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Cat: 599686 Rel: 26 Sep 16
 
Single voice patchable synthesiser
Notes: The 0-COAST is a single voice patchable synthesizer. Its name reflects the fact that it utilizes techniques from both the Moog and Buchla paradigms (aka "East Coast," and "West Coast," due to their locations), but is loyal to neither and thus implements "no coast synthesis."

While the 0-COAST utilizes classic modular synthesis techniques, it's designed to operate with or without the use of patch cables. The necessary connections have been made from circuit to circuit so it operates as an expressive, musical MonoSynth. Using only the MIDI controller of your choice you could apply new timbres to your existing musical forms!

Using the included Patch Cables you could get more scientific, experimenting with new ways to wire up the circuits. You might even forgo MIDI altogether, disappearing into a cloud of analog FM induced Sidebands and harmonics scattered around a single fundamental drone that has nothing to do with any form of music you've ever known.
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 More than 10 in stock $461.28
Cat: 522643 Rel: 17 Apr 14
 
Performance rhythm machine combining the legendary sounds of the TR-808 and TR-909 with added modern features
Notes: The TR-8 is a performance rhythm machine that melds the legendary sound and vibe of the TR-808 and TR-909 with features and functions for the modern age.

Genre-defining sounds and classic effects. Unprecedented live pattern manipulation. Solid, intuitive performance controls.

It's the TR...

...Evolved.

With the TR-8, Roland have obsessively analysed and faithfully re-created every detail and nuance of the analogue circuitry of these legendary rhythm machines. The boom and snap of the 808. The thud of the 909. The robotic click of an 808 rim shot or a classic 909 snare roll. It's all here.

Not content with mere recreations however, Roland have enhanced these classic instruments with capabilities far beyond the original units.

Tune and Decay knobs are now present on every instrument and the Bass and Snare drum modules have dedicated "Attack" and "Comp" knobs allowing for a great variety of tones - from subtle ambient percussion to pounding dance grooves. Per-step effects and the massively addictive "Scatter" function take things into entirely new territory.

With the authentic tone and character of the original units and with new sound tweaking capabilities inspired by legions of users, the TR-8 breathes new life into the sounds we all know and love.

Make no mistake - the TR-8 is an instrument, carefully designed from the ground-up, to be played. Every control has a solid, predictable feel with each drum instrument having robust, "playable" faders. Numerous lighted knobs and RGB-lit buttons give realtime performance feedback and a striking appearance on stage.

Pattern creation is creative and intuitive using an evolved version of the TR-REC method which originated in the TR-808 and eventually became the standard for electronic rhythm programming. Based on detailed analysis of the original TR-808, the TR-REC behaviour has been faithfully modelled in the TR-8. But the TR-8 goes well beyond the original, allowing you to seamlessly switch between programming and performance modes and to introduce lots of groovy rhythmic variations - from subtle snare fills to total glitch meltdowns.

Scatter is a unique performance function that gives you detailed realtime control over variations in your patterns and any incoming external input signal.

Scatter can reverse, glitch, gate, truncate, stutter and perform all manner of rhythmic variations - from subtle to extreme - and all in perfect sync.

Pick from 10 different types of Scatter and smoothly adjust the intensity or "Scatter Depth" with the large comfortable dial.

Seamlessly switch between Scatter patterns and quickly turn Scatter on and off for cool variations when and where you want them.

You can connect the TR-8 to your computer via its USB jack to send and receive Audio and MIDI data. The TR-8 can receive MIDI clock information to sync with external devices including other AIRA series units. The TR-8 is designed to work seamlessly and look great with other products in the AIRA series.
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 1 in stock $314.90
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quote 522643
Cat: 467331 Rel: 05 Sep 12
 
Synthesiser + Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack
Notes: *** Synthesizer comes with a free copy of The Waldorf Edition software, including D Pole Filter Module, PPG Wave 2.V & Attack ***

Waldorf are back in the game. With the Blofeld. this synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their Pulse, Q, Q+, Micro Q, Microwave, Microwave II/XT, or even the flagship Wave.

Yes, you've heard it right. The Blofeld is not only capable of producing these warm, organic analog sounds known from the Q synthesizer line, it also sports a wavetable engine like its predecessors with Wave in their names.

This unique synthesis system is based upon the revolutionary PPG Wave synthesizers of the early 80s. So when you listen to the Blofeld for the first time, you will instantly recognize those edgy, hard-hitting and bell-like timbres that have been an integral part of so many world hits from the PPG era on, and become increasingly popular once more.

In fact it is amazing to realize that nowadays this complex technology fits into such a slim and elegant device. And for a price no-one would have imagined a couple of years ago.
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 2 in stock $358.07
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quote 467331
Cat: 480940 Rel: 21 May 13
 
Classic Korg MS20 recreated in miniature size
Notes: Korg's MS-20 monophonic synthesizer, first introduced in 1978, is still a coveted instrument to this day, thanks to its thick, robust sound, its powerful, iconic analog filter, and its versatile patching options. Over 300,000 people have enjoyed the distinct MS-20 sounds from the original, from Korg's MS-20 plugin synth, or the iMS-20 iPad app.

Today, the sounds of the MS-20 have been reborn in hardware, as the MS-20 Mini. The same engineers who developed the original MS-20 have perfectly reproduced its circuitry and fit into a body that's been shrunk to 86% of the original size, yet retains the distinctive look of the original.

The MS-20 mini will amaze you with its absolutely authentic analog synth sound.

The Korg MS-20 Mini features 2 improved lower noise voltage controlled oscillators with selectable waveforms including ring modulation and noise, 2 voltage controlled high and low pass filters, 2 voltage controlled amplifiers, 2 envelope generators and an LFO. Part of the appeal of the original was its self oscillating, resonant filters that could be driven into distortion. They remain popular to this day and can also be found in the recent monotron and monotribe units as well as on the new MS-20 Mini.

Part of the versatility of the original Korg MS-20 was its flexible patching system, making it semi modular, and this has been recreated for the MS-20 Mini. It allows users to create uniquely complex, evolving, organic sounds by using patch cables to access and change the internal synth architecture, with the front panel flow chart guiding easy operation straight out of the box. Users can even patch external sources via the external signal processor to be processed in the same way as an oscillator, as well as benefitting from the rich harmonics added by the circuitry and filters.

This reissue of a modern classic will be an extremely welcome addition to Korg's current synth line and, with fantastic sound, versatility and ease of use, the MS-20 Mini is sure to win over many fans old and new.
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 3 in stock $464.70
Cat: 598443 Rel: 29 Jan 16
 
Polyphonic analog synthesiser
Notes: Meet minilogue; the stylish, innovative, 37 slim-key fully programmable analog polyphonic synthesizer:
minilogue's newly developed analog synthesizer circuit delivers polyphony and full programmability at a great price --- exactly what today's musician needs. With the minilogue, you can get your hands on the powerful sound that's only possible with real analog, and find inspiration with features including a polyphonic step and motion sequencer, on board tape-style delay, multiple sound shaping and filter options, and an oscilloscope display. All of these seamlessly integrated features make minilogue as fun and easy to use as it is powerful. It's the next-generation analog synthesizer for musicians of all types.

True analog sound:
The synth circuits for minilogue are all new ground up designs, delivering a synthesizer experience like no other. Unprecedented in this class, it's a four-voice polyphonic true-analog synth with an interface that's designed for accessibility. Whether you're performing live or producing in the studio, the minilogue is the fastest way for the user to explore and implement real analog synthesis in any situation.
The structure consists of 2VCO, 1VCF, 2EG, 1VCA, and 1LFO. The minilogue's unique wave shape capability lets you fine tune the oscillators' harmonics, creating the most divine sounds and compositions. The minilogue is also equipped with a variety of powerful types of modulation including cross modulation, oscillator sync, and ring modulator, as well as a delay with a high-pass filter. Powerful sound creation and rich variety are the true hallmarks of an analog synthesizer.

Polyphony and Presets - Perfect:
minilogue goes beyond analog synths in its price range by adding 200 preset locations. Select a program for instant access to great sounds - - ranging from thick basses to deep pads to brilliant polyphonic leads and atmospheric sounds. No need to have deep synthesis knowledge; just choose a sound and tweak - a workflow that is very familiar with musicians today. For those who want to dive deeper into the heart and soul of minilogue's engine, the minilogue hold 200 programs; with 100 editable factory programs included, and 100 locations serving as blank canvases on which to create your next analog masterpiece. Each preset can also hold a step sequence and delay settings along with the sounds you create.

Voice modes:
Selectable voice modes let you freely configure the four voices for performance. The voices can be set to four note polyphony for chords or layered for thick basses and leads. Other modes cover a range of sounds from octave shifted bass explosions to delicately staggered layered triggering.

Eight voice modes:
- POLY - operates as a four-voice polyphonic synthesizer
- DUO - operates as a unison two-voice polyphonic synthesizer
- UNISON - operates as an all-unison mono synthesizer
- MONO - operates as a mono synth with sub-oscillator
- CHORD - produces chords
- DELAY - voices 2--4 sound consecutively at a delay following voice 1
- ARP - an arpeggiator operates with up to four voices
- SIDE CHAIN - when a note sounds, the volume of the preceding voice is lowered

16-step sequencer:
Get creative with the intuitive 16-step sequencer with motion sequence recording capabilities, and make your sound truly come to life. The minilogue provides real-time recording with overdubbing, and step recording that lets you record simply by consecutively specifying notes, giving you a great way to create phrases and performances.

Oscilloscope visualizes the sound:
The OLED display will show the waveform as you sculpt your sound. Visual feedback is both educational and entertaining, and represents a first on a hardware synthesizer.

Build quality:
The uniquely curved, sand-blasted 2mm aluminum front panel, metal shaft potentiometers, solid, chassis-mounted metal shaft potentiometers and rubber-coated knobs give the roadworthy minilogue a standout look and feel to complement its powerful and dynamic sound creation capabilities.

Sync with groove machine:
In addition to the standard MIDI connectors, the minilogue provides a sync connector that can be easily connected to Korg's groove machines. Connect this to a volca series unit, an electribe, or the SQ-1, and experience a session with synchronized sequencer playback.
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 3 in stock $436.00
Waldorf Pulse 2 Analog Synthesizer (monophonic synthesizer)
Cat: 446342 Rel: 25 Sep 13
 
Analog monophonic synthesiser with large LCD display and stainless steel knobs
Notes: Pulse 2 Analog Synthesizer is proof positive that good things can come to those that wait. For ever since this high-quality synthesizer developer discontinued its original rack-mountable Pulse and Pulse+ programmable analogue monosynths boasting ballsy bass tones and legendary leads beyond compare, those Nineties electronic musicdominating sounds have been severely sought after by those in the know. Which was exactly what drove us into development overdrive to produce an all-new Pulse fit for the 21st Century.

As an all-new, all-analogue synthesizer design, Pulse 2 flawlessly delivers exactly what synth connoisseurs around the world have been truly craving for quite some time - three analogue oscillators living in perfect harmony with a VCF (VoltageControlled Filter), yet we did not stop there: the fresh filter circuits in the Pulse 2 now offer 12dB Highpass and Bandpass modes in addition to 24dB/12dB Lowpass for strengthened sound-sculpting flexibility, while we added analogue Filter FM, two Overdrive circuits, and Ring Modulation from OSC 3, together with Paraphonic and Unison modes allowing up to eight-voice chords - a fantastic feature found on our recently-released Rocket Synthesizer.

Pulse 2 is housed in a sturdy metal desktop casing. Alongside its generous 128x64-character backlit LCD, eight eye-catching stainless steel knobs are available to nimbly navigate through the parameter matrix - logically laid out across the front panel for all to see at all times, set the master Volume, and easily edit display-accessible parameters.

Connectivity comes well catered for courtesy of USB, MIDI In, MIDI Out, Ext In (external analogue signal input), line OUT, and headphone output - not forgetting, of course, CV Out (supporting both the V/octave and Hz/V standards) and Gate Out (V-Trigger- and S-Trigger-compatible), allowing a myriad of suitably equipped older (or newer) synths to be connected to the Pulse 2 to mirror whatever MIDI 'note' information is being played by the Pulse 2, including the output of its powerful ARP (arpeggiator). And if that's not enough to be getting on with, the CV Out can even be modulated in the eight-slot modulation Matrix, making for even more tantalising tone colours and performance possibilities!

Alongside analogue must-haves like a noise generator, Pulsewidth modulation, and hard Sync, other notable features include an Alternating Pulsewidth Modulation mode new to the Pulse 2 (offering a dense PWM sound without affecting perceived loudness), and an XOR Osc mode (that is a binary XOR combination of two PWM oscillators with two distinct output levels - high and low only - capable of producing inharmonic spectra unlike anything associated with any analogue synthesizer other than the original Pulse) - all of which, of course, contribute to kickstarting those still soughtafter sounds right here, right now in the 21st Century. Speaking of which, 500 onboard sound programs should be more than
enough to keep the most diehard synthesist smiling! What's more, all are backwards-compatible with the original Pulseseries, so original Pulse owners can quickly transfer their favourite sounds to their new Pulse 2 via MIDI (dump).
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 1 in stock $404.21
MOTU UltraLite Mk3 Hybrid Audio Interface (USB/Firewire audio interface)
Cat: 405195 Rel: 22 Sep 10
 
Firewire/USB hybrid interface with 10 inputs/14 outputs, Audiodesk software included
Notes: The Ultralite-mk3 Hybrid is MOTU's most compact and versatile audio interface, featuring hybrid FireWire/USB2 connectivity to your Mac or Windows computer, on-board mixing and effects, superb sound and reliable performance. As the first-ever hybrid audio interface of its kind, the UltraLite-mk3 Hybrid provides flexible and mobile operation via FireWire or Hi-speed USB2 connectivity to a Mac or PC computer, with professional audio quality at samples rates up to 192 kHz and plenty of I/O, including 2 mic/instrument inputs, 6 line-level analog inputs, 10 channels of analog output, stereo S/PDIF and a stereo headphone output.

Housed in a rugged, compact half-rack enclosure you can take anywhere, the UltraLite-mk3 Hybrid is equally well-suited for studio and stage, with or without a computer. As an interface or standalone mixer, the UltraLite-mk3 Hybrid provides 10 separate inputs and 14 separate outputs.Connect all of your studio gear, including microphones, guitars, synths, keyboards, drum machines, effects processors and even MIDI devices. Record, monitor, route and process all of these live inputs using the professional on-board CueMix FX digital mixer i with no latency and no processor strain on your computer. Apply hardware DSP-driven effects processing to inputs, outputs, and busses independent of your host computer. Add Classic Reverb with lengths up to 60 seconds. Further sculpt your sound with 7-band parametric EQ featuring filter types carefully modeled after British analog console EQs. Choose between two forms of compression: a conventional compressor and the Leveler, an accurate model of the legendary LA-2A optical compressor that provides vintage, musical automatic gain control.

The included CueMix FX cross-platform mixing software provides attractive graphic mixing, graphic editing of parametric EQ, and a convenient tabbed interface for quick access to all features in one window. Advanced signal analysis tools include a full-screen real-time FFT display, spectrogram "waterfall" display, oscilloscope, X-Y plot and linear or polar phase analysis. After programming the on-board mixing in the studio, unplug the UltraLite-mk3 Hybrid from the computer and take it on the road for operation as a stand-alone mixer with effects. All mixing and effects parameters are adjustable using the front panel backlit LCD. The UltraLite-mk3 Hybrid provides cross-platform compatibility with Mac and Windows and all of your favorite audio software and host-based effects via WDM/ASIO/Core Audio drivers. Or you can use the included AudioDesk workstation software for Mac, with 24bit recording/editing and 32-bit mixing/processing/mastering.
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MRP:$630.64 SAVE 28%
 1 in stock $456.16
Cat: 395777 Rel: 16 Jun 10
 
True synthesiser with analog modelling tone generator & 128 programs for immediate use - includes a full range of effects
Notes: State-of-the-art analog modelling and multi-band vocoding are finally available in a compact, portable instrument. With 37 keys and 128 user-rewritable programs, the microKORG synthesizer/vocoder is perfect for the performer, producer, computer musician or beginner looking for an affordable synthesizer. The new microKORG delivers the quality sounds and features you expect from Korg at a price that will astound you.

The microKORG boasts the same dual-oscillator DSP synthesis engine found in Korg's critically acclaimed MS2000 and offers a wider selection of waveforms than any other modelled synth. Oscillator 1 features a total of 71 waveforms. These include traditional analog waves like saw, pulse, sine and noise, plus more unique choices like Vox wave and cross wave. Together they provide a cool selection that can be modulated to produce an extensive range of timbres. In addition, 64 exclusive DWGS waveforms from Korg's classic DW-8000 enable the microKORG to reproduce a broad collection of imitative sounds. Sounds like bells, electric pianos, guitars, basses and more that would be difficult reproduce on an analog synthesizer. You can also apply Ring and Sync modulation from Oscillator 2 to create the kind of complex timbres that are the true sign of an advanced synthesizer.

4 filter modes are available, offering -12 dB (2-pole) low pass, high pass and band pass configurations plus an extra steep -24 dB (4-pole) low pass setting. All include resonance. 2 classic ADSR envelope generators and two MIDI-syncable LFOs provide the power to shape your sounds. Add a virtual patch matrix that lets you create advanced modulation settings U routing the mod wheel to control filter cutoff or pulse width, using an LFO to control panning or amp level, etc. U and you have performance that is unheard of from a synthesizer in this price range.

The microKORG includes an 8-band vocoder with many advanced features. You can capture and freeze the formants of your voice, and then play it across the keyboard, or shift the formant frequency to make your voice sound male, female, like a child or just plain wacky! Best of all, the microKORG comes with its own microphone so you can start having fun right away.

3 types of modulation effects (chorus/flanger, phaser, ensemble), 3 types of delay effects (stereo, cross, L/R) and a 2-band equalizer add the finishing touch to the microKORG. The delays can be synchronized with the arpeggiator or to an external MIDI clock U a great feature for live performances or for laying down tracks. All effects can be edited to create your own, unique sounds.

Korg have used all of the microKORG's synthesis power in the creation of 128 great-sounding presets. They cover a wide range of the latest musical styles plus many vintage favourites. Sixteen vocoder Programs are also included. The pitch bend wheel, modulation wheel and 5 other knobs provide flexible realtime control over filter cutoff, attack, release and other important parameters. The edit mode allows you to fully edit the existing sounds, or to create your own new ones.

6 types of arpeggio patterns (UP, DOWN, ALT1/2, Random, Trigger) are built in, with control over tempo, gate time, swing, and up to a 4-octave range. You can turn individual steps on or off within a pattern, providing the feel and functionality of a step sequencer.

2 external audio input jacks are provided, so you can run other instruments, CDs and more through the microKORG's filter and effects, allowing you to process sounds in truly creative ways.

The microKORG's compact size is perfect for the musician or DJ looking to add a synth to his or her setup when space is tight. It's also a great choice for use in a computer-based music setup. The five realtime knobs on the front panel can transmit MIDI messages (control changes), so they can be used as controllers for software synthesizers. Use the 37-note velocity-sensitive mini-keyboard for controlling other gear or for recording and editing with your sequencer. And thanks to battery-power, the microKORG is the ultimate portable controller when used with a laptop computer!

There's no complex menu structure - all parameters are located on the panel for easy access to any function. A large dial and LED illuminated buttons provide easy program selection even on a dark stage. With its beige-gold body, wooden side panels and retro-influenced design, the microKORG has a look that's both vintage and funky.
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MRP:$444.86 SAVE 32%
 2 in stock $301.15
Cat: 659961 Rel: 17 Oct 17
 
Authentic recreation of the Roland TR-808 drum machine with added modern features
Notes: The Legendary Boom and Sizzle of the Most Famous Drum Machine Ever Made-Now in an Affordable and Modern Format.

The TR-08 is an obsessively detailed and faithful replica of the legendary TR-808-easily the most famous and influential drum machine ever made. After creating a monumental shift in the sound of music, the "808" has continued to shape and define entire genres. Beloved by musicians and producers the world over, it's one of the most revered and sought-after electronic musical instruments of all time. The TR-08 brings the look, sound, and feel of the original 808-with stunning accuracy-to the Roland Boutique format. It blends attention to detail and respect for legacy with modern convenience and reliability.

The Boom in the Room:

The TR-808 arrived in 1980 to an unsuspecting and somewhat bewildered public. To many at the time, its purely analog sound and range of tweakable parameters didn't exactly deliver "traditional" drum sounds. It wasn't until adventurous musicians and producers got their hands on the TR-808 and started tweaking those knobs that the world would fully realize the sonic impact it would leave on music forever. For the next three decades, the sizzling hi-hats and snappy snare, the robotic, clicky rim shot, the unmistakable cowbell, and yes, that booming bass drum, would be heard on many thousands of tracks. Worldwide hits, underground classic, and entire genres were spawned. Its influence is so deep that it's been name-dropped in famous tracks, had albums dedicated to it and bands named after it, and even been the subject of a feature-length documentary film.

A New Generation of 808:

Time has not diminished the TR-808's influence. New genres continue to make use of the 808, with some utilizing it as the main instrument and defining sound of the style. Sure, you can use samples of a TR-808, but there's nothing quite like the real thing. The 808's user interface with its buttons, knobs, and switches, and the odd quirks of how the sounds interact with each other-they're all vitally important to conjuring up that real 808 mojo. And you know it when you hear it.

The new TR-08 adds some thoughtful and modern touches to the classic formula. The sequencer has 16 sub-steps per step, so you can create detailed snare fills and intricate, rolling hi-hats. It also has a track-selectable trigger out for working with other instruments like the TB-03, SH-01A, or modular gear. An unobtrusive LED display provides finer control of tempo and shuffle. You can step-program or tap in your parts in real-time without stopping to change modes. Everything sends and receives MIDI control messages and it even supports audio and MIDI over USB.

Portable. Affordable. Authentic:

Original TR-808s are big and heavy, and their rarity makes them extremely expensive and sought-after on the used market. Because of this, many have resorted to 808 sample packs or hardware knockoffs. But there's something about the colours and controls and, of course, the sound of a genuine TR-808 that brings home the sound of so many classic tracks. The TR-08 accurately recreates the ingredients that make an 808 so special. The interface, while miniaturized, is 100% authentic. The sound is vibrant and alive thanks to our proprietary Analog Circuit Behaviour (ACB) technology. We use ACB to carefully recreate all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level.

Not only does the TR-08 look and sound the part, but it also has some modern features and conveniences. With all this beat-making power, it would be a shame to keep it shackled to the studio. After all, inspiration can strike anywhere, and drum machines are fun to play live. The TR-08 is literally small enough to take just about anywhere. It's ruggedly built with sturdy knobs, buttons, and switches. It has several tilt options for easy viewing in various live and studio scenarios. It can be a low-latency, portable audio interface. It has a built-in speaker, and even runs on batteries for when the beat absolutely must go on. With all this power and flexibility, you may be most surprised by the TR-08's affordable price, which puts the legendary 808 vibe within reach of just about anyone who's ever dreamed of owning the iconic original.
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 3 in stock $305.75
Cat: 520258 Rel: 19 Feb 14
 
Professional closed back headphones with 40mm drivers
Notes: Building on over 85 years of audio experience, the SRH1540 Premium Closed-Back Headphones deliver world-class audio performance, comfort and durability to listeners of all kinds - professional engineers, musicians and audiophiles.

Developed with premium materials and precision engineering, the SRH1540 utilises 40mm neodymium drivers for an expansive soundstage with warm bass and extended highs.

The SRH1540 Premium Closed-Back Headphones feature an expansive soundstage for clear, extended highs and warm bass. Developed with aluminum alloy and carbon fiber construction, the lightweight and durable design also features Alcantara ear pads for maximum sound isolation and comfort. An included storage case, replacement set of ear pads, and an additional dual-exit cable ensure years of uninterrupted listening enjoyment.

In the box:
Additional pair of Alcantara ear pads
Two detachable cables
Threaded 6.3 mm gold-plated adapter
Zippered hard storage case
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 1 in stock $370.57
Cat: 598313 Rel: 13 Jan 16
 
Virtual synthesiser instrument, with new audio import feature, 400 new DSP waveforms for the oscillator & over 3,000 new patches
Notes: After many years of development, Spectrasonics are thrilled to announce that Omnisphere 2! This is the first v2.0 of any Spectrasonics instrument and it's truly a gigantic one! Check out the new feature list and the video introduction by Spectrasonics Founder and Creative Director, Eric Persing.

Vast New Synthesis Possibilities:
- Audio Import - Use your own audio file as a soundsource in Omnisphere
- Over 400 New DSP Waveforms for the Synth Oscillator - an increase of 100X
- Wavetable Synthesis - Each Waveform is now a Morphing Wavetable
- Powerful New Granular Synthesis algorithm
- Deeper FM/Ring Mod capabilities for aggressive timbres
- 8 New Filter Types - New Power Filters, Vowel, Resonators
- New Unison Drift models Analog Polysynth behavior
- Expanded Modulation with new sources and many more targets
- Polyphonic LFO and Modulation Envelope options
- Soundsource Reversing

Now includes over 10,000 sounds!
- More than 3,000 New patches and soundsources from acclaimed Spectrasonics Sound Design Team
- New Omnisphere EDM library with cutting-edge, modern sounds
- New Exclusive Soundsources from Diego Stocco's Custom Built Instruments
- New category of Phrase-based Soundsources for granular synthesis
- Hundreds of new Circuit Bent Soundsources
- Many Innovative new Psychoacoustic Soundsources
- New Melodic Cave Stalactites Soundsources
... and much, much more!

New Interface:
- Redesigned Wider User Interface with many improvements
- New Show Modulation pane opens modulation routings/sources on left side
- New Mini-Browser available at all times
- Larger Full Browser Design

Enhanced Browsing Experience:
- Sound Match feature instantly locates any related sounds in the library
- Sound Lock allows endless useful variations by locking sound aspects while you browse
- Easy Sound/Project Sharing for collaborators and third party libraries
- Greatly Improved sound organization system
- Fast Progressive Loading allows rapid auditioning
- Browse Patches by Mood
- Expanded Genres
- Browse by Oscillator type
- Boolean search options

New Arpeggiator Features:
- Note transposition for step seq-style patterns
- Arp pattern lock while browsing
- Speed Offset control allows slow down/speed up effects
- New modulation capabilities

25 New FX Units:
- Innerspace
- Quad Resonator
- Thriftshop Speaker
- Classic Twin
- Bassman
- Hi-Wattage
- Rock Stack
- Brit-Vox
- Boutique
- San-Z-Amp
- Stompbox Modeler
- Metalzone Distortion
- Toxic Smasher
- Foxxy Fuzz
- Analog Phaser
- Analog Flanger
- Analog Chorus
- Analog Vibrato
- Solina Ensemble
- Vintage Tremolo
- Envelope Filter
- Crying Wah
- Stomp-Comp
- Precision Compressor
- Studio 2-Band EQ

Flexible New FX Features:
- 16 FX units per patch
- Full matrix modulation of every FX slot
- New Aux FX rack per patch with Pre/Post fader sends
- Hundreds of New FX Presets and Racks
- Lock FX while browsing

Improvements/Special Features:
- Live Mode with key splits
- Enhanced Orb with Attractor mode
- Tweak Trilian Custom Controls Interface inside Omnisphere
- Global Clock Speed (Halftime, Doubletime, etc)

- and more!
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 9 in stock $355.96
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quote 598313
Cat: 629325 Rel: 28 Nov 16
 
Compact, versatile drum-synth featuring 17 analogue drum & percussion instruments with built-in 64-step sequencer
Notes: The Arturia DrumBrute Drum Machine is a compact, versatile drum-synth featuring 17 analogue drum and percussion instruments with a built-in 64-step sequencer. The DrumBrute Drum Machine's portable size makes it perfect for studio and live performances alike, allowing you to incorporate live finger-drumming into your sets and productions. The ergonomic layout and full-size controls allows you generate sounds and rhythms with ease, with 64 built-in pattern memories allowing you to create and store your custom patterns. The DrumBrute also features USB/MIDI and Analog Clock I/O for added versatility.

Analog Percussion:
The Arturia DrumBrute Drum Machine features 17 fully analogue drum and percussion instruments including: two kicks, snare, clap, open and closed hi-hats, high and low toms as well as conga, maracas, rimshot, clave, tambourine, zap cymbal and a reverse cymbal. This wide variety of different percussive instruments allow you to create intricate and interesting rhythm patterns with ease. One of the most unique features is the main output which includes a renowned two-mode Steiner-Parker filter. This filter allows you to add frequency sweep and bass drops with ease. Every drum sound also features multiple parameters that can be tweaked and edited to your desire, allowing you to create your perfect kit.

Portable Design, Ergonomic Layout:
The compact and portable design of the Arturia DrumBrute Drum Machine makes it perfect for taking with you to both studio settings and stage performances. The built-in 64-step sequencer allows you to utilise up to 64 steps, which can be chained together in song mode to create original performances. The DrumBrute's layout features a dedicated button, knob or pad for every features available, allowing you to easily navigate between parameters while eliminating the need for tedious menu selections. Its rugged, chunky pads and sturdy knobs are highly reliable, ensuring optimal durability that will withstand the rigors of transportation and extensive use.

In-Depth Editing:
The DrumBrute features a wide variety of effects and editing tools to add a new dynamic to your patterns and sequences. You can use the natural 'Swing' feature to add extra groove into your sequences, adding subtle time shifts to create a natural feel. The 'Randomness' function allows you to add in sporadic glitches into your sequences, while the Step Repeat, Roller and Looper functions allow you to mix up your rhythm entirely. These advanced features give you full rein over all your sequences and patterns, ideal for live performances.

Ideal For Live & Studio Applications:
The wide range of performance effects and portable size makes the Arturia DrumBrute ideal for both live performances and studio settings alike. The DrumBrute features a variety of digital and analogue connectivity plus sync options including: MIDI, Clock, 1PPS, 2PPQ, DIN24, and DIN48. This allows you to integrate your DrumBrute in your existing setup and work with all your other modular, synth and sequencing units. 3.5mm and 1.4'' headphone outputs are included to accommodate both headphone connection sizes, plus the USB and MIDI connections allow you to use the DrumBrute as a dedicated MIDI interface to control your favourite DAW.
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 2 in stock $357.99
Cat: 620852 Rel: 25 Aug 16
 
New version of the classic Electribe music production workstation with Ableton Live Lite software
Notes: The electribe has been reborn including KORG's latest technology distilled from popular products such as the KingKORG, kaossilator, kaoss pad, and taktile. The 200 preset patterns cover House and Techno as well as cutting-edge dance music genres such as Trap and EDM. Another major evolution of the new electribe is support for polyphonic playback, which is indispensable for musical styles that involve complex chord progressions such as House music.

Using the 16 pads placed on the front of the unit, you can create patterns intuitively while actually hearing and seeing the sounds. You can use the pads as a keyboard to realtime-record phrases, and also perform step recording by entering the pitch and rhythmic value one note at a time. The patterns you create can be used in alternate forms as you perform by taking advantage of the "step jump" feature inherited from the volca series, or by changing the "last step" to vary the length of each part.

There's also a "motion sequence" function that lets you record knob and button operations and use them in the pattern that you create. Either drums or synths can now be assigned to each of the 16 parts (i.e., the 16 pads). For example you could create complex rhythms by assigning drums to all of the 16 parts.

Familiar from the kaossilator is the "touch scale" function that lets anyone perform without wrong notes, just by moving a finger across the touch pad. The trigger pads that were popular on the taktile are also provided, making it easy for anyone to create phrases intuitively. The trigger pads can also be used for drum input. Settings allow you to switch velocity on/off.

For the electribe, KORG designed a synth engine that gives you the maximum sound-creating freedom and the fastest sound production. The 409 oscillator waveforms include analog modeling and PCM. The analog modeling synth engine provides a broad variety ranging from simple basic waveforms to complex combinations such as dual, unison, sync, ring modulation, and cross modulation. The PCM sound engine provides mainly rhythm sounds, but also covers multisamples for keyboard. (collaborations with Sample Magic, Loopmasters, Prime Loops are included)

The filters at the heart of the sound-shaping capabilities are inherited directly from the KingKORG, and they use filter algorithms that simulate standard synthesizers so that you can get "the sound" which was used in famous songs, just by selecting the appropriate filter type.

You can also apply filters to drums to create rhythm tracks that are rich in tonal variation. Modulation can make sound-creation more complicated, but we've made it easy by condensing it down to three parameters: simply select a template that specifies an effect and its target, and then adjust the speed and depth of the effect to suit your taste.

The new electribe provides effects such as compression and overdrive for each part, giving you uncompromising control over the nuances of individual sounds that differ subtly between genres. The groove function can be specified for each part, letting you apply a groove to your phrase simply by selecting a template.

The master effects can be controlled from the touch pad just like on the kaoss pad, and they include not only spatial-type effects that shape the overall acoustics but they also include effects that apply aggressively musical transformations such as the "Vinyl Break" effect inherited from the Kaoss pad series, and the newly developed "Seq Reverse" and "Odd Stepper" that change the playback order of the sequencer. These are also extremely effective for live performance. Insert effects can be assigned for individual parts, opening up even more complex sound-design possibilities. There's also a "pattern set" function which lets you switch patterns by pressing trigger pads, and an "event recording" function that records that performance. In addition to MIDI IN/OUT, "Sync IN/OUT" is also provided, allowing synchronized performances with the volca series, monotribe, or MS-20 mini. The unit can run on six AA batteries, so you can easily take it along with you and perform anywhere, providing on-the-go inspiration your musical ideas.
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 1 in stock $333.07
Cat: 662253 Rel: 29 Sep 17
 
Compact, next-generation production & performance controller featuring integrated hardware & software system
Notes: The new MASCHINE takes the classic groovebox workflow and makes it faster and more intuitive. Optimized based on customer research, it's packed with new features to boost your speed and increase your focus - all without breaking the workflow you love.

Bigger pads:
Big, bold, and in your face, the larger pads create more room for complex moves like flams and rolls. New technological updates make the pads more sensitive to lighter touches, for more expressive playing. And since the centre-to-centre distance is exactly the same, your muscle memory and workflow don't have to change.

Full colour, hi res screens:
With two full-colour displays and the four-directional push encoder, you can browse sounds, FXs, plug-ins, and instruments with a tactile, one-handed, completely visual workflow - simply find the thumbnail and load directly from the hardware. Plus, the high-res screens let you get more precise with your mixing, see an overview of your arrangement, or zoom in on waveforms to slice samples like a surgeon.

Studio-grade audio interface:
MASCHINE now comes with a studio-grade, 96kHz / 24-bit audio interface for pristine sound. Simply patch in a synth or add a dynamic mic for quick recording and sampling. Stereo line and MIDI ports make it a perfect centrepiece for any studio. Plus, it's USB-powered, so you can record anywhere with your laptop - or plug in the included power supply unit for brighter pads.

Faster workflow:
The new hardware layout cuts through the clutter to help you stay focused and get your ideas out fast. Instead of being hidden behind a shift-function button, some of the most-used features and functions can now be accessed directly with one touch.

8 touch sensitive knobs:
Go beyond tweaking with eight touch sensitive knobs. Touch once to activate special contextual menus, such as tag clouds, sound settings, and FX parameters. You can also map your most frequently used FX, instruments, or plug-in parameters to macros with the touch of a button.

Smart strip for new ways to play:
The Smart Strip opens up MASCHINE to whole new ways of playing. Use it like a keyboard wheel to pitch-bend and modulate sounds. Add new sonic textures, builds, or transitions with advanced performance FX like stutter and scratch. Or strum samples, synths, and drums like a guitar.
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 2 in stock $493.94
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quote 662253
Cat: 561029 Rel: 16 Apr 15
 
Powerful compact synth with onboard pattern sequencer and vocal FX via gooseneck microphone
Notes: Tiny, mighty, and affordable, the JD-Xi puts a true analog synth engine, Roland's famous SuperNATURAL synth sounds, and many other creative tools under one hood. Equipped with 37 mini keys, this compact instrument delivers fat, warm analog bass and lead tones with ample controls for hands-on tweaking, plus polyphonic PCM essentials like pads, strings, brass, and more. Create impressive loops in a flash with the pattern sequencer and built-in drum kits, and explore expressive vocal textures with the gooseneck mic, Vocoder, and AutoPitch. Small in size and large in versatility, the JD-Xi is all about big sounds and big fun!

With its unique crossover sound engine, the JD-Xi provides the best of both worlds: the warm, smooth response of classic analog, and the clarity and versatility of modern digital. The newly developed monophonic analog synth section features saw, triangle, and square waveforms with pulse-width modulation and an analog filter, plus an independent sub oscillator for low-end power. Two digital synth sections offer 128-voice polyphony and a wide range of high-quality SuperNATURAL synth tones, including pads, strings, electric piano, sound effects, and many others.

The JD-Xi comes with a sturdy, high-quality gooseneck mic that brings even more fun to the party. Using the Vocoder, you can sing into the mic and control the tone and pitch via sounds played on the keyboard. With AutoPitch, it's simple to achieve the exaggerated, robotic vocal sounds that are common in today's pop and electronic music styles. There's also a cool Auto Note function that allows you to "sing" JD-Xi synth sounds without touching the keyboard!

Using the intuitive pattern sequencer and large selection of onboard sounds, you're able to create and perform sophisticated music with only the JD-Xi. The sequencer offers four separate tracksitwo digital synth parts, analog synth, and drumsiallowing you to build rich-sounding loops for any genre. Real-time and step recording modes are provided, along with a special TR-REC mode for programming in the style of Roland's classic TR-series beatboxes. It's easy to play patterns and tweak sounds as you perform, and many preset patterns are built in for jamming right out of the box.

Packed with a variety of dynamic drum kits, the JD-Xi delivers quality rhythm tones to suit any groove. Included are many types of electronic and acoustic kits, and the drum instrument assignments are conveniently labeled above the keys for quick identification. You can also personalize the kits for your music by adjusting filter, envelope, pitch, and pan parameters on individual drum sounds.

The JD-Xi includes four simultaneous effects sections for enhancing any sound. Effect 1 and 2 provide selectable processing options such as Bit Crusher, Slicer, and Ring Mod, while dedicated Delay and Reverb sections make it easy to envelop sounds in spacious ambience. Each effects section can be turned on/off separately for the three synth sections and drums, allowing you to shape your mix with many creative combinations.

Need some fresh inspiration, or maybe a sound for a particular style of music? Just visit the Axial sound library site, where you'll find a growing selection of free new sounds and patterns for the JD-Xi. Axial features sounds for many other Roland synths as well, all created by top engineers and leading electronic music artists.
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 3 in stock $386.40
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quote 561029
Cat: 659963 Rel: 21 Sep 17
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - grey edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 4 in stock $314.90
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quote 659963
Cat: 632730 Rel: 14 Nov 16
 
10-in/14-out desktop USB audio interface with high performance Burr Brown converters
Notes: INCLUDES 500 POUNDS WORTH OF PLUG-INS AND CREATIVE SOFTWARE:

When you buy any Audient product you will also receive over 500 pounds worth of plug-ins and creative software with ARC - Audient's creative hub. Included in this offer is Eventide's Ultrachannel and Ultrareverb plugins (350 pounds), Steinberg's Cubase LE and Cubasis LE2 (for iOS), 10 free masters for automated mastering service LANDR (120 pounds) and 2 free courses and a 20 pounds voucher for online audio educators Producertech.

***OPEN TO NEW AND EXISTING CUSTOMERS***

***ALL YOU HAVE TO DO IS REGISTER YOUR PRODUCT AND TAKE ADVANTAGE OF THESE GREAT OFFERS FOR FREE!***

iD22 delivers the audio performance of a large format console in a compact and elegant desktop package. Providing a pair of Audient console mic pres, class-leading Burr Brown converter technology, console style monitor control, JFET D.I, ADAT expandability, user defined function keys, balanced inserts and more, iD22 will become the hub of your studio in no time.

The professional sound you deserve:
We are the only company that use the same Class-A mic pre design throughout our entire product range, whether you're in the studio with an Audient console or on the road with iD22, you're always guaranteed the same world class Audient sound.

Brilliance on the inside enables brilliance on the outside:
iD22 provides you with high performance AD-DA converters from Burr Brown, the leaders in converter technology. Quality in the analogue stages of design comes from years of experience as analogue console designers, and when coupled with outstanding converter technology it enables you to hear audio as it's supposed to sound. The importance of converters should never be underestimated. Experience audio the Audient way.

Grows with your needs:
iD22 is more than just a two in, six out interface. As your system grows iD22 can be expanded via the optical input and output connectors, supporting both ADAT and SPDIF. If you need to track drums or simply need more inputs you can expand up to ten inputs via an eight-channel mic pre such as our ASP880.

You can't unhear quality:
During iD22's development we discussed ways in which we could showcase iD22's versatility in a variety of genres. We were so confident you could make a release quality recording with iD22 we decided to get out in the field and record three different artists varying in style. Listen to the result for yourself...

Integrate your outboard:
Two fully balanced insert points enable you to bring your outboard gear in from the cold and prior to conversion. Insert your favourite compressors or EQs and start creating vocal chains that rival the very best. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard line level sources.

Customise your control surface:
iD22 has a range of incredibly flexible console style monitor control functions such as mono, polarity, dim, cut, speaker select, talkback & cue mix monitoring. We know how important it is to focus on the music and to make tracking as simple as possible we added three programmable function keys. No more time spent searching for software controlled features, just assign the monitoring functions you need to the three hardware function keys and allow the creativity to flow. Real hardware control at your fingertips!

Plug in and be inspired:
As well as offering you 2 channels of mic pre, iD22 has a harmonically rich JFET D.I input. Designed to replicate the input stage of a classic valve amplifier, you can plug your guitar, bass, keyboard or drum machine straight in and start recording instantly.

Discover just how simple it can be:
We understand the need to keep things simple and iD22's mixer app was designed with that in mind. Whether you're creating low latency cue mixes or utilising the flexible monitor control, iD22 tightly integrates the hardware and software making the recording process easy. Enabling you to concentrate on what's really important - the music.

Quality deserves protection:
iD22 has been designed to last, from its all-metal construction, hand finished aluminium knobs and high grade component selection, iD22 will stand up to countless late nights in the studio and days on the road.
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 1 in stock $314.90
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Cat: 522656 Rel: 26 Jun 14
 
Keyboard synthesiser using Roland's anologue circuit behaviour technology to merge classic and modern sounds
Notes: Meet the SYSTEM-1, a synthesizer probably unlike any you've encountered before. Like its predecessors, the SYSTEM-1 breaks new ground with remarkable flexibility and access to a vast palette of synthesized sounds with the bold and unmistakable character associated with Roland synthesizers for nearly four decades.

At the heart of the SYSTEM-1's sound is our new Analogue Circuit Behaviour technology (ACB) which we use to carefully analyse every aspect of analogue circuits and then faithfully recreate them down to the finest details. This technology fills the SYSTEM-1 with a fusion of beautifully classic and utterly modern synthesizer tones.

The SYSTEM-1 can control and even host software recreations of classic Roland synthesizers. That's right. The SYSTEM-1 can control plug-in versions of now legendary Roland synths, and those same plugins can be hosted in the SYSTEM-1 itself - with no computer required. You can even switch between the SYSTEM-1's internal sounds and those of the hosted plug-in. We call this wizardry "PLUG-OUT" - and we're pretty excited about it.

And we think you'll be excited too once you experience the supreme authenticity of the upcoming SH-101 softsynth, with the SYSTEM-1 providing an intuitive and fully automatic one-to-one control interface that just works. Let's be honest - who could make a better plug-in version of a classic Roland synth than Roland?

And the SH-101 is just the beginning.

The SYSTEM-1 not only sounds amazing, but it also has a totally innovative design with performance ready controls, quality construction, and a dizzying array of lights and knobs and sliders.

You can connect the SYSTEM-1 to your computer via its USB jack to send and receive audio and MIDI data.

The SYSTEM-1 can receive MIDI clock information to sync with external devices including other AIRA series units.

The SYSTEM-1 is designed to work seamlessly and look great with other products in the AIRA series.
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 2 in stock $402.31
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quote 522656
Cat: 548432 Rel: 18 Sep 14
 
MIDI foot controller featuring 10 foot pads with smart sensor technology
Notes: SoftStep is a leap forward in the evolution of MIDI foot controllers. 10 pads equipped with Smart Sensor technology each send up to 6 unique messages in 3 dimensions for unparalleled control.

SoftStep Basic Editor is an easy way to program presets taking advantage of the most commonly requested sources and messages.

SoftStep Advanced Editor allows you to take full advantage of the power and flexibility of the SoftStep. More fully featured than the Basic Editor, the Advanced Editor is for users who want to get the very most out of their SoftStep.

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 3 in stock $301.20
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quote 548432
Cat: 655194 Rel: 14 Sep 17
 
Powerful analog synthesiser module featuring 3 voltage controlled oscillators with 6 waveforms
Notes: A collaborative effort from Roland and Studio Electronics, the SE-02 is the debut product of the new Roland Boutique Designer Series. The SE-02 uses authentic discrete analog circuitry to create a synthesizer with a distinctly vintage sound and vast programming options. With an array of high-quality knobs and switches and a uniquely creative onboard sequencer, the SE-02 delivers massive tone and texture with expressive hands-on control.

Beyond Typical Analog:

The SE-02's monophonic synthesizer engine features three voltage-controlled oscillators, a voltage-controlled 24 dB low-pass filter, and a dual gain-stage amplifier. The oscillators have six different kinds of waveforms with the warmth and complex character associated with true analog VCOs. What's more, these VCOs are temperature stabilized with automatic tuning, so you get all the benefits and none of the downsides.

The SE-02 is big and bold, with thick, rich lows and clear, vibrant highs - exactly what you think of when you imagine classic vintage synth tone. And while the SE-02 can create astonishingly great vintage sounds, it can do so much more. It has three types of cross modulation (XMOD), a ripping filter feedback loop, a tempo-syncing LFO with nine waveforms, envelope sweeping and inverting, oscillator sync, a noise generator, and a tempo-syncing delay.

While it's a compact 'go-anywhere' device, the knobs, switches, and buttons are sturdy and plentiful, giving you a vast palette of sound-shaping capabilities at your fingertips. Everything is hands-on and knob-per-function, with deep control and a logical, intuitive layout. To get started, you can choose from 384 expertly programmed preset sounds that cover a wide range of classic and modern tones. Tweak and modify these sounds or create something completely new, storing your own custom creations in the 128 available user locations.

A More Musical Sequencer:

The SE-02 includes a powerful 16-step sequencer to add motion and dimension to your sounds. It can sync to external tempo via MIDI, USB, or trigger input, and per-step gate time, adjustable glide, tempo, and patch number are stored with each sequence. Creative performance features allow you to set shuffle, scale, direction, and first/last steps on the fly. Even synth parameters can be automated by sequencing changes - just press a step and move a control. And despite the SE-02s compact size, the sequencer is fun and intuitive, lending itself to both studio and live usage. You can store 128 sequence patterns and construct 16 songs, each with up to 16 parts.

Modern Flexibility:

The SE-02 is built solidly with a rugged metal top and quality knobs and switches. And despite having a control for just about everything, it's small enough to take just about anywhere. Due to its Roland Boutique format, it fits in our K-25m or DK-01 accessory docks, so you can add an integrated 25-key mini keyboard or have various tilt options for easy access in a variety of live and studio situations.

The SE-02 also features convenient 1/8-inch stereo jacks that reduce cable clutter, plus full-sized, standard MIDI jacks for connecting any kind of keyboard you want or controlling the SE-02 remotely. And as with other Roland Boutique synths, Chain Mode lets you increase the polyphony by connecting two or more SE-02 units together via MIDI.

There are CV inputs for both pitch and filter frequency, as well as trigger in and out, so the SE-02 works great with modular setups and other vintage gear. You can route external audio signals through the filter section, and there's even USB audio and MIDI capabilities to seamlessly integrate with computer-based setups.
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 1 in stock $456.24
Cat: 638972 Rel: 02 May 17
 
Hardware & software mixer with integrated UAD control
Notes: Sound. Workflow. Control:
Quickly switch between your tracks and control EQ, compressor, gate and more. Mix with the sound of the included Solid State Logic SL 4000 E. Or customize your channels to fit your needs - there are over 60 Console 1 ready plug-ins available from Softube and Universal Audio.

Modern Workflow:
The Console 1 hardware gives you hands-on control of EQ, compressor, gate, volume and pan on all your tracks. No MIDI mapping is needed - the hardware is tightly integrated with the Console 1 software, straight out of the box.

Timeless Sound:
Pamper your tracks with the sound of the legendary Solid State Logic SL 4000 E console - probably the most used high end console in the history of music recording. Softube's emulation was developed in close collaboration with SSL, and it's included with the purchase of Console 1.

Expand Your Options:
Customize your channels with any of the over 60 available Console 1 ready plug-ins from Softube and Universal Audio. Mix and match units from Chandler Limited, Fairchild, Teletronix, Tube-Tech, Abbey Road Studios and many others. Pre-mapped and ready to go.

A Lifetime of Mixing:
Console 1 is a premium Swedish design, built to last for many years of mixing. Its steel chassis makes it solid as a rock, and the knobs and buttons have the responsiveness and feel you'd expect from a high end analog console.

Add More Consoles:
In addition to single Console 1 ready plug-ins, there are entire Console 1 channel strips available, with EQ, compressor, gate and modelled saturation from the original analog hardware. Currently, the options are Solid State Logic XL 9000 K-Series for Console 1, British Class A For Console 1 and Summit Audio Grand Channel for Console 1, with more to come.

Control Your DAW:
Console 1 works with any major DAW on the market. But certain DAWs - currently Presonus Studio One and Cakewalk SONAR - feature additional integration, meaning you can use the Console 1 hardware to control vital DAW functions such as track selection, volume, send levels, pan and solo/mute. We aim to have this functionality added for all DAWs.

And the Winner Is:
The first-generation Console 1 was an immediate success and did not only receive prestigious awards and praise from the pro audio press - but more importantly, the end users loved it. Even seasoned engineers such as Michael Brauer, Jason Goldstein, Dave Isaac and Gareth Jones took the system to their hearts.

Upgraded Hardware:
Three years after the original Console 1 release, it is time to introduce the Mk II version. It has the same build quality as the original units, with some minor layout changes such as more visible LED markers. More importantly, efficient manufacturing processes have made the system much more affordable.
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 4 in stock $364.39
Cat: 561030 Rel: 31 Mar 15
 
18 channel perfomance mixer with step-sequenced FX, transport and tempo control
Notes: The MX-1 Mix Performer brings together your synths, drum machines, loops, DAW tracks, and more into a single performance-optimized mixing instrument. Combining elements of a mixer, control surface, audio interface, and step-based effector, the MX-1 is designed to be the nerve center of your electronic music rig. It's a mixer you can play - and so much more.

With six analog inputs, four AIRA Link USB ports, digital I/O, send and return jacks, and the ability to stream 18 channels to and from your DAW, the MX-1 brings together a wide range of musical sources and puts them directly under your fingertips. But this is no ordinary mixer. The smooth, solid faders each have six different volume curves available. Every channel has an adjustable Tone/Filter knob with ten types of filters, EQs, and isolators. Mutes are placed for quick access, working with the LED-lit faders to clearly show their status, even in dark environments. The DJ-style headphone cue monitoring lets you smoothly mix in any source whenever you're ready, or drop in tracks right on the beat. Separate headphone and master volume knobs along with smooth and bright metering keep levels firmly in check. And everything, including all the FX configurations and settings, can be saved and recalled for instant access.

There's no question that effects play a huge role in creating a unique vibe and defining your sound. And the MX-1 integrates effects in exciting new ways. Not only do the MX-1's effects sound great, they're designed for ready manipulation and rhythmic sensibility, thanks to the MX-1's tempo awareness and the TR-style step interface. In addition to an aux send for feeding external effects, each channel has its own Beat FX including Filter, Side Chain, and Slicer. These are applied using sixteen TR-style step sequencer buttons like those found on famous Roland drum machines. This lets you independently filter, duck, and slice each channel, creating cool rhythmic variations, polyrhythms, and all manner of intricate grooves. Beat FX can be instantly switched on and off per channel with dedicated, illuminated buttons. Six kinds of Master FX, each with lots of variations, add spice and drama to any or all channels. And the large control knob gives them supreme playability. The Master FX can even be step-sequenced in various combinations, creating stunning movement and glitchy interludes that must be heard to be fully appreciated.

Computers already play a big role in production, and they increasingly play a role in performance. But they don't always integrate so well with other live instruments, and require their own audio interface and controller. The MX-1 addresses these problems through its ability to operate in any one of three different modes. In Control Surface mode, the MX-1 can sync to your computer and act as a high-quality MIDI controller for your DAW. Cool. But it gets way more interesting... In Mixer mode, the MX-1 can mix all connected sources, including analog and digital inputs, AIRA gear, and your computer's output. While there's a dedicated channel for a stereo output from your computer, you can also send computer audio to USB channels 1 thru 4 if no device is connected to the AIRA Link USB ports. Very cool. In External mode, the MX-1 can send all its inputs directly to your DAW, acting as a high-quality audio interface. At the same time, it can mix 18 channels back from your DAW, putting them on the MX-1's faders. This lets you utilize the recording, clip triggering, effects, and mixing functions of your DAW along with the MX-1's cue monitoring, sync, and performance-optimized mixing and effects capabilities. It's mind-bending stuff. Just take a moment to imagine the possibilities. While the MX-1 obviously makes working with a computer way more fun, it's just as happy on its own. So whether it's full hands-on control of your DAW or completely out-of-the-box production and performance, the MX-1 is right at home.

The MX-1 is so much fun to play that you're bound to want to plug all kinds of things into it. Four individual 1/4-inch jacks support just about any kind of instrument, and the stereo 1/8-inch jack is perfect for smartphones, tablets, and various gadgets. There are also four AIRA Link USB ports that make connecting your AIRA gear literally plug and play. With fully automatic detection, AIRA Link USB ports transmit audio, MIDI, and sync over a single USB cable. One of the ports can even provide bus power for a compatible AIRA device like the TB-3 Touch Bassline or VT-3 Voice Transformer. AIRA Link reduces cable clutter and makes setup fast and simple. The MX-1 is also fully time aware and gives you hands-on control of start, stop, tempo, and timing. Sync an array of musical devices over MIDI or AIRA Link. Control everything with the brightly lit TR-style start/stop button and large tempo knob with fine adjustment, shuffle control, and tap function.
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 2 in stock $360.75
Cat: 570741 Rel: 15 Sep 15
 
2 channel professional DJ controller designed for use with iOS/Android devices & Mac/PC systems
Notes: Cross platform controller: Made for iPad, Android & Mac:
The BeatPad 2 from Reloop is the only professional and truly reliable cross-platform controller that is able to completely utilize the full potential of the award-winning DJAY 2 mixing software from Algoriddim.
Based on the original BeatPad controller, which quickly established itself as an affordable yet professional DJ tool for "Smart-Device DJs", the BeatPad 2 works plug-and-play across all platforms. Whether you're using DJAY 2 on your iOS or Android device, or using DJAY Pro on Mac - the integration is seamless and completely stress-free. No other hardware offers such versatile support, and inside the box with the BeatPad 2 are USB, Apple Lightning and Android OTG cables.

New, multi-sensorial pad mode section:
Slicer, loop, sampler and dynamic multi-effect control are just a few of the new, exciting remixing possibilities that can now be controlled directly via the BeatPad 2.The touch-sensitive drum pads with smart RGB illumination give you visual feedback for the selected mode so you know exactly what you're doing.

Colour-coded hot cue & sampler mode:
Matching the colours of the software, 8 cue points and 6 samples per deck can be triggered straight from the BeatPad 2's control surface.

Auto-loop / Bounced loop mode:
With Auto-Loop it is possible to activate an automated loop in 8 different lengths via the performance pads. Bounce Loop fires 8 different loop rolls with the touch of a button.

Touch FX / Jog FX mode:
Touch FX and Jog FX mode are two new, creative options for mixing with DJAY 2's extensive effects section. In Touch FX mode you can define and dynamically use a total of 8 different FX presets via the performance pads. The effect's intensity is influenced by the pressure applied to the pad.
Jog FX mode offers the possibility to modulate two effects via the jog wheel. This way, effect parameters as well as the dry/wet intensity can be adjusted with optimum accuracy. The pulsing multi-colour LEDs at the jog wheels' edge give you visual feedback regarding effect selection and parameter adjustments.

Slicer / Slice loop mode:
BeatPad 2 is the first controller on the market that can directly control DJAY 2's Slice and Slice Loop mode. In Slicer mode, the track is divided into short segments that allow spontaneous remixing. In Slice Loop mode, loops can be deconstructed in the same way.

EQ preset switch for filter / 3-band EQ:
Thanks to the flexible EQ preset switch on the device's rear side, each channel can be adjusted according to the DJ's individual requirements. You can either switch the dedicated filter in the channel strip to a low and high pass filter, or expand the mixing surface to include a 3-band EQ.

Harmonic mixing:
With the key lock tool, a track's tone pitch can be kept when changing the tempo. For harmonic mixing, the key match feature automatically adjusts the key to mirror the current track.

Mox millions of tracks with Djay & Spotify instantly!
With Algoriddim's DJAY 2.5 update, you can have all your favourite artists, current charts and personal playlists always with you thanks to the seamless Spotify integration*. You can mix millions of tracks instantly with your BeatPad as if the music would be on your iOS device! No big storage drives or a large music library management are necessary any more. Also, finding the perfect next track to mix has never been easier: With the new Match feature, an innovative, first-of-its-kind feature that recommends tracks that go well with what the DJ is currently playing - allowing users of any skill level to create professional sounding mixes. Match provides unprecedented track recommendations based on danceability, BPM, key harmony, music style, and how well the song mixes with the currently playing track.

Advanced track management:
Track preview is now possible within the browser function without needing to load a track, while 'Queue List' represents a virtual waiting queue where tracks can be dropped on the fly. With the library switch button you can quickly change between the built-in and Spotify libraries. BeatPad 2 also allows for editing of beat grids from the hardware. The start point can be reset via the jog wheel, if the beat does not accurately match the grid.

Connections:
Connections are also well thought out with two headphone connections on the front side, two master outputs (XLR and RCA) and even an aux input for iPod, CD player or turntable on the back of the device.

Beatpad 2: Mix Beats with any Device!
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 2 in stock $462.34
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quote 570741
Landscape Stereo Field Instrument (synthesizer/audio processor)
Cat: 642532 Rel: 21 Sep 17
 
Touch plate synthesiser & audio processor
Notes: STEREO FIELD is an instrument which allows its user to manipulate and patch two analog stereo circuits directly via touch plates utilizing skin conductivity as new paths for the circuit to follow essentially creating new circuits and new sounds in relation to where your fingers are patching. The individual touch plates are directly connected to nearly every connection point of every component in its circuitry (located directly under each corresponding touch plate). When touched, it will create analog synthesized audio with either of the two mirrored circuits represented by the interlocking circles. These parallel mirrored circuits can be "patched" separately or together yielding vastly different results in regards to texture, timbre and stereo imaging.

This instrument has the ability to create atonal synth tones in stereo (and quad) as well as process incoming stereo audio (and quad) sources via 1/4" and 3.5mm ins and outs. Incoming audio sources can be "patched" or rewoven into any area of either or both of the circuits via skin contact. The input volume knobs shape and effect distortion and drive amounts and behave slightly differently when given a mono input signal versus a stereo signal. The quad inputs and outputs via the 3.5mm jacks have small touch plates leading to and from allowing for touch access of each of the 4 inputs and 4 outputs. If multiple audio signals are traveling into the Stereo Field these audio sources can be intermingled and can modulate one another. Sending CV signals into the 3.5mm input jacks will open up many more possibilities both in terms of synthesized sounds and audio processing.

The Stereo Field can also be used as a sort of lo-fi controlled random source when using the 3.5mm outputs to send CV to your modular system. Due to the nature of feedback and finger patching the 4x available CV signals have the ability to get incredibly complex in nature (see audio examples below in use with a euro-rack system). Because of the open nature of Stereo Field it can both send and receive CV modulation simultaneously. In addition, this can all be happening while your finger patching is changing and altering the incoming and outgoing CV while also processing incoming audio. These ins and outs can also be patched together with cables for sustained tones with the pitch/rhythm/volume/cutoff being affected by adjusting the incoming and outgoing volume knobs in various settings. Inter-patching in this way will also allow for sustained pulse beats and filter like sound shaping in addition to bringing new results to patching via the touch plates. Most importantly, processed audio and synthesized audio are available simultaneously with the ability to influence and modulate each other. This will often blur the lines between the two; who is manipulating who? who comes out on top as audio and who is modulation? This can be a constantly evolving cycle based upon where the performers fingers are placed and highly sensitive skin contact or "pressure" changes.

The sound is sometimes easy to describe; (distortion, filtering, feedback, square wave, pulse width modulation, rhythms, wave-folding, frequency modulation, amplitude modulation, spacial shifts, panning, sub octaves, pitch following) but most of the time these definitions fall "between effects" or in combinations of multiple effects that can be shifting, feeding back or pulsing in sync with incoming audio during processing. Since the user is directly touching analog circuitry through copper touch plates, shifts in pitch/timbre/stereo/drive/modulation can be accessed instantly. The stereo (or quad) imaging of the instrument is both influenced by feedback and modulation in regards to where your fingertips are patching along with modulation caused by incoming audio content. In addition to the sheer number of patching and finger pressure combinations available, the instrument has shown theremin-esque properties in certain settings due to the large surface area of the gold plates. To bring this even a step further it the synth tones can be triggered by only breathing on the plates using breath control to sculpt the audio.

*PLEASE NOTE: COMES WITH US 2-PIN POWER SUPPLY - MAY REQUIRE ADDITIONAL ADAPTER*
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 2 in stock $370.70
Cat: 482729 Rel: 23 Feb 13
 
Shielded, selectable frequency response dynamic vocal microphone, comes with close-talk windscreen
Notes: The SM7B dynamic microphone has a smooth, flat, wide-range frequency response appropriate for music and speech in all professional audio applications. It features excellent shielding against electromagnetic hum generated by computer monitors, neon lights, and other electrical devices.

The SM7B has been updated from earlier models with an improved bracket design that offers greater stability. In addition to its standard windscreen, it also includes the A7WS windscreen for close-talk applications.

The rugged construction and excellent cartridge protection makes it perfect for multiple uses and environments. Yoke mounting with captive stand nut for easy mounting and dismounting provides precise control of microphone position.
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 3 in stock $347.91
Cat: 677052 Rel: 15 Feb 18
 
Pocket Operator synthesiser set, including PO-32 Tonic, PO-33 K.O, PO-35 Speak, 3 cases & 3 sync cables
Notes: Complete set with all three micro synthesizers from the Pocket Operator Metal Series. PO-32 Tonic drum machine, PO-33 K.O micro sampler and PO-35 vocal synthesizer, including pro cases and mini cables for a complete jam set-up in perfect sync.

The third-generation pocket operator family is now complete. Introducing new silver and copper members, both with golden features. Sample anything, anywhere, with the new pocket operator PO-33 K.O! Record and synthesize voices using eight different engines with PO-35 Speak. Add the unique character of the PO-32 Tonic drum machine to complete your solid metal set-up.

Making electronic music has never been this much fun.

PO-35 Speak:

Vocal synthesizer and sequencer with built-in microphone for 8 different voice character sampling.

PO-33 K.O:

Micro sampler with 40 second sample memory and built-in recording microphone.

PO-32 Tonic:

Drum synthesizer and sequencer with unlimited sounds from micro-tonic VST (sold separately) through data transfer.
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 1 in stock $313.83
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quote 677052
Cat: 624262 Rel: 24 Jan 17
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - white
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
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 2 in stock $480.65
Cat: 624263 Rel: 30 Nov 16
 
Tabletop analog synth module based on Korg's revived Arp Odyssey synthesiser - black
Notes: Legendary sound that connects the past with the present - reborn again as an analog synthesizer module.

Since its appearance in 1972, the ARP Odyssey has been loved by countless musicians as a classic analog synthesizer. Forty years later, in 2015, with the advisory assistance of David Friend, co-founder of the ARP Instruments company, KORG resurrected the ARP ODYSSEY with a complete reproduction of the ARP Odyssey's original circuitry. The ARP sound, which continues to be envied as an iconic analog synthesizer, was once again back in the hands of today's musicians. Now, KORG has further broadened the reach of the ARP ODYSSEY in today's world by releasing a new model.

The ARP ODYSSEY Module is a keyboard-less ARP ODYSSEY with the very same analog synthesis circuitry that completely reproduces the original. To fit perfectly in today's DAW-centric music production environments, we provide it in a more compact module form. The line-up includes two models, the white Rev1 and the black and orange Rev3, reproducing traditional styling in a cutting-edge tabletop body. The real ARP sound that transcends history is once again available to the world.

An ARP ODYSSEY module that emanates synthesis power from your tabletop:

The ARP ODYSSEY Module is a tabletop analog synth module based on KORG's revived ARP ODYSSEY. In its compact, keyboard-less body, it contains the exact same circuitry as the original, making it even easier for you to obtain that rich analog sound that only a genuine ARP ODYSSEY can produce.

By adding the ARP ODYSSEY Module to their setup, DAW users can enhance their production environment with powerful analog sound that cannot be obtained from any plugin. You can also perform in conjunction with a sequencer such as the KORG SQ-1. If you're a player with a keyboard that you prefer, you can connect the ARP ODYSSEY Module via MIDI to your favourite keyboard and play it to your heart's content. In addition, the ARP ODYSSEY Module newly supports MIDI pitch bend.

Lineup includes the historical Rev1 and Rev3 designs:

The ARP ODYSSEY Module lineup includes the best-known Rev3 design with its characteristic black panel and orange silk-screening, as well as the white-panelled Rev1 design that marks this instrument's historic beginning. The unique shape of the slider grips, their smooth operating feel, and the layout of the switches all perfectly reproduce the layout of the original despite the compact module design.

The body, on the other hand, has been redesigned for its new life in module form, featuring a sturdy steel chassis befitting the weighty sounds produced by this instrument throughout its forty-year history.
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 1 in stock $480.65
Cat: 370595 Rel: 20 Oct 09
 
Synthesiser comes with a FREE copy of The Waldorf Edition software, includes D Pole Filter Module, PPG Wave 2.V & Attack
Notes: Offspring from a noble house, the little synthesizer machine with the big and evil sound.

Waldorf is back in the game. With the Blofeld.

This synthesizer offers all the unique qualities that made Waldorf a truly legendary brand.

The engine inside the heavy duty, full metal chassis of the Blofeld delivers the same fat and rich sound that so many Waldorf users worldwide love when they play their pulse, Q, Q+, micro Q, microwave, microwave II/XT, or even the flagship wave.
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MRP:$442.63 SAVE 21%
 2 in stock $350.69
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quote 370595
Cat: 659964 Rel: 13 Nov 17
 
Synthesiser based on the classic Roland SH-101 featuring Analog Circuit Behaviour technology - red edition
Notes: The SH-01A is a meticulous reproduction of the iconic Roland SH-101, one of the most popular classic synthesizers of all time. Analog Circuit Behaviour (ACB) technology reproduces the SH-101's legendary sounds by faithfully recreating the actual behaviour of the original analog circuits, right down to the fine details and odd quirks that have endeared the synth to musicians and producers for decades. The SH-01A builds on the great sounds and creative immediacy of the original, now in the popular Roland Boutique format - offering exciting new polyphonic capabilities, inspiring new performance features, and a level of authenticity that could only come from Roland.

Beauty Through Simplicity:

The now-legendary SH-101 was a seemingly simple monophonic synthesizer launched in 1982. Unlike more complex synthesizers available at the time, the SH-101 quickly became popular for its characteristic tone and simple one-VCO, one-VCF, one-VCA, one-LFO structure. A legion of artists found it quick to program and adept at bright edgy tones and exciting sound effects. Its bass sounds are universally revered, and somehow any sound it produces always just fits perfectly in a mix.

More than thirty years later, the SH-101's hallmark sounds continue to be sought after by electronic artists the world over. It's a staple of vintage synth collectors and well-equipped, world-class studios, and now returns as the inspiration for the SH-01A.

An Inspired, Iconic Sequencer Revisited:

One of the most creative features of the original SH-101 was its 100-note step sequencer. Press Load, add sequential notes with legato and rests, and press Play. Easy. Designed to inspire through simplicity, the SH-101 sequencer has been the source of countless bass lines and lead melodies on legendary dance tracks. But the limitation of playing one sequence back at a time has been resolved with the SH-01A. Now you can save and access 64 sequence patterns, perfect for any performance situation. Recall any pattern at any time, and use the iconic sequencer to control your modular rig, hardware synthesizers, and software plugins via CV/Gate, MIDI, and USB. Let the SH-01A be the heart of your electronic instrument setup, on stage or in the studio.

Portable. Performer:

The simple design of the SH-101 made patch creation immediate, with sounds quickly forming under the movement of each key and slider. But that inspiring sound could vanish as quickly as it appeared due to its lack of patch memory. The SH-01A adds 64 writeable patches that can serve as presets for different tracks or quick starting points for experimenting with new sound designs, making inspiration only a button press away.

The SH-01A takes the original SH-101's portability and stage prowess to a whole new level. It's small enough to take just about anywhere, yet ruggedly built with sturdy knobs, metal-shaft sliders, and solid silver buttons like the original. It has several tilt options for easy viewing in various live and studio scenarios, and can serve as a low-latency, portable audio interface. In addition, it has a built-in speaker, and even runs on batteries. And when mounted in the optional K-25m Keyboard Unit, it can be used as a compact, all-in-one synth with 25 velocity-sensitive keys. With all this power and flexibility, you may be most surprised by the SH-01A's affordable price, which puts the iconic SH-101 mojo within reach of just about anyone.

A is for Authentic:

Original SH-101s are becoming increasingly rare, making them ever more expensive on the used market. Because of this, many have resorted to sample packs, hardware knockoffs, or software plug-ins loosely inspired by the SH-101. The SH-01A accurately recreates what makes the original so special, and the interface, while more compact, is 100% authentic.

The sound is vibrant and alive thanks to proprietary Analog Circuit Behaviour (ACB) technology, which carefully recreates all the details and quirks of the original hardware by modelling each analog circuit, right down to the component level. Face-to-face consultation with the original designers and relentless research beyond the original schematics provides meticulously recreated oscillator, filter, and envelope behaviour - a perfect foundation to build upon for a new generation of '101' fans.

Did You Say Polyphonic:

The SH-101 found its power in a huge monophonic voice for a wide variety of sounds. The SH-01A now has four huge voices, allowing for more modes to expand upon the original's sound palette. On top of the classic Mono mode, you can stack the four voices in Unison mode to add some punch to your bass and lead lines. Chord mode layers any four notes, and can be shifted up and down in semi-tone intervals. Poly mode allows for four notes to be played simultaneously, making the famous monosynth now capable of pads and chords.
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 2 in stock $329.64
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Cat: 718224 Rel: 04 Mar 19
 
Unique 6-track sampler/sequencer with 1GB of sample storage
Notes: Meet the six track groovebox that offers massive sound in a compact size. You get pretty much all of the Elektron superpowers in a sleek, lightweight, and accessible package. Loads of useful presets and loads of space for your own sounds. The controls are right there at your fingertips. A truly plug-and-play bundle of joy!

Packed with great sounds:

The sound engine uses high-quality digital samples. There are 300 preset sounds supplied by Splice, ranging from the familiar kicks, snares, and hi-hats to exotic, never-before-heard ones. With a few tweaks, you can easily personalize any sample until it sounds just the way you want it. Transfer your own samples into it, or use any of the expertly crafted custom sound packs.

Dedicated knobs:

As an Elektron first, this machine offers a complete set of tactile controls, with one function per knob. They're all right there on the front panel; just grab a knob and twist it. Unleash your music spontaneously using the six tough, velocity-sensitive pads. Record your every move live, or punch in your creation one step at a time using the superb Elektron sequencer.

Ready to go:

At under one kilogram, you're getting the benefits of a light and convenient machine that will surprise you with its snarling sonic power.

- Control All lets you twist your sounds to oblivion. Then use Reload to take you back to where you started
- Use Parameter Locks to automate parameters. Each step can have a totally different sound
- Load six samples at once - just like a kit. Great when you have made a Pattern with Parameter Locks, LFOs etc... Load six new samples to instantly experiment and come up with unique and unexpected results
- Write basslines and melodies using Chromatic Mode
- New Chance parameter. Chance determines the possibility whether the sequencer steps on a track are triggered or not. Combining Chance with the Control All functionality can lead to many interesting results and happy accidents
- Record sequences with or without quantization. Steps can be micro-timed with individual Swing control per track
- Individual Step Length per track
- Individual Tempo Multiplier per track
- Class compliant USB audio 2.0

Included in the box:

- Power Supply PSU-4
- Micro USB Cable USB-2
- MIDI adapter (5-pin DIN to 3.5mm TRS minijack)
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$441.28 SAVE 10%
 More than 10 in stock $397.15
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quote 718224
Cat: 624114 Rel: 11 Oct 16
 
Road-ready, studio-quality 192Khz/24bit compatible linear PCM recorder
Notes: TASCAM's top-of-the-line Handheld Digital Recorder, the DR-100mkIII boasts a signal-to-noise ratio exceeding 100dB, delivering the best audio performance in the history of TASCAM portable stereo recorders. Designed to meet the needs of the most demanding audio designers and engineers, this new model combines robust reliability, an updated user interface and studio quality sonic performance to deliver a truly breath-taking audio experience.

The DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. The DR-100mkIII uses two independent AK4558 ADC converters. By eliminating interference between left and right channels, signal-to-noise ratio is maximized and audio fidelity is improved. In addition, each of those AD converters can work in a Dual ADC mode. The two AD converters work in tandem then combine their results for a 109dB S/N ratio, beating the (already excellent) 102dB S/N ratio achieved when recording in standard mode. Note: As the S/N ratio when recording exceeds the S/N ratio of the entire circuit, data recorded in dual mono ADC mode will be limited to a 102dB S/N ratio when played back on the DR-100mkIII. This does not affect the S/N ratio of the actual file, which is maintained at 109dB S/N.

The XLR/TRS inputs, used to connect external mics, deliver the highest sound quality and lowest noise of any TASCAM Handheld Digital Recorder. HDDA (High Definition Discrete Architecture) mic preamps are also included to maintain a pristine audio signal path throughout. The TASCAM DR-100mkIII is a newly designed microphone housing for the directional mics is based on exhaustive research of previous TASCAM handheld recorders and achieves the perfect marriage of protection and performance. Similarly, the omnidirectional stereo microphone setup features a sound pressure level tolerance of 125dB SPL - able to withstand virtually any audio environment.

The TASCAM DR-100mkIII supports high definition recording at both 96kHz/24bit and 192kHz/24, ensuring that remote recordings achieve the same sonic fidelity as their studio-born counterparts. With a dual battery structure that features a built-in high-capacity lithium-ion battery as well as with hot-swappable AA batteries, operation is possible for extended periods of time and is ready to go when you are. Additionally, the DR-100mkIII can be rapidly charged by connecting an AC adapter and even support USB Bus power from an external battery pack commonly used to charge mobile phones and tablets.

TASCAM's exclusive Dual Level Recording function simultaneously records a secondary backup file at a lower gain level than the primary recording. This safety file, recorded at a 12db lower level protects your recording session from unexpected volume spikes and accidental overload. Marrying light weight with long-term reliability, the TASCAM DR-100mkIII's tough aluminium body ensures many years of trouble-free use. The precision of the built-in clock is crucial when digital recordings made on what device are to be used in conjunction with materials recorded on other devices, such as when combining digital audio and video assets. To ensure stability, the DR-100mkIII utilizes the same Temperature-Compensated Crystal Oscillator (TCXO) used in professional studio master recorders. Moreover, the TCXO is not affected by the temperature of the environment, critical for a portable device which must maintain its precision in support of high-quality recording.

Used in a variety of combinations, depending upon the selected function, the DR-100mkIII features dual AKM AK4558 converters with VELVET SOUND architecture, providing both high sound quality and low power consumption, achieving a signal-to-noise ratio of 102dB. When working on location, decisions must be made quickly and efficiently, and an intuitive and consistent User Interface is critical. By gathering feedback from users of the original DR-100 and the mkII, we have been able to add a variety of usability enhancements designed to streamline workflow and help audio professionals achieve success quickly and efficiently.

The user interface has been designed to maximize visual confirmation, and includes a large LCD screen (double the size of the screen on the DR-100mkII), dedicated status LEDs for features such as record levels and status and easy-to-read legends on the casework. Dedicated hardware controls have been implemented for the most commonly accessed features to enable quick, positive operation in the field. Dual format recording function allows simultaneous recording of both uncompressed WAV(BWF) and MP3 files. This provides the user with instant access to both the original, full resolution master file and a compressed MP3 file (with a much smaller file size) for easy emailing or posting to social media sites.
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 3 in stock $313.67
Cat: 667857 Rel: 05 Dec 17
 
Universal controller for all MIDI controllable hardware & software
Notes: PC12 as successor of the PC44 is a universal controller for all kinds of MIDI controllable hardware and software.

You can combine two or more NEW MODULE devices to create a large system. The connections are on the right side to allow a back to back placing of two or more devices. Connect two NEW MODULES by a special extension port.

Furthermore, there are 4 MIDI-ports and one USB-port with various routing possibilities.

It is packed in a metal case with the same dimensions like the famous ELEKTRON devices so it's a great extension for these devices. But you can use the pot controller also with your DAW like a classical 12-track-mixer.

The device has 72 standard pots and 12 buttons in a 12-track-layout, various kinds of MIDI commands like control change, note on/off, pitchbend, aftertouch and program change are possible. You can program every MIDI command for every separate control on the device very fast and easily.

Of course you can assign the pots and keys to any of these commands by learning incoming MIDI commands, which is the same procedure you know from your software/DAW. The pots work with standard resolution of 7 bit to have full compatibility to any software and hardware instrument, effect and DAW. Use the internal 30 setups to save your individual settings. Backup and restore of all settings by sysex dumps is possible too.

The factory settings are perfect to control music and video software products out of the box if they are freely assignable. So any additional device programming isn't necessary for many applications.

Some special setups are preconfigured for use with ELEKTRON RYTM and ABLETON LIVE.

Check out this amazing power box and you will get a reliable mate...
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 5 in stock $446.53
MFB
Cat: 603453 Rel: 21 Mar 16
 
Drum machine with five powerful analogue instruments and two samples sections with 16 different 12 bit sample
Notes: The Tanzmaus drum computer is a further development of our MFB 503. It offers five analogue percussion instruments and two sample sections, each of which have access to 16 samples. Furthermore you can program an alternative sample. A chase sequencer stores up to 64 patterns. You can chain up to 16 different patterns, A/B let you switch or alternate between A and B.

Moreover you can program up to 16 different Flam algorithm. Step length is individually selectable for each instrument - polyrhythms are easy to achieve. 32 steps, 16th or 16th/8th triplets are the basic metrics and 15 different shuffles can be set globally.

Four different accents are available. Five independent LFOs can be used to modulate the pitch of Bass drum, Claps, Tom, Sample 1 and Sample 2. They offer four waveforms and can be programmed independently for each step. All Sound parameters can be recorded in step - or real-time mode. The sequencer sends MIDI notes and can trigger other sound sources.

Tanzmaus sends and receives MIDI Clock. Beside Master Volume each instrument has its own volume pot and mute function. You have five individual outs and one stereo out, Claps are in stereo. The compact chassis is built from steel plate. MFB offer a selection of exchangeable samples from their website (http://mfberlin.de/en/home).

Instrument Parameters:
Bassdrum : Attack Level, Decay Time, Noise Level, Noise Decay Time, Pitch, Tune, Attack Type, Distortion, LFO
Snare: Tune, Noise Level, Noise Decay Time, Tone Decay Time, Attack Type
Rimshot: -
Claps: Filter, Reverb Decay Time, Intensity, Number and Patterns of Attacks, LFO
Tom: Decay Time, Tune, Pitch, Attack Level, Attack Type, Panning, LFO
Sample 1 (Alt) and 2 (Alt): Decay Time, Attack Time, Tune, LFO

*2-pin EU power supply included
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 5 in stock $419.16
Cat: 645125 Rel: 27 Mar 17
 
Open-back studio reference headphones for mixing & mastering
Notes: For decades now, professional users all around the world have placed their trust in Beyerdynamic studio headphones. They remain the number one choice for music producers, sound technicians and broadcast users and are a firmly established piece of equipment in studios worldwide.

The DT 1990 PRO reference headphones combine these decades of expertise in headphone technology with the latest Tesla driver technology in an open-back design.

Thanks to its high-resolution and well-balanced sound the DT 1990 PRO sets new standards, not least in terms of design and workmanship.

Made in Germany:

As with all Beyerdynamic professional studio headphones, the DT 1990 PRO is also handcrafted in Germany. Backed by high-quality materials and meticulous workmanship, this high-end product is a long-term investment.

High-resolution sound:

Power and precision are critical requirements when it comes to sound reproduction. The efficiency of our latest Tesla driver technology is characterised by accurate resolution and high output power. Brilliant highs, a richly detailed midrange and precise bass combine to ensure sublime sound quality that is second to none.
Together with an ingenious open-back design, the high-resolution Tesla drivers ensure a wide, dynamic and extremely natural stereo image. Titanium-coated acoustic fabric and carefully selected precision-woven textiles round off the balanced sound quality.

Maximum wearing comfort:

The perfected design of the DT 1990 PRO combines innovation with decades of expertise in headphone technology. High-tech textiles and memory foam filled ear pads ensure exceptional wearing comfort. Headphones so comfortable you almost forget you are wearing them.

Open back design:

Natural and exceptionally spatial sound is achieved thanks to the open-back circumaural design. The optimised spatial sound reproduction makes the DT 1990 PRO headphones a reliable reference for mixing and mastering applications as well as for critical listening.

Two sound settings:

Choose between a well-balanced sound or analytical sound thanks to replaceable velour ear pads. Both ear pad variants are included to finish off this impeccable studio headphone package.

Durable construction:

The DT 1990 PRO is handcrafted in Germany. From a classy headband through to anodised aluminium yokes, these new studio headphones will impress with their exceptional craftsmanship and careful attention to quality and durability.
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 3 in stock $406.51
Cat: 650848 Rel: 30 May 17
 
2-way active studio monitor - grey
Notes: When workspace is at a premium, don't compromise on quality. With the 8020D, Genelec's renowned accuracy and reliability will fit your project and your space.

The Genelec 8020D is small in dimensions, but big in ambition. The 8020D, introduced in 2017, even delivers 4 dB higher SPL and has a lower energy consumption than earlier models of 8020. Designed to suit the broadest possible range of listening environments, 8020D thrives when space is at a premium, and draws on the innovation of the 8000 Series for an unrivalled near-field experience.

Trust in the colour-free, accurate reproduction of the Minimum Diffraction Enclosure (MDE), while relying on the precise on- and off-axis frequency reproduction of the Directivity Control Waveguide (DCW). And when you're finished, Genelec Intelligent Signal Sensing (ISS) circuitry detects when your system is no longer in use, placing it into an environmentally friendly, power-saving standby mode. From post-production studios to OB vans and DAW-based rooms, the 8020D is your near-field solution of choice.
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 5 in stock $309.90
Cat: 619258 Rel: 05 Jul 16
 
84HP Eurorack case with rugged aluminium construction and wooden side panels
Notes: Durable Eurorack case with super-clean, high capacity power supply:
From studio production to live performance, Eurorack-based modular synthesis has exploded in popularity around the world. For portability, protection, and usability, a quality case and power supply is an essential part of every modular synth rig. With the SYR-E84, Roland introduces its first Eurorack case, which integrates a durable, lightweight design and a super-clean power supply with high capacity for today's power-hungry modules. The SYR-E84 fits AIRA modular electronic instruments such as the SYSTEM-1m, BITRAZER, DEMORA, TORCIDO, SCOOPER, and SYSTEM-500, as well as standard Eurorack modules from other manufacturers.

Featuring a rugged black aluminium enclosure and wood side panels, the SYR-E84 offers top-level looks and performance for modular synth starters and seasoned pros alike. Specially designed for modular instruments, the high-capacity DC supply provides stable, low-noise power that meets Roland's discriminating quality standards, delivering clean and reliable operation you can count on. The versatile case can be used in flat, angled, or vertical positions to meet any working situation, and offers easy stacking capabilities for expanding your setup in the future.
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 3 in stock $300.15
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Cat: 690780 Rel: 26 Jun 18
 
Dual cassette deck for playing, dubbing, or recording 1 or 2 cassettes
Notes: TASCAM's new 202mkVII dual cassette deck is the latest generation of the company's professional cassette recorders. Coveted for their reliable performance, comprehensive feature set, and audio quality, the 202 series has long been the leading choice for recording studios, houses of worship, audio/music enthusiasts, and other professional applications.

The 202mkVII's most noteworthy new feature is a rear-panel USB output that enables recording and archiving cassettes to digital media. A front-panel 1/4-inch, high-impedance microphone input with dedicated level control enables live input to be mixed with Tape 1 audio and recorded, in real time, to Tape 2 for karaoke and voiceover applications. The mic input also can accept line-level signals. In addition to the USB output, the rear panel provides stereo analogue line-level input and output on unbalanced RCA connectors. A 1/4-inch stereo headphone output with dedicated level knob is conveniently located on the front of the unit.

The dual twin-head cassette decks can record and play back independently, including recording simultaneously to create two tapes with the same source. Among other applications, this enables simultaneous creation of a master tape and a copy for distribution, skipping the need to duplicate the master tape. The two decks also provide real-time dubbing at the touch of one button. Tape 1 offers pitch control (+/-12%) and Tape 2 has a Return to Zero function.

The TASCAM 202mkVII offers two playback modes. Normal playback, as expected, routes sound to the line outputs and headphone output. In Special playback mode, you can monitor the sound from one tape using headphones, while the other tape plays through the line outputs, making it easy to cue another tape. A noise-reduction feature (the equivalent of Dolby B) reduces hiss during playback.

The 3U rack-mountable, professional tape deck supports recording and playback of Type I (normal) and Type II (chrome) cassette tapes, as well as playback with Type IV (metal) tapes. A dedicated wireless remote control is included.
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 1 in stock $383.96
Cat: 660628 Rel: 05 Dec 17
 
Professional 2 channel standalone stereo DJ controller with built-in 16-step sequencer & TR-Kit drum sounds
Notes: The Roland DJ-505 is a two-channel, four-deck Serato DJ controller that blends the advanced performance capabilities of Serato DJ with the legendary sounds and sequencing of Roland's TR-808, TR-909, TR-606, and TR-707 drum machines. The DJ-505 gives you the tools to move beyond mixing music to creating beats and rhythms on the fly that sync to your Serato DJ tracks, enabling the creation of unique transitions, live remixes, beefed-up classic tracks, or your own original music.

Like the flagship DJ-808 and compact DJ-202 controllers, the DJ-505 is a powerful and inspiring instrument that allows unparalleled flexibility to DJ, remix, and produce, empowering exciting new approaches to music performance. And with its standalone mixer functionality, narrow footprint, and Serato DVS upgrade path, the DJ-505 is an ideal controller to pair with turntables or CD players.

High-End DJ Controller, Compact Package:

The DJ-505 is a two-channel, four-deck Serato DJ controller packed with features, and the complete Serato Tool Kit is included as well. Its portability, coupled with a pro-grade build and advanced feature set, makes the DJ-505 ideal for mobile applications, club DJing, live performance, and production purposes alike. The built-in 24-bit/48 kHz audio interface and high-end Roland audio conversion for Master and Booth outputs ensure faithful reproduction of audio sources and clear, powerful sound. Balanced XLR outputs let you connect directly to a professional PA system, and you can monitor your mix via the Booth Outs as well as separate 1/4-inch and 1/8-inch Phones jacks. You also have a 1/4-inch TS mic input to add vocals or external instruments to your performance setup. Dedicated Serato DJ controls allow quick creation and triggering of hot cues, loops, TR sounds, sequencer patterns, and samples, plus switching between four Serato decks with the Deck Select button. Use the channel filters or Serato FX (accessible via three FX Select buttons per deck) to finesse blends or accentuate scratches.

The Roland Drum Machine Legacy in a DJ Controller:

From the TR-909's unmistakable hi-hats to the foundation-shaking boom of the TR-808, Roland TR drum machines have defined the sound of entire genres of modern music, from hip-hop, house, techno, and electro in the '80s and '90s right up to the trap music sound of today. Using Roland's patented ACB (Analog Circuit Behaviour) technology, the DJ-505 faithfully recreates the original sound and character of these classic machines, giving you the ability to program and create rhythm tracks using the same sound palette as the world's foremost musical icons.

Included in the DJ-505 are Bass Drum, Snare Drum, Closed Hat, Open Hat, Tom, Rim, Clap, and Ride sounds from the TR-808, TR-909, TR-606, and TR-707, providing a wide range of options to create layered drum sounds and evolving sequences. The DJ-505 also lets you fine-tune your TR drum sounds and samples using Level, Attack, Decay, and Tune knobs, and easily build sequences with the famous step-based TR-S pad interface.

Road-Ready Remixing On the Go:

The DJ-505 gives you the tools to not only mix, but also create new music and rhythmic elements on the fly to truly transform the musical dynamic and energy of your performance. From the simple addition of a booming 808 kick drum to a classic track to programming your own beat combined with an acapella, the DJ-505 makes blending multiple musical elements easy and instinctive. Light and portable with road-ready durability, the DJ-505 combines the best hardware performance and sound quality in its class with new possibilities for creative DJs and performing producers.

Scratch Friendly:

The DJ-505's large, low-latency platters provide responsive, lag-free performance that allows for the same style of scratches executed on turntables, and the illuminated outer rings on the jog wheels indicate the status of each deck at a glance. Plus, the DJ-505's platters have brushed aluminium top plates just like the DJ-808 and DJ-202 controllers, providing both great feel and rugged durability.

Remix, Produce, Perform:

The DJ-505's rich feature set and deep Serato DJ integration empower new creative possibilities for the budding DJ/producer, allowing for remixing, production, and performance all in one compact unit. Use the 16-step sequencer to program drum patterns with sounds from the TR drums or Serato Sampler, and then sync the beats to your Serato DJ tracks to create unique transitions, live remixes, beefed-up classic tracks, or original music. Engage Inst-Rec mode for on-the-fly, real-time sampler sequencing, or use Serato Sampler's advanced capabilities to layer and sync multiple audio tracks or loops within the eight sampler slots. Finally, the DJ-505 includes a MIDI output to accurately sync your external MIDI devices and instruments to the TR-S sequencer.
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 5 in stock $474.55
Cat: 648907 Rel: 06 Mar 18
 
Semi-modular light & sound synthesiser with fully analog core & signal path
Notes: SoftPop is a playfully organic, semi-modular light and sound synthesizer with wide variety of sounds: from random dripping water pops to heavy subtractive basslines. Its fully analog core consisting of a heavily feedbacked system of dual triangle-core oscillators, state variable filter and sample and hold is played through an intuitive interface of 6 faders that provide countless combinations which can be explored by anyone. It can also process external audio thru the filter while using the envelope follower to intuitively synchronise to the incoming signal. Extensive mini patchbay offers lots of reconfigurability and 3 jacks A,B,C can be used to send signals in or out of the patch bay. Battery operation, built in speaker and carrying handle make it the ultimate picnic boombox! The analog soul is enhanced by a quantize feature (auto-tune) and pattern generator with two memories A and B. For adventurous and courageous souls there is a secret chamber in the back for hacking & modding.
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 4 in stock $334.91
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RME Digiface USB Audio Interface (USB audio interface)
RME
Cat: 641232 Rel: 31 Mar 17
 
24-Bit/96kHz digital multi-format interface
Notes: This compact, portable and lightweight audio interface (only 220 g /0.49 lbs) transfers digital audio data in SPDIF and ADAT format to Windows and Mac computers.

The latest Plug and Play technology guarantees a simple installation, even for the inexperienced user. Numerous unique features as well as RME's robust drivers enable a quick, efficient and comfortable operation of the Digiface USB.

The Digiface USB is an extremely compact & portable digital audio interface with 4 optical ADAT / SPDIF I/Os, and an analog high-quality line/phones output via 6.3 mm TRS jack. Continuing the legacy of RME's famous HDSP Digiface, a triple ADAT I/O interface with phones and PCI interface, Digiface USB simplifies connection with USB 2, does not need an external power supply, and even adds another optical I/O, resulting in 32 channels input and output each when using ADAT optical.

The analog output hosts channels 33/34, and can be used freely thanks to TotalMix FX, RME's routing and monitoring solution that knows nearly no limits in routing and mixing (the Digiface USB does not include FX).

Each single optical port can use either ADAT (up to 8 channels) or SPDIF (stereo). While the inputs adapt automatically to the received signal format, the outputs can be individually switched between ADAT and SPDIF operation. Supported are SMUX and SMUX4. Therefore at 192 kHz either 8 channels via 4 x SPDIF or ADAT are possible on both inputs and outputs.

Its small size, weight and bus-powered operation make the Digiface USB extremely versatile and useful. It could even serve as simple headphone amp for mobile use.

Like all the latest RME interfaces, the Digiface USB also includes the powerful digital real-time mixer TotalMix FX. It allows for practically unlimited mixing and routing operations, with all inputs and playback channels simultaneously, to any hardware outputs. The Digiface USB does not have a DSP, so there are no FX available. Still it includes a dedicated Control Room section with Talkback, Main/Phones, fader groups, mute groups, complete remote controllability via Mackie or OSC protocol, and much more.

Here are some typical applications for TotalMix:

- Setting up delay-free submixes (headphone mixes). The Digiface USB allows for up to 17 fully independent stereo submixes. On an analog mixing desk, this would equal 34 Aux sends.
- Unlimited routing of inputs and outputs (free utilisation, patchbay functionality).
- Distributing signals to several outputs at a time. TotalMix offers state-of-the-art splitter and distributor functions.
- Simultaneous playback of different programs via a single stereo output. The ASIO multiclient driver supports the usage of several programs at the same time. When done on different playback channels TotalMix provides the means to mix and monitor these on a single stereo output.
- Mixing of the input signal to the playback signal (complete ASIO Direct Monitoring). RME not only is the pioneer of ADM, but also offers the most complete implementation of the ADM functions.
- Integration of external devices. Use TotalMix to insert external effects devices, be it in the playback or in the record path. Depending on the current application, the functionality equals insert or effects send and effects return, for example as used during real-time monitoring when adding some reverb to the vocals.
- Every single input channel, playback channel and hardware output features a Peak and RMS level meter, calculated in hardware. These level displays are very useful to determine the presence and routing destinations of the audio signals.
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 2 in stock $325.43
Cat: 693407 Rel: 16 Jul 18
 
Compact, versatile drum-synth featuring 17 analogue drum & percussion instruments with built-in 64-step sequencer
Notes: Arturia's best-selling analogue drum machine has been re-designed with a new black and metallic colour scheme.

The striking stylized snippet of "The Creation of Adam" by Michelangelo, one of humanity's finest works of art, is emblazoned across the front panel, and the whole instrument has been decked out with metallic trim.

The Arturia DrumBrute Drum Machine is a compact, versatile drum-synth featuring 17 analogue drum and percussion instruments with a built-in 64-step sequencer. The DrumBrute Drum Machine's portable size makes it perfect for studio and live performances alike, allowing you to incorporate live finger-drumming into your sets and productions. The ergonomic layout and full-size controls allows you generate sounds and rhythms with ease, with 64 built-in pattern memories allowing you to create and store your custom patterns. The DrumBrute also features USB/MIDI and Analog Clock I/O for added versatility.

Analog Percussion:
The Arturia DrumBrute Drum Machine features 17 fully analogue drum and percussion instruments including: two kicks, snare, clap, open and closed hi-hats, high and low toms as well as conga, maracas, rimshot, clave, tambourine, zap cymbal and a reverse cymbal. This wide variety of different percussive instruments allow you to create intricate and interesting rhythm patterns with ease. One of the most unique features is the main output which includes a renowned two-mode Steiner-Parker filter. This filter allows you to add frequency sweep and bass drops with ease. Every drum sound also features multiple parameters that can be tweaked and edited to your desire, allowing you to create your perfect kit.

Portable Design, Ergonomic Layout:
The compact and portable design of the Arturia DrumBrute Drum Machine makes it perfect for taking with you to both studio settings and stage performances. The built-in 64-step sequencer allows you to utilise up to 64 steps, which can be chained together in song mode to create original performances. The DrumBrute's layout features a dedicated button, knob or pad for every features available, allowing you to easily navigate between parameters while eliminating the need for tedious menu selections. Its rugged, chunky pads and sturdy knobs are highly reliable, ensuring optimal durability that will withstand the rigors of transportation and extensive use.

In-Depth Editing:
The DrumBrute features a wide variety of effects and editing tools to add a new dynamic to your patterns and sequences. You can use the natural 'Swing' feature to add extra groove into your sequences, adding subtle time shifts to create a natural feel. The 'Randomness' function allows you to add in sporadic glitches into your sequences, while the Step Repeat, Roller and Looper functions allow you to mix up your rhythm entirely. These advanced features give you full rein over all your sequences and patterns, ideal for live performances.

Ideal For Live & Studio Applications:
The wide range of performance effects and portable size makes the Arturia DrumBrute ideal for both live performances and studio settings alike. The DrumBrute features a variety of digital and analogue connectivity plus sync options including: MIDI, Clock, 1PPS, 2PPQ, DIN24, and DIN48. This allows you to integrate your DrumBrute in your existing setup and work with all your other modular, synth and sequencing units. 3.5mm and 1.4'' headphone outputs are included to accommodate both headphone connection sizes, plus the USB and MIDI connections allow you to use the DrumBrute as a dedicated MIDI interface to control your favourite DAW.
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 2 in stock $332.80
Cat: 676104 Rel: 28 Jun 18
 
20in/24out audio interface featuring 4 class A mic preamplifiers
Notes: Inspired by our 20 years of expertise in analogue hardware design, iD44 is Audient's most powerful audio interface yet. Featuring four Audient console mic pres, class-leading converters, ADAT expandability and more, iD44 delivers the audio performance of an Audient console on your desktop, giving you the professional sound you deserve.

iD44 features four Class-A console mic pres, the same discrete circuit design found in Audient's renowned recording console the ASP8024-HE and throughout their product range. Designed to deliver ultra- low noise and low distortion, the Audient mic pre will provide an accurate reproduction of your source, along with enough analogue warmth to add a bit of character, making it the go to mic pre for any project.

Hear your audio more accurately than ever with iD44's all new high performance AD/DA converter technology. Next generation converters have been designed to deliver optimised dynamic range, ensuring you hear the most honest and natural translation of your recording. Hear subtle detail, make better mix decisions and experience remarkable clarity from the moment you press play.

As well as offering you 4 channels of mic pre, iD44 has two harmonically rich JFET D.I inputs designed to replicate the input stage of a classic valve amplifier. Simply plug in your guitar, bass or synth whenever inspiration strikes and start recording instantly.

Two fully balanced insert points enable you to integrate your outboard gear prior to conversion, letting you quickly insert your favourite compressors, vintage mic pres or EQs. The insert return also gives you direct access to the analogue to digital converters - providing the cleanest signal path possible, making it great for print-backs or integrating outboard analogue line level sources. Whether you're creating vocal chains or processing stems iD44 gives you the flexibility you need.

Comfort, clarity, confidence - Two Independent Headphone Outputs:

Get the most out of your headphones and your artist with iD44's advanced headphone amp technology. Whether you're tracking an artist or working on a mix, iD44's two stereo headphone amps have been designed to provide enough power for your headphones to perform to their highest potential. Set up two separate cue mixes through iD44s independent stereo outputs, each driven by their own DAC - giving you incredible depth and accuracy at all times.

Console Style Monitor Control - The Power of Simplicity:

Taking inspiration from our heritage in analogue console design, iD44 features a range of flexible monitor control functions including dedicated talkback, cut and dim buttons along with polarity, mono, speaker select and cue mix monitoring.

All monitoring functions can be assigned to three programmable function buttons. No more time spent searching for software controlled features or scrolling through menus, just assign the monitoring functions you need and quickly take control of your session. Real hardware control at your fingertips.

Software you can rely on:

iD44's all new mix focused software the iD Mixer has been designed with simplicity and elegance in mind. Create up to four stereo artist cue mixes, name and customise channels, save layout presets, assign hardware function buttons, quickly setup advanced routing, use presets in standalone mode and more. Tightly integrating hardware and software, the iD Mixer makes the recording process easy giving you total control and reliability where you need it most.

Communication is key:

iD44's new dedicated talkback technology enables you to utilize any audio source connected to your computer such as a built in or USB microphone as your talkback mic, freeing up valuable mic pres while offering an effective talkback solution no matter where you are.

Hardware for your software:

With a touch of a button iD44's volume encoder becomes a virtual scroll wheel, enabling you to take control of your DAW, plug-in parameters and more - just like you're adjusting a piece of hardware. Quickly dial in settings, adjust faders or even write in automation without spending hours staring at a screen.

USB connection:

iD44 comes with both a standard USB cable and a USB Type-C cable enabling you to connect to any USB compatible Mac or PC supporting USB 2.0 or above.

Quality deserves protection:

Unlike many interfaces on the market iD44 has an all-metal construction, meaning it will stand up to those countless late nights in the studio and days on the road. From its hand finished aluminium knobs to its high grade component selection, iD44 matches professional sound with precision engineering and the end result is stunning.
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 5 in stock $477.08
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MFB
Cat: 648352 Rel: 30 Aug 17
 
Module version of the Dominion 1 analog synth with dual VCO's & morphing waveforms
Notes: Dominion Club is a monophonic synthesizer with an analog sound engine and a supplemental digital oscillator. The oscillators' and LFOs' waveforms can be seamlessly blended. In addition, Dominion Club offers 99 memory locations, a step-sequencer, an arpeggiator as well as comprehensive MIDI control.

Small instrument with huge sound:

The Dominion Club is a more compact version of the keyboard synthesizer Dominion 1. It features two VCOs plus sub oscillators, a digital sound source and a noise generator. Additionally, there are Xor and sync stages. The synthesis section is followed by a -24 dB multimode filter with self-oscillation. The modulation department is composed of two ADSR envelopes and two LFOs with one-shot and reset options. Furthermore, the Dominion Club comes equipped with an Arpeggiator and a sequencer. The latter offers two modes of operation plus motion recording. Oscillators, LFOs and filter possess morphing capabilities.

In use, the Dominion Club shines with powerful, rough sound. Thanks to its flexible synthesis system, the instrument is extremely versatile.

In short: A top class compact synth.

PLEASE NOTE: Supplied with Euro 2-pin mains plug - may require 3-pin converter.
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 5 in stock $454.97
Cat: 635572 Rel: 01 Mar 17
 
Lightweight, custom made flight case for the Pioneer DJM-450 & XDJ-700
Notes: When you hit the road, you want the best protection for your gear. Lightweight, durable and custom-made for your DJM-450 and XDJ-700, the FLT-450SYS is the safest way to get your DJ equipment from A to B. Plus it includes a removable cable cover that gives you easy access to your cables and connectors.
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 2 in stock $378.09
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Cat: 430178 Rel: 04 Jul 11
 
Portable USB 2.0 interface with 10 inputs & 10 outputs
Notes: With 10 inputs & 10 outputs, 8 VS preamps and superb 24 bit/192 kHz audio quality, the Roland UA-1010 Octa-Capture interface sets a new standard in portable USB 2.0 audio interfaces.

Designed for high-level audio production, the Roland UA-1010 combines premium components, Roland-quality engineering and proprietary preamp and streaming technology. With its compact design and pristine audio quality, the Octa-Capture interface is not only the perfect interface for multi-channel computer-based production, but also a great solution for expanding the input/output capability of the V-Studio 700 and V-Studio 100.

Brimming with quality and performance that punches above its size and price, the Roland Octa-Capture interface is the next-generation audio interface.
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 1 in stock $461.29
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quote 430178
Cat: 712747 Rel: 03 Dec 18
 
12-out USB 2.0 audio interface with dual computer connectivity & MIDI host port
Notes: For those who rely on live computer audio & MIDI, and need a bulletproof, fail-proof solution for control and playback of backing tracks, virtual instruments or anything else you can think of, PlayAUDIO12 is the solution.

PlayAUDIO12 won’t let you down. Designed by touring musicians and engineers, PlayAUDIO12 is purpose-built for professional on-stage use. Your audience won’t accept compromises, and now you don’t have to either.

12 ultra-low noise outputs bring studio quality interfacing to the live arena. Need more outputs? No problem! PlayAUDIO12 is easily linked with additional PlayAUDIO12 interfaces, giving you connectivity which grows with the needs of your production.

PlayAUDIO12 enables you to add a second computer for redundancy / failover protection. PlayAUDIO12 automatically detects if a computer fails and, in a flash, automatically switches to another synchronized computer.
Forget the expensive, complex systems that have gone before, PlayAUDIO12 does it all seamlessly in one compact, elegant, and affordable box. With PlayAUDIO12 you need never suffer the embarrassment of a silent show, ever again.

At iConnectivity, we’re world leaders and innovators in MIDI connectivity, and we’ve put everything we know about MIDI into the PlayAUDIO12.

Connect up to 8 MIDI Class Compliant controllers and sound modules, or even more MIDI interfaces using the unique iConnectivity USB MIDI Host port.

Create a MIDI network across long distances using the built-in PA12 Ethernet interface, ideal for large stages.

PlayAUDIO12 puts MIDI control over your performance how and where you need it.
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 1 in stock $451.80
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quote 712747
Cat: 448485 Rel: 23 Feb 12
 
Condenser microphone for recording vocals, acoustic instruments and percussion
Notes: The Rode NT2000 is the world's first large diaphragm condenser studio microphone with seamlessly variable polar patterns, filter and pad located conveniently on the microphone body.

The NT2000's state of the art surface-mount electronics combined with the Australian designed and manufactured HF1 Capsule, provide extremely low self-noise (7 dBA) and a maximum SPL of 147 dB (157 dB with pad fully engaged) ensuring exceptional results and the ultimate in recording creativity.

http://www.youtube.com/watch?v=c2ZaOHXHdas
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 1 in stock $403.06
Cat: 421631 Rel: 31 Mar 11
 
Hybrid FireWire/USB 2 .0 audio/MIDI interface with 6 inputs & 6 outputs for personal recording & mixing
Notes: Thanks to Motu's hybrid interface technology, the Audio Express connects to any current Mac or PC via FireWire or high-speed USB 2.0. Connect your mic, guitar, keyboard and digital input, then you are ready to make pro-quality recordings in your personal studio.

You can quickly balance the levels of your mic, guitar, keyboard and a S/PDIF device right from the front panel. Each instrument has its own volume control. Route inputs directly to any output pair, each with its own unique mix: main outs, line outs, S/PDIF out and phones.

The Audio Express interface is designed to be simple to use, so that you can focus on your music and performance. Connect your powered speakers, plug in your instruments, adjust their volumes with the front panel knobs, and then double-click to install the drivers. What could be easier?

The Audio Express interface delivers Motu's renowned and award-winning audio interface technology to your personal studio with pristine audio quality, advanced engineering and rock-solid performance.
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 1 in stock $343.32
Arturia V Collection 6 Software (boxed) (virtual instrument software)
Cat: 672790 Rel: 21 Dec 17
 
Ultimate collection of vintage keyboards & synthesisers, comprising of 21 virtual instruments
Notes: The ultimate synth, organ, piano, and performance keyboard anthology. 21 seminal instruments, supercharged, and at your command.

Bringing together over 100 years of landmark keyboard instruments in one software package, the sounds behind every hit, every genre, and every musical movement are now at your fingertips. Painstakingly recreated in beautiful detail, every single instrument in V Collection 6 will blow you away.

Using advanced technologies, easy-to-use graphical interfaces, and a strong focus on presets by working with some of the world's best sound designers, V Collection 6 will give you the inspiration you've always dreamed of.

Whichever instruments you use you can be sure of one thing: Arturia paid tribute to the original machine, built upon this legacy, and added a new generation of features opening new possibilities to the contemporary musician.

Fabulous Four:

Pooling together the combined knowledge, talent, and musical vision of many of the world's finest sound designers, your new instruments will sing straight out of the box.

Buchla Easel V:

Don Buchla's leftfield analog synth from 1973, the Music Easel changed the way people created sounds with performance-focused parameters, putting the focus on the artistry of being a recording artist. Perfect for exploring alternative sound design, creating ambient, widescreen textures, and unfamiliar sequences. Taking Buchla's experimental vision one step further, Arturia have incorporated Gravity, a physics-based synth engine into their software recreation, letting you take music where no one has gone before.

DX7 V:

The Yamaha DX-7 needs no introduction, and its legacy is felt in charts around the world to this day. If you've ever listened to the radio, watched a film, or owned any 80s records, you'll have heard the DX-7. Notoriously tricky to program, Arturia's recreation simplifies the process by vastly improving the interface, and expands its synth capabilities with a mod matrix, customizable envelopes, extra waveforms, a 2nd LFO, effects, sequencer, arpeggiator, and more.

CMI V:

Known as the mother of all samplers, and a groundbreaking additive synth, the Fairlight CMI truly redefined pop music production following its release in 1979. Arturia's recreation builds on the features of the original by providing 10 multitimbral, polyphonic slots to design your sound, real-time waveform shaping, effects, a sequencer, and even a brand new "Spectral" synth that can scan and mix sections of audio, letting you create your own wavetable synth sounds.

Clavinet V:

Arguably the most famous, influential electric keyboard of all time, the legacy of the Clavinet is everywhere. Released by Hohner in the mid-60s, its funky, energetic tone gave life to myriad genres over the decades. From disco to R&B, prog rock to pure, unadulterated pop, the percussive, soulful sound of this legendary performance keyboard is reborn in Clavinet V. Arturia's physically modelled recreation lets you dig deeper into the instrument, changing the physical properties of the instrument, and adding classic amp and effects combos into the mix.

Developments:

V Collection 6 not only includes new instruments, but features major updates to the other included instruments. That equates to a complete collection of 21 vastly different yet powerful tools to craft your next audible masterpiece.
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 1 in stock $335.96
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