Back catalogue: All genres

Review: Pigeon only debuted back in 2022 with their well recorded Yagana EP and it soon won the five-piece band plenty of fans. They now serve up something equally as fresh and that develops their sound further. It is still rooted in Afro-disco but with elements of rock, new wave, synth pop, no wave, jazz and electro. Synths and drum machines define the sounds but with plenty of DIY spirit, all of which has won them continued support from tastemakers as diverse and influential as Gilles Peterson, Elton John and Iggy Pop. These are cultured and authentic summer sounds perfect for days dancing in the rays.

Review: London retro soul specialists PREP almost feel lost in the 2020s. Everything from their sound, which is pretty unique in today's musical landscape, to release and merchandise artwork screams mid-late-20th Century modernism, owing as much to the crimson and purple-hued aesthetics of classic Miami iconography as anything more recent years have offered us. Meanwhile, aurally speaking, their output straddles lines between funk, soul, synth pop and yacht (those who know, will know), all of which have an ability to conjure strong images of easier, simpler times gone by. 'As It Was', a cover of the Harry Styles pop anthem, takes things into particularly seductive, slap bass and sax infused atmospheres, the air thick with intimate suggestion, which may or may not conjure thoughts of George Michael's 'Careless Whisper' letting loose at a boat party.

Review: Panda Bear aka. Noah Lennox is best known for his formative membership of experimental pop surrealist troupe, Animal Collective. But the Panda Bear alias itself is nowadays of almost equal stature, similarly blending psychedelia, folk, electronic and ambient influences for further, less-restrained takes on the sound. Here on 'Reset In Dub', Lennox reunites with Peter Kember - a former member of the influential space rock band Spacemen 3 - and legendary dub producer Adrian Sherwood. In dubwise style, Sherwood comes through to remix all nine tracks on Lennox and Kember's prior collaborative LP Reset, amounting to a multi-layered, adventurous retake.

Review: God bless XL Recordings. The UK label has been at the forefront of boundary pushing music since its inception, and almost 35 years remains a seal of quality. A constant source of inspiring surprises and new sonic experiences. The kind of organisation that will take a punt on British polymath Jai Paul's demo album, which, by all accounts, is pretty hard to describe, let alone define. More so, the type of team that would, eight years earlier, support and release one of the artist's earliest songs, 'BTSTU'. Coming full circle, that tune closes this collection of stuff produced around the same time, all of which was going to form the debut album, Bait Ones. One low-quality CD-R of the work stolen and then leaked online later, and the artist stepped away from music until the end of the last decade, when this "perfectly imperfect" LP was finally allowed to see the light of day. A lo fi, glitchy, trippy, granular, sexy sound that owes as much to hip hop, pop and r&b as experimental noise, ambient dub, and electronic soul.