Back catalogue: All genres

Notes: The fastest and most intuitive way to make beats.

A production machine that lets you create using a gigantic array of samples.

The Electribe sampler is a sample-based production machine that lets you construct beats at maximum speed. You can freely edit and resample using waveforms that you've loaded and preset samples. Modulation and effects can be controlled easily just by turning knobs on the top panel. In addition, a variety of input interfaces optimized for inputting rhythm, bass, or melody allow you to smoothly create sequences as fast as you can think.

The sequences that you create can then undergo additional evolution on stage or in your laptop. You can enjoy intuitive live performances that link various devices with the Electribe sampler, or utilize this capability for full-fledged music production by exporting sequence data to Ableton Live for detailed editing and final mixing.

The latest system version 2 adds a much-requested pattern chain function that will be a great asset for live performances or music production. The lineup has also become more colourful with the new metallic red model. And Korg have also provided bonus patterns that reveal even greater sonic potential.

Making your beat-making ideas rapidly take shape. It's the Electribe sampler; a sampler + sequencer that's thoroughly optimized for speed.

The Electribe sampler continues to evolve

A new metallic red model - a nod to the legacy of electribe

Following the dark black unit, the lineup has been joined by a metallic red model that's reminiscent of the previous model, the ELECTRIBE SX. Complemented by the numerous colourfully illuminated LEDs, this unit will energize your playing.

Many new functions added via system update

Updates make the Electribe sampler evolve daily. System version 2 adds support for the much-requested pattern chain function and undo function, as well as support for original value display. Users who already own an Electribe sampler can update their unit and then enjoy playing.

Download over 200 bonus patterns

Electribe artists, sound designers, and beat makers from around the world have created bonus pattern data packed with new sounds, phrases, and sequences. These 237 different patterns are packed with sample sounds, drum kits, and ideas for a wide range of musical styles. They are provided as reference materials for your beat-making or as foundations to give you new inspiration.

Specifications

Sound System
Type: PCM sound engine + Analog modelling sound engine

Maximum Polyphony
24 voices
* The polyphony of the entire pattern varies depending on the Oscillator, Filter, and Insert Fx type.
* Independent parameters for each voice have been simplified; four voices share the parameters of one conventional voice.
Sample: Type (920), Pitch/Glide, Edit
Sample Types: Analog (16), Audio In (2), Kick (37), Snare (44), Clap (12), HiHat (37), Cymbal (8), Hits (33), Shots (44), Voice (31), SE (7), FX (30), Tom (10), Percussion (31), Phrase (15), Loop (22), PCM (31), User Sample (499)
Filter: Filter (Cutoff), Resonance, EG Int, LPF/HPF/BPF (3)
Modulation: Type (72), Depth, Speed
Amp/Envelope Generator: Level, Pan, Attack, Decay/Release, Amp EG On/Off
Scale Types: 35
Gate Arpeggiator Types: 50
Sampling Frequency: 48 kHz
AD/DA Conversion: 24 bit

Sampler
User Samples: Up to 499 samples
Memory
Total maximum approximately 270 seconds (calculated as monaural)
* Regardless of the capacity of the SD card
* Including presets
Edits: Start/End Point, Loop Start Point, Tune, Time Slice, Level, Direction, Resampling

Effect
Insert Effect:One unit (can be used on each of the 16 parts)
Type (38), Edit, Insert FX On/Off

Master Effect:
One unit
Type (32), Touch Pad, Master FX On/Off, Master FX Hold On/Off
Sequencer
Number of Steps: 16 steps x 4
Number of Parts: 16 parts (one part consists of a sound, steps, insert effect, modulation sequence, etc)
Number of Patterns:
250 patterns (150 Presets / 100 Initial)
(one pattern consists of parts, master effect, key, scale setting, etc)
Motion Sequences: Up to 24 motion sequences can be stored (for each pattern)
Groove Types: 25
Pattern Set: Up to 64 patterns can be stored
Pattern Chain: Up to 250 patterns can be chained
Export: Ableton Live project file format, WAV file format (48 kHz, 16 bit)
Event Recording: Up to 100 files can be saved

Trigger Pads
Number of Pads: 16 pads (Velocity sensitive)
Modes: Trigger, Sequencer, Keyboard, Chord, Step Jump, Pattern Set, Touch Pad
Modes: Gate Arp, Touch Scale, Master FX

Connectors

Audio:
L/Mono, R Output (Standard phone jack)
Headphones (Stereo mini jack)
Audio Input (Stereo mini jack)

MIDI: In, Out (Use an included MIDI adapter cable)
USB: Type micro B
Sync:In, Out (Stereo mini jack)

External Storage Device: SD Card (512 MB -- 2 GB), SDHC Card (Up to 32 GB)

Power

Power Supply: AC adapter (DC 9V) or AA battery x 6 (Alkaline battery or Nickel metal hydride battery)
Battery Life: Approximately 5 hours (Power Saving: ON, with Nickel metal hydride battery)
Current Consumption: Less than 500 mA
Chassis: Zinc die cast

Dimensions (W x D x H): 339 x 189 x 45 mm / 13.35" x 7.44" x 1.77"
Weight: 1.6 kg / 3.53 lbs
Colour Variations: Metallic Red (electribe2s-RD), Black (electribe2s)
Included Items: AC adapter (DC9V), MIDI adapter cable x 2, Ableton Live 9 lite (License card included)
Accessories: Sync Cables SQ-CABLE-6, Gig Bag DJ-GB-1

Notes: Sound:
- 4-operator FM Sound Engine offers dynamic and expressive additive synthesis

- A new feature of this engine is continuously variable feedback on every operator allowing for a wide-range of sound creation

- Two programmable effects blocks with seven effect types per block:
(The effect types are: VCM Touch Wah, VCM Flanger, VCM Phaser, Chorus, Delay, Reverb and Distortion)

- Multi-touch control interface gives direct access to four simultaneous parameters

- 32 Voice memory locations allow storing and recalling favorite Voices

Control:
- Based on the FS action found on the flagship Motif XF, HQ (High Quality) Mini Keys provide premium feel and response for fast, accurate and natural playing

- Sustain pedal input allows the sustain function for all FM generated sounds

Looper:
Integrated Phrase Looper: capture song ideas or just jam.

Mobility & Connectivity:
- Speakers

2W 3cm stereo speaker system lets you play any place, any time.

Specially designed bass reflex port technology enhances bass response for full, rich sound.

- USB

USB "TO HOST" allows MIDI connectivity to your USB-equipped computer or iOS device.

- Audio output

Dual 1/4"unbalanced line outputs provide connection to mixers, audio interfaces, DI boxes and more.

- Audio input

A 3.5mm aux line input lets you connect and hear mobile devices, tablets and more through the instrument.

- Controller

Continuous controller pedal input for volume control.

Battery powered:
Uses six "AA" batteries with five hours of life.

Create your Soundmondo. Inspire and be inspired:
Soundmondo is a free sound sharing community that lets you discover, create and share reface Voices and Set Lists using Google Chrome any place, any time you're online.

Powered by Web MIDI, Soundmondo is simple to use - just connect reface to Chrome and you're ready to create or start browsing.

Notes: A good delay was an essential part of the classic analog synthesizer sound. More often than not, that delay came from a tape-style echo machine until affordable digital delays were created. The Monotron Delay is an analog synthesizer optimized for sound effects. In addition to its analog oscillator, filter and LFO, it also provides a space delay that's indispensible for swooping, cosmic sounds. The monotron Delay even reproduces the pitch changes that occur when you vary the delay time, just as though you were using an analog tape echo. This fat and warm delay will add an authentic edge to your analog sounds.

It also features Korg's class VCF filter for full control over your sounds. The distinctive tone of an analog filter (VCF) can dramatically alter and enrich the sound. The Monotron Delay uses the same highly acclaimed VCF circuit as Korg's classic MS-10 and MS-20 semi modular synthesizers. Originally released over 30 years ago, these instruments are still coveted today for their aggressive, dynamic filters. The VCF Cutoff knob sets the frequency or tone of the filter; the VCF Peak knob adds emphasis. A powerful filter is an essential aspect of any analog synthesizer, applying dramatic tonal changes to the sound, and projecting an intense personality that will stand out in any live performance.

Create classic sounding analogue tape delays to add warms and new dimensions to your synth sounds. Also included is Korg's fantastic enhanced ribbon controller keyboard, while a mini jack input also allows you to run any external audio, such as a Kaossilator, digital piano or guitar, through the Monotron Duo. As standard, the Monotron range comes with a powerful built-in speakers and is battery operated for the ultimate portable experience.

The Low Frequency Oscillator (LFO) waveform used to modulate the pitch now offers a choice of waveshapes, which is a new square wave plus the traditional triangle wave. Both the rate (speed) and the intensity (depth) can be adjusted independently. In addition, a trimpot on the back panel can continuously adjust the shape/direction of the triangle wave or the pulse-width of the square wave to deliver even more versatility. Used in conjunction with the delay, the LFO can create dazzling effects and provide unique possibilities for embellishing your songs.

The Monotron Delay's ribbon controller keyboard features a wide, 4-octave range. This design allows the pitch to be controlled even more aggressively and dynamically, making the Monotron Delay a great weapon for a DJ to get the floor moving with irresistible sound. The reversed white keys and body adornments glows under black light illumination, making the monotron Delay ideal for delivering a striking visual impact in nearly any club environment.

The input jack (AUX input) built into the Monotron Delay's compact body allow you to place any audio source into the Monotron Delay's signal path, directly before the analog filter and delay circuit. This provides a great way to connect a Kaossilator, a guitar, or a digital audio player to the Monotron and enjoy tone-bending filter and delay effect.

A miniature speaker is built into the Monotron Delay. Along with the battery operation and compact size, this feature allows you to enjoy the share the Monotron Delay's analog synthesis sound with your friends, anywhere, at any time. There's also a headphone output that you can use when practicing in private, creating sounds at home, recording, or for connecting to an amplifier or PA system.

Review: First released in digital and CD formats via Sacred Rhythm, 'Progessive Roots Evolution: A Song For Healing' hears Joaqin 'Joe' Claussell's indelible style of long-form spiritual house music re-flaunted to especial somatic ends. Intentionally crafted as a piece that bridges the needs of both the music and dance communities to whom Claussell is mutually close, this is a suite divided into multiple sections that feed on one another; they appose elements of samba, jazz and house, with ambient interstices and even ruminative piano meltdowns ('Healer', 'Heloise'). This ultra limited yellow LP edition is the audiophile's preference, its dynamism best flaunted on the floaty but driving 'Cosmic Arts' mix.

Review: 'Cuss Cuss' comes all the way from 1960 and is the most celebrated and well known tune from the man born Lloyd Altamont Thomas Robinson. He was a dancehall don who died a decade ago but not before releasing some 50 odd singles and EPs. 'Cuss Cuss' is devastatingly short and deals - a dark vibe pervades the deeply burrowed bass and the vocals are the sound of him making a plea for bad vibes to leave his life. On the flip side here is a version that is more lo-fi, stripped back and deep - as if playing from the room next door, almost.

Review: P-VINE present a limited box set from their popular "Groove Diggers'' reissue series. All tracks selected by DJ Muro, one of Japan's best known DJs/producers/diggers and pressed on 7" for the first time, featuring classics from Erik Tagg, Prince Billy Mahdi Wright, Billy Wooten, Spice, & 1619 Bad Ass Band.

Review: Hivern Discs presents a very intriguing and totally unique project from Drames Rurals, a shadowy collective endeavour credited to "meritxell, oriol, ignasi and juns." Presented across three 7"s packed in a handmade sackcloth box, the careful presentation of the sounds matches up to the music, which rolls at low tempos and deals in hypnotic, ritualistic mantras with an earthen, spiritual feel. There's a dubby twist at times, and it feels like a series of happenings from an in-tune gathering rather than an over-composed project, and therein lies the magic. Who knows whether Hivern main man John Talabot is involved, but after last year's low-key Koraal project he might well be without making a big deal about it.

Review: This fine double-pack features more alternate takes of tracks from Louie Vega's vast Expansions in the NYC album. The headline attraction is the epic extended mix of the Rod Temperton penned jazz-funk/disco classic 'The Star of a Story', which not only boasts fine lead vocals from Lisa Fischer and shuffling samba-house beats, but also strings (arranged by Leroy Burgess) performed Kelley Polar and his colleagues in the Apple Hill quartet. The EP also includes instrumental and chunky 'Vamp Dub' passes of that track, plus alternative versions of two other tracks: the organic deep house roll of 'A Place Where We Can All Be Free' and a superb string-laden dub of 'Love Has No Time Or Place', featuring Vega's Elements of Life band, which showcases the orchestral arrangements of Leroy Burgess and the late Patrick Adams.

Review: Following a series of tweaked reissues featuring previously forgotten (and unreleased) remixes of back catalogue gems, Masters at Work offer up something even more special: a double-pack containing four tracks rediscovered in their archives last year. They begin with the bubbly, mid-tempo NYC house shuffle of 'MAW Apes Groove' - all warming organ chords, bubbly analogue bass and oddball vocal samples - before serving up the hip-swinging, sub-heavy, sax-laden bump of KenLou's 'Lost I'M Ready (Sax Dub)'. Over on the second slab of wax, 'Virus Ruff Mutes' is a locked-in slab of house hedonism marked out by a tight, looped organ stab, while 'KenLou' thump recalls the inspired, jazz-dance-friendly, Latin-tinged brilliance of 'The Nervous Track', one of their most admired cuts.

Review: If you don't have love for Rahsaan then you don't have love for life. The American is a veteran of the edit scene and someone who can flip any joint into a joyous groove. Here, Hot Biscuit have assembled a limited double 12" that brings together some of his best 'Disco Edits, Versions & Dubs." 'Big Bisou' opens up with a jumble of Afro drums and loose limbed rhythms, 'Mamoe Lowe' then has tribal vocal chants and raw percussive energy, and 'Preto Velho' then brings a little more laid back soul to the party. '77' is a funky disco strider and 'Secondo' closes with some hard assed funk.

Review: A dystopian barrage of mechanoid electro soundscapes comes courtesy of Silicon Scally, a new, scathing alias alias of rather legendary UK music producer Carl Finlow, best known as 20:20 Vision. Inspired by the oncoming anxiety of a technological hell (trust us, we all feel it, Carl), it's either join the AI death cult or die, as a straight 60+ minutes of generative electro stabbery and post-neural warpings make the entire project sound like a supernatural server processing vast numeric quantities of infectious bytes.

Review: It's hard to over emphasise the role Timmy Regisford has played in the evolution of the New York house sound. The records he made with the late Boyd Jarvis in the mid 1980s paved the way for what became known as 'garage-house', and in the decades since he's released countless classic cuts and full-length excursions. On Source of House, he offers his take on Afro-house, combining authentic vocals, percussion and instrumentation with electronic rhythms, sun-splashed synth sounds, immersive chords and tech-tinged basslines. It's a brilliantly produced collection all told, with the multiple highlights including the summery deep house bounce of 'Good Morning', the auto-tune-sporting Afro-house-futurism of 'Angeke', the string-laden, Afro-disco-tinged 'Blalmam', and the warm, emotion-rich 'Track 38'.

Review: On this second, more expansive sampler for his forthcoming album Spaces & Places, Kerri Chandler treats us to tracks inspired by - and by the wonders of mobile recording technology, produced inside - clubs including Dublin's District 8, Glasgow institution Sub Club, Lux of Lisbon and NYC's Output. Of course, the standard is uniformly high throughout - it's classic Chandler from start to finish - but our picks of a very fine bunch include the soulful piano house shimmer of 'Change Your Mind', the thrusting, bass-heavy pump of 'Subbie (Rattle The Subbie Mix)', the effortlessly slick and soulful 'Tenacity (Full Vocal Mix)' and the ludicrously sub-heavy snap of 'See The Light (Dub)'. To borrow an old cliche, this is very much, 'all killer, no filler'.

Review: Polish beatmaker Shed has long been a darling of the European underground. His ability to craft textural loops and work them into potent, catchy, emotive but stripped back bangers is second to none. He has done so under various guises including WAX, but adopts his most famous moniker for this new double 12" on The Final Experiment. 'The 030 Files' offers eight brutalist breakbeat beauties that jerk your body into action, hook in your brain with their neat little motifs and make your hairs stand on end with the fizzing nature of the synths. Pure dancefloor dynamite as ever.

Review: Relative newcomers Infradisco blend a Balearic sound of disco and house for the Italian label Archeo Recordings. Aqua Cheta is a blend of proper electronic examples of Balearic and chill out influences. 'Caduca' (Hear & Now remix) is ideal for the late-night scene with a blend a perfect blend of 80s and 90s but still sounding futuristic. Manu Archeo's remix of 'Dulcis' is a beautiful laid back downtempo jam that shimmers like a hazy day on the beach. We think you will like the organic and mystical 'Fluminea' as well. This EP couldn't finish any better than on the ambient tip with a soul warming float on the marina remix by Ocean Moon. Fans of Balearic, Cafe Del Mar and chill out music will treasure this EP no doubt. This 12" comes with a CD as well.

Review: Earl Sweatshirt's Feet of Clay album from late in 2019 was tantalisingly short in length, but not short in quality. The raw, woozy record found him exploring ambiguous wordplay that will keep you entertained trying to unpack it all for many hours. He himself described the 15 minute work as "a collection of observations and feelings recorded during the death throes of a crumbling empire" and it makes for a physical yet abstract record with emotion to spare. From gloomy and introverted r&b styles to more distorted jazz and loop beats, his silky tones always unify each track with great allure.

Review: This double 12" compilation between Brazilian duo Stekke and producer and DJ Max Underson is a perfect marriage between the emotional aesthetic background of Underson's previous works and the precise floor-filling formula that Stekke has devised. The minimal composition is at the crossroads between deep, acid and tech house, with the wet basslines of 'The Messenger' being paired with ritualistic sub-bass lines culminating in house heaven. A real highlight on this release is side 4's 'Guidance', a smooth, grooving track that goes to show that house tracks don't always have to be cramped to the brim. The negative space used in these tracks, and the way it's used, is an art. Not to turn a blind eye to the two unique remixes on the compilation either, which take tracks to new heights thanks to the abstract re-imaginings by XDB and Melchior Productions Ltd. Universal Law is a schooling in the ways of minimal house, take notes.

Review: Mysticism's Dubplate series has got a couple of great drops lined up at the moment and this is one of them - a boule pack from German digidub pioneers TVS aka Trance Vision Steppers. This was a project that never made it out of the studio but still cooked up some brilliant sounds, which in the case of this collection come from their earlier period between 1995 - 1999, all of which land on vinyl for the first time here. Fans of Adrian Sherwood, Dennis Bovell and Mad Professor will be head over heels of these dub delights - they are deep and atmospheric, with lush ambient pads, downtempo vocals and stoner synths next to more twisted rhythms.

Review: Tucked away on Louie Vega's fantastic - and vast - Expansions in the NYC album were a handful of tributes to disco legends Patrick Adams and Larry Levan. This double-pack brings those tributes to the floor. Vega opens with his Elements of Live band cover of Sine's Patrick Adams-produced 1978 B-side 'Chimi', turning the four-minute cut into a driving-but-bouncy, near 14-minute disco epic rich in restless bass, attractive vibraphone solos and spacey synths. On 'Change Your Mind', which is presented in both full vocal and instrumental forms, Vega recruits the voice of the Peech Boys, Bernard Fowler, and turns down a sparse, heavily electronic workout reminiscent of Larry Levan's early '80s mixes. It's genuinely great, as is the DJ Spinna-sporting, hybrid disco/organic house cover of Adams' classic 'Atmosphere Strut'. In a word: essential!

Review: Electro is a style with an infinite number of sub-genres and for fans of the more raw, industrial and textural stuff then this is an EP for you. It's a split between Umwelt and Zeta Reticula, who goes first with a brilliant brace on the a-side. 'The Fate Of The Ship Unknown' is a storytelling track that journeys through an intergalactic space battle as lasers fly by at all angles. 'Documented Contact' is slightly deeper, with more resonant bass and percolating arps that are packed with intrigue. On the flip, Umwelt's 'Hyperspace' is all visceral lines, snapping kick and hi combos and sleazy synth that fires every synapse in your brain. 'Earth To Unknown' closes out in high speed and coruscated fashion for maximum dancefloor impact.

Review: Prolific Brooklyn artist and exciting new school talent Your Old Droog aka Dmitry Kutsenko is a vital presence in the modern hip-hop landscape and has been involved with several well-regarded projects. This already critically acclaimed Yodney Dangerfield album on Mongoloid Banks is the latest and it comes with fresh beats by top producers Nicholas Craven, SadhuGold, Lee Scott, and Jonwayne. It is a fine body of work with the physical-only bonus track 'Metal Face Medley' which is a live performance montage that pays homage to the late great rap don MF DOOM.

Review: Here comes a fresh 12" containing four remixes of the song 'Call A Wave' by Malcolm McLaren and The Bootzilla Orchestra. The original was released in 1989 as part of McLaren's album Waltz Darling, which was an early example of the 'collaborative studio album' popular at the time, and fused classical music with elements of then-contemporary dance music styles, such as his brand of downtempo-ish post-punk / industrial - a true McLaren mode. The newer remixes that feature here come from the likes of DFC and Mark Moore and William Orbit (responsible for the Orbital mix rather than the Hartnoll brothers) and are no less sludgey, Balearic and chuggy as the original loom-bird-laden track. Two new stripped-back versions also appear.

Review: Tech house is an unfairly maligned genre. While criticisms of the blandness of the sound might hold weight for much of the stuff released today, the same simply can't be said for the work of Terry Francis, who helped pioneer its sound. All & All is a new series, this one documenting Francis' contributions to the underground, with many of the tracks appearing on it made during the period in which he was a resident DJ at London's Fabric. As you can hear, 'tech house' at the origin point, as propagated by Francis, was much dreamier - closer to its cousin, deep house. And on cuts like 'How Can Something', you can really hear where the received 'dreaminess' of house and the uptempo, industrial pulse of techno, converged.

Review: Owhaaou features four cuts taken from the incredibly hard-to-find and obscure Metamorphose album that was released back in 1984 by this legendary Benin soul star. He blends rare Afrofunk with digital soul as evidenced by the recent reissue of Dans le Tchink System. Now this label celebrates his work once more with this futuristic and expansive new record which was recorded on 24 analogue track channels with skilled backing musicians such as Hilaire Penda on bass, Poly Rythmo de Cotonou's Daniel Bentho and more. The title track is a big disco party starter then there are more sombre moods on 'Magnifiec' and a silky edit of 'Zemidjan' before 'Mi Tchinker' gets that booty shaking.

Review: Guangzhou, China-based artist and DJ Cola Ran tune sin to her inner reflections and global travel experiences when making music. On her debut EP she taps int the human experience to tell the tale of society's development over the years and blends traditional Asian and African instruments with modern electronics, field recordings and vocals to do so. It's a fulsome ambient, Balearic and downtempo brew with a gorgeous sense of melody and spirituality that offers a soothing escape. 'Riot On The Hush' is a lush tapestry of hand drums and xylophone-like sounds that rise and fall like a sea current, 'Outta Space' is the same vibe but with a futuristic cosmic twist. These are two of many highlights.

Review: The Blessed Madonna has remixed Dua Lipa's 'Levitating' featuring Missy Elliott and Madonna. This is the first track from 'Club Future Nostalgia', an entirely remixed version of Dua Lipa's global #1 album "Future Nostalgia", created in collaboration with The Blessed Madonna.

Review: During the 1990s, there were few techno producers in Spain who were quite as prolific - or successful, for that matter - as Alex Martin. This superb double-pack delivers proof of the Barcelona-based artist's impressive early form by gathering together some of the best cuts he released between '94 and '98 under a variety of aliases, most notably Sideral and The Fat DB. Interestingly, there's plenty of variety to be found within the collected cuts, with sparkling sci-fi ambient ('Elipse') and deep, shuffling IDM (the acid-flecked brilliance of 'Mare Nostrum' and 'Butterly') nestling side by side with deep techno ('I Wanna Look at the Stars'), ragged futurist acid ('Incognita'), intergalactic techno ('Planetarium') and even cuts inspired by the soul, bass-weight and shuffle of the then emerging UK garage sound ('Can Make It').

Review: There is a load of Jay Tripwire newness around at the moment and some of it is from his back catalogue and some of it is all new. Here the longtime minimal mainstay and Canadian scene-pioneer serves up a multi-volume collection of cult tracks of his from the early 2000s. They have a west coast tech house sound and are still future in design. The likes of Villalbos have long been banging these and they sit well with the days current underground sound. Acid, dub, tech, electronic soul and more all colour the grooves.

Review: Limited edition 12" dedicated to the Neve A Maggio song flavoured with four remixes. Three from Mushrooms Project and one with a 90's house style by Deep88. Wrapped in elegant electronics and an international flavour, Sara's voice recounts the unusual in these days characterized by strong anomalies and cold solitude. Like when it snows in May, like when you want to pick a rose and instead find yourself blinded by a white reflection, completely out of place. Yet there is life, under that white; breath, pulsation, a rhythm that presses and makes you dance: a song that drags you away from a daily life troubled by extraordinary events, which become intimate and confidential, but still unique, like every single snowflake.

Archeo Recordings is a reissue record label that regenerates old, lost, obscure and forgotten rare gems of mostly Italian music but also all over the world of the 70s, 80s and 90s.
All releases are licensed audio tracks re-mastered in their original form with sleeves recreated for today but all based on the original images. Archeo would like to make the music available to a wider audience of collectors, DJs, music lovers of a forgotten time.

Review: After he made such an impact with his debut EP in 2018, Compton-based hip-house hero Channel Tres made good on his burgeoning reputation with his second release the year after. Black Moses might nod to Isaac Hayes, but there's nothing throwback about the sound as Tres rides all kinds of sparkling fresh electronic beats with a focus on deep house. He was also able to confirm his burgeoning reputation in the scene with a notable guest spot from JPEGMAFIA on the low slung title track. There's just so much swag to this record, it's going to make you and everyone in a square mile get loose, wherever you drop it.

Review: The Master at Work that is Louie Vega has been a music-making machine all his life but in recent years has continued to reach new heights with various different projects. Here he is back on regular label Nervous with various different versions of his tunes 'Joy Universal' and 'Igobolo.' 'Joy Universal' (feat Two Soul Fusion) is classic Vega - soulful house music awash with Latin influences, loose-limbed percussion and funky basslines. And that template is tweaked over the ensuing tunes, with glorious pianos, jazzy grooves and tropical rhythms all making for a fine EP.

Review: Guidance continues to celebrate the often-overlooked musical life and legacy of the late, great Dana Kelley AKA DKMA with a third compilation of cuts rescued from rediscovered DATs of unreleased recordings. There's naturally plenty to enjoy 'Boston Boy Volume 3', from the starry, shuffling, loose-limbed warmth of opener 'Savages' and the dense, tribal-influenced deep house hedonism of 'Deconstruct', to the raw, sub-heavy techno of 'Wolfen', the jazzy and boompty-influenced bounce of 'Twilight' and the deeply hazy, dubbed-out wonder that is 'Luv 'n' Pain', where echoing chords and deep sub-bass provide a platform for all manner of percussive insanity.

Review: This is a beautiful new project from Lucy Gooch (UK), Black Brunswicker (US) and zake (US)-

Lucy Gooch's vocals become an ocean of loops and washes that float above the Black Brunswicker lap steel swells and zake drones.

Review: Kalita Records are proud and honoured to announce the first ever official reissue of the four choice tracks from Randolph Baker's privately pressed sought-after 1982 disco album 'Reaching For The Stars', plus an unreleased instrumental take of 'Party Life' sourced from the original 24-track analogue master tapes.

Originally recorded at Jim Morris and Rick Miller's Tampa-based Morrisound Studios, 'Getting Next To You' features both a mixture of both local Florida talent plus jazz superstar Nat Adderley and bassist John Lamb at their finest. Originally pressed in a limited run of just one-thousand copies, with no distribution and most copies being sold in the local city and on Randolph's own merchandise table at the back of live gigs, original copies have long been sought-after by both collectors and DJs alike, acknowledged as a true grail and masterpiece in the disco scene and deservedly demanding extortionate figures to those lucky enough to find their own.

Here, in collaboration with Randolph, Kalita Records have chosen to re-release the four choice tracks from the album: 'Getting Next To You', 'Jazzman', 'Callin' Me' and 'Party Life'. The former is an in-demand horn and chant-filled disco masterpiece, which, as Randolph explains, concerns unity and "everyone on the same level in other words, everyone just loving life". It is arguably the song that Randolph is most well-known for in the disco and funk scene and perfect for the modern discerning dance floor. 'Jazzman' is an instrumental track with prominent trumpet and saxophone solos working with funky basslines to produce a truly great jazz-funk groove. It was "a tribute to Nat Adderley and Duke Ellington's bass player, John Lamb, for being so generous and saying yes to the project". 'Callin' Me' is a soulful disco number featuring the lead vocals of Laurie Erickson and is "about being on the road and ensuring loved ones that you will always come back home no matter what. It was like a promise to ensure loved ones they didn't have to worry". Lastly, 'Party Life' is a joyous disco track with a strong funk bassline and horns. As Randolph recalls, it "was the joy like after an actor finishes a movie. There was nothing but joy. It's finished; let's celebrate big time. Where everyone in the studio yelled at the top of their lungs - The End!" Here, with access to the 24-track master tapes we have been able to include the original version plus an unreleased instrumental take, allowing us to focus on the infectious bassline and make it even more ready for the modern dance floor.

Accompanied by extensive interview-based liner notes and never-before-seen photos.

Review: Star Creatures' latest release titled The Chicago Boogie Volume 2: This Love Will Last picks up where Attack of the Chicago Boogie Volume 1 left off, with Tim Zawada and Kool Hersh curating more selections of rare Chicago boogie tracks in collaboration with the Munster Boogie crew. Originally released last year, this reissue includes music written, produced, recorded and pressed proudly in The Windy City itself, with this vinyl edition featuring art from Ben Marcus based on versions of compliment cards and flyers from the scene in the 80s.

Review: Enduring Detroit maverick Omar-S celebrates 20 years since he released one of his most iconic 12"s by pressing it up as a new double pack with two new versions of two originals and one bonus unnamed track. The standouts of this EP were always 'U' and 'Set It Out'. The former is a raw as-you-like drum track with bounce in the kicks and pure machine soul in the vamping chords, and the latter shows Smith's other more tender side with smart 80s samples and new school r&b vibe on a dusty house beat. He has mashed them together perfectly on the new cut 'U Set It Out' and added extra weight to 'U 2023.' Add in the other two originals and heavy beatdown 'Track 3' and you have an essential new double pack.

Review: The fourth and (we think) final sampler for Kerri Chandler's epic new album, Spaces & Places, not only features a swathe of cuts from the set, but also a clutch of must-check alternate takes. Of the album tracks, we're particularly fond of the Ministry of Sound inspired piano house workout 'Hurry Up (featuring Dreamer G)' and the locked-in early morning hypnotism of 'Sunrise', which the New Jersey native recorded at Berlin club 'Watergate'. Other highlights across the double-pack include the breezy 'Joyful Life' (and its accompanying 'Vibeapella') and the bonus 'No Guitar Mix' of the mid-90s St German style wonder of 'Dirty', a cut recorded at, and in tribute to, legendary Paris venue Rex Club.

Review: The Soul in the Horn label is "a movement" with roots in New York City. It is a collaborative project from music curator DProsper and resident DJ Natasha Diggs that is now back with another party-ready 12", this time from Knevrmind. It kicks off with a rugged house cut that chops up some big Kendrick samples to make for something of an anthemic opener. 'Major Hot' then flips the script with more sun-kissed and dusty house loops that are nice and loose and 'Matters Of Time' slows it down again to late-night and loved-up dub house. An instrumental strips it back so the cosmic synths shine brighter.

Review: Veteran Newcastle-based producer Johnathan Watson aka Smoove is back with the third instalment in the Multitrack Reworks, a new series that will be putting out limited edition, hand-stamped white label 12's that are made from reworked tunes constructed from the original multitracks. This one features the deep down and dirty P-funk of A-side cut 'Deep', while over on the flip Watson lends his Midas touch to a solid reconstruction of a certain deep funk classic by Slave, as well as a spruced up soul classic for all the heads out there on 'Superman'.

Review: Limited edition, hand-stamped white label 12"s from Smoove, reworking as though each of its remixed originals were axiomatic expressions of sonic perfection. 'Dance', for example, has a well known 80s classic reworked to stomping, heavyweight perfection - stretching its vocals to breathy ecstasy. Meanwhile EWF's 'Can't Hide Love' and 'Playing Your Game, Baby' by a certain Mr White, unite over a similar subject matter; there's no point in hiding your love. All aboard the underground love train.

Review: They hit the limit... The limit hit back! Everything about this EP is awesome: firstly, the partnership of two of drum & bass's most on-point production teams. Secondly, "Mouthbreather" has been on all god-fearing neurofunkologist's wishlist for several years and it doesn't disappoint. Thirdly, "Dead Limit" one of the grizzliest, unruly tunes you'll hear all year. Fourthly, "Inverse" is the ultimate definition of elastic D&B funk. Fifthly, "Omnivore" contains some of the strangest, captivating sound design ever processed for the dance. Sixthly, the artwork is bang on point too. Trust us; this hits hard!

Review: Back in 1996, Losoul's first outing on the now legendary Playhouse label caused such a stir across Europe and the U.S that it ended up being licensed and reissued - with additional reworks - by labels in Detroit and the Netherlands. This double-pack from Running Back brings together Losoul's original mix - a loopy, is-it-house-or-is-it-techno loop jam that cannily builds in intensity over the course of 11 and a half minutes - and two of the smartest revisions: Theo Parrish's mesmerising, deep and hypnotic revision (one of his best, we'd argue) and Dutch producer Gerd's jazzy, warm and sub-heavy shuffler. Also included is original B-side '00000000', a fine slab of minimal house hypnotism, and the previously unreleased 'D1', a more laidback and stripped-back disco-house loop jam.

Review: This reissue of The Jungle Rat is the second in a series from Names You Can Trust. The first was a doozy, as is this one, and suggests their Panama Gold Series is going to be totally essential. This is the first time this particular holy funk grail has ever been reissued. It's raw, expressive funk with big rhythms, bigger horns and impassioned vocals with plenty of florid melodic motifs. On the flip, things slow down and get more deep and pensive with 'Have A Little Faith.' The belting vocals are repacked with real power and backed with talkative horns.

Review: Quentin Sinclair Foster is a cult South African producer who mastered the art of downtempo and deep house across a series of vital cuts. Now, the Soundbath label has got together a first ever vinyl pressing and reissue of them which is sure to help them become classics all over again. That will certify be true of the one, Tsidi's 'Contagious' (Transcendal dub remix), which has everything required to become an anthem - the smooth female vocal, soft focus synths and subtle old school bass. Add in four other equally lush and romantic house sound and you have a real doozy.

Review: After breaking a decade-long hiatus by releasing the Sad Cities album last year, Swedish disco mavericks Sally Shapiro have been on a roll through their association with Italians Do It Better. Jonny Jewel's label is the perfect home for their Italo-informed, pop-baiting sound, and now they're back with a new single called 'Rent'. It's another seductive excursion into the future-past of electronic disco, with the extended mix on the A-side complemented by the instrumental on the B-side and a team-up between NICOLAAS and Steve Moore for a remix. Meanwhile, Italoconnection step up for a version of Sad Cities track 'Believe In Me', rounding out another strong EP from Shapiro and Italians Do It Better alike.

Review: Summer is Dam-Funk season. The synth funk pioneer's sounds never seem more fitting than when cruising about on an early summer evening, top down (at least in your mind) with the sky turning burnt orange. He soundtracks that moment four more times here with 'Rise' being a more downbeat and pensive vibe, then 'Make It' getting a little more playful on the bump-n-grid beats and squelchy boogie bass. 'From A G Perspective' has low-riding Cali-funk in its bones and 'Free' closes with more lush analogue textures and shimmering chords on this vital, limited 12".

Review: La Jungla is a fresh project charting many fusions of Latin music and electronica. Blending cumbia, zouk salsa and reggae with more digitally-oriented styles from dembow to dub, this is a remarkably curious EP on the fronts of both experimentation and locale. Endlessly groovy but equally odd, the likes of 'Salto Palante' hear rap-sung vocals about spirituality and jubilance, exclaimed against the backdrop of acid bass plods and controlled instrumental cacophony.

Review: This official reissue of Bela Lugosi's Dead: The Bela Session comes on black and red splattered vinyl this time around and includes previously unreleased tracks that have been mastered from the original demo tapes of their first ever recording session together. The post-punk outfit's debut single was released initially in 1979. Bela Lugosi's Dead is not only their first single, but also often gets mentioned as the first goth record. It has since been covered by Nine Inch Nails, Massive Attack and Nouvelle Vague. The rest of the tunes from the demo session remain hugely innovative, reflecting their post-punk and dark-glam style with dub reggae influences that would further evolve in their output that followed and explain why the band went on to such cult status.

Review: Archeo know how to hunt down a rare jam and give it the kind of reissue it deserves, so who better to handle this job? Tonica & Dominante was a studio project conceived by Antonio Iglio and Antonio Moxedano, which yielded a couple of singles and an album at the end of the 70s. It's a warm, organic sound before Italo disco swerved hard towards synthesisers and drum machines, and you can see why anyone digging for the rarest grooves would go crazy for the two tracks on this previously rare-as-hell 7". This new Archeo version ports the original tracks onto 12" and folds in two tasteful, clubbed-up dub mixes from Leo Mas & Fabrice.

Review: Max Richter's latest work Sleep: Tranquillity Base first arrived on Deutsche Grammophon for World Sleep Day. Ot is a thirty minute work split across two parts and are inspired by the moon landings. It is music that "functions as a vessel that disconnects and travels through the body of work, allowing art to provide something which resembles peace within ourselves." It also comes with a couple of belting remixes from much loved contemporary innovators Alva Noto and Kelly Lee Owens. There is a reason Max Richter is so well revered and his music has had over three billion streams and this EP is one of them.