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Singles
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Review: Label boss Ben Jones steps up to curate the third outing on Before. It finds him working with Benjamin Joseph on opener 'Soothe', a stripped-back and warm house roller with crisp hits. Robert James then remixes with a more broken vibe and old-school baselines. On the flip, James then steps up with 'Dmode' with its a punchy cut with drilling bass and tripped-out effects. Ben Jones & Benjamin Joseph then return the remix favour with their own take on 'Dmode'. It's darker and more heads down, with silky synths and plenty of late-night intrigue keeping you locked.
… Read more in stock $9.32
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Review: The renowned Jamaican reggae singer Winston Reedy is someone who has had several solo number-one hits that have made him widely known in the reggae world. He was also the lead singer for top reggae band The Cimarons with whom he saw much more success. He leads this new 45rpm with the super laid back and vibey 'Pirate' and it is paired with a 'Steady Rock' dub by The Inn House Crew, then backed with Jamaican-born, London-based artist, songwriter and producer Barry Issacs and a Germany-based Jamaican in Juliaiasiah whose 'Secret' is a sun-kissed delight.
… Read moreGespielt von: Juno Recommends Reggae
in stock $9.32
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Review: Colemine Records very much transports us back to another time with this latest lovely offering. It is a deep dive into the work of sophisticated lounge-pop as might be played during dinner at a trendy society ball back in the 60s. It comes from Durand Jones and The Indications and one track off they third album Too Many Tears. It's is one of heartbreak and is lit up by the gorgeous falsetto of Aaron Frazrs on the A-side, who tells s tale of betrayal. On the flip is a sweet soul sound soaked up by new school fans with an alternative indie an experimental sound from Y La Bomba led by singer-songwriter and guitarist Luz Elena Mendoza.
… Read more in stock $9.32
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Review: The A-side of this new 45 from Colemine can be described as sophisticated lounge-pop for dinnertime at a hip debutante ball in 1962. Featuring a track off of Durand Jones & The Indications' third LP, 'Too Many Tears' depicts a story of heartbreak, with Aaron Frazer's silky falsetto mournfully painting a scene of betrayal. The B-side has gone on to become a theme tune for a whole new generation of sweet soul lovers: featuring Y La Bomba, a Latin indie alternative/experimental band led by singer-songwriter and guitarist Luz Elena Mendoza, the track is an homage to lowriders across the globe. A heater of a 45. Let's cruise....
… Read more in stock $9.32
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Review: Martin James Ziggy Norman Riley deiced that he would be known as Jimmy Riley when in recording more. The Jamaican singer worked solo but also as part of the Sensations. Here he worked with producer Freddie McGregor on a contemporary lovers rock jam that was originally released back in 1993. 'Badda Than Them' has great patois vocals over fresh production that has clean digital synths over clipped beats and plenty of swaggering and original dub style bass weight. On the flip you get two different versions that tweak and tease out different elements from the original.
… Read more in stock $9.86
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Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***
Berlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.
… Read moreBerlin's Cocktail d'Amore and Tokyo's Ene Records have come together once again to present the music of Solidair. The duo of Cocktail alumni Luigi Di Venere and Jules Etienne present three tracks aimed to induce a dance floor hypnosis. Orgonite (Riding the Waves) does just that, a slow build awash in the ebb and flow of acid tinges, just enough to wet your whistle on a Saturday night. The original mix keeps the skeletal support but throws in a life preserver of 8 bit gaming synthesis. Frisky arps call and respond to each other before making way for sinewy pads to lift off. Tiger's Eye sets itself onto cruising speed incorporating elements of late 90's acid techno with the sleek and smooth clubbing aesthetics of modern day Berlin.
in stock $8.29
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Review: Durand Jones & The Indications' third LP, Too Many Tears keeps on offering up superb singles and after the latest back in November, we now get this new one 'Ride or Die.' This band is a regular on the Colemine label and they do it all from slow motion seductiveness to blue eyed soul and sophisticated lounge pop. This time we get lovely harmonies and breezy soul on 'Ride Or Die' with its lead falsetto set to melt anyone's heart. The flip, things take a tender turn with more vulnerable vocals and gently rhythms that come alive with serene strings, gentle tambourines and neat basslines.
… Read moreGespielt von: Craig Charles Funk And Soul
in stock $9.32
Alben
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Review: Second time around for Jean-Michel Jarre's 2022 album Oxymore, a loving tribute to French composer and 'music concrete' pioneer Pierre Henry. As the title suggests, this version features new remixes of album tracks (all of which feature sounds originally created by Henry) by a disparate group of musical talents. That makes for an interesting mix of interpretations, with armin Van Buuren's sizable trance translation of 'Epica' rubbing shoulders with a trippy, off-kilter electro take on 'Sex In The Machine' by Nina Kraviz, a moody Martin Gore interpretation of 'Brutalism', Irene Dresel's raw techno revision of 'Zeitgeist Botanica', and ambient pioneer Brian Eno putting his spin on 'Epica'.
… Read morein stock $8.95
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Review: Four years after hitting the headlines with her debut album as the Japanese House, Good At Falling, Amber Bain returns with a much-anticipated sequel. Musically, it's a confident affair, with Bain further developing her now trademark sound, which sits somewhere between folksy breeziness, melancholic synth-pop, positive-sounding indie-pop, and deep, alluring dance-pop of the sort that would impress those who love deep house and tech-house. Bain's vocals, delivering lyrics far more thoughtful and at times heart-breaking than those showcased early in the year, are particularly impactful. The result is a highly entertaining and listenable album that's sure to push its creator a little further towards superstar status.
… Read morein stock $9.81
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Review: .Three years on from the release of his hugely successful third album, Big Conspiracy, J Hus continues to make all the right moves. Now a genuine superstar of British music, the London MC has aimed even higher on Beautiful & Brutal Yard, enlisting the vocal talents of none other than Drake on 'Who Told You' (a Latin-tinged chunk of r&b slinkiness), as well as an impressive array of fellow MCs and beat-makers across an album that consciously pulls grime in a variety of accessible, radio-friendly directions. Lyrically, there are naturally some hard-hitting moments, but for every reflection on inner-city life and wider social issues there's a dose of loved-up sweetness and weary reflections on relationships. As a result, it's an impressively balanced and impeccably produced collection.
… Read morein stock $9.30
