Back catalogue: All genres

Review: Some four months after he lost his battle with cancer, BBE is releasing Paul 'Trouble' Anderson's final production - a fittingly joyous, upbeat and life-affirming cover of gospel standard "Happy Day" featuring the impassioned vocals of soul singer John Redmond. On the A-side of this 12" edition you'll find the "Classic Main Mix", a bouncy and rubbery fusion of soaring gospel vocals, bumping house beats, mazy organ solos, rubbery disco bass and clipped guitar riffs. It's superb all told, and a fitting final hurrah from one of the UK's most significant DJs of the past 40 years. Over on the flip you'll find the slightly more stripped-back "Classic Dub", where impassioned vocal snippets ride Anderson's killer groove, bouncy pianos and spacey synths.

Review: Here's an intriguing remix choice by Pepe Bradock, Coda Deep and Ame: 'Big Booty Express' channels hot-footed twerkage into scratchy yet weighty house beats, over the course of four exclusive mixes on 12". The original beat, which also appears here, was a solid and rather crude piece of space-age lo-fi, filled with Dilla-ey noise wreckage. It was the only Dilla beat to ever come about as a tribute to Detroit techno. And for that, the three remixes lend completely new ideas to the original, tooting and farting into a nice n' raw ether.

Review: Josh Milan and Louie Vega are real heavyweights and as Soul Fusion they step up here to remix the legendary 'Little Orphan Boy' which is the second single taken from album 'This Is Brian Jackson', the veteran artist's first true solo LP in over 20 years. They do so across four different versions and give it a vintage treatment. The extended 'Two Soul Fusion' mix brings back golden era of Masters at Work with a Latin-infused percussion groove while the 'Downtempo' remix lets Brian Jackson's vocals ride over a stripped back but just as soulful arrangement.

Review: This new Brian Jackson package 'Miami Wata' brings together traditional African sounds and modern Latin house music in a captivating fashion. Jackson's rendition of a traditional African song draws on the sacred lands of the Dogan in Mali and the rich rhythms of Ghana, paying tribute to all the different African cultures that have made for such a diverse tapestry of world music. The original comes with serval remixes, dubs and cosmic reworks from the one and only Body & Soul man Joe Claussell who takes it into all new but equally spiritual realms. It makes for an epic double 12" from BBE.

Review: Next up for BBE is a package of remixes that invites several key artists to add their own spin to Jazzanova's superb reimagining of Sam Sanders's iconic 'Face at my Window'. Kyoto Jazz Massive are first to tackle the single which first appeared on 'Strata Records - The Sound of Detroit - Reimagined by Jazzanova' and bring some intimate jazz clubs vibes. After a Yoshi edit and version with vocalists Sean Haefli, musclecars bring a touch of New York and Chicago house classicism to their version. Both remixers bring new perspective to this timeless classic.

Review: Jazzanova remains one of the most musically astute and adventurous acts in the electric scene. Their sounds never seem to age and fuse everything from jazz to funk to soul. That makes them perfect for remixing by more dance floor-orientated producers and that is what we get here. Alongside an original tune 'Creative Musicians' Detroit talent Waajeed brings his warm machine soul and deep grooves, Henrick Schwarz's signature melodic majesty and serene sounds are on display and further dubs and instrumentals are also included. This one really packs a punch for fans of broken beat.

Review: Dilla's "The Shining" serves as a testament to the fact that legends never die. On February 10th, 2006, the world of hip hop lost J Dilla aka Jay Dee. James "J Dilla" Yancey leaves behind an impression on hip hop that will last the test of time. A bridge between hip hop's underground and mainstream, Dilla's contributions ranged from single handedly defining Detroit hip hop as a founding member of Slum Village to providing his production talents to Common, D'Angelo, Busta Rhymes, Erykah Badu, A Tribe Called Quest, The Pharcyde, The Roots, Janet Jackson and Macy Gray. "The Shining" marked the reunion of J Dilla & BBE, who had released "Welcome 2 Detroit", J Dilla's debut album. "The Shining" serves as showcase of J Dilla's talents which features him not only as a producer, but also as a rapper, singer and musician. Featured guests on this album include Busta Rhymes, Common, Pharoahe Monch, D'Angelo, Madlib, Black Thought, Medaphor aka MED, and Guilty Simpson.

Review: Swiss label Delta Production originally released J&F Quintet's Contrast album back in 1976. It has since become a highly collectible and rare Swiss jazz gem with mint copies going for upwards of L350. For the recording sessions, founding band members Stefan Schneller, Donat Beer and Toni Scha?dler were joined by drummers Gieri Bievi and Peter 'Huck' Hug and bassist Andri A Piorta. Their take on jazz fuses Swiss-Romansh traditions to cook up something in a sound world of its own. Sadly this was the only album the group ever recorded before going off to work on solo projects.

Review: Most people will recognize Brian Jackson as the most important collaborator with Gil Scott-Heron - between them the pair laid down a mesmerising new kind of soul which resonates in its influence and brilliance to this day. Jackson went on to work with scores of legends of Black American music, but this new album is something altogether his own. Working with Daniel Colias from Phenomenal Handclap Band, Jackson revived a long-dormant solo project from the 70s and brought it to fruition in a set of ascendant soul cuts which speak to Jackson's mighty legacy while offering something wholly contemporary. 'All Talk' bursts with jazz funk and boogie flourishes, while 'Path to Macondo / Those Kind of Blues' takes a more introspective trip into Jackson's illustrious musicality. Forget reissue culture for a minute - here's a bonafide legend still doing it in the here and now.

Review: Jasper The Vinyl Junkie is back on BBE just 20 years after his last compilation as part of the label's 25th-anniversary celebrations. Vinyl Junkie Thangs is another first-class, full flavour collection of good-time jams, cool grooves and plenty in between. Most fo the tunes here are funk-filled, jazzy cuts and edits that you will have a hard time finding anywhere else, especially for affordable prices. Some of the tunes such as those from Mr Scruff and OPOLOP have never before been on wax, while firm favs like Fred Wesley, The Fatback Band and DTrain's Hubert Eaves cannot fiat to win you over.

Review: There are an awful lot of great records in the J Dilla's catalogue, but few can match the consistent quality and coherent construction of Welcome 2 Detroit, his 2001 breakthrough album. Designed as a love letter to his home city with a sample palette and blend of styles to match, it saw the late producer and a string of then largely unknown local MCs showcase their vocal talents over some of his best ever beats. This lusciously expansive 20th anniversary box set does a brilliant job in expanding on the original album, with the 12 included "45s" pairing vocal mixes with instrumentals, unreleased cuts and occasional remixes. The included hardback book is brilliant, too, and packed with first-hand accounts of the creation of a now iconic LP.

Review: Strata Records is one of the most important notches in Detroit's jazz heritage. From Lyman Woodard Organization's Saturday Night Special to Malauwi's self-titled LP, their short catalogue was nonetheless vital. BBE have revisited the label with reissues in the past, and now they've invited nu jazz scene leaders Jazzanova to re-imagine some of the cuts from the Strata archives in their own fusion style. From Woodard classics like 'Joy Road', 'Creative Musicians' and 'Saturday Night Special' to Malauwi's 'Root in 7/4 Plus', these are seminal works approached with care and flair by a band who have undoubtedly proved themselves worthy over the years.

Review: Rubbing shoulders with DJ Amir and 180 Proof Records, BBE Music present this celebratory compilation, fawning over the Strata Records' best and brightest releasees. 'Strata Records - The Sound of Detroit - Reimagined by Jazzanova' hears DJ Amir and Jazzanova shed the work of a Detroit jazz great into something much newer and fresher, through incredible nu-jazz retakes on classic Motor City standards from the likes of Lyman Woodard and Malauwi.

Review: ***B-STOCK: Creasing to corner of outer sleeve but otherwise in excellent condition***


Strata Records is one of the most important notches in Detroit's jazz heritage. From Lyman Woodard Organization's Saturday Night Special to Malauwi's self-titled LP, their short catalogue was nonetheless vital. BBE have revisited the label with reissues in the past, and now they've invited nu jazz scene leaders Jazzanova to re-imagine some of the cuts from the Strata archives in their own fusion style. From Woodard classics like 'Joy Road', 'Creative Musicians' and 'Saturday Night Special' to Malauwi's 'Root in 7/4 Plus', these are seminal works approached with care and flair by a band who have undoubtedly proved themselves worthy over the years.

Review: Enja Records was founded in Munich in the early 70s by jazz devotees Matthias Winckelmann and Horst Weber. Given a co-sign by the always on-point BBE and IF Music founder Jean-Claude, the label is now enjoying a retrospective compilation which seeks to celebrate the best of their golden years. Featuring performances by John Stubblefield, Bobby Hutcherson, Harold Land, Don Cherry, Cecil McBee and Pharoah Sanders collaborator Marvin Hannibal Peterson to name but a few, this collection provides a great jumping-off point for Enja's rich and diverse back catalogue. It may only be an introduction to a vast pool of music, but it's curated with authority by a dedicated head, so you know you're getting a shortcut to the best the label has to offer.

Review: IF Music's name is legendary amongst those in the know and now Jean Claude celebrates that with another superb compilation on BBE. Across this beautiful gatefold vinyl release, there are nine next level jazz tunes from the likes of Emanative & Liz Elensky, Sylvain Kassap, Greetje Bijma Kwintet and Atilla Engin Group. This is the ninth release in the 'You Need This' series and the music on it ranges from 1980 to the present day. It all adds up to a wonderfully coherent release that takes you through four decades of stylish jazz.