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Review: If the greatest bands evolve over the course of their career, IDLES are clearly on the right track. While the Bristol-band rose to prominence via a raw, noisy and aggressive sound that sat somewhere between post-punk and alt-rock, Tangk - their fifth album and first for three years - represents a genuine (and deliberate) tearing up of their previous trademark sound. Inspired specifically by a desire to "make people dance and make people feel", it feels like a successful attempt to move into the punk-funk/rock-rave territory previously defined by LCD Soundsystem. It's fitting then that James Murphy and company feature on standout (and recent single) 'Dancer'. The nods to the glory years of DFA Records continue throughout, with further highlights including the moody, low-slung brilliance of 'Grace' and the righteous heaviness of 'Gift Horse'.
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Review: Released back in 20916, Thanya Iyer's debut album Do You Dream was a gleefully hard-to-pigeonhole affair, with the artist's sweet and evocative vocals rising above a surprisingly eclectic, and at points experimental, musical palette. Kind, her belated follow-up, distils this formula further, with the Montreal singer-songwriter variously combining her evocative vocals with elements of lo-fi jazz, experimental pop, sample-based electronica, pastoral folk, stirring harps and strings, intense jazz-rock noise, ghostly ambient and dusty, slack-tuned trip-hop. That it hangs together wonderfully and entertains throughout, despite its disparate musical directions, is testament to Iyer's growing skill as a performer and producer.
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