Back catalogue: All genres

Review: Wah Wah welcome the return of multi-talented Norwegian producer Espen Horne, following a 24 year hiatus. Sometimes, such resurfacings must happen - even after such long periods of time - if only to reaffirm the round-robin integrity of the label. The Anatomy Of Serene Eloquence is thus the logical, LP-form follow-up to 1999's acid jazz single/EP 'Magnetica', which, though released only to furtive acclaim, launched the label's reputation as a pusher of delights. This new one, however, makes for a remarkably different turn in sound, coming as a full-length of ambient, tremolo-ing and glistening jazz-funk verging on hip-hop (though certainly cut from the same cloth as 'Magnetica'). Vocalists and instrumentalists such as Olav Wollo, Faye Houston and Aich are kept firmly in tow, squeezing the icing onto an already spongy, delicious sonic gateau.

Review: When Keyon Harrold lists the influences that he turned to during the creation of his rich and evocative new album Foreverland, he cites the likes of Radiohead, Fleet Foxes, Fela Kuti, John Coltrane, and, for a second, he becomes vulnerable; the list is too basic, too serious-music-listener-starter-pack. But, out of that moment of insecurity, he spins an indelible flex: "You are what you eat, and I have a pretty strict diet in dope shit. Taking in Keyon Harrold's career to-date, it's clear that the 'world-class trumpeter' (Essence) and composer is very serious about that diet. He's a jazz musician but in the most expansive sense, working with a list of dream collaborators: generational legends Keith Richards and Diana Ross; rap stars like Mac Miller and Nas; neo-soul icons Erykah Badu and D'Angelo; and modern soul stars Black Pumas and Leon Bridges. His circle of regular collaborators is formidable and includes his music industry mentor Common (who hired him for his first touring gig), his New School classmate Robert Glasper, and GRAMMY winners Maxwell, PJ Morton, Gregory Porter, and YEBBA. Even apart from its compositional intricacies and stylistic innovations, Foreverland is a triumph of resilience and empowerment. "What will be said when you're gone?", says Keyon. "If you're not living life - getting beat up, getting your heart broken, winning, losing - what are you doing? What about your life can people learn from? If you don't put yourself in the ring sometimes, there won't be anything." On Foreverland, Keyon takes life's challenges head-on - and emerges, in both music and in life, with a renewed sense of purpose.

Review: Japan's Dub Store label has put together this superb reproduction of the highly sought-after 1969 reggae album The Sensational Derrick Harriott Sings Jamaica Reggae. Arriving on CD with an obi-strip, the popular record comes with ten now proven to be timeless tracks that feature plenty of the most renowned Jamaican session musicians. These include the likes of Val Bennett, Winston Wright, and Gladstone Anderson, who all put in fine performances and traverse plenty of heavy rolling reggae sounds, horn-led ska cuts and plenty in between in organic and enthralling fashion.