Back catalogue: All genres

Review: The most sought-after release from the entire Sounds catalogue, Gemini and Unit T's 1995 release, 'Sideburns', finally gets a much-needed reissue. A1 track, 'Trip', is a prime example of deep house if there ever was one. An infectious, encircling melody meets the deep groove of the bassline to create a finished product that is in equal measure sun-soaked and cosmic. 'B Trip', the A2 track, is a gloriously shifted, off-beat reimagining of A1, pummeling percussion reverberates across the track, left alone to enjoy moments where everything is stripped back, before the body of the track returns. On the B-side, 'Mystery Tones' arrives with the kind of groove that instantly makes its way across dancefloors - a unifying track that feels precise in its simplicity, whilst still retaining exactly the right degree of looseness to get a crowd moving. This is a must-have record for any deep house aficionados, and you can now save yourself the hefty Discogs price tag!

Review: San Francisco, Bay Area and Seattle-based label From 0-1 shows us that those regions are about more than hip hop, Dirtybird-house and grunge with this new various artists collection. Operator kicks off with the dubby techno rhythms of 'Enceladus Outpost' which has freaky synths squirming about in its midst. Sone's 'Accretion' is just as heavy and stripped back, with synths peeling off the bulky drums and A Thousand Details's 'Treyarch Sentient' bring some Detroit-style synth orchestrations. It's all out intergalactic industrial warfare on U SRD's 'Not Everything You See Is Real' to shut down with a bang.

Review: Undercurrent is an artist based in LA and a New Palm resident who shows his studio skills across a trio of new cuts here. 'Beliefs' is a loopy breakbeat roller with jittery rhythms that lock you into their loops and keep you there. 'No Data' is similar but more punchy, with real edge and drive in the breaks while fat bass stabs power things along from below. The same track then gets a remix from Charlie Edward that is more spaced out with searching synths and a more rubbery bassline. Last of all is a floating ambient cut that eventually has a jungle breakbeat rise up through the mix to take you into the next dimension.

Review: Welcome back to Planet Rhythm, the most groovy of all the astral bodies and one that deals only in seriously high-spec techno. Unknown Code is the one cooking up the goodness here and does so with a real focus on weighty low ends. 'Jede Dunkle Nacht' has just that as well as starry synths flashing across the face of the tune. 'Paranoid' is a darker cut with more grainy texture and scraping hits then 'Vision' thumps out a linear groove embellished with panel beaten loops and 'U-bahn' gets edgy with more strobe-lit synths. These are tools, but tools of the highest quality.

Review: UVB kicks off SHIV, a new label project here with a new EP that somewhat harks back to his earlier days with a soulful machine touch coming next to his direct and dynamic drums. 'Jesterize' is an electrifying cut with slamming drums and squeaky synth lines weaving their way in and out of the grooves. 'A Real Fiasco' offers up layers of mutant vocals and 90s hard techno drum work then 'Where Will You Spend Eternity?' takes a more trance tinged and progressive trip to the stars. 'Your Special Day' shuts down at high speed with bright, shiny loops and off-balance piano energy.

Review: MELMAK's new 12" is entitled All Stars: The Rave Years which gives you an idea of what to expect. These are high-tempo, dense and rave ready sounds from the drum & bass vanguard. There is plenty of space out cosmic energy to the exploratory leads of X Termal's 'Tragnal Kozze' then 'What If' (The Doulo Klan edit) is a tightly coiled stepper. Bugger lays down a hyper speed rhythm with drilling bass and slapping hits on 'No Silence Now' and Umbra's 'The Big Dumb' is a real slow-motion churner with textural synths and alien sound designs. All four are ready to get the party going in different ways.