Back catalogue: All genres

Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Notes: This specially designed stand for Elektron Digitakt / Digitone is attached from below to the equipment’s chassis, utilizing its universal VESA mounting points, enabling the use of the equipment in a much more ergonomic inclined position.

By swapping the position of the feet, it is possible to use the equipment in two different positions: lying down and upright.

It can be set up in a matter of seconds and weighs just a few grams.

Each stand features a groove to accommodate silicone feet to prevent the equipment from slipping or scratching.

Includes both side stands, screws for installation, and silicone feet.

Notes: Protective cover and inclined stand. All in one piece. On one side, it's a cover that protects the OP-1, shielding keys, screen, and knobs. But leaving the side connectors uncovered, so you don't have to unplug it to cover it.

It also provides the option to use it as an inclined stand for the OP-1, simply by reversing its position. Fitting snugly around the perimeter of the synthesizer.

The cover is decorated to resemble the recording view of the OP-1.

***The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

***Please note: The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: ***B-STOCK: Slight surface marks ***


If you're looking for a stylish and effective storage solution for your expanding record collection, look no further than the Legend Vinyl Storage case with fold-down front and back flaps. Browsing a large number of albums has never been simpler with this easy-access storage solution. Our LP case has been engineered to balance perfectly so it won't topple over.

Display next to your turntable to access your vinyl collection or use as portable storage, this solid and durable 'flight style' LP case is perfect to pick up and go. If you take your vinyl with you or even want to move them from room to room, this case gives ultimate protection and is built to last! Solid wood 5mm frame and Reinforced handles will support up to 15kgs.

Comfortably fits a mix of up to 50 single and gatefold LPs.

Features:
Unique folding front and back flaps for quick and easy access to your LPs
Outer dimensions 37 x 3 x 23 cm will hold a mix of up to 50 single and double LPs
Easy grip, sturdy handle supports up to 15kg - won't buckle or break
5mm solid wood frame offers maximum protection for your LP collection
Fully lined inner with reinforced corners and hinges

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Third-generation version of NI's outstanding MIDI controller keyboard updates what was already a winning formula. Here in the 49-key version, offering outstanding control of software and immense playability.

Suppliers notes:
An intelligent keyboard controller in three size options, designed to be at the core of any studio. Virtual instruments meet the real world with seamless Kontakt integration and a high-resolution screen. Plus, polyphonic aftertouch delivers intuitive parameter control across all three models, in combination with weighted, hammer-action keys in the S88. All contained in an overhauled design that looks incredible and is built to last.

Dimensions: 802.2 × 323 × 86 mm
Weight: 5.5 kg

Thousands of instruments made real Virtual instruments are brought to life in a genuinely immersive experience. Whatever you're playing, get in-depth control and integration through advanced NKS technology. Find sounds quickly with intuitive on-screen navigation. Then fluidly adjust and play them thanks to intelligent auto-mapping. This unparalleled direct connection means you can play completely real-feeling Kontakt instruments, plus thousands of partner sounds, instruments, and effects, with no interruptions to your workflow.

Polyphonic aftertouch

Take expression one-step further and instinctively control parameters with the slightest pressure on each individual key. Modulate cutoff, pitch, vibrato, and much more without reaching for an extra control. All three models have an industry-leading keybed, developed in collaboration with Fatar to deliver the best possible polyphonic aftertouch experience.

Hardware specification

1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminium, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

Included software

Komplete Select
Komplete Kontrol Software
Stradivari Cello
Guitar Rig LE
Elements Suite
Hypha

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI
mode)
Windows 10 (latest service pack) or higher
8 GB RAM
An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Notes: The SC27 is a high-quality SuperSpeed USB-C to USB-C cable designed to connect devices that require fast data transfer speeds to your computer. It measures 2 metres in length and is capable of 5Gbps transfer speeds and 60W power delivery, making it ideal for use with high-performance devices. Available in a range of colours, including black, orange, red, purple, pink, green and blue.

High-quality SuperSpeed cable with up to 5Gbps data transfer and 60W charging
2m (6'6") long
Output Connection: USB-C
Input Connection: USB-C

Weight (grams): 28.7g
Dimensions (millimetres): Length: 2000mm

Notes: The VESA Mount is a sturdy adjustable mount for products fitted with VESA mounting screws, such as the RODECaster Pro II and RODECaster Duo. It features a locking ball head that can rotate 360 degrees for easy manoeuvring of the device in any orientation.

The mount attaches to any standard microphone stand or studio arm, and is the perfect way to position your device in a range of scenarios.

Note - not compatible with the original RODECaster Pro.

Suits both 100 and 75mm VESA mounts
360-degree ball head mount
Easy-to-use cam to lock in any position
Attaches to any standard microphone stand or sudio arm

Mechanical specifications

Weight (grams): 400g (including screws)
Dimensions (millimetres):
Length: 140
Width: 140
Height: 90
Compatible RODE Products: RODECaster Pro II, RODECaster Duo

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: The third and most especial edition in the latest selection of versions of the reissued LP by Alonso Toro, Paul Desenne, and Pedro Vasquez - Alzheimer. Coming hot on the heels of an original, as-it-was reissue as well as a gemmy Ricardo Villalobos rerub, this deluxe edition comes in a beautiful yellow and lilac LP box, and features the latter's two remixes as well as an exclusive Wetsuit Je Me Souviens version. A curio of the Venezuelan vanguard, the album was recorded between January 1997-99, and hears the fabled trio of musicians "forget everything" that came before, enlisting the recorded help of every member of the animal kingdom - from mammals to insects - and shooting squarely for a whole new sound-world-order in the process. Sonically flowing between heritage Latin music and minimal electronica, the purpose is to confuse and the effect is indeed confounding, though no less dazzling.

Review: This is a very special and exclusive new version of what is a sonnet cold classic album from the annals of jazz history. Few albums hold the prestige of Getz/Gilberto which was released in 1964 and is a special collaboration between saxophonist Stan Getz, guitarist Joao Gilberto, and composer Antonio Carlos Jobim which very much represents a pinnacle moment in the fusion of jazz and bossa nova. Across its ten tracks, the album weaves a mesmerisng tapestry of melody and rhythm, casting a spell that continues to captivate listeners over half a century later. At the heart lies the symbiotic relationship between two musical giants: Stan Getz, the virtuosic tenor saxophonist renowned for his velvety tone and lyrical phrasing and Joao Gilberto, the Brazilian guitarist and vocalist whose soft, intimate delivery epitomizes the essence of bossa nova.

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

Whats's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's Included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

6x Super Knobs, 3x Fader Pro, 1x Magvel Fader Pro

Fits:

"DDJ-200, DDJ-400, DDJ-FLX4, DDJ-REV1
DDJ-SB, DDJ-SB2, DDJ-SB3, Denon Prime 2, Denon Prime GO
Denon SC Live 2, Hercules DJControl Mix, Hercules RMX, Rane One
Rane Seventy, Rane Seventy A-Trak, Reloop Elite
Reloop Ready, Roland DJ-202, Traktor Z1, Traktor Z2, XDJ-RR, DJM-S5, DJM-S7"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "
Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90O Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits:

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included:

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits:

"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits
"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: "Transform your musical experience with Chroma Caps - vibrant, tactile, coloured knobs and faders for ultimate control. Chroma Caps are designed by real DJ's and musicians who know what you need to elevate your control, offering a personalized touch to your setup. Whether you're a seasoned pro or a budding enthusiast, Chroma Caps bring a new level of creativity and functionality to your DJ gear. Upgrade now and unleash your unique style on the decks!"

What's included

12x 90 degree Super Knobs, 5x Fader Pro, 3x Magvel Fader Pro

Fits
"Allen & Heath Xone:42/62/92, Allen & Heath Xone:4D, Allen & Heath Xone:DB2/4, Allen & Heath Xone:PX5
Pioneer DJ DDJ-1000/SRT, Pioneer DJ DDJ-1000SRT, Pioneer DJ DDJ-SZ2, Pioneer DJ DJM-700/750/800
Pioneer DJ DJM-900NXS/2, Pioneer DJ DJM-A9, Pioneer DJ DJM-S11/SE
Pioneer DJ DJM-S9, Pioneer DJ Opus Quad, Pioneer DJ XDJ-RX/2/3
Pioneer DJ XDJ-XZ, Pioneer DJM-V10, Traktor Kontrol S3"

Super knob base diameter: 14.2 mm x 19.6 mm tall
Faders/Fader Pro: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Magvel Pro Fader: 22mm long x 12mm wide x 14.25mm tall (improved fit for P-Lock Pioneer faders)
Weight: 0.01 lb / 0.005 kg

*** Please note: the mixers and turntables are not included, they are shown in the photos for demonstration purposes only. ***

Notes: Classic, OG UR logo T-shirts, bearing the legend "Music That Never Surrenders".

Quality, ultra-cotton T-Shirt.

Official UR merchandise.

Notes: Maggot Brain Issue 16: Spring 2024

This is a really packed, special issue of Maggot Brain, with the feature cover story a comprehensive interview by celebrated writer Sasha Frere-Jones with essayist, Lucy Sante (who's written for every issue of MB since the start), on the occasion of her awesome memoir about transitioning, I Heard Her Call My Name.

Phill Niblock: A tribute to the genius musician, filmmaker, label head, and generous promoter of ecstatic sound, by Steve Silverstein.

Tresa Leigh: An in-depth feature on the star of Efficient Space's beloved Ghost Riders compilation! Really a beautiful, untold story.

Dredd Foole: As his legacy is revealed through Corbett vs Dempsey's archival series, Foole talks to Six Organs of Admittance's Ben Chasny about the role of his band the Din in the Boston underground. Plus sidebars from Christina Carter, Kris Price, and Phil Milstein.

Loopsel: Mike McGonigal on some of the most elusive, beautiful contemporary music, straight out of Gothenburg.

Jeff Noon: An illuminating interview with the British speculative writer on his newest work as well as the 30th anniversary of the stunning Vurt.

Sleater-Kinney: 30 vital years of uncompromising music, by none other than Audrey Golden!

Hudson of Feature Inc.: A celebration of the most innovative gallerist of our lifetime on the occasion of the Soberscove Press book about his work and life.

Shabazz Palaces: The creator of vital, spiritual hip-hop beautifully interviewed by Detroit-based musician and writer Zachary Weedon.

Birtha: Nate Carson's in-depth feature on the pioneering, all-women boogie-choogle act.

Shonto Begay: One of Maggot Brai's favourite contemporary writers, JD O'Brien, in deep discussion with the great Native American painter-with particular emphasis on how his works engage with and are influenced by music. This piece alone is so well-written and illustrated it's worth buying the issue for.

Some columns: The debut of archivist Andy Zax's fabulous 'Extinctophonics' column! Cassette reviews, plus copious book and record reviews as well! Ana Gavrilovska on Detroit-based jazz duo Balance! Nate Carson on the Earth documentary, in the debut of the music documentary column! The latest Icons column finds Michelle Dove exploring the work of Chicago's beloved Douglas McCombs! 13 Questions for contemporary folk great Lael Neale by Mike McGonigal! And more Lucy Sante!

Notes: The top cover story this issue: the Futuristic Sounds of the Yardbirds; writer Peter Stanfield explores their change of direction in 1965, their rivalry with The Who and lots more. Also featured: Detroit rock pioneers the Chosen Few, the band that spawned future members of SRC and the Stooges, the compelling story of UK '70s punk outsiders the Subway Sect as told by guitarist Rob Symmons; '70s power pop princes the Paley Brothers; Viennese proto-punk anarchists Novaks Kapelle; the sixties adventures of Matthew and Daniel Moore (the Moon, Colours, Matthew Moore Plus Four); and a fascinating study of the beat music industry behind the Iron Curtain during the Cold War. Plus: Moby Grape, the Ascots, Cyril Jordan on Little Richard, and our meticulous review sections, covering all the latest vinyl and CD reissues, and rock 'n' roll-related books. (152 pages)

Notes: Inside our brand new issue:

Still House Plants: London's post-post-punk trio use deconstructed songform to tap emotions others cannot reach. By Frances Morgan

FUJI|||||||||||TA: Pulling out the stops with homemade pipe organs. By Antonio Poscic

Cheer-Accident: Thymme Jones's motley crew of Chicago outsiders flip the conventions of the rock band. By Peter Margasak

Lolina: One half of influential duo Hype Williams explores a comic book dystopia in new project Unrecognisable. By Claire Biddles

NikNak: The British musician turns the tables on sound art. By Tayyab Amin

Invisible Jukebox: Kristin Hersh: Will the songwriter and author find her muse in The Wire's mystery record selection? Tested by Emily Pothast

Unlimited Editions: Tripalium Corp

Unofficial Channels: Billdifferen

Ana Lua Caiano: Portuguese tradition made anew by the musician and audiovisual artist. By Shane Woolman

BBBBBBB: The Japanese trio present their scum manifesto. By James Hadfield

Fatboi Sharif: The Garden State Gargoyle raps a dance of the macabre. By Joseph Stannard

Angelica Sanchez: A set of monster jams from the East Coast pianist. By Stewart Smith

The Inner Sleeve: Lee Gamble on Various Artists' Decay Product

Epiphanies: Jlin maximises her creative potential with Philip Glass

Soundcheck: [Ahmed], Ancine, Andrea & Mud, Maria Bertel Et Nina Garcia, Alan Braufman, Anthony Braxton, Kyle Bruckman, Natalia Cappa, John Carpenter/Cody Carpenter/Daniel Davies, Cheer-Accident, Clarissa Connelly, Anastasia Coope, Viv Corringham, Alison Cotton, Couch Slut, Richie Culver, Elkhorn & Mike Gangloff, Phil Geraldi, Carlos Giffoni, Allen Ginsberg, Allen Ginsberg & Youth, Grackles, groundsound, Liz Helman, Julia Holter, Jack O'The Clock, Goran Kajfes Tropiques, Kowloon Spider Temples, Sean Ono Lennon, Magic Tuber String Band, DJ Marcelle, Melvins, Monopoly Child Nightlife, Monopoly Child, Star Searchers, NOUT, Bill Orcutt Guitar Quartet, Organum Electronics, OU, Pye Corner Audio, Quiet Husband, Mikel Rouse, Bianca Scout, sinono, Sleepytime Gorilla Museum, Ches Smith, Kavain Wayne Space & XT, Guido Spannochi, Malini Sridharan, Luke Stewart Silt Trio, Sunburned Hand Of The Man, Thollem, Thollem & Ka, Thollem/Terry Riley/Nels Cline, tilt, Toadliquor, Alan Tomlinson & Lawrence Casserley, Alan Tomlinson Trio, Kamasi Washington, Larry Wish, Cody Yantis, Zombi, Various Resist Colonial Power By Any Means Necessary

The Boomerang: Amon Duul, As One, Cranes, Curve, Brian Eno, Brian Eno/Holger Czukay/J Peter Schwalm, NRG Ensemble, Pharoah Sanders, Linda Smith, Twelve Cubic Feet, Vile Cherubs, Mars Williams & Hamid Drake, Mars Williams/Darin Gray/Chris Corsano, Bernie Worrell, Bernie Worrell/Cindy Blackman Santana/John King, Various Aceh Punx Compilation, Various Groucho Marxist Record Co.Operative, Various Noise Of Cologne 3, Various Punk KS, Various Trouble Brews: A Belfast Punk Compilation

Print Run: Basta Now: Women, Trans & Non-binary In Experimental Music by Fanny Chiarello; Dream Machines: Electronic Music In Britain From Doctor Who To Acid House by Matthew Collin; Ears To The Ground: Adventures In Field Recording And Electronic Music by Ben Murphy; Ain't It Fun: Peter Laughner & Proto-Punk In The Secret City by Aaron Lange; 20 000 Words: Interviews With Antoine Le Bousse by Sylvain Darrifourcq; Switched On: The Dawn Of Electronic Sound By Latin American Women edited by Luis Alvarado & Alejandra Cardenas; The Future Of Songwriting by Kristin Hersh; Elizabethan Tape Loops by Drew Mulholland; The Notebooks Of Sonny Rollins by Sonny Rollins with Sam VH Reese (Editor)

On Screen: Neo Sora Ryuichi Sakamoto: Opus

On Location: Andre 3000, San Francisco, US; Fred Frith & Susana Santos Silva, London, UK; FLEA Presents Random Gear Festival + Rashad Becker + Joanne Robertson + Callahan & Witscher + Nick Malkin, London, UK; Cassie Kinoshi with seed. + NikNak + London Contemporary Orchestra, London, UK; Fortuna 2024, Tokyo, Japan; Charlemagne Palestine, Amsterdam, Netherlands; On An Endless Road: It? Noe And The Women Composers Of Her Time, London, UK; Ustad Noor Bakhsh, London, UK; Glamorous Pharmacy, Shenzhen, China; ML Buch + Astrid Sonne, London, UK; Life After Death, London, UK; Brighde Chaimbeul, London, UK

On Site: Pan Daijing Mute, Munich, Germany; Ginsberg In London, London, UK

Notes: ***B-STOCK: Box opened, product in perfect working order***


Top-of-the-range version of Sennheiser's consistently excellent HD25 headphones, bundled with a full range of accessories. One of our favourite models for DJ and studio use.

Supplier's notes:
The HD 25 PLUS is identical in design to the HD 25 but spoils its users with extra accessories and two included cables. Users can choose between a coiled steel cable (length: 3m/1m) and a straight, 1.5m steel cable.

The PLUS version also comes with a handy storage pouch and a second set of ear pads in a soft velour version.

Notes: They were unlike any other band in the punk scene they called home. NoMeansNo started in the basement of the family home of brothers Rob and John Wright in 1979. For the next three decades, they would add and then replace a guitar player, sign a record deal with Alternative Tentacles and tour the world. All along the way, they kept their integrity, saying "NO" to many mainstream opportunities. It was for this reason the band (intentionally) never became a household name, but earned the respect and love of thousands of fans around the world, including some who became big rock stars themselves. They were expertly skilled musicians playing a new kind of punk: intelligent, soulful, hilarious, and complex. They were also really nice Canadian dudes.

NoMeansNo: From Obscurity to Oblivion is the fully authorized oral and visual history of this highly influential and enigmatic band which has never been told before now. Author Jason Lamb obtained exclusive access to all four former members and interviewed hundreds of people in their orbit, from managers and roadies to fellow musicians, friends, and family members. The result is their complete story, from the band's inception in 1979 to their retirement in 2016, along with hundreds of photos, posters, and memorabilia, much of which has never been seen publicly before.

For established fans, this book serves as a "love letter" to their favourite group and provides many details previously unknown. For those curious about the story and influence of NoMeansNo, it reveals an eye-opening tale of how a punk band could be world class musicians while truly "doing it themselves." Their impact and importance cannot be overstated, and NoMeansNo: From Obscurity to Oblivion is the essential archive.

Book details:

Author: Jason Lamb with Paul Prescott o Foreword by Fred Armisen o Afterword by W. Buzz Ryan
Publisher: PM Press
Published: January 2024
Format: Paperback
Size: 8 x 10
Pages: 336
Subjects: Music / Punk

Praise

"With From Obscurity to Oblivion, Jason has documented every part big and small associated with the story of NomeansNo, isolating them into a book filled with an explosion of posters, clippings, and interviews. Yes, what he has created is worthy of a run on sentence! This is it! The definitive tome! From Obscurity to Oblivion has so many sub plots and stories I don't know how Jason edited it! A fascinating read and look (did I mention all the tidbits and pictures?) into the legendary Victoria, BC band."

-Nardwuar The Human Serviette

"Out of the blue, NoMeansNo showed up in San Francisco. Playing to a tiny crowd at a tiny dive bar. Blew the roof off several buildings in a matter of minutes. The drums and the bass were so tight and so intense, it was almost like they were one person. Could they be brothers? Ruth Schwartz of Mordam and I smiled warily at each other, thinking, 'Ok, which one of us gets this one...?' And that wonderful era we will always treasure began..."

-Jello Biafra

"I don't understand how the hell all these punks remember everything that made them the legends they are, but after reading NoMeansNo: From Obscurity to Oblivion, I'm grateful they do! The often forgotten third point of the Canadian trifecta (Rush, Voivod, and NoMeansNo), this incredibly thorough oral history is a necessary read for any punk."

-Shawna Potter, singer for War On Women, author of Making Spaces Safer A Guide to Giving Harassment the Boot Wherever You Work, Play, and Gather

"NoMeansNo mashed all the best in hard rock, metal, punk, and the art of politics in throughout their eleven albums, and Jason Lamb's book is just as important to the understanding of Canadian music and the band's astonishing place in it. We might not have the band around anymore, but this book will make you wish they were."

-Eric Alper, ThatEricAlper.com

"Jason Lamb has birthed into the world a stunning work of punk rock scholarship. Mirroring the complexity of the NoMeansNo story and the array of bands Rob and John inspired and influenced, there could be no other way to present the tale other than oral history. It reads like a panoramic-but at each stop, reverent-a celebration of this Canadian progressive punk treasure, and one feels the love with every speaker. But Lamb also interjects with necessary action points just to make sure we understand the near indescribable. Along the way as well, elucidating pictures help tell the story. The end effect is saga told in granular detail, yet made swiftly readable due to the format."

-Martin Popoff, author of The Clash: All the Albums, All the Songs and Ramones at 40

"If you've never heard NoMeansNo, shame on you. If you have, then you're in the know. Either way, they're one of the most important underground bands of all-time, and this book is for you."

-Sam Dunn, Banger Films

"Consider this book THEE definitive history of one of Canada's all-time greatest bands. A must-read for music fans, musicians, and punks the world over. NoMeansNo and author Jason Lamb shows you how to GET IT DONE."

-Grant Lawrence, CBC Music and bestselling author of Dirty Windshields

"NoMeansNo were, in fact, the greatest punk rock group that ever existed; of that I am absolutely sure. In this snappy, fabulously readable oral history, writer Jason Lamb has done an admirable job in tracking down all of the main players plus a gratifying array of musicians from bands such as Fugazi, Soundgarden, Faith No More, Foo Fighters, and Black Flag, who turn out to be staunch fans. Their incredible back catalogue is just waiting to be discovered by a younger audience and hopefully this book will be picked up by young souls who will be inspired to do something unique and audacious themselves. Probably the greatest gift NoMeansNo have left us fans is the idea that we have to work it out for ourselves; to do it for ourselves."

-John Doran, the Quietus UK

About the Contributors

Jason Lamb was born and raised in Victoria, BC Canada. After pursuing a career in stand-up comedy in Vancouver for fourteen years, he went back to school for broadcast journalism and moved back to his hometown of Victoria in 2008. Since then, Jason has been one half of the morning show at The Zone @ 91-3. He also produces and hosts "The Punk Show on The Zone," a weekly uncensored and commercial-free showcase of punk rock new and old, local and otherwise. It was on this show where he first interviewed members of his favourite band, NoMeansNo. That connection helped convince the band to allow Jason access to their incredible story. When not on the radio or doing stand-up, Jason enjoys full contact snooker and writing flattering biographies of himself.

Paul Prescott is a retired engineer from Maine who currently lives in Belize. He has been a NoMeansNo fan since the mid 80s.

Fred Armisen is one of the great comedians of this generation. A cast member on Saturday Night Live, Fred went on to create the hilarious Portlandia series with Carrie Brownstein (Sleater-Kinney). He has appeared in dozens of movies and television shows over the past two decades. Before his career in comedy and acting, Fred was the drummer of Chicago band Trenchmouth. His band opened for NoMeansNo in Texas in the mid 1990s. Fred is a very big fan of NMN.

W. Buzz Ryan is a fictional character who is actually the writing of NoMeansNo guitarist Tom Holliston. W. Buzz provided satirical and strange essays that served as liner notes on many NMN albums, as well as press releases and radio spots. He is a beloved and misunderstood member of the NoMeansNo universe.

Notes: The Drexciyan Empire presents A Drexicyan Duo Story (Featuring The Brothers Bounce) - 'Mayhem in Mu!!'

New Drexciya comic from AbuQadim Haqq

Please note: this is a comic rather than a graphic novel

Notes: Following "Vintage Music T-shirt Scrap", The long-awaited third instalment of the scrap series is Jazz!

Focusing on jazz, focusing on original vintage posters, From flyers to booklets, calendars, and magazines of performances at the time!

There are many jazz record jacket books in the world, but this is the first poster book in the world.

Ide started by searching for materials for his autobiographical book "Rolling On The Road". Ninety percent of the items in the collection were collected intensively by Ide over a period of about a year and a half. "

Binding: 376 pages / A5 format

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


More bang for your buck? Omnitronic's four-channel offering is a competitively priced alternative to entry-level mixers from Pioneer or A&H. Built-in mp3 playback from USBs and audio streaming over Bluetooth.

Supplier notes:
- 4 input channels with gain control, LED level meter, 3-band equalizer, cue button and channel fader
- DJ microphone channel with level control, 2-band equalizer, on/off and talkover switch
- Integrated Bluetooth audio streaming for your smartphones and tablets
- MP3 player with USB port and blue LCD screen
- Pre-fader listening to all input channels and the master output via adjustable stereo headphones output
- Crossfader with assignment switches and adjustable curve
- Master channel with level and balance control
- 10-digit stereo LED level meter
- Adjustable monitor output (DJ booth)
- 10 line and 2 phono inputs via RCA jacks
- Balanced XLR and RCA outputs
- Record output, independent of the master

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: The new MULTI-FORMAT CASE PLAYER/MIXER (V10/A9) SET is specifically designed for transporting two CDJ/Multimedia Players and a 6 or 4-channel club mixer, such as the Pioneer DJM-V10, DJM-A9, or Ecler Warm 4. The case is universally compatible with all current models from Pioneer DJ, Denon, Allen & Heath, Ecler, Rane and Reloop, and can be adjusted to different device sizes using the included foam strips. Crafted from 9 mm vinyl laminated plywood, sturdy aluminum profiles, heavy duty butterfly latches and smooth rolling wheels, this case provides ultimate protection for mobile use on the road.

Fits

Pioneer DJM-V10
Pioneer DJM-A9
Pioneer DJM-900 NXS2
Pioneer DJM-900 NXS / SRT
Pioneer DJM-800 / 700 / 600
Pioneer CDJ-3000
Pioneer CDJ-2000 NXS2
Pioneer CDJ-2000 NXS
Pioneer CDJ-900 / 850 / 800
Pioneer XDJ-1000
Allen & Heath PX5
Allen & Heath DB4
Allen & Heath DB2
Allen & Heath Xone 92 / 62 / 43C
Denon LC 6000 Prime
Denon SC-6000 / SC-6000M
Denon SC-5000 / SC-5000M
Denon X1850 / X1800
Denon X1600
Denon SC3900
Denon SC2900
Reloop RMX-90 DVS
Reloop RMX-80 Digital
Ecler Warm 4
Ecler NUO4
Rane MP2015
Rane Sixty-Eight / Sixty-Four

Specs

Outer measures: 125,4 x 59 x 25 cm
Inner measures: 33,1 x 42,5 x 8,4 cm / (CDJ compartment) 43,7 x 45,4 x 8,4 cm (Mixer compartment)
Weight: 21,5 kg

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The 'Mega Milton' is a smorgasbord of handy all analogue utilities in just 8HP that will greatly extend the functionality of your Eurorack system.

It includes a stereo line input converter for incorporating line level external sources into a Eurorack system, a fixed 4 input mixer with breakout attenuator for combining signals, a gated slew limiter for adding slides to sequences, a sample and hold with analogue white noise with a myriad of uses such as generative melodies or producing percussive textures and finally a buffered mult for droop free signal distribution with handy LEDs to monitor.

All sections are normalised to help with typical use cases such as generating random CV from the sample & hold section, a smooth random source from the slew output and breaking out a standalone attenuator from the fourth mixer input.

The 'Mega Milton' provides essential classic synthesizer building blocks for patching in any Eurorack system.

Ideal For

Incorporating stereo external sources easily into your Eurorack system.
Signal attenuation and basic mixing in a small space.
Building percussion sounds from an analogue noise source.
Producing clocked random to add interest and variation to patterns and sounds.
Adding gated 303 style slides to patterns.
Creating and Manipulating patterns with Sample and Hold.
Buffering and monitoring voltage across multiple VCOs or other destinations with no drop.

Tech Specs

Supply: +12V 70mA / -12V 70mA
Size: 8HP
Depth: 32mm

Notes: Space-conscious lowpass filter and volume processor.

A combination of VCF + VCA + Mixer that lets you mix three different sound sources, and shape their tone, and levels in a breeze.

The Pony Filter is built around the SSI2144 FATKEYS Chip. Has the elegant sound of the classic transistor filter without the associated distortions, due to Dave Rossum's "improved ladder" topology.

Features

3 Channel Mixer (Out normalized to channel three for feedback)
Temperature-compensated Q and frequency.
Compensated Volume VS Resonance
2 Cuttof CV INs.
CV 1 Selectable routing Cut-Off or Cut-Off+VCA
Voltage controlled Q
Two Segment Peak Meter

Specifications

Four-pole, 24 dB/octave
Current needs: +12V=50mA, -12V=45mA
Width: 6 HP
Depth Assembled Version: 22mm
Depth DIY Kit Version: 40mm
Designed, kits prepared and assembled in Barcelona.

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Second-generation version of Boss's excellent looper gives you five stereo tracks, four simultaneous effects, hands-on control and full MIDI support. Ideal for live use but also a creative studio tool.

Supplier's Notes:
Looping Magic at Your Fingertips

Packed with inspiring tools for on-the-spot music creation, the RC-505mkII brings next-generation power and flexibility to the world's most popular tabletop looper. Elevate your performances with five stereo tracks and four simultaneous Input FX and Track FX, and soar even further with customizable buttons, expanded I/O, increased mixing control, and other enhancements requested by long-time RC-505 users. Built for free-flowing expression on stage and in the studio, the RC-505mkII is a dream machine for beatboxers, vocalists, multi-instrumentalists, and other fearless looping artists.

More to Love

The RC-505mkII retains everything that made the original so loved and adds a wealth of new features to make the looping experience even more creative and free flowing. The faders provide longer throw for finer adjustments, and they also have a more solid feel under the fingers. And each track now has dedicated FX and Track buttons, making it easier to colour and control your loops in the heat of the moment. Undo/redo has also been enhanced with a Mark Back function that lets you instantly jump back to a previous loop state while performing.

Customize Your Workflow

While the original RC-505 was very customizable, the RC-505mkII takes things to the next level with a vast range of user-configurable controls. You can assign various CTL parameters to the FX and Track buttons and trigger them with a press, hold, or double-click. Pressing the Undo/Redo button reveals a secondary layer, doubling your options. Two external control jacks are also available for connecting footswitches or expression pedals, and each has its own dedicated set of parameters. Crave even more? Then tap into the Assign screens to set up 16 different targets for hardware control and MIDI operation.

More Sonic Colours for Inspired Looping

Sonic variations help make loop performances more compelling, and the RC-505mkII provides a greatly expanded FX palette to colour your sounds during recording and playback. There are 49 Input FX and 53 Track FX types to choose from-including powerful new vocal harmony effects-and you can use up to four in each section at once. Going further, groups of four Input FX and Track FX can be stored in four banks for quick recall, along with toggle or momentary button settings for each type. A step sequence function is also available in some FX to automate parameter changes for dynamic real-time movement.

SPECIFICATIONS

Sampling Frequency: 44.1 kHz
AD/DA Conversion: 32 bits
Processing: 32-bit floating point

Recording/Playback
Number of Tracks: 5
Data Format: WAV (44.1 kHz, 32-bit float, stereo)
Maximum Recording Time: Approx. 1.5 hours (1 track), Approx.13 hours (total of All memories)

Rhythm Type: 200 types or greater
Rhythm Kit: 16 types

Effect:
INPUT FX: 49 types
TRACK FX: 53 types
MASTER FX: 2 types
Memory: 99
Nominal Input Level: MIC 1, 2 INPUT: -40 dBu/INST 1, 2 INPUT: -10 dBu
Maximum Input Level: MIC 1, 2 INPUT: 0 dBu/INST 1, 2 INPUT: +7 dBu/+20 dBu (selectable)
Input Impedance: MIC 1, 2 INPUT: 3k ohms/INST 1, 2 INPUT: 1 M ohms/25 k ohms (selectable)
Nominal Output Level: MAIN OUTPUT: -10 dBu/SUB 1, 2 OUTPUT: -10 dBu
Maximum Output Level: MAIN OUTPUT: +7 dBu/SUB 1, 2 OUTPUT: +7 dBu
Output Impedance: MAIN OUTPUT: 1 k ohm/SUB 1, 2 OUTPUT: 1 k ohm
Recommended Load Impedance: MAIN OUTPUT: 10 k ohms or greater/SUB 1, 2 OUTPUT: 10 k ohms or greater

Controls:
TRACK1--5 REC/PLAY button, TRACK1--5 STOP button, TRACK1--5 TRACK button, TRACK1--5 FX button, ALL START/STOP button, UNDO/REDO button, TAP TEMPO button, RHYTHM START/STOP button, RHYTHM EDIT button, INPUT FX A--D button, INPUT FX EDIT button, TRACK FX A--D button, TRACK FX EDIT button, MENU button, LOOP button, ENTER button, EXIT button, PAGE buttons, 1--4 knobs, OUTPUT LEVEL knob, TRACK1--5 LEVEL Faders

Display:
Graphic LCD (128 x 64 dots, backlit LCD)

Connectors:
MIC IN 1, 2 jack: XLR type (balanced, phantom power: DC 48 V, 10 mA Max
INST IN 1, 2 jacks, MAIN OUT jacks, SUB OUT 1, 2 jacks: 1/4-inch phone type
PHONES jack: Stereo 1/4-inch phone type
CTL1,2/EXP1 jack, CTL3,4/EXP2 jack: 1/4-inch TRS phone type
USB port: USB B type
MIDI (IN, OUT) connectors
DC IN jack

Power Supply: AC adaptor
Current Draw: 1.0 A (with phantom power), 0.9 A (without phantom power)
Accessories:

AC adaptor
Owner's Manual
Leaflet "USING THE UNIT SAFELY"

Options (sold separately):
Footswitch: FS-5U
Dual Footswitch: FS-6, FS-7
Expression Pedal: FV-500H, FV-500L, EV-30, Roland EV-5

SIZE AND WEIGHT

Width: 420 mm/16-9/16 inches
Depth: 234 mm/9-1/4 inches
Height: 67 mm/2-11/16 inches
Weight: 1.8 kg/4 lbs

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


A characteristically unique take on mixing from Buchla, with six mono inputs and a built-in mic/guitar pre-amp. Each channel can be cued to a monitor mix, while the first and last channels also include voltage-controlled panning.

Supplier's Notes:
The Tiptop 207t is a modern reimagining of the classic Don Buchla 207 Mixer/Preamplifier from the 1970s 200 Series. This stereo mixer comes with a built-in preamp that allows you to boost external instruments and microphones, making it a versatile tool for any modular setup. The 207t also features a six-channel mixer with a variety of signal routing options, including the ability to route channels to the monitor and L&R signal outputs, with per-channel control over loudness and panning.

Each channel has a Mon switch that sends the channel's signal to the monitor outputs, which are always full-volume and summed to mono, making it useful for basic monitoring applications or rudimentary mixing. The Prog switch sends the signal to the L&R signal outputs, with loudness controlled by the Level Adjustment slider and panning determined by the Channel Assignment knobs. The first and sixth channels offer voltage control of panning; these channels are hard-panned when no CV is applied.

The preamp section features a 1/4" input and multiple gain settings, making it suitable for use with external line level instruments, electric guitars, or dynamic microphones. The continuous amplification control provides added flexibility for your audio needs. Finally, the Expansion In is a stereo input that sums to the left and right main outputs, which is great for chaining multiple 207t modules or adding another stereo source at the final output.

While the 207t's functionality may be simple, it is an essential part of any 200t system, serving as the glue that holds everything together. The Tiptop 207t is a fantastic mixer/preamp option that delivers quality sound and reliable performance.

Buchla 207t Features

Mixer/preamp module based on Don Buchla's original 207 design
Six-channel mixer with per-channel level control and panning
Voltage-controllable panning on channels 1 and 6
Manual panning on channels 2-4
Program switches can act as channel mutes for main outputs
Mon switches route signal (in mono) to Monitor output
Expansion input useful for stereo chaining and more
Re-designed preamp for high audio fidelity
Preamp suitable for use with external instruments, electric guitars, dynamic microphones, and more

Eurorack module
28hp wide

Notes: Neat little interface module to help pad controllers play nicely with Eurorack. Hook up a device like a Launchpad or APC and jam out rhythms with retriggering options, dynamic control and MIDI sync.

Supplier's Notes:
Triggerpad is a dynamic trigger/gate sequencer in eurorack format on only 6hp. A USB MIDI controller with an 8×8 grid like Launchpad or APC is used to display and edit the patterns (see the list of compatible controllers). The user experience is tailored to live performance and detailed composition: dial in simple rhythms or complex polyrhythms, retrigger at audio rate, create dynamic percussions with velocity triggers or use longer pulses to create steppy modulations.

By using USB MIDI controllers that you might already have and maybe not use anymore, we avoid producing more plastic. Give your old gear a second life!

Dimensions & consumption

Width: 6hp
Depth: 39mm
+12V: 120mA (without USB MIDI controller connected)
-12V: 20mA
5V: 0mA
USB MIDI controllers consume up to 150mA on +12V

Connectivity

8 dynamic trigger/gate outputs (0-10V)
USB MIDI Host
Clock in
Clock out
Reset in
Reset out

Compatibility

Launchpad Pro Mk3
Launchpad X
Launchpad Mini Mk3
Launchpad Mini Mk2
Launchpad Pro
Launchpad Mk2
Launchpad S
APC Mini Mk1
APC Mini Mk2

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


The Wave Transformer is a complex single oscillator with 7 audio outputs. Its method of wave shaping differs from other complex oscillators in that it is not based upon classic wave folding such as is common in West Coast synthesis, or filtration such as is common in East Coast synthesis.

This analogue, vintage-voiced, voltage-controlled oscillator features over 8 octaves of accurate pitch tracking. Its 7 simultaneous wave outputs include a unique Complex output. This strange and novel output varies between a simple waveform (triangle, unless you patch a signal into the Shape Insert jack) and a complex transformation of the harmonic structure of the original waveform. It contains a unique mixture of the fundamental frequency, odd order harmonics, even order harmonics and subharmonics. The Sub Octave panel control will determine whether the sub harmonics are derived from one octave down, two octaves down, or are muted altogether. It will vary from a simple waveform to a silhouette of your cat watching you as you react to a "present" that it left for you on the counter. No, seriously.

The module's Transform control morphs from a basic waveform through many strange iterations into a complex, gnarled mass of audio mutations at the Complex output using an asymmetrical multi differential audio transmutation circuit. You can yield countless variations on these permutations by combining this novel circuit with Hard Sync, Soft Sync, Linear FM and Exponential FM.

Additionally, you can mute the source waveform to use the circuit as a harmonic gate/VCA, rendering the Wave Transformer a voice unto itself.

If that is not enough, there is a Shape Insert that allows you to transform external oscillations and modular-level audio sources.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


The Furthrrrr Generator has a main oscillator (carrier) with an extensive and fully voltage controllable wave multiplier and a modulation oscillator (modulator) that can cross-modulate the carrier. Each oscillator has hard and soft sync and also features an integrated tuner: if both LEDs are lit the VCO is at note A. Left LED is lit at note Ab and right LED at A#. Frequency potentiometers are ten-turn models and thus allow for easy tuning. Frequency range of the VCOs is 10Hz-10kHz (and much lower in modulator's LFO mode). Both VCOs feature 2 frequency CV inputs (1x with bipolar attenuator, 1x with 1V/octave), one FM input (jumper selectable between linear and exponential FM) as well as separate input for hard and soft sync. The voltage characteristic can be selected between 1V/octave and 1.2V/octave (Buchla norm).

The main oscillator (carrier) outputs the waveforms sine, saw, square and white noise. The two outputs marked with the magic eye are outputs of the "harmonic section" that generates very complex sounds by the wave multiplier and its parameters symmetry, order and Furthrrrr in the module's right-hand section. Symmetry lowers the level of even harmonics and amplifies the odd harmonics (this affects the pulse wave's width as well). Order adds saturation to the high order harmonics and resembles a low pass filter. Furthrrrr alters the level of harmonics set by the other parameters and produces very interesting, partly brute sounds with lots of harmonics by clipping and folding the wave. All three parameters can be voltage controlled. The carrier oscillator also has inputs for hard and soft sync, the sync-switch can synch directly to the modulator.

The modulation oscillator (modulator) has three wave forms with direct outputs: sine, saw and square. Using the internal modulation via the "mood section" the waveform is selected with a button; an additional staircase wave form is available here, but it can be overridden by inserting a signal into the external input socket. A switch activates the LFO mode.

The Mood section is responsible for the internal modulation of the carrier by the modulator. Switches determine the modulation destination(s) that can be activated simultaneously. These are the Furthrrrr parameter of the harmonic section, the amplitude and the frequency of the carrier oscillator. The "balanced" switch activates the ring modulation between both VCOs. intensity of modulation is controlled by the "mood index" potentiometer and the according CV input with bipolar attenuator.

Notes: The "uMM" combines a MIDI merger and two independent THRU distributors in a module that is only 4 HP wide. All sockets on the module are in MIDI TRS-B format.

At the heart of the two-input MIDI merger is a small, powerful ARM processor with plenty of buffer memory. Two MIDI streams are mixed to one output and can also be tapped via an additional second output. Two LEDs signal the operation of the merger: one LED indicates MIDI activity at the inputs, and a second LED warns of too much data at the inputs.

The second group of functions consists of two independent, separate MIDI THRU distributors. The MIDI data at the respective MIDI input can be picked up and distributed at the three THRU outputs. If required, a 1-to-5 distributor can be created from the two units by connecting an output of the left group to the input of the right group.

Features:

4x MIDI IN (TRS-B)
2x MIDI-OUT (TRS-B)
6x MIDI-THRU (TRS-B)
Powered via Doepfer connector

Notes: Advanced generative sequencer featuring mutes per channel and transposition facilities.

Akropoli is an extension and enhancement of our successful Little Melody and High Towers modules, offering the features of both of these modules as well as some of it's own unique features such as mute buttons per channel, manual transpose knob and 1V/oct transpose CV input. Akropoli operates using Frequency Central's proprietary TOOL V2 code, and can count in integers as well as multiples for even more subtle and evolving variations.

Akropoli is a generative sequencer based around clock divisions and a chromatic quantiser, used to create in-the-moment licks and riffs. It is more that the sum of it's parts.

Akropoli's internal operations can be considered as 4 clock dividers patched into a CV mixer via attenuators. The attenuators select notes over a 5 octave range, the clock dividers determine how often those notes are added to the mix. The final output of Akropoli is quantized chromatically for fast set up and continuously pleasing results. Akropoli has an onboard transposition knob, as well as a 1V/oct transposition CV input.

The 4 clock dividers are labelled A, B, C, and D. They all receive clocks from the same source, the divisions may be selected using the presets and the individual division selectors. The clock dividers can be set to count up, down, or to one of a variety of modes that move between counting up and down. For further information on Presets and Modes see the Little Melody User Guide.

Additionally, each clock divider has it's own binary output (either high or low), these 4 outputs can be used to clock/gate/trigger other stuff on other modules to great effect.

Product Specifications

12V draw
50mA

-12V draw
36mA

5V draw
0mA

Depth
35mm

Notes: An ultra-compact 10HP VC filter with bags of personality. Camber can be treated as a subtle, non-intrusive sound design tool, or something much more lively.

Camber is designed to be a fun, tactile filter with a small footprint. It's sound is neutral enough for basic filtering without a fuss, with a much more aggressive tone available using high resonance settings in three-pole mode.

Filter Core

The core of the filter is based on a state variable topology using 2164 VCAs and 1% tolerance integrating capacitors. Resonance and feedback control is provided by the fantastic circuit design originally by Neil Johnson "Voltage Controlled 3-Pole State Variable Filter" recently made available in Sound Semiconductor documentation.

Operation

Camber is switchable between low pass and high pass responses with one pole (6dB) and three pole (18dB) flavours of each. It has full CV control of both cutoff frequency and resonance amount. The input is DC-coupled allowing LFO and CV signals to be routed through the filter. The filter will also act as a simple oscillator producing a clean sinusoidal signal with the resonance control turned *almost fully clockwise, and no signal at the audio input. Dialling in the resonance so that it is just under the point of self-oscillation allows the filter to be "Pinged" by sending gate signals to the audio input. This is useful for tuned percussion sounds and FX.

Specifications

Intellijel 1u format
Width 10HP
Depth 33mm
Power requirements ~40mA +12V/~40mA -12V
Control voltage range 0-8V
Impedance Input 100K / Output 1K