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In Dream (gatefold heavyweight gold vinyl LP + MP3 download code)
Cat: PIAS 830LP. Rel: 29 Sep 15
Indie/Alternative
Review: Easily outgrowing the original perception of them as stadium-indie bringers of gloom, Editors have evolved steadily with each record, and seemingly found themselves increasingly more comfortable each turn along the way. 'In Dream', the fifth from the Birmingham outfit, finds them expanding on the widescreen sweep of their sound, experimenting further with electronics, yet still maintaining a core of intimacy and introspection that has become their trademark. Thus, perversely, what may be their darkest record to date is also their most uplifting, with indelible songwriting, synth filigree and nocturnal atmospherics colliding to provide a black-clad tour de force.
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Review: For their sixth full length album 'Violence', melancholic Birmingham alt-rockers Editors have adopted a grander synth-pop sound to frame their typically dark songwriting in. This change in direction comes from collaborating with the album's producer Leo Abraham and composer Blank Mass, who helped the band hone their electronic craft. The songwriting pairs grandiose stadium riffs with assertive synth-work; 'Hallelujah (So Low)' goes straight for the jugular with fat synth leads and lo-fi drums, and the chorus of lead single 'Magazine' balances sections of punchy electronic swagger with singalong melodic euphoria. On 'No Sound But The Wind', there's a glimpse of an earlier Editors sound, more atmospheric and spacious than the tracks that surround it - unsurprising as it's a song the band first debuted back at Glastonbury 2008 and have been re-working since. Following 2015's somewhat confused 'In Dream', Editors sound reinvigorated and confident in the direction 'Violence' is taking them in.
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Wie Lange Noch?
Ist Ist
Pestalozzi
Es Konnte Sein
Before I Go
Isso Isso
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Everything Will Be Fine
The Pit Of Language
Planet Umbra
Tar & Feathers
Aus Den Zeiten
Ick Wees Nich (Noch Nich)
Trilobiten
Gesundbrunnen
Review: Industrial music formed amidst the concrete decay of post-war Berlin, Einsturzende Neubauten emerged as pioneers of genre. Their sonic alchemy fuses unconventional instruments crafted from scrap metal and construction tools with traditional ones, creating a raw and unsettling symphony. Their new double album "Rampen (APM: Alien Pop Music)" showcases their sonic prowess. Despite the abrasiveness of their sound, the group's music is imbued with a sense of theatricality. Blixa Bargeld's stoic vocals narrate surreal tales of urban decay and existential unease, while the band's live performances evoke industrial rituals. Over the years, the band's music has evolved, incorporating elements of ambient and even pop into their sound. Yet, their core ethos remains intact: to challenge musical boundaries and create a sonic tapestry that reflects the harsh realities of the modern world. This album still helps cement the band moving forward but still respecting their past.
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Streets Of Gold (limited gatefold gold vinyl LP + 12")
Cat: CLO 4598. Rel: 01 Mar 24
Indie/Alternative
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Mythical River (clear vinyl LP limited to 300 copies (indie exclusive))
Cat: RLP 3235CLEAR. Rel: 11 Apr 24
Jazz
Review: Keyboardist Stale Storlokken leads the trio through six stellar compositions, showcasing hypnotic, magical, and razor-sharp polyrhythms. The album - the follow up to their acclaimed album Arrival of The New Elders - maintains the band's signature groovy mix of high-energy rock and power jazz while incorporating more structure and reflection and displaying a more diverse and mature approach. Recorded and mixed by producer Mattias Glava, Mythical River solidifies Elephant9's position as a contemporary, timeless and futuristic band.
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Trip The Light Fantastic (B-STOCK) (gatefold green vinyl 2xLP in spot-varnished sleeve)
Cat: PPR 0003. Rel: 01 Jan 90
Pop
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FORTHCOMING
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For Your Consideration (translucent blue vinyl LP + booklet (indie exclusive))
Cat: 716841 632675. Rel: 25 Mar 24
Pop
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I Just Can't Stop It (reissue) (B-STOCK) (limited magenta vinyl LP (indie exclusive))
Cat: 603497 828487. Rel: 01 Jan 90
Indie/Alternative
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Maldito Pais: Primera Epoca 1982-84 (reissue) (limited yellow & red vinyl LP)
Cat: MRC 297. Rel: 02 Apr 24
Punk/Hardcore
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Girl With Fish (pink vinyl LP + insert + MP3 download code)
Cat: LBJ 365LP. Rel: 08 Jun 23
Indie/Alternative
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San Francisco 1969 (limited hand-numbered gatefold 180 gram red vinyl 2xLP)
Cat: LC2LPC 5086. Rel: 18 May 22
Rock
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In Search Of The Antidote (B-STOCK) (limited translucent light blue vinyl LP + photocard (indie exclusive))
Cat: 602458 864984 (B-STOCK). Rel: 01 Jan 90
Pop
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Late Night Tales (B-STOCK) (limited 180 gram vinyl 2xLP + MP3 download code)
Cat: ALNLP 42 (B-STOCK). Rel: 01 Jan 90
Experimental/Electronic
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Review: There are not too many house and techno labels in the United States that can boast quite the discography and international success that the Brooklyn based Scissor & Thread label can. For over a decade now, the busy label has kept the quality up to the high standards the label set when starting. A big part of that quality is having Frank & Tony on board through the label's history. Ethos is their new full-length album that, spread across a double pack of wax, with tracks mostly kept under close guard, except the opener 'Olympia'. Make no mistake though, from the rumours and whispers we've heard already, it looks like being a big hit.
… Read moreGespielt von: Replika | Common Mode
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Guitar Solos/Fifty (50th Anniversary Edition) (2xLP + insert)
Cat: WE 5. Rel: 18 Mar 24
Post Rock/Experimental
Review: Fred Frith is simultaneously a singular musical figure and a collection of musical lifetimes. He's the composer who wrote fragile avant-garde music in the tradition of John Cage and Earle Brown, the innovator who created new concepts of underground rock with his colleagues in the band Henry Cow, and the improviser who developed his very own language on the guitar. The many facets of Frith's musical oeuvre shimmer in vibrant and unique colors, but stand as one rainbow monolith of musical creation, never disintegrating into esoteric eclecticism. Always musically curious and unbiased, he develops his ideas in the moment, demonstrating in real time how his creative process, while free of old hat conventions and tricks, creates an immediate yet unrandom and committed music. At the core is his unique guitar playing, which is on full display across these two records. His debut, Guitar Solos (1974), opened up a space beyond rock and improvised music and now, 50 years later comes Fift (2024), a new solo guitar album that sounds completely different and yet familiar, adding to his monolith of musical creation with another new vibrant color.
… Read more in stock $44.63
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Curtains (B-STOCK) (heavyweight vinyl LP + MP3 download code)
Cat: RCM 489591 (B-STOCK). Rel: 01 Jan 90
Indie/Alternative
The Past Recedes
Lever Pulled
Anne
The Real
A Name
Control
Your Warning
Hope
Ascension
Time Tonight
Leap Your Bar
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Cat: WRJ 001REG. Rel: 24 Oct 18
Jazz
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Review: Light In The Attic do the preservative god's work of reissuing the rare Going To My Baby's Place by West Coast funk and soul singer Vernon Garrett. His debut album, released in 1975, this is a dynamic, un-fluffed funk breakthrough, following an extended panhandle of 45s that characterised his rarefied career for almost a decade before he moved onto full-lengths. Expanding the bittersweet mood that had characterised his career until this point in time, we hear the likes of 'Something Went Wrong', 'Don't Do What I Do', 'One Man's Loss' and 'Going To My Baby's Place', across which we hear a consciously stoic Garrett duly acknowledge the natural peaks and troughs of life, through which he recognises that it's all necessary for one well lived. Vernon's wild and powerful songs come backed by incandescent performances by members such as Jimmy Gough and Leon Kittrell, who would later form L.T.D. and David T Walker.
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Review: DJ Scientist aka John Raincoatman is the German record collector behind the Outer Edge label. This time he welcomes Ghia for a second outing following the sold out and hugely desirable first one. This one comes in the form of a full length album featuring some previously unissued songs and lots of the group's signature downtempo synth pop sounds. They are soothing, lush and soulful, with delicate female vocals over sweet and innocent 80s keys and drum sounds. Perfectly steamy and sexy for slow dancing or lazy afternoons.
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Levitate (white vinyl LP limited to 200 copies (indie exclusive))
Cat: LPPNKSLM 111IE. Rel: 07 Mar 24
Punk/Hardcore
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Review: Ghost are sadly an easily confused band - doubly so, for the fact that there is now a wildly popular masked metal troupe of the same name, *and* because there is, uncannily, a 1984 film named Ghost, also rather well known. This confounding is apparently so prevalent that the obligatory Wikipedia entry on *this* Ghost is titled
'Ghost (1984 band)'. We wouldn't usually mention it, save for the fact that this perhaps not so wilful obscurantism actually works in their favour. With Drag City's reissue of Ghost's first album on griseous vinyl here, it's safe to say that this Japanese experimental psych/acid record's aura as a hidden gem feels rare to come by. It's almost as if Ghost (1984) is 'haunting' the other aforementioned cultural touchstones of the same name. Don't get it twisted, though: Ghost formed in the early 80s, but this debut recording didn't make it to the pressing plant until 1990. What explains the gap in their CV, you ask? Legend has it that the band led a truly nomadic existence - as a "band" should, in all senses of the word - roving, drifting from ruined ancient temples to disused subway stations near Tokyo. With that all checked, the album itself is truly free-spirited and eerie, and not what you'd expect from contemporary notions of space rock, with prepared tinkerings and strange readymade detritus seeming to fill each piece at every twist and turn.
… Read more'Ghost (1984 band)'. We wouldn't usually mention it, save for the fact that this perhaps not so wilful obscurantism actually works in their favour. With Drag City's reissue of Ghost's first album on griseous vinyl here, it's safe to say that this Japanese experimental psych/acid record's aura as a hidden gem feels rare to come by. It's almost as if Ghost (1984) is 'haunting' the other aforementioned cultural touchstones of the same name. Don't get it twisted, though: Ghost formed in the early 80s, but this debut recording didn't make it to the pressing plant until 1990. What explains the gap in their CV, you ask? Legend has it that the band led a truly nomadic existence - as a "band" should, in all senses of the word - roving, drifting from ruined ancient temples to disused subway stations near Tokyo. With that all checked, the album itself is truly free-spirited and eerie, and not what you'd expect from contemporary notions of space rock, with prepared tinkerings and strange readymade detritus seeming to fill each piece at every twist and turn.
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Yours Truly (10th Anniversary Edition) (limited gatefold picture disc LP in embossed sleeve)
Cat: 582528 8. Rel: 01 Jan 90
Pop
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I Love You I'm Trying (B-STOCK) (gatefold LP)
Cat: FUEL 6171191 (B-STOCK). Rel: 01 Jan 90
Indie/Alternative
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American Beauty (Special Edition) (limited numbered hybrid SACD)
Cat: 821797213868. Rel: 01 Jan 90
Rock
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Workingman's Dead (Special Edition) (limited numbered hybrid SACD)
Cat: 821797 213769. Rel: 01 Jan 90
Rock
out of stock $39.43
