Noted for its accumulation of Blanco's various skills picked up over the course of his years as a session musician in Brazil - for the likes of Marcos Valle and Elis Regina, to name a few - this LP is a rollicking instrumental ride, just as suitable for film soundtracking as it is for home listening. Many-an electric piano, bass lick and buzzing horn cement the vibe of the boom in Latin cinema at the time of its release.

Review: In the forty-two years since the release of Ege Bamyasi, no-one has done as much to blend the spheres of experimental rock music and the avant-garde than Can, whilst also maintaining a hip-shaking primal pulse and delivering a radiant wash of kaleidoscopic sound that defies classification. Ege Bamyasi still stands as one of their crowning achievements, and one whose spooky reverberations have made their presence felt throughout a mighty chunk of the rock and dance music of the decades that have followed. An otherworldly masterclass for the ages.

Review: After 1972's seminal Ege Bamyasi, the German Krautrock legends released what is one of our personal favourite Can LPs. Aside from being the last work of theirs to feature the vocals of Damo Suzuki, it's a seriously deep and full-bodied piece of work, as you'd expect from the band. The title track itself is a hypnotic, visceral journey through space and time, but all the tracks on this are pure classics. You even get their poppier of moments in the form of "Moonshake". Don't ask any questions, just cop it. Essential gear.

Review: Domenic Cappello is a long time legend of the scene who has been in the form of his life of late. As such he finally drops a much anticipated and long awaited debut album 'Basement Philosophy on Alien Communications that comes 20 years after he started making beats. Cappello's sound permeates the whole record as it traverses diverse sonic landscapes with captivating potency. Opening with 'Mushroom Waltz', dreamy pads and lively chords set the tone, leading into the soulful depths of 'Midnight with T'. 'Early Flight' builds cerebral atmospheres with characteristic snapping drums. 'Acid Rain' evokes nostalgia, while '3am Jamaica Street' pulsates with peak-time energy. 'Moon Jump' offers languid melodies reminiscent of classic Underground Resistance and electro-inspired 'Burning Past' and 'Not for Instagram DJs' conclude ta high class record in style.

Review: In March 2023, composer, arranger, and alto saxophonist Cassie Kinoshi debuted her commissioned suite, Gratitude, at London's Southbank Centre. Featuring her flagship ensemble seed. in a unique augmented formation alongside turntablist NikNak and the London Contemporary Orchestra (LCO), the sold-out event marked a milestone. Known for her work with seed. and Kokoroko, Kinoshi's compositional prowess extends across various mediums. Gratitude now showcases her textured and dynamic sound as it traverses from groove-focused modal melancholia to anthemic brass and string themes. Inspired by her mother and her own mental health journey, Kinoshi's creation resonates deeply, reflecting the soul of contemporary Black London with the craftsmanship of legendary jazz arrangers.

Review: Over three LPs, this impressive compilation covers album tracks, singles and B-sides across 30 years of Nick Cave's nigh-on flawless work with The Bad Seeds. Following the progression of the band through these 45 lushly remastered tracks, we hear Cave mature as writer, composer and singer, from the early post-Birthday Party morbid obsessions, through tender ballads, the grand theatrical 'Dig, Lazarus, Dig' era work, to the intense and widescreen masterpiece of 2014's 'Push The Sky Away'. In its assembly, 'Lovely Creatures' is far more than a mere compilation, it's a broad and exhaustive journey through Cave's mythological folklore universe of murder, sex, drugs, love, light and dark.

Review: Legendary UK outlet Greensleeves Records has joined forces with Roots Defenders of Notting Hill Carnival for this deep dive into the work of Channel One Sound System. Down in The Dub Vaults is promised to be a one time only and limited edition pressing of some serious roots and dubs gems that have been dug out of the vaults by the crucial selector that is Mikey Dread. These have all, at some point over the year's been deployed at maximum volume through the unique and hand built Channel sound system. The likes of Wailing Souls, Michael Prophet, Linval Thompson and Hugh Mundell all more all feature.

Review: ***B-STOCK: Slight surface marks ***


The Charlatans self-titled fourth album gets a lovely yellow make over for this reissue on Beggars Arkive. It's the first time for over 20 years new copies of this landmark album have been pressed, and Frank Arkwright at Abbey Road has taken care of the excellent mastering. The original release date was in 1995, and the album was the most ambitious of the band's career with plenty of number ones included along the way. The most successful of these of course was 'Just When You're Thinkin' Things Over'. It's a real piece of classic 90s indie that will always sound good.

Review: Chicane's 1997 album Far From The Maddening Crowds not only reappropriated a famous Thomas Hardy literary title, it also helped lay the groundwork for a new form of breaks-driven trance music. Now on Modena comes a brand new version of the album, its Symphonic Rehearsals version: a full rerub consisting of total string versions of each track, with brand new string compositions written and performed by Joe Duddell (whose extant performance credits also include James, Elbow and Daughter). The new versions are utter tearjerkers, and not merely for the nostalgia value either; all build on the originally subtle apogees of the original LP, and remind us of why it was so well-received as a landmark release in the first place.

Review: Billy Cobham's 1974 masterpiece Total Eclipse has been remastered onto heavyweight 180 gram vinyl. It was done using only pure analogue components, from the master tapes through to the cutting head. The original album was recorded at Atlantic and Electric Lady Studios, New York with production from Ken Scott alongside Billy himself. It is as intense as freeform as jazz gets, with bristling drums and manic horn work, cosmic turbulence and a real sense of energy from the unique playing style of Cobham. This is a record that is sure to thrill all fans of first-class fusion sound similar to Weather Report or Return To Forever.

Review: British experimental band Coil remain hardcore favourites for record collections of a certain age. They were on fire in the late eighties and early nineties and often switched it up from one album to another. Following on from the release of new editions of Love's Secret Domain and Musick To Play In The Dark 2 comes this trifold edition of The New Backwards, which was initially conceived in 2007. It is an extended edition that revisits a number of tracks that didn't fit with the band's first posthumous release Ape of Naples from 2005, and features plenty of chaotic rhythms and outrageous grooves that all have their own unique flow and atmosphere.

Review: Much loved roots and dub outfit The Congos are often first come to via this seminal album, Heart of the Congos. It's one all collectors have on their racks and that's why it keeps on getting reissued. It's a brilliantly organic and authentic sound with the opening tune 'Fisherman' amongst the best - the falsetto vocals, the lush harmonies, the rolling rhythms - they are irresistible on a warm day. The rest of the record remains just as high on quality, with, of course, the brilliant drums and congas at the heart of each track, but the lyrical work not far behind.

Notes: This specially designed stand for Elektron Digitakt / Digitone is attached from below to the equipment’s chassis, utilizing its universal VESA mounting points, enabling the use of the equipment in a much more ergonomic inclined position.

By swapping the position of the feet, it is possible to use the equipment in two different positions: lying down and upright.

It can be set up in a matter of seconds and weighs just a few grams.

Each stand features a groove to accommodate silicone feet to prevent the equipment from slipping or scratching.

Includes both side stands, screws for installation, and silicone feet.

Notes: Introducing the Stand for Korg KAOSS Pad - the ultimate solution for enhancing your music production experience while keeping your studio organized. Designed with ergonomics and durability in mind, this stand is meticulously crafted to elevate your Korg KAOSS Pad to a new level of functionality and convenience.

Constructed using ecologic PLA material, this stand not only offers exceptional sturdiness but also boasts eco-friendly attributes. PLA is a biodegradable and renewable material derived from plant-based sources. With this conscientious choice, you can take pride in reducing your environmental footprint without compromising on quality.

The ergonomics of the Stand for Korg KAOSS Pad are carefully engineered to optimize your workflow and maximize your comfort. Its thoughtfully angled design places your KAOSS Pad at the perfect height and angle, allowing for effortless interaction and intuitive control. Say goodbye to strained wrists and discomfort during long studio sessions, as this stand ensures a natural and relaxed position while you unleash your creativity.

This stand has been built this stand to withstand the test of time, and with the demands of a busy studio environment in mind. Its robust construction ensures stability, keeping your KAOSS Pad secure while you unleash your musical genius. Whether you're a professional producer or an aspiring musician, you can trust this stand to handle the rigors of your creative endeavours.

Beyond its practicality, the Stand for KAOSS Pad adds a touch of style to your studio setup. Its sleek and minimalist design complements any workspace, allowing you to showcase your gear with pride. The stand's black finish and clean lines exude a professional aesthetic that perfectly aligns with the modern musician's taste.

Don't let a cluttered studio hinder your creative flow. With the Stand for KAOSS Pad, you can keep your workspace tidy and organized. Its compact footprint takes up minimal space, leaving you with more room to manoeuvre and create. No more tangled cables or misplaced equipment - simply position your KAOSS Pad on this stand, and you'll have everything within easy reach, ensuring a seamless production process.

Upgrade your music production setup with the Stand for Korg KAOSS Pad today. Experience the perfect blend of ergonomics, durability, and eco-friendliness, all wrapped in a sleek design. Unleash your creativity, enjoy a more comfortable workflow, and make a positive impact on the environment - all with this exceptional stand.

Notes: The latest addition to the Roland family has its exclusive stand.

Specially designed for the Roland MC-707s.

Taking advantage of the shape of its cabinet to securely hold the equipment.

Achieving a very comfortable position during use.

These stands are lightweight, detachable, and take up very little space, perfect for live performers.

In the studio, they save space and improve the working position.

All CoverUp stands feature 3M rubber feet to prevent scratching or slipping.

With its ergonomic design, this stand provides exceptional comfort during use. Its thoughtful construction securely holds the Roland MC-707s, ensuring stability and convenience. Whether you're performing live or working in the studio, this stand offers the advantages of portability and space efficiency. The lightweight and detachable design make it easy to transport and set up wherever you go. Moreover, its compact size allows for convenient storage. Additionally, the high-quality rubber feet provide excellent grip and protect your equipment from scratches. Invest in this ergonomic stand from COVERUP for a comfortable and hassle-free experience while using your Roland MC-707s.

Notes: The latest addition to the Roland TR family has its exclusive stand.

Specially designed for the Roland TR-8s.

Taking advantage of the shape of its cabinet to securely hold the equipment.

Achieving a very comfortable position during use.

These stands are lightweight, detachable, and take up very little space, perfect for live performers.

In the studio, they save space and improve the working position.

All CoverUp stands feature 3M rubber feet to prevent scratching or slipping.

With its ergonomic design, this stand provides exceptional comfort during use. Its thoughtful construction securely holds the Roland TR-8s, ensuring stability and convenience. Whether you're performing live or working in the studio, this stand offers the advantages of portability and space efficiency. The lightweight and detachable design make it easy to transport and set up wherever you go. Moreover, its compact size allows for convenient storage. Additionally, the high-quality rubber feet provide excellent grip and protect your equipment from scratches. Invest in this ergonomic stand from COVERUP for a comfortable and hassle-free experience while using your Roland TR-8s.

Weight: 0,5 kg
Dimensions: 10 × 10 × 10 cm

Models: TR8S, MC707

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Alternative rock and Goth legends The Cure were at an all-time high in popularity as they embarked on their 1993 tour across Europe. Enjoying the result of their most successful album Wish, the band was to take on their biggest world tour yet. For the previous two tours, there was no proper full recording of the band live by the group themselves. Robert Smith wanted to change that and a handful of shows were recorded to be edited together for the live albums Paris and Show. Paris shows the power of The Cure's new lineup which featured a new drummer, keyboard player and guitar player. Like most Cure concerts, the setlist is a varied mix of brand-new tracks at the time (Apart and A Letter to Elise) many classics (Figurehead, A Charlotte Sometimes and Shake Dog Shake) but then always a sprinkle of lesser-known ones like 'Dressing Up'. This edition is the 30th Anniversary release of the evergreen original.

Review: The first definitive British punk album, Damned Damned Damned, would serve as the arrival of a new form of audible angst, that over four decades later has still managed to maintain its bite and snarl. Originally released on Stiff Records in 1977, National Album Day 2022 has insisted on bringing this highly influential classic to life in a new pressing; teeming with energy, wit and enough proto-genre bending to remind all why The Damned are still an integral aspect of any discussion regarding UK punk and alternative music nearly a half century on.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


You'll have to go a long, long way to find a more important record in the back catalogue of The Damned. Strawberries marked album number five for the New Wave-Goth-punks, arriving in 1982, initially through the now-defunct UK indie label Bronze, established by Gary Bron who - incidentally - also played a pivotal role in helping Uriah Heap realise their sound. Digressions aside, this LP at once marks one of the finest moments in The Damned's history, and one of their most turbulent times.

The band's creative confidence - Captain Sensible especially was enjoying a fair share of the limelight at this time as a solo artist - helped them expand and mutate in both subtle and crystal clear ways, introducing instruments like the sitar and cello to the mix. Fans got their beloved dark room masters, and much more besides. Behind the scenes, though, this was a point in time pockmarked by fallouts and disagreements. Still, who said greatness doesn't come at a price?

Review: Dylan Brownsword strips things right down to the elements for this exceptional exploration into dub techno influenced drum & bass. Stark futurism that smoulders at its coldest and will have you shivering at its hottest, vibes range from the shimmering Basic Channel style reflections of 'B1' to the more autonomically minded swagger of 'B3'. Trembling with echoes of his powerful techno work in the past, across this whole collection DB1 keeps one foot in the dance, one foot in the stars throughout.

Review: Originally released in 2012, '> album title goes here <' is the sixth studio album by Canadian electronic music producer & composer Deadmau5 (Joel Zimmerman). The 13-track album features a handful of Deadmau5' biggest hits, including but not limited to: 'The Veldt' with Chris James, 'Professional Griefers' with Gerard Way of My Chemical Romance, 'Channel 42' with Wolfgang Gartner, and 'Telemiscommunications' with Imogen Heap. Now reissued for an even-more contemporary audience, this latest coloured vinyl version provides a new window into the world of the helmeted muroid cynic, and the humorously updated progressive house sound he helped trailblaze.

Review: Clash, first released in 1977, was one of a series of definitive reggae albums to highlight the eminence of the soundclash, in which two reggae or dancehall crews rig up opposing soundsystems in a face-to-face musical standoff. Fashioning this album after the competitive form, Dillinger's sparring partner in this case is 'Trinity' aka Wade Brammer, who was active during the 1970s and 80s. Trinity as Dillinger is best known for deejaying over reggae and dancehall numbers; Clash albums became very popular at the tail-end of the 1970s and into the next decade, with singers and deejays alike competing for status, track by track.

Review: When Dinosaur Jr. were recorded live in Paris the iconic garage punk outfit were undoubtedly at the very top of their game. Three years after adding Jr. to their name, the creative output at this point was incredible, carving out a position for themselves as purveyors of powerful noises that were as raw and gnarly as they were complex and intelligent. A band that could turn rough and ready chords into walls of sound capable of tearing the roof off and lifting us all into the stratosphere. Never before released, this companion piece to 2022's best-selling live-on-MTV EP, Seventytwohundredseconds, is exemplary of the stuff they built that reputation on. From the gnashing riffs of 'Just Live Heaven', to the wasp-in-jar-energy and cacophonous peaks of 'Drawerings', and 'Keep The Glove' erupting into mind-blowing guitar work, and 'Budge' arguably taking that to greater heights, this is Dinosaur Jr. at maximum roar, and it will never not be impressive.

Review: Though his career has taken many turns over the last decade, DJ Koze has remained that most illusive of creatures: a minimal-minded producer with an ear for a melody. This fourth full-length, packed to the rafters with big-name collaborations (Apparat, Caribou, Ada and Matthew Dear all feature), continues his move towards the home-listening sphere. So, while many of the heady rhythms and shuffling grooves hark back to his stripped-back past, Amygdala impresses with its woozy songs, genre-straddling fusions (see the modern soul meets deep house of "Homesick" or the steppy, tropical vibes of "Marilyn Whirlwind") and homely atmosphere.

Review: The recent Tokyo Dreaming compilation on Wewantsounds was a huge success so the label does the right thing and follows it up with another collection of sounds from the Far East. This one again looks into the fascinatingly niche city pop sound with expert digger DJ Notoya at the wheels. He delves into the Nippon Columbia catalogue and turns out all manner of breezy and laidback gems from Hiroshi Sato, Hitomi "Penny" Tohyama, Midori Hara and more. In many cases, these tunes are making it tot vinyl for the first time. What's more, the audio has been newly remastered in Tokyo for this reissue making sure it sounds as good as possible.

Review: Dark Entries welcome back the inimitable Doc Sleep aka Melissa Maristuen for a superb new album of ghostly and ethereal house and techno. This is a welcome follow-up to last year's ambient and IDM exploration, Birds, and shows another side that draws on Maristuen's years of queer clubbing. It fuses aspects of New York house, Berlin techno and West-coast breakbeats and is "a love letter to the West Coast's magnificent natural landscape, the light of the Pacific sunrise." That is reflected in the sublime synths and silky rhythms which manage to both move your body but also captivate your mind. It's another cracking album from the Doc.

Review: After his hugely well received lovers' rock compilations for this label, Sam Don digs deep into the rich world of UK sweet soul on this - typically - excellent new compilation from the wondrous ashes of the North. He comes up with plenty of mega hard to find and expensive musical treasures that have all been painstakingly researched and tracked down. It was a short lived but fertile scene in the underground back in the 90s and if you didn't; know that already you will after one listen through of this - the sounds are highly danceable with silky, low-lit melodies and steamy and seductive vocals for loved up late night dancing.

Review: Drahla, a Leeds-based post-punk band, returns with their sophomore album, 'Angeltape', four years after their debut. This highly expected release showcases the band's signature blend of raw energy and experimental flair. Highlights include 'Default Parody', a track that immediately establishes Drahla's unique sound. The song's jagged guitars and funky bass grooves evoke the spirit of Gang of Four and Psychedelic Furs. The vocals, delivered by Luciel Brown, are a raw and emotive force, capturing the album's themes of alienation and despair. 'Second Rhythm' showcases the band's versatility with its hypnotic vocal approach and gritty guitar work. The heavy bass provides a solid foundation, driving the song forward with a relentless intensity. Throughout the album, Drahla's lineup of Riggs, Ainsley, Barr, Brown, and Duffin showcases their exceptional musicianship. The interplay between the guitarists, bass, drums, and saxophone results in a rich and dynamic soundscape that captivates the listener. With this release, Drahla has cemented their status as one of the most exciting and innovative bands in the post-punk scene.

Review: Early new wave icons Duran Duran have been digging in their vaults again and this time out they've found Dreaming Of Your Cars: 1979 Demos Part 2, which features vocalist Andy Wickett, who fronted the band before Simon Le Bon took over. The rare tracks start with 'Dreaming Of Your Cars', post punk groove with a slick rhythm section and tight bassline driving it along and getting you in the groove. 'Love Story' features superbly nimble playing and crashing drums that again straighten your back and get you marching before 'X Disco' and 'To The Shore' close out in upbeat then more mournful fashion.

Review: E. Live returns to Star Creature HQ with his third full-length release, 'Soft Approach,' and it's a jazz-funk-infused and boogie-powered blast-off. Following the success of 2020's Boogie For Life and Cloud Vibes from 2022, this new long player marks a triumphant evolution in his solo journey. With a nu-school disco flair and jazzier undertones, E. Live expertly balances accessibility and sophistication to make for a well-crafted trip overall. Drawing inspiration from musical luminaries like Roy Ayers and Patrice Rushen, these tunes promise to captivate fans of danceable rhythms and refined musicality alike. This release solidifies E. Live's reputation as a trailblazer in the contemporary Boogie scene and confirms he is destined for seismic waves in 2024.

Review: Industrial music formed amidst the concrete decay of post-war Berlin, Einsturzende Neubauten emerged as pioneers of genre. Their sonic alchemy fuses unconventional instruments crafted from scrap metal and construction tools with traditional ones, creating a raw and unsettling symphony. Their new double album "Rampen (APM: Alien Pop Music)" showcases their sonic prowess. Despite the abrasiveness of their sound, the group's music is imbued with a sense of theatricality. Blixa Bargeld's stoic vocals narrate surreal tales of urban decay and existential unease, while the band's live performances evoke industrial rituals. Over the years, the band's music has evolved, incorporating elements of ambient and even pop into their sound. Yet, their core ethos remains intact: to challenge musical boundaries and create a sonic tapestry that reflects the harsh realities of the modern world. This album still helps cement the band moving forward but still respecting their past.