Back catalogue: All genres

Review: This new compilation by the (literally) grassroots Spanish label Soil pays tribute to the late incipient goth band Bauhaus - known for their volatile performances, blackened and deathly sound, and later controversial antics. Aiming to highlight the band's admixture of glam with goth, irreverent demeanour, and strange fusions of dub, regional music and post-punk, artists and groups such as Years Of Denial, Selfishadows and Radikal Kuss deliver six curveball takes on Bauhaus' great songs, from 'All We Ever Wanted' to the unmatchable 'Dark Entries'.

Review: Sean Bowie is back with another ode to the tortured, damned, and damned good. The Florida-born enfant terrible of US alt-rock can barely put a foot wrong in our eyes, whether that's the post-chillwave of Teams, the moniker he was recording under in the early-2010s, or the Tumor releases. This is the place where Death In Vegas fans come to be reassured it's not quite over yet.

The Asymptotical World, not to be confused with The Asymptomatic World, is a case in point. This is punk, if punk decided to dive into bed with electroclash and they had a baby that wasn't really what anyone expected. It's sludgy, scummy, guitar-driven chaotic noise that occasionally dissipates into white mayhem, all the while maintaining not just its sense of self, but an underlying feeling you're two seconds from a rave while in the moshpit.

Review: 'There's A Riot Going On', the fifteenth album from New Jerseyan indie rockers Yo La Tengo, started life in 2015 as a mesh of home recordings, new material and previously unused material from other projects such as their film score work. The effect of this long gestation is audible, it's a sort of kaleidoscopic patchwork of psychedelic soundscapes and calm, warm alt-indie songs that meld together seamlessly (think a slightly more out-there version of fellow Garden State natives Real Estate). The second half of the album is punctuated by more unusual moments, the percussive pseudo-jazz jam of 'Above The Sound', bossa-nova instrumental interlude 'Esportes Casual', and the horizontal ambient doo-wop of 'Forever', amongst others. Nevertheless, the strength of 'There's A Riot Going On' lies in how well it all fits together, whilst quietly showcasing how deft YLT's songwriting hand is.

Review: With their Mercury-winning 2014 debut 'Dead', Edinburgh trio Young Fathers set the bar high for themselves, which they met with 2015's follow-up 'White Men Are Black Men Too', and continue to do so with new album 'Cocoa Sugar'. Their third record isn't as brash and in-your-face as their previous two, but that's not to say that this any less impactful, instead 'Cocoa Sugar' is a stripped back, concentrated The group have a unique ability in that they can draw elements from a range of genres, with an outcome sounding in a class of its own and tantalisingly hard to define. Also, in their use off-kilter loops, gospel-esque vocals, haunting samples and breakneck speed verses, Young Fathers create dualities and contrasts that playfully subvert. Tracks like 'See How', 'In My View' and 'Lord' appear to tread into joyous and cathartic pop territory, before being pinned down by unnerving scraping samples and dissonant synthesis. It's these intelligently executed sonics and structures that make 'Cocoa Sugar' an addictive, thrilling and beguiling listen.