Back catalogue: All genres

Review: Mansun's The Dead Flowers Reject, originally conceived as an insurance policy against label rejection of their experimental album Six, emerges as a hidden gem in the band's discography. Recorded concurrently with Six, this album offers a slightly less eccentric selection of songs, showcasing a more conventional sequencing approach. Frontman Paul Draper describes it as possibly his favorite Mansun album, capturing the band's live essence. Fans will relish the opportunity to experience this essential piece of Mansun's legacy in its full glory. Mansun's influence on the late 90s British music scene is undeniable, and The Dead Flowers Reject adds another layer to their iconic status. With its newfound availability on vinyl, this album solidifies its place as a crucial component of Mansun's innovative journey.

Review: The Melvins, known for their unapologetically experimental and abrasive sound, continue their legacy of sonic exploration with Tarantula Heart, set for release via Ipecac Recordings. The album, featuring a five-track lineup, including the sprawling 19-minute opener 'Pain Equals Funny, which displays the band's penchant for pushing the boundaries of conventional music. One of the album's defining features is the incorporation of dual drum parts, with longtime Melvins drummer Dale Crover teaming up with Roy for an impressive display of rhythmic complexity. This collaboration adds a new dimension to the Melvins' sound, further solidifying their reputation as pioneers of unconventional music. Recorded, mixed, and co-produced by Toshi Kasai, a longtime collaborator of the band, Tarantula Heart adds to the album's eclectic sonic palette. While The Melvins may never achieve mainstream success due to their avant-garde approach, this album stands by their unwavering commitment to artistic integrity and innovation, making it a must-listen for fans of boundary-pushing music everywhere.