Back catalogue: All genres

Review: New Digital Fidelity has been making sweet moves recently with a debut on the lauded Moods & Grovers label out of Detroit followed up by a single on his own Scopic Records. Now he brings his class to Crush On The Beachside and again shows off his love of Detroit house vibes. Opener 'Crush On The Beachside' is raw and intense with humid chords and jacked-up drums, then 'Shattered' brings more loose and jumbled beatdown grooves and 'Crush On The Beachside' (K15 remix) is then bubbly, jazzy and cuddly. 'Cracking' rounds out with more rich chord work and bristling drum funk.

Review: One of the most GOATed of GOATs, Nookie requires absolutely no introduction. And his fist album in over 15 years is an absolutely massive deal this year. Especially when it's on Metalheadz. And especially when it runs the whole Nookie gamut from house to jungle and features the supreme tones of songwriter du jour Ruth Royall. Here are just four examples as Headz gives us a little tease under the vinyl spotlight. The gutsy soul of 'Part Of Me', the timeless Chicago-style vibes of 'In Love' and the beguiling futurism of 'Over & Over', long may Nookie continue to reign.

Review: Jalen Ngonda shares two 7"-incarnated selections from his debut album Come Around and Love Me. Anyone who has had the pleasure of seeing Jalen perform live knows that he is one of the most captivating performers on today's soul scene. His voice, equal parts raw feeling and elegance, exudes confidence and charm - disarming packed rooms of rowdy concert-goers, leaving them silent as they hold fast to every syllable sung. For his studio project, however, Ngonda and his team at Hive Mind Studios in Brooklyn developed skulful blends, heavy arrangements and introspective lyrics with a Motown sophistication, leaving the listener in a blissful wash of wonderment. Ngonda creates a classic approach that is rooted in the sounds of revered pioneers, without falling into imitation; most symptomatic of this is the beautiful cinematic soul echoer 'What Is Left To Do', a song sure to dazzle for years to come.

Review: Named in honour of an experimental silent movie of the early 1920s, Polish duo Nanook of the North are a unique proposition: a collaboration between composer/violionist Stefan Wesolowski and electronic musician/guitarist Piotr Kalinski that defies easy categorization. Heide, the pair's second album, was recorded pretty much in the middle of nowhere, and its' musical blend of effects-laden ambient electronics, simmering strings and acoustic guitar motifs was reportedly inspired by "wildness and untamedness". It's a genuinely brilliant, ultra-atmospheric affair that uses repetition magnificently (a nod, we'd argue, to American minimalism) and benefits from guest contributions from mezzo-soprano Margarita Slepakova.

Review: Iranian DJ/producer Ramtin Niazi (1000PA, Ben & Jerry, KAHKLI Cru) inaugurates new imprint Needlessness with some sleek and ravey tech funk on his new offering titled 'Reaction'. It comes with two remixes: London's Voigtmann (of Toi Toi fame) injects more groove into proceedings with his minimalist take, while Tbilisi-based Giorgi Koberidze aka Cobert (Casa Voyager/Partisan) equally impresses with his swing-fuelled electro beat re-rub, over on the flip.