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Cat: 505419 7893995. Rel: 29 Feb 24
Indie/Alternative
Review: For indie heads of a certain vintage, this album - a first full-length collaboration between Oasis lead singer Liam Gallagher and former Stone Roses guitar-slinger John Squire - is one of the most hotly anticipated of the year. It was recorded in Los Angeles over a three-week period last year, with former Foo Fighters and Gorillaz studio don Greg Kurstin handling production. As you'd expect, the album is undeniably nostalgic, with Squire's variously funky, raw and bluesy guitar licks and Beatles-esque backing tracks providing a fitting vehicle for Gallagher's distinctive lead vocals. For proof, check recent singles 'From Mars To Liverpool' - where Squires' solos towards the end seemingly soar above reverb-laden backing vocals that accurately pay tribute to the Fab Four - and the more psychedelic Roses-meets-Oasis flex of 'Just Another Rainbow'. There are no surprises, but fans will love it.
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Cat: NBLM 002CD. Rel: 08 Jun 23
Indie/Alternative
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Review: Four years after hitting the headlines with her debut album as the Japanese House, Good At Falling, Amber Bain returns with a much-anticipated sequel. Musically, it's a confident affair, with Bain further developing her now trademark sound, which sits somewhere between folksy breeziness, melancholic synth-pop, positive-sounding indie-pop, and deep, alluring dance-pop of the sort that would impress those who love deep house and tech-house. Bain's vocals, delivering lyrics far more thoughtful and at times heart-breaking than those showcased early in the year, are particularly impactful. The result is a highly entertaining and listenable album that's sure to push its creator a little further towards superstar status.
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Cat: PELCD 230. Rel: 17 Jul 23
Indie/Alternative
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Review: 40 years after the band's formation, The Jesus & Mary Chain have delivered their eighth studio album, their first full length release of new material for seven years. Admirably, the Reid brothers have refused to rest on their laurels and offer-up something undeniably nostalgic - catnip for long term fans if you will - but instead have fused elements of their familiar sound and style with plenty of fresh ideas. There are audible nods to Suicide, Kraftwerk and the improvisational practices of jazz, but also tons of fuzz, feedback and aural chaos. It's an invigorating mixture that's best exemplified by 'Jamcod', where the pair's red-raw guitars, low-slung bass and acid-fried vocals rise above a skittish electro beat, the slipped shoegaze-goes-dreampop flex of 'Chemical Animal', and the pleasingly spiky and punchy 'Girl 71'.
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Cat: GOSS 069. Rel: 25 May 23
Indie/Alternative
Review: A month before he passed away in December 2002, Joe Strummer delivered what turned out to be his final performance - a benefit gig for striking firefighters at Acton Town Hall, where he was backed by his then band the Mescaleros. This must-have CD presents that performance in its entirety, including the infamous ending - where Strummer's former Clash bandmate Mick Jones emerged from the audience to join him on stage for performances of 'Bank Robber', 'White Riot' and 'London's Burning' (it was the first time the two had performed together since 1983). Recorded for a radio broadcast, the gig was undoubtedly special, with Strummer and his bandmates powering through classics including 'Police & Thieves', '(White Man) In Hammersmith Palais' and 'I Fought The Law'.
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Cat: 405053 8946536. Rel: 19 Oct 23
Indie/Alternative
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Cat: TWI 022CD. Rel: 07 Jun 23
Indie/Alternative
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