Back catalogue: All genres

Review: Golden Lion Sounds is the label attached to the legendary pub in Todmorden that has hosted everyone from Andrew Weatherall and ALFOS to synth wizard Richard Norris. It is he who is behind this latest 7" alongside Rude Audio. 'This Song's For You' (feat Findlay Brown) is fusion of indie, cold wave and synth with dreamy vocals drifting over typically lush chords and silky drums from Norris. It's a perfect soundtrack to a lazy afternoon in the sun. On the flip, Rude Audio's 'The Grinning' has a more psychedelic sound with loopy synth arps spiraling up to the stars and back again in colourful fashion.

Review: Happenstance can be a fortuitous element. A union-funded single discovered in a dusty store, a long disbanded band found, leads to unreleased post punk dubs in a box of unreleased demos.

Formed during the mid-80s in the downbeat town of Walsall, their music is a blend of disparate influences from 50's crooners, blues and reggae to Killing Joke and The Bunnymen; Ron's Neighbours were out of step with the perfect pop of the C86 indie generation.

Their only single - "To The Fight" - a split 7" was supported by the Trade Union Resource Centre, while many gigs were benefits for striking miners, leading to a loyal local following.

Engineered by Ozzy Osbourne's brother Tony, tracks were recorded at an 8 track bedroom / home studio, while a terraced house served as rehearsal space. Here Ron Next Door was born. When a tape recorder was left running it captured the long-suffering neighbour for posterity. His outburst gave the band and song, its name.

Experimenting with drum machines, the resultant jam track, here in its "Alternative Mix", languished unheard until now. Ron's 'Black Country' tones lead to driving bass / percussion against crashing Stratocasters and repeating, refrained vox - a post punk dub turned symphony.

The B side, Sitting On Top of the World, is an indie anthem, becoming their theme, a blend of grandiose and banal that characterised their songs.

Review: The latest of Radiohead's reissues is an utter avalanche of material. 'Kid A Mnesia' itself is an 'album mashup' between their two albums Kid A and Amnesia; both projects are remastered and released side-by-side on the same LP. It doesn't stop there: for the fanatics, there's an exclusive third disc, Kid Amnesiae, which contains formerly unheard material both recording sessions, as well as Kid Amnesiette, a cassette of B-sides. This ultra-deluxe edition is, decidedly, one for the ultra-fans. Besides the radical electronic fever dreams making up both projects, this version contains the never-before-heard song 'If You Say The Word' on the bonus CD. Remastered on vinyl and cut at half the speed of the original LP, it's an audiophile's banquet. Also watch out for the exclusive booklet of drawings that come with the special edition of this special edition.

Review: Red Hot Chili Peppers have found some good form of late with a new album Unlimited Love earlier in the year now followed by a surprise second new album. Anthony Kiedis and co's Return of the Dream Canteen is a second Rick Rubin-produced album. The group said of the album "We went in search of ourselves. A beautiful bit of chemistry meddling that had befriended us hundreds of times along the way. Once we found that slipstream of sound and vision, we just kept mining." This one sounds like classic Chilis with plenty of funk and big riffs as well as great songwriting.

Review: The Town That Cursed Your Name is a welcome return from Glenn Donaldson aka The Reds, The Pink, The Purples. The LA-based artist says of the record that "I realised as I was piecing it together that it's a song cycle about trying to live while also feeling called to make music. The album addresses that duality ably with wry observation and a mix of the micro- and macroscopic realness Donaldson is so well-loved for. This record is heavier than the last with more fuzzy guitar textures and heavier lines throughout. From lo-fi to college rock, the influences here are varied and the songs are both beautiful and dazzling.

Review: Released in 1994 on the ever-incredible Creation Records, Ride's Carnival of Light was the band's third full length, and didn't so much mark a shift but a progression in the journey of the critically acclaimed outfit, who still retain the shoegaze and noise pop elements we all fell head over heels for, but look to draw on more traditional British sounds, too. The result is something that might be described as a laddish, plugged-in take on folk, at times at least. Sadly, this wasn't quite what critics said about it, and after successive slamming in the press the band began to look unfavourably at the release, too, with frontman and guitarist Andy Bell even going so far as to describe it as "carnival of shite". More recently, he managed to make peace with it, and revisiting the songs now reveals myriad classics waiting to be rediscovered and appreciated out of the context and weight of expectations they were born into at the time.

Review: Shoegaze legends Ride's reissuing roll reaches their first four EPs; the first here, simply titled 'Ride', was emblematic of the band's sound and, outside of that sphere, paved the way for an entire genre. After that, and before 'Nowhere', came the subsequent EP's 'Play', 'Fall' and 'Today Forever', which make up this sprawling blue vinyl boxset. Once again, you can now bask in the shimmering waves that lap at this jolly band's feet, and ours.

Review: Tarantula is one of those bittersweet moments in the history of UK rock & roll. On the one hand, it's a fantastic album that showcases the natural talent and innovative approach to song craft that Ride had first grabbed attention with. On the other, it marked the beginning of the end for the group, or more accurately, the first chapter following the end - finally getting a release after the outfit had called time and gone their separate ways. Still, in so far as swan songs go, there are plenty to celebrate here. Tarantula is a purist's rock & roll extravaganza at times, with its gritty riffs and forward momentum, tracks like 'Burnin'' perhaps best typify this, or those looking for a taste of the genre's 1960s origin story might look to 'Deep Inside My Pocket'. But then it's all much more complex than that, too, with the reflective indie balladry of 'Castle On The Hill', noise pop on 'Gonna Be Alright', and hypnotising layers on 'Ride The Wind'.

Review: Surprisingly, Arthur Russell's first posthumous collection of music, 1993's Another Thought, has never before been released on vinyl. With this gatefold double-album, Be With Records has finally set the record straight. It's well worth picking up, not least because the set, which was initially put together after raiding the legendary cellist-turned-producer's archive of unreleased recordings, is little less than superb. Full of hard-to-pigeonhole songs in Russell's unique style - effects-laden blends of cello, acoustic guitar, emotive vocals, twangy double bass and so on - Another Thought contains some of Russell's most refined and emotional recordings, including such classics as 'How We Walk on the Moon' and 'In The Light of a Miracle'.