100% Sicheres Einkaufen
Studio equipment
Our full range of studio equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices.
100% Sicheres Einkaufen
DJ equipment
Our full range of DJ equipment from all the leading equipment and software brands. Guaranteed fast delivery and low prices. Visit Juno DJ
Hilfe
BestellenProbleme beim BestellenHäufig gestellte FragenKontaktiere unsKontaktiere uns (Lieferanten)Über JunoJuno DailyNew This WeekDJ & Studio StoreTagsFeedbackDatenschutzregelungReturns & refundsAGBFinanceJuno Vinyl DistributionJuno Vinyl WholesaleJuno Marketing and PR departmentPromote your label / releases
Filter
Stock
Type
Music
Format
Release Title
Price
Back catalogue: All genres
Juno's full catalogue of All genres
Options
Sort
Artist
Artist
- Bestseller:
- Absteigend sortieren
- Artist:
- Alphabetisch sortieren (aufsteigend)
- Alphabetisch sortieren (absteigend)
- Title:
- Alphabetisch sortieren (aufsteigend)
- Alphabetisch sortieren (absteigend)
- Label:
- Alphabetisch sortieren (aufsteigend)
- Alphabetisch sortieren (absteigend)
- Date:
- Nach Alter sortieren (absteigend)
- Nach Alter sortieren (aufsteigend)
- Price:
- Nach Preis sortieren (aufsteigend)
- Nach Preis sortieren (absteigend)
- Label rank:
- Low to high
- High to low
Alben
People also bought...
Review: Two years on from the release of her acclaimed mixtape-style full length debut, What We Draw, Kathy Yaeji Lee returns to XL Recordings with her debut studio album With a Hammer. Conceived (lyrically at least) as an examination of the singer-songwriter-producer's relationship with anger, the album sees Lee expand on her house/hyper-pop-influenced trademark sound via nods to trip-hop, rock, drum & bass and more, with the addition of - for the first time in her career - live instrumentation. Of course, amongst the musical tweaks and collaborations (Lorraine James, Nourished By Time, K Wata and Enganet all feature), there are still plenty of nods to her pop-leaning productions of old, not least bi-lingual vocals (she often sings in Korean as well as English) and a sense of sonic style that has always been one of the aural hallmarks of Lee's work.
… Read more in stock $9.32
People also bought...
The Overload
Dead Horse
Payday
Rich
The Incident
Witness
Land Of The Blind
Quarantine The Sticks
Tall Poppies
Pour Another
100% Endurance
Review: Those who still pay attention to the music press may have noticed a fair bit of chatter about post-punk outfit Yard Act's debut album, The Overload, which one esteemed organ described as being "wonderfully wacky". That arguably does the album a disservice - "wacky" has negative connotations to some - but it is certainly a fun, freewheeling affair, whose tongue-in-cheek lyrics are frequently rip-roaringly funny. Sitting somewhere between vintage post-punk, Idles, Sleaford Mods and the Arctic Monkeys (the Leeds' band's vocals are often heavily accented), it's a riotous mix of gnarled guitar riffs, bombastic bass, shout-along choruses, drum machine beats and surprise nods to disparate musical styles (EG West African rhythms on 'Payday', Juju guitars on 'Land of the Blind') .
… Read more in stock $5.70
People also bought...
Cat: WARPCD 354. Rel: 27 Apr 23
Indie/Alternative
Review: Sean Bowie's fifth full-length as Yves Tumor arrives with an epic title (the academically minded will be debating its meaning for years to come), a grandiose electro-rock/post-punk goes-electroclash sound, and a bagful of valedictory reviews. It's basically an extension of Bowie's previous work with a few twists, but that's no bad thing; after all, the artist's distinctive sound and strong songs have always been an impressive calling card. Highlights are plentiful, from the fizzing, 21st century punk-funk of 'Lovely Sewer', and the Prince-does-Nine Inch Nails-flex of 'Parody', to the alternately jangling and sleazy 'Operator', and the post-ESG dancefloor heaviness of 'Fear Evil Like Fire'.
… Read more in stock $8.81
