Back catalogue: All genres

Review: Moblack is back with mo' great beats from its ongoing Sampler series. The eighth volume is another doozy that covers all shades of house Moon Rocket, Mattei & Omich open up with 'Find Your Way' (feat Bel-Ami). It's a dreamy sound with lush vocals and shimmering percussion and melodies. Spellband then offer up some soulful sound and soft, cuddly house drums while Cosmo & Kramer remix Mabiisi with a raw percussive edge over rubbery and rolling beats. Sobek closes out with some cosmic turbulence and percolating percussive funk on 'True Anomaly.'

Review: The star-studded Sai Galaxy project returns, bringing together West African legends Steve Monite and Rob with multi-instrumentalist Simon Durrington, guitar maestro Alfred Bannerman, and Egypt 80 trumpet player Bade, for a second EP of vital Afro-disco and soul. Following up 2020's 'Get It As You Move' EP, the likes of 'Sometimes It Rains', the homonymous 'Okere', the truth-to-power 'Rich Man, Poor Man', and the live and swinging coda 'Hold Me Tonight' paint a multifaceted picture of a trio, equally as concerned with groove delivery as they are with narrative storytelling. Most emblematic of Sai Galaxy's approach is their inspiration by analog production techniques of similar Afro-soul albums from the 1970s and 80s, adding a modern touch informed by Simon Durrington's Digital Afrika project.

Review: Nu Zau & Sepp return to Gettraum after previously featuring on the label's recent compilation, this time with more of their groovy tech house sounds. Sepp kicks off with 'Recognize That' which pairs acid-tinged synths with thumping drums and some nice analogue percussive clatter. On the flip, Nu Zau's 'I See You' is a balmy, breezy cut with dubby low ends, silvery tech drums and nice fractured vocals stretched throughout the mix next to happy melodies. The label head Traumer steps up to remix and flips this one into a deeper, more heads-down cut for the late-night hours.

Review: In the realm of electronic music, Silver Fox's Dread by Dawn emerges as a captivating time capsule from the golden age of jungle and hardcore. Originally released in 1993 and meticulously reissued in 2024, this rare gem has lost none of its potency. The album's four tracks exude a haunting and otherworldly atmosphere, characterized by ominous doom-infused soundscapes and unmistakable jungle and hardcore rhythms. Central to the album's allure is its masterful utilization of the iconic "amen break," a drum loop that has become synonymous with the genre. Silver Fox weaves this pulsating rhythm into a mesmerizing tapestry of dark and melodic samples, including ethereal voices and haunting sci-fi elements. The result is a deeply hypnotic and immersive listening experience that transports listeners back to the halcyon days of electronic music's boundary-pushing experiments.

Review: Mighty Swedish loop-techno and dub maestro Skudge takes care of one side of this new 12", while Dutch artist and Lazy Reflex Complex founder 543FF takes care of the flip. The first trio of tunes are all expertly reduced mixes of rolling and dubby drums, subtle synth motifs and generally dusty, li-fi aesthetics that are perfect for deployment in a basement or warehouse. The flipside is more heady and Millsian in approach with tightly woven layers of synth and drums all locking you into a state of deep meditation. The pulsating 'Zoning' is our favourite.

Review: Skygaze has some recent tunes remixed on this new Flumo Limited 12" and the results are nice and varied. The opener is from Allysha Joy who flips 'Night Heat' into a lively broken beat run through with warming and soulful synths and a sprinkling of percussion. 'Gimme Five' (Jailed Jamie & Lorenzo Soria remix) then ups the ante with a party-starting house vibe and fiery stabs. 'Wagwan' gets a fresh dose of broken beats from Divorce From New York that will have you flailing your limbs in all directions and Sofatalk & Footnote then keep things a little deeper with their jazzy and sun-kissed take on 'Minor Mood'. 'City Cathedratics' is the final cut and becomes a cosmic and heady, percussive and shimmering late-night sound thanks to the work of Karmasound remix.

Review: Alongside the wicked new 7" 'Dues And Don'ts / Fraud Fades', Amsterdam producer Soul Supreme simultaneously drops another 45 - of no less import - this time enlisting the fiduciary flows of American producer and emcee Thes One. 'Taking The Stand' includes both the original vocal number and the instrumental on the flip side, with Thes One musing on life's (in)justices, trials and negotiations as Supreme the wunderkind himself segues through wildcard turntable scratches, knocky drum hits and blue-note piano hits.

Review: There is a very loveable retro soul feel to this new package of trad house sounds from Steal Vybe & Lamone. It takes the form of a The Heatwave classic that has been all remade and flipped into a slightly more contemporary cut but one that will still make a big mark on the old school crew. The instrumental is a real gem but it's the soaring vocals and funky baselines of the original that are sure to get plenty of hammer under the sun this summer, especially the irresistible boogie mix. Drop this one and it is sure to get immediate and big reactions.

Review: If you love the sound of Get Physical and similarly anthemic German techno labels, you're going to love this release on new label Didschn. The label nods to a track Super Flu released back in 2010, which was remixed to great effect by Monkey Safari a couple of years back. Now Super Flu open proceedings on this new release in partnership with Ivan Mas on the epic, infectious 'It's A House Day'. Monkey Safari then hop on the B-side for 'Malmedy', which hits a sweet spot near the mid-00s melodic minimal you'd hear from the likes of Gabriel Ananda. Then Super Flu and Mar+Mer link up for 'AMA', a sensual, emotive hands-in-the-air moment to move the masses.

Review: "No-one knew the songs or what the plan was. We kept it loose and fun. This was the spirit of the sessions. No headphones, no playback, minimal overdubs, or bleed. Fast and loose," says Sam Evian of his latest record, the first to grace his new imprint, Thirty Tigers. If that's not enough to make you balk with jealously at not being invited, then the idea of Big Thief's Adrian Lenker and Sufjan Stevens, among others, debasing to Evian's house in the Catskills to examine a revamped studio, complete with vintage tape deck and console, then going wild swimming at midnight, just as snow fell, might seal the deal. The following day, work began on Plunge, a record with no real fixed direction or plan. In the end, it will - or, at least, it should - be remembered among Evian's finest offerings. A stunning collection of folk-leaning rock 'n' roll, Americana and jangly indie, you can almost smell upstate New York.

Review: Originally released in 1984 and celebrating its 40th anniversary this year, Initium would serve as the debut full-length from death-rock horror-punk outfit Samhain; the brainchild of Glenn Danzig (or Evil Elvis). Opting to disband Misfits in favour of redirecting his creative juices into a project he maintained more rigid control over, with the title even translating from Latin to English as "beginning", the LP marked a simultaneous embracing of more metallic, gothic rock and malevolent balladry, distancing itself from the Misfits' breakneck hardcore chaos. Arriving less than a full year after Earth A.D./Wolfs Blood, the transitional growing pains are evident with deep cut 'Archangel' being originally penned with Misfits bassist Jerry Only, while 'Horror Biz' is actually a re-worked version of the early Misfits single 'Horror Business'. Featuring Minor Threat guitarist Lyle Preslar on several tracks, along with Reagan Youth bassist Al Pike making a singular appearance, four decades on Initium continues to resonate as a vital piece of punk rock/deathrock/horror-punk history with its laying of influential foundations.

Review: Shabazz Palaces's Exotic Birds of Prey is a new seven-song mini-album that comes via Sub Pop and follows the huge success of Robed in Rareness back in October 2023. It is a rather enchaining listen that draws on many different rap eras and blends them into one new sound helmed by vocalist and producer Ismael Butler. Shabazz Palaces redefines hip-hop across decades here with the album blending the past, present, and future with warped sounds and fine collaborations from the likes of Stas THEE Boss and Japreme Magnetic who help to enrich this sonic journey. This special Loser Edition comes on creamy white vinyl.