Back catalogue: All genres

Notes: Expand the lid from your case to be another powered rack. This set includes:

Rails
Handle and handle supports
Powered bus board
Case wiring
AC/DC power adapter
All hardware and thermal tape to complete the conversion

Notes: 104hp wide with two 3U rows and a 1U row.
Powder coated aluminum construction
VESA mount compatible (100mm x 100mm)
Plastic handle for easy mobility
Metal feet can be installed to support multiple angles of jamming.
Secure latching lid with enough depth to keep your patches patched

Expandable

Lid - when you're ready to add more space, the lid can be expanded to be another 104hp x 7U. You can add another set of rails, power supply and power jack and double your available space. (Kit available)
Metal feet - The metal feet can have a pair of rails and rack mounted power added to support another 3U row of 104hp. (Kit available in future)

Connectivity

Audio jacks - set of four jacks for stereo in and stereo out.
MIDI jacks - DIN jacks to support IN, OUT, and THRU MIDI.
USB power - can be used for a lamp to light your case or to charge your phone while recording your set.

Dimensions
557mm x 334mm x 169mm
74mm depth for 1U and bottom 3U row
52mm depth for middle 3U row

Power
+12V - 3A (with plenty of allowance for in-rush current)
-12V - 3A
+5V - 3A (shared with USB power)
36 shrouded power headers

In The Box
Main case
Lid
Metal feet
Power adapter 20V at 6A

Notes: ***B-STOCK: Dent on the side, product in perfect working order***


Like a greatest hits of recent Analogue Solutions synths, the Ample combines sound elements from the Fusebox with jack patch points, a patch pin matrix, plus sequencer and CV touch pads from the Generator, creating something new and unique.

Supplier's Notes:
Ample combines the best elements of several of Analogue Solutions' recent products.

The sound elements of Fusebox
Jack patch points of Concussor Eurorack
Patch pin matrix of Vostok
Echo from Dr Strangelove
Sequencer and CV touch pads of Generator

It shares all this yet still has its own sound!

Ample can be as complex or as simple as you want it to be

This synth has been given a large and diverse number of controls, that along side the patch sockets, will give even the best and experienced synthesist endless possibilities.

This synth presents the controls in a user friendly and familiar synth layout that, together with this manual and other resources, enable even the new guy to get great sounds.

Synth - Percussion - Audio Processor

Ample is a compact analogue synthesizer. Analogue - as in really analogue. Aside from the MIDI chip (which has to be digital), everything else is totally analogue using real transistors and op-amps. There are no CPU stabilised and quantised circuits, no DCOs, no digital LFOs and no digital EGs, as found on other so called analogue synths. The circuitry is based on designs dating back to the mid-1970s. So Ample has a genuine old sound.

Circuits included

3x Analogue Oscillators

There are three analogue VCOs - each providing a wealth of features and modulation choices. VCO3 can easily be utilised as a LFO.

2x Analogue Low Frequency Oscillator

LFO2(/Sync) has a triangle wave output. VCO3 can be used as an LFO and has Saw, Triangle and Square wave modulation signals.

Analogue Filter

Ample uses a four pole 24bB per octave low pass filter.

Analogue Amplifier

The VCA can be set to THRU so it is always 'open'. This allows Ample to be used as an effects processor.

2x Analogue Envelopes

There are two EGs - each having full control over ATTACK, DECAY, SUSTAIN, and RELEASE.

Modulation

Great thought has been placed into modulation route choices, allowing a wide range of sounds to be produced, including percussion and 'modular' sounds further extended by patching with the jack sockets and pin matrix.

MIDI

MIDI is intentionally kept simple - so you can concentrate on making new sounds and making music - not getting tied up with SYSEX programming.

You get the all important control over filter cut-off using MIDI Velocity.

Patchable External CV Control Sockets

Ample has many input and output audio and CV sockets - to allow the synth to be effectively re-wired to make new sounds.

The sockets also enable it to be easily used with Eurorack and other modular systems. They can be patched together.

Sequencer

Ample has a vintage style 16 step sequencer.

Touch Keys

There are 6 touch keys that each output a set voltage. Use this to play the pitch or as modulation signals. A great tool for inspiration!

Pin Matrix

A neat way to patch the synth.

Echo

Nice lo-fi echo / delay.

Notes: Studio headphones for recording and monitoring purpose (closed).

Limited special edition circumaural studio headphones
For a range of devices thanks to a flexible STELLAR.45 driver
Includes detachable cable with mini XLR connector
Extremely comfortable, even after hours of use
Made in Germany

The next chapter of a studio legend

For 100 years, Beyerdynamic have been driven by the pursuit of the best sound. Thanks to numerous innovations such as the first dynamic stereo headphones DT 48, the robust studio legend DT 100, and the globally renowned DT 770 PRO, Beyerdynamic are now considered to be a reference for professional studio headphones.

To celebrate their 100-year company anniversary, Beyerdynamic are releasing the DT 770 PRO X Limited Edition, a time-limited special edition of studio headphones. They combine the reference-setting features of the DT 770 PRO with the flexibility of the dynamic STELLAR.45 driver system and a detachable cable. Made in Germany, the DT 770 PRO X Limited Edition opens a new chapter in the successful Beyerdynamic DT series.

A tried-and-tested acoustic signature

The DT 770 PRO X Limited Edition circumaural studio headphones feature the tried-and-tested acoustic signature of the DT 770 PRO. Powerful basses, detailed trebles and first-class impulse behaviour - professional musicians, producers, studio operators and sound engineers have been trusting in these qualities for decades. Flexible and powerful, the studio headphones are perfect for recording and monitoring purposes thanks to their closed-back design.

The reference for a range of playback equipment

Thanks to their dynamic STELLAR.45 driver (48 ohms) with its broad frequency response of 5-40,000 Hz, the DT 770 PRO X Limited Edition headphones deliver studio reference sound on a wide range of playback equipment.

Stellar.45

For this, the sound transducer uses a neodymium magnet and a voice coil made from copper-plated precision wires. The resulting high conductivity of the driver system at low weight is the reason for its high performance. The driver system keeps distortion extremely low, even at high sound pressures. The Stellar.45 has an impedance of 48 ohms and proves that low-impedance sound transducers can deliver excellent studio-quality sound.

You want it, you get it- a detachable cable

As requested by a number of users, the DT 770 PRO X Limited Edition headphones now offer even more flexibility thanks to their detachable cable. The headphones come with a 3m-long straight cable with lockable 3-pin mini XLR connector. This can be connected to a variety of devices thanks to a 3.5mm stereo jack including a screwable 6.3mm adaptor.

The most comfortable 770 of all time

For decades, the studio headphones in the DT range have not only been classified as a sound reference, but also a benchmark in comfort. In addition to the robust spring steel headband construction, it is the iconic velour ear pads that ensure the headphones are comfortable even for long studio sessions. The soft memory foam used in the headband means it ergonomically adjusts to the shape of the head. One new feature is the integrated fontanel recess. Both the headband and the ear pads can be replaced if necessary.

Professional headphones- made in Germany

Made in Germany, the DT 770 PRO X Limited Edition headphones are characterised by the high production quality that Beyerdynamic has stood for over many decades. The driver system is manufactured within extremely tight tolerances and measured several times during the various production steps.

The combination of robust metal parts and impact- and scratch-resistant ABS plastic make the DT 770 PRO X Limited Edition a long-lasting companion for everyday studio use.

For sustainability reasons, almost every part of the studio headphones can be replaced.

Applications
The DT 770 PRO X Limited Edition is a closed studio headphone suitable for professional recording and monitoring in the studio as well as on the move.

Due to the low-impedance STELLAR.45 driver, the DT 770 PRO X Limited Edition delivers studio reference sound on a wide range of end devices.

The detachable, single-sided mini XLR cable makes it easier to handle the DT 770 PRO X Limited Edition when it has to be used frequently.

The rugged headband made of spring steel gives the DT 770 PRO X Limited Edition a secure fit and the mechanical reliability needed for daily use.

Soft ear and headband pads contribute to a high long term comfort when wearing. If necessary, headband and ear pads can be replaced.

The connection cable is provided with a gold-plated mini stereo jack plug (3.5 mm) with a 1/4" adapter (6.35 mm) and can be connected to all common headphone outputs.

Technical specifications

Transducer type: Dynamic
Operating principle: Closed
Wearing type: Over-ear
Frequency response: 5 - 40,000 Hz
Nominal impedance: 48 O
Sound pressure level @ 1 mW/500 Hz: 98 dB
Sound pressure level @ 1 V/500 Hz: 112 dB
T.H.D. @ 500 Hz: < 0.05
Maximum short-term power handling capacity: 210 mW
Ambient noise isolation: 16 dBA
Nominal headband pressure: 5.5 N
Weight (without cable): 305 g
Length and type of cable: 3 m / straight cable, detachable, single-sided
Connection: Gold-plated mini stereo jack plug (3.5 mm) & 1/4" adapter (6.35 mm)


Supplied accessories

1 x Straight cable, 3-pin mini XLR (lockable) and mini stereo jack (3.5 mm), length 3 m
1 x Screw-on adapter 3.5 mm to 1/4" (6.35 mm) stereo jack
1 x Drawstring bag

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Celebrating the 50th anniversary of this truly iconic synth, the 'modern' take on the classic Buchla Music Easel doesn't mess with a winning formula, paring the 208C sound source with 218e touch-sensitive keyboard.

Supplier's Notes:
The Buchla Music Easel was one of the first truly portable electronic music instruments. Fifty years ago, in 1973, only a few dozen were made. Unlike many iconic technologies, the influence was not grown through force of scale, but rather the force of the ideas. The Music Easel made available virtually every musical dimension: timbre, melody, rhythm, and time; how these dimensions intersected was no longer the court of acoustics and material, but signals and voltage. The 208 Stored Program Sound Source engendered "a new functional organization [with a] particularly rapid system of patching and program storage via plug-in cards."

Taking cues from the then-recent discipline of cybernetics, the 218 touch plate was for "real-time communication" to help realize the "potential vocabulary" of the Easel, rather than exploiting existing modes of musical virtuosity. The Stored Program Cards ensured rapid repeatability and repertoire on its own terms. The battery terminals made sure the music was as portable as any acoustic instrument. And the name let you know it was designed for art rather than science.

Buchla is ecstatic to revive the Music Easel for its third run in 50 years. Buchla first released the updated 208 Stored Program Sound Source, dubbed the Easel Command, with expanded MIDI and USB capability. Next came the update of the Easel Program Manager - a complete kit for storing and recalling sounds sources, even more rapidly than imagined in 1973. The new 218 Touch Activated Voltage Source provides the optimal input facility, as originally envisioned. It is now all together in a rugged case and the advanced EMBIO module that unifies all the audio and control inputs and outputs for integration with the rest of your musical world.

More than a retro novelty, the Music Easel still speaks to a future we strive for. A technology that invites conversation, not chats, and controls that engage expression, not work. There are many new worlds to explore in this instrument created at the crossroads of the jazz and computer ages. Designed as "an integrated assemblage of functions", rather than a collection of modules, the Music Easel's colour coding, comfortable access to controls, and solid patch connections allow for satisfying sessions of sonic discovery.

The Music Easel is available for pre-order starting June 16 at Buchla.com and your favourite Buchla Dealer. Delivery of the Music Easel (modern) is expected fall 2023.

Stored Program Sound Source Model 208C

The sound source of the Music Easel is the 208C, which includes a complex oscillator and a modulation oscillator (which can also serve as another voice), each with independent switchable waveforms, as well as a noise generator, allowing for rich and intricate sound design. The 208C also features a five-stage sequencer, envelope generator, pulser and modulation source - with switchable triggers - allowing for complex patterns and evolving textures. The dual low pass gate provides dynamic control over the tone and amplitude of the sound, as well as natural-sounding decay and sustain. The 208C has a number of modulation sources, including a random voltage generator, the envelope generator, modulation oscillator, and an envelope detector. These sources can be used to modulate various parameters via the extensive patchfield - creating movement, texture, and complexity. The 208C also includes a mixer section with spring reverb.

Touch Activated Voltage Source Model 218e (v3)

The first design appeared in the 1973 release of the Buchla Music Easel and named for the spacecraft that delivered astronauts to the moon. Providing the familiar piano key layout for this early mobile music machine, the additional controls and capabilities were an interface for exploring uncharted musical territory. With the new version 3, it's been elevated with a new foundation of stable, modern electronics with incredible sensitivity and accuracy - the lightest touch will produce triggers and control voltages. The adjustable sensor has the dynamic range and durability to handle your playing. The new texture not only improves the sensing, but provides a satisfying tactile experience. As always, pressure is an expressive output, adding an extra dimension to the control. MIDI outputs velocity and polyphony, as well as channel pressure, making the 218e a uniquely expressive controller. The 218e includes portamento and an arpeggiator, which can be driven by external inputs and are allowed to interact with the automated notes to make patterns more complex. Additional controls allow you to blend different patterns and randomness to easily change from the expected to the surprising. The classic preset voltage knobs offer several possible ways to shift your sounds into new territory. Not only can the knobs be used for quick access to voltages for your patch, they can control arpeggiation modes and octave shifting. Pads output pulses for additional control. The 218e also gives you a unique interface to playing your existing MIDI gear and soft synths. Each touch outputs note name, channel pressure, and velocity for every note, along with sustain controls from a pedal. Polyphonic MIDI mode lets you play chords. The touchstrip can act as a pitch bend control, or as a mod wheel for additional expressive control. Easily configured using the front panel controls, you can send notes and controls on any MIDI channel.

Electric Music Box Input/Output (EMBIO)

Maintaining the spirit, sound, and process from the original, the new Music Easel adds a variety of new features. Buchla's latest renditions of the Stored Program Sound Source and Touch Activated Voltage Source are tied together with the Electric Music Box Input/Output (EMBIO) module. This of course provides MIDI out (mini jack and USB) and CV out from the 218, MIDI in to the 208, and the audio out from the 208C. Additional creative control comes from the Audio Mixer, for integration with other Buchla modules and systems, and the CV conditioners and controls. The slew control can turn your sequencer into a wavy modulator, or soften up a square LFO. The attenuator and crossfader gives you the opportunity to find new levels and combinations of voltages from existing ones. The pulse converter offers new rhythms to trigger. And a simple LFO provides another valuable modulator when you just can't quite let yourself flip that Mod Osc switch from "high" to "low."

Notes: Introducing the Decksaver cover, meticulously crafted for the Allen & Heath CQ-12T mixer. This cover, engineered with exacting precision and made from superior-grade material, offers a bespoke-fit solution that is unrivalled. It provides your CQ-12T with unparalleled defence against common hazards like dust, liquid spills, and accidental knocks or impacts.

Understanding the significance of your mixer as a vital component of your audio setup, this Decksaver cover has been designed to ensure your CQ-12T remains in pristine condition, regardless of the setting. Whether in the studio, at a live performance, or during transportation, the cover acts as a reliable shield, preserving the functionality and aesthetics of your mixer.

Its sleek, transparent design not only delivers robust protection but also showcases the sophisticated build of your CQ-12T, integrating flawlessly with its professional appearance. The precise fit ensures that every knob, fader, screen, and input is covered, yet remains easily accessible for quick setups and teardowns. This design principle means that you don't have to choose between safety and style.

Furthermore, the Decksaver cover for the CQ-12T is lightweight and durable, making it an ideal accessory for DJs on the move. It adds an additional layer of security against the challenges of travel and frequent use, protecting your investment from the wear and tear of the road.

With this Decksaver cover, you acquire not just a protective measure, but a declaration of professionalism. It reflects your dedication to quality and the importance you place on keeping your equipment in its best condition. Embrace the peace of mind and confidence that comes with knowing your Allen & Heath CQ-12T is well-protected, allowing you to concentrate on what you do best; creating and performing music.

Weight: 0.151 kg
Length: 27.4 cm
Width: 23.7 cm
Height: 4 cm

Material: Smoked clear polycarbonate.

Warning: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Conductive Labs have turned complex music theory into a killer synthesizer-jamming MIDI controller with The NDLR.

With four parts that can play up to 8 synths, it's possible to make fantastic electronic music with this device.

These tools we use to compose and produce music are dear to our hearts. Dust, liquid and accidental impact have taken many a good unit down over the years - this is where Decksaver steps in.

Designed exclusively for perfect fit, whilst still accommodating cables, your NDLR arpeggiator can sit ready for operation.

Slides straight into a flight or soft case, or rucksack for maximum protection during transportation.

Shields delicate controls, ports and internal components from damage at home, on the road and on stage.

Dimensions

Weight: 0.399kg
Length: 23.2cm
Width: 15.9cm
Height: 3.4cm

Notes: The IK Multimedia UNO Synth PRO X, celebrated for its outstanding sound design capabilities and intuitive interface, is fast becoming a fixture in the collections of discerning musicians and producers. To address the necessity of preserving this innovative instrument, Decksaver have crafted the Decksaver cover for the IK Multimedia device, designed to offer comprehensive protection. Made from premium-grade polycarbonate, following Decksaver's exclusive formula, this cover is specifically engineered to protect against dust, spills, and unforeseen impacts.

Custom-fit for the PRO X, this Decksaver cover snugly envelops the synthesizer, ensuring all knobs, buttons, and inputs are thoroughly protected without obstructing cable connections. The design prioritises usability, facilitating quick and simple application or removal of the cover, a crucial consideration for dynamic musicians and producers. Whether en route to a live performance, situated in a studio, or kept at home, this cover acts as a solid safeguard, preserving the delicate components of your UNO Synth PRO X from the trials of daily use.

Choosing this Decksaver cover for your UNO Synth PRO X is more than a mere practical decision; it signifies a commitment to keeping your instrument in pristine condition. It is an essential asset for anyone intent on protecting their UNO Synth PRO X, ensuring it stays ready and responsive for every creative pursuit.

Dimensions

Weight: 0.195 kg
Length: 33.8 cm
Width: 15.1 cm
Height: 2.9 cm

Fits

UNO Synth Pro X
Uno Synth Pro Desktop

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: The Korg Drumlogue, renowned for its hybrid drum synthesis and powerful sequencing capabilities, has become an essential tool for percussion aficionados and electronic musicians. In recognition of its enduring popularity, Decksaver are delighted to introduce the cover for the Drumlogue, providing crucial protection for this dynamic instrument. Fashioned from sturdy polycarbonate, this cover is meticulously designed to shield against dust, liquid spills, and accidental knocks.

Precisely tailored to fit the Korg Drumlogue, this Decksaver lid matches the instrument's layout exactly, ensuring that every knob, pad, and connection point is safeguarded while still allowing unimpeded access to cables. The design is focused on ease of use, facilitating swift and effortless application or removal of the cover, an essential aspect for busy musicians and producers. Whether you're taking the Drumlogue to a performance, using it in the studio, or keeping it protected in your home setup, this cover serves as a reliable guard, maintaining the instrument's operational integrity and visual appeal.

Opting for this Decksaver cover for your Drumlogue signifies more than a practical measure; it's a pledge to the sustained care and preservation of your instrument. It represents an invaluable investment for anyone keen to ensure their Drumlogue stays in prime condition, ready for any rhythmic adventure or creative endeavour.

Dimensions

Weight: 0.23 kg
Length: 33.2 cm
Width: 20 cm
Height: 3.4 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: The PreSonus FaderPort, known for its streamlined workflow enhancement and precision control in music production, has rapidly become a must-have for producers and sound engineers. Due to its growing popularity and users' demand for reliable protection, Decksaver are thrilled to introduce the cover for the PreSonus FaderPort. This cover is crafted from robust polycarbonate, a material renowned for its strength and resilience, designed to shield your FaderPort from dust, liquid spills, and accidental impacts.

Precisely engineered to complement the PreSonus FaderPort, this Decksaver cover provides a perfect fit, encasing every button, fader, and knob, while allowing easy access to connections. This design is intentional, catering to the needs of professionals who value both protection and efficiency. Whether in a busy studio setting, a home recording environment, or on the move, this cover ensures that your FaderPort remains safeguarded, maintaining its functionality and sleek appearance.

Opting for this Decksaver cover for your PreSonus FaderPort is more than a practical choice; it signifies a commitment to preserving the integrity and longevity of your valuable equipment. Highly requested by the Decksaver community, this cover is a testament to the FaderPort's importance in modern music production, offering peace of mind that your device is protected and ready for any creative challenge.

Dimensions

Weight: 0.135 kg
Length: 14.7 cm
Width: 24 cm
Height: 3.7 cm

Material: Smoked clear polycarbonate.

WARNING: When your Decksaver cover is in place, please ensure that your equipment is kept away from direct and high heat sources, such as radiators, fires and sunlight.

Notes: ***B-STOCK: Box damaged, product in perfect working order***


Second-gen version of the excellent Opsix features major updates including 64-voice polyphony and an improved interface. Same powerful six-operator FM synth engine.

Supplier's Notes:
A Full-Spectrum Sound Experience

Opsix mk II is a digital synth like no other. Based on the sound engine of the original Opsix, the number of simultaneous voices and voicings has been expanded to an astounding 64 voices. The result is superior performance and precise control.

The Opsix Operator Mixer simplified FM synthesis for the first time, making it not just comprehensible but also controllable. With the addition of extra synthesis capabilities and programming, it offered a more efficient workflow and an even richer sound.

And, it is fully compatible with the sounds and samples from both the original opsix and the opsix Native software, including numerous high-quality libraries.

Evolved to an astounding 64 voices

The Opsix mk II has 64 voices, twice as many as the original 32 voices, allowing users to enjoy tone editing without having to worry about the number of simultaneous voices. In addition, the operator-mixer section, the most distinctive feature of this product, has been accented with a new image colour, green.

Get Illuminated with the Operator Mixer

At the heart of every sound is Opsix mk II's Operator Mixer - a simple set of six faders and knobs that invite exploration. Each part lights up red to indicate carriers or blue for modulators. Manipulating them opens up new sound-shaping possibilities to breathe fresh life into your musical ideas. This straightforward, hands-on workflow is part of what makes Opsix mk II so unique, just like the sounds it offers.

Direct Hands-On Control

Whether you're tweaking a preset or building a patch from the ground up, the six data entry knobs on the right give you quick access to the parameters you need and seamlessly sync with the large OLED display, giving you a clear, focused direction to your workflow. Coupled with the mixer, it makes creating fresh sounds super easy and, most importantly, fun!

Select from a full range of analogue-style filters, from the radical Korg MS-20 low-pass/high-pass filter to the powerful yet smooth KORG Polysix low-pass filter that gives your sound a vintage feel. There are also two or four-pole low-pass, high-pass, band-pass, and band-reject filters with resonance.

There's even a built-in spectrum analyser and oscilloscope that gives you visual feedback via the screen on the music you're making.

Six in One Synthesis

The core of Opsix mk II is nothing short of exponential. Since waveforms can be arranged and modulated in nearly infinite ways, Opsix mk II can easily do the sonic work that is similar to numerous types of synthesis:

Subtractive

Removing parts of the sound to get the sound you want; the most widely-used synthesis. Opsix mk II uses up to six envelopes and multi-modelled filters to achieve many cutting-edge and classical analogue synthesis tones.

Semi-Modular

Rerouting signal paths to change the sound. A spin through the Algorithm section will dramatically reshape the sound by changing how the signal routing between the operators work together, and no patch cables are needed. Analog-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Analogue (Modeling)

Analogue-style controls and plenty of stackable waveforms take you from digital to analogue-sounding in no time. Enjoy deep basses, crisp leads, thick pad sounds, fuzzy brass tones, and so much more.

Waveshaping

Adding intentional distortion to the waveforms to achieve aggressive overtones that are either harmonic or inharmonic. This will help you achieve gritty, bitey tones dripping with character.

Additive

Stacking waveforms and blending their harmonics is key to an expansive range of harmonious, dissonant, and tension-driven sounds. With six operators available, the complete FM experience is possible, including the ability to go back in time for classic sounds you have heard throughout recording history.

Classic FM

Last but certainly not least, Opsix's highly flexible and powerful architecture starts with true six-Operator FM. As a result, it easily delivers signature sounds you have surely heard on thousands of hits from the '80s on through today, and with far more polyphony than other standalone FM synths available today.

With all of these ways to realize and explore sounds, Opsix mk II is uniquely suited as a "future-modern-classic" synth!

Altered Reality

What started as a legacy synthesis has evolved into something completely different. Opsix mk II is FM-based, but the similarities to the classic synthesis end there. The Altered FM architecture delivers sounds across a vast spectrum, far wider than any single synthesis has been able to cover before, thanks to new sound components; new waveforms, filters, shaping, effects, LFOs, envelopes, modulations, and more, all translating to its broad assortment of sounds.

Powerful Effects Processing

Opsix mk II provides three blocks of 30 types of high-definition effects that you can use together to enhance your sounds even further. There's everything from a great mix of usable standard effects like chorus, phaser, delay, and compressor to some world-class shimmering reverbs that will elevate your sound to the next level.

Specifications

Keyboard: 37 keys (velocity and release-velocity sensitive)
Sound generating system: Altered FM sound generator
Maximum Polyphony: 64 voices (varies depending on the setting)
Structure: 6 operators, 1 filter, 3 EGs, 3 LFOs, 3 effects, step sequencer, arpeggiator
Algorithm: 40 presets + user algorithm (unique to each program)
Operator: 6 modes (FM, Ring Mod., Filter, Filter FM, Wave Folder, Effect)
Oscillator waveform: 23 waveforms (Sine, Sine 12bit, Sine 8bit, Triangle, Saw, Saw HD, Square, Square HD, Additive Saw3, Additive Sqr3, Additive Tri3, Additive 12345, Additive 1+2, Additive 1+3, Additive 1+4, Additive 1+5, Additive 1+6, Additive 1+7, Additive 1+8, Noise S/H, Noise White, Noise Pink, Noise Blue)
Filter: 11 types (LPF 12, LPF 24, LPF MS-20, LPF POLY6, HPF 12, HPF 24, HPF MS-20, BPF 6, BPF 12, BRF 6, BRF 12)
EG: ADSR
LFO: 23 waveforms (Triangle, Saw Down, Saw Up, Square, Sine, Sample&Hold, Guitar, Exp. Triangle, Exp. Saw Down, Exp. Saw Up, Step4 Triangle, Step6 Triangle, Step4 Saw Down, Step6 Saw Down, StepRnd:Time, StepRnd:Lvl&Time, StepRnd:Level, Random:Time, Random:Lvl&Time, Triangle + , Saw Down + , Saw Up + , Square +)
V.Patch: 12 routings
Effect: 30 types (Chorus, Unison Ensemble, Phaser, Phaser (BPM) , Auto Pan, Auto Pan (BPM), Flanger, Flanger (BPM) , Rotary Speaker, Auto Wah, Exciter, Enhancer, LFO Filter, 3-Band EQ, Distortion, Guitar Amp, Decimator, Grain Shifter, Master Limiter, Compressor, Delay, Delay (BPM) , Autopan Dly, Autopan Dly (BPM), Tape Echo, Tape Echo (BPM) , Early Reflection, Reverb, Shimmer Reverb, Spring Reverb)
Sequencer: Step Sequencer (up to 16 steps, up to 6 notes per step), Motion Sequencer (up to 6 lanes)
Arpeggiator: 7 patterns (MANUAL, UP, DOWN, ALT1, ALT2, RANDOM, TRIGGER)
Number of programs: 500 (350 preset programs and 150 user programs as the factory-set default)
Favourite: 64 (16 Slots × 4 Banks)
Controllers: MODULATION wheel, PITCH wheel, RATIO OP 1-6 knobs, LEVEL OP 1-6 sliders, DATA ENTRY A-F knobs
Inputs/outputs: Headphone (6.3 mm stereo phone jack), OUTPUT L/MONO and R (impedance-balanced 6.3 mm TRS phone jacks), DAMPER (6.3 mm phone jack, half-damper not supported), MIDI IN and OUT connectors, USB B port
Power supply: AC adapter (DC12V)
Power consumption: 5 W
Dimensions (W × D × H): 565 × 338 × 90 mm / 22.24" × 13.31" × 3.54"
Weight: 2.9 kg / 6.93 lbs.
Included items: AC adapter
Accessories (sold separately): DS-1H damper pedal, PS-1 pedal switch, PS-3 pedal switch

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Updated version of Korg's excellent Wavestate, drawing on the iconic Wavestation synth to create a modern take on wavetable synthesis, now with added polyphony.

Supplier's Notes:
Wavestate mkII

Extended polyphony. Extended possibilities.

Korg's legendary Wavestation introduced the world to wave sequencing, and the 37-key Wavestate mkII builds on that legacy with a reimagined, compact synth designed to satisfy today's demanding musicians and producers. MkII expands polyphony to 96 stereo voices and adds a fresh look. It's completely compatible with sounds and samples for the original Wavestate.

Overview

Korg's legendary Wavestation introduced the world to Wave Sequencing, transforming raw samples into sounds that no-one had ever heard before. The flagship OASYS, Kronos and Nautilus keyboards developed Wave Sequencing even further, expanding on its unique palette of lush, evolving pads and driving rhythms.

Now, Korg is proud to present the new Wavestate mkII, with improved polyphony (96 stereo voices) and a fresh look. It's completely compatible with sounds and samples for both the original Wavestate, Wavestate SE and Wavestate Native software, including many excellent third-party libraries. Updated sounds and software keep it fresh and the compact form-factor, with 37 full-size keys, still transports easily and fits neatly into any stage, studio, or desktop setup.

Keyboard: 37-keys, velocity sensative
Sound generation: Wave Sequencing 2.0
Polyphony: 96 stereo voices
Configuration: Performance: 4 layers, reverb, EQ
Layers: Program, Arpeggiator, Key, and Velocity Zones
Programs: Wave Sequence, Filter, Amp, Pre FX, Mod FX, Delay
Presets: 261 Performances,799 Programs, and 1042 Wave Sequences
Controllers: MOD wheel, PITCH wheel, Vector Joystick, 8 x program/Performance Mod knobs.
Effects: Pre FX x4, Mod FX x4, Delay x4, Reverb, Performance EQ

Inputs/outputs:

Audio Outputs L/MONO, R (6.3mm TRS phone jack, impedance balanced)
Headphones (6.3mm stereo phone jack)
Damper (6.3mm phone jack)
MIDI in,out
USB Type B

Power: AC adapter (DC12V, 2500mA)
Power consumption 5w
Dimensions: 565 W x 338 (D x 92 (H mm
Weight: 2.9kg

Notes: ***B-STOCK: Box opened, product in perfect working order***


Pro features at a good price with this excellent four-deck controller. Large jog wheels, full four-channel mixer section, performance pads and much more. Designed for software including Serato.

Supplier's Notes:
With full audio control over 4 DJ software decks, toggle FX, and professional inputs and outputs, the NS4FX is a feature-packed DJ controller that unleashes the full creative mixing potential of event, club, and livestreaming DJs!

Mix Like an Artist

With full audio control over 4 independent channels, DJs can mix tracks, samples, loops, and more from up to 4 DJ software decks at once.

The 4 channels of the NS4FX each feature dedicated premium-quality volume faders, 3-band EQ, and large high pass/low pass Filter knobs.

Crossfader assignment switches on the front panel allow each channel to be assigned to side A or side B of the crossfader, or can be set to bypass the crossfader altogether. This ultimate flexibility is perfect for crafting artistic mixes on a livestream, creating exciting build-ups in the club, or preparing multiple songs in advance at events.

Sound Like a Pro with Premium Inputs and Outputs

The NS4FX boasts an impressive array of connectivity options, making it the perfect solution for mobile and event DJs as well as club jocks and livestreaming mixmasters. The balanced XLR main outputs deliver high-quality 24-bit audio, ensuring that event guests are always treated to an incredible, immersive dancefloor experience. The additional RCA booth output with dedicated control is perfect for sending audio to a personal monitor speaker or to an additional zone or area of a larger sound system. For events or gigs that call for more than one microphone for MCing or formal announcements, the NS4FX features 2 independent 1/4" microphone inputs with dedicated volume and tone controls. The Mic 1 input can be easily switch to an Auxiliary option to allow audio from a smartphone or external media device to be played through the RCA inputs on the back of the controller. Livestreamers that regularly feature guests or play external audio from other sources will certainly appreciate the audio freedom that the Numark NS4FX provides.

High-Quality, Performance-Focused Decks

The NS4FX is packed with all the pro DJ features needed for exceptional performances. The high-quality, touch-sensitive jog wheels are expertly calibrated for precision mixing and scratching. The centre of the wheels features a vibrant LED display that shows track position, BPM, pitch range, and time. The Layer button on each deck allows each side to toggle control quickly between multiple decks, making it easy to layer and mix up to 4 tracks at the same time. The long pitch sliders on each deck with selectable range offer ultra-precise control over tempo when mixing, and the Pitch Bend buttons allow for fine adjustments for perfectly aligned mixes. The 16 Performance Pads offer limitless mixing possibilities with selectable pad modes including Cue, Auto Loop, Fader Cuts, and Sampler (additional pad modes can be unlocked with Serato DJ Pro).

Professional DJ Looping and Effects Control

A dedicated loop section with multipliers on each deck grants quick access and control over seamless loops to extend mixes or craft custom transitions. To add additional flavour and creativity, the interactive FX section features 6 quick-launch software effects that are triggered by using the sturdy and fun paddle toggle switches. The FX area also provides full hardware control over the wet/dry mix and beat division to help DJs craft artistic and expressive performances.

Serato DJ Pro Ready

The Numark NS4FX comes with Serato DJ Lite software, allowing DJs to start mixing with 2 channels right away. Since the NS4FX is fully mapped and ready for Serato DJ Pro, DJs can upgrade to a full-featured, 4-channel mixing experience whenever they'd like!

Specifications

Outputs: 2 XLR balanced outputs, 1 RCA stereo output, 1 1/4" (6.35 mm) TRS headphone output 1 1/8" (3.5 mm) TRS headphone output
Inputs:, 1 RCA stereo input, 2 1/4" (6.35 mm) TS microphone inputs
Power: Via power adapter, DC 12 V, 2.0 A
Audio: 44.1 kHz, 24-bit
Dimensions (width x depth x height): 23.5" x 10.8" x 2.4" / 59.7 x 27.4 x 6.1 cm
Weight: 6.6lbs/3.0kg

Notes: The Magnetic Mount is a versatile magnetic mounting system for attaching microphones, lights and other accessories to any MagSafer iPhoner or other smartphone with a magnetic case. It features an ultra-strong magnet for complete security, even with vigorous use, and comes with three removeable attachments for maximum flexibility. This includes both short and long cold shoe arms for shooting in landscape or portrait mode, plus a long arm for mounting your smartphone onto a tripod, handle or desktop arm for use in a wide range of video or content creation applications.

Mechanical specifications- Magnetic Mount

Weight (grams): 75
Dimensions (millimetres):
Length: 57
Width: 12
Height: 57

Mechanical specifications- long cold shoe arm

Weight (grams): 15
Dimensions (millimetres): Length: 22
Height: 97

Mechanical specifications- short cold shoe arm

Weight (grams): 9
Dimensions (millimetres): Length: 22
Height: 52

Mechanical specifications - 14 inch tripod mount

Weight (grams): 31
Dimensions (millimetres): Length: 28
Height: 113

What's in the box

1 x Magnetic Mount
1 x Long Cold Shoe Arm
1 x Short Cold Shoe Arm
1 x 1/4-inch Tripod Mount

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: A workhorse studio condenser microphone with a warm, silky character, exceptionally low noise and high SPL handling - ideal in a wide range of studio applications.

The World's Most Popular Studio Microphone

Since it launched over 30 years ago, the NT1 has become the world's most popular studio microphone and the go-to for countless creators across the globe - from bedroom musicians and studio professionals to streamers, podcasters and voice over artists. The NT1 Signature Series carries on this legacy, delivering classic studio sound for today's creators.

Iconic Signature Sound

Featuring our stunning HF6 1-inch true condenser capsule, the NT1 Signature Series boasts the same iconic sound signature that its forebears are revered for. Sparkling top end, highly detailed midrange, and rich, warm bass make it shine in almost any recording application you can imagine - from vocals, piano and acoustic guitar to drums, percussion and electric guitar.

Your Mic, Your Way

For the first time in the NT1's 30-year history, this iconic microphone is available in a range of iconic colours. This limited-edition collection features five vibrant colourways alongside the timeless black finish, including red, green, purple, pink and blue.

A True Workhorse

A true workhorse that excels in a wide range of studio applications. With an exceptionally low noise floor and incredibly high max SPL, it captures everything from whispers to drums with the utmost clarity. The perfect all-rounder studio microphone.

Legendary RODE Quality

The NT1 Signature Series is designed and made using the highest-grade components in RODE's precision manufacturing facilities in Sydney, Australia. It's built to last, with a rugged body machined from high-grade aluminium and comes with our industry-leading 10-year warranty, so you can rest assured it will remain your go-to for the long haul.

Premium Accessory Kit

Keep your recordings pristine with the studio-grade shock mount and pop filter included with the NT1 Signature Series, the perfect tools for minimising audio artifacts caused by knocks, rumbles and plosives. It also ships with a premium XLR cable so you can start creating right away - just plug straight into your audio interface or mixer and start recording exceptional audio.

Key Features

Large-diaphragm cardioid condenser microphone
HF6 1-inch true condenser capsule, precision engineered to sub-micron tolerances
Tight cardioid polar pattern for excellent background noise rejection
Classic NT1 sound signature - rich, warm bass, detailed midrange and sparkling highs for exceptional performance in a wide range of studio applications
Smooth frequency response and high sensitivity for incredible balance and clarity
Extremely low noise (4dBA) - the world's quietest studio condenser microphone
High SPL handling capabilities (142dB) for capturing very loud sound sources
Studio-grade shock mount and pop filter and premium XLR cable included
Available in classic black or a range of limited-edition colours, including red, green, purple, pink and blue
Rugged aluminium body with a high-grade finish - incredibly resistant to scuffs and scratches
Industry-leading 10-year warranty
Designed and made in RODE's precision manufacturing facilities in Sydney, Australia

Acoustic & Electrical Specifications

Acoustic Principle: Pressure gradient
Active Electronics: JFET impedance converter with bipolar output buffer
Capsule: 1.00"
Polar Pattern: Cardioid
Address Type: Side
Frequency Range: 20Hz - 20kHz
Output Impedance: 100O
Maximum SPL: 142 dB SPL
Equivalent Noise (A-Weighted): 4dBA
Sensitivity: -32 dB re 1 Volt/Pascal (25 mV @ 94 dB SPL) +/- 2 dB @ 1 kHz
Analogue Power Requirements: P48
Analogue Output Connection: 3-pin XLR

Mechanical

Weight (grams): 313

Dimensions (millimetres)
Length: 52
Width: 52
Height: 189

What's in the Box
1x NT1 Signature Series
1x SM6
1x XLR Cable

Notes: Turn your smartphone into a professional filmmaking rig with the RODE Phone Cage. This magnetic mobile filmmaking cage features an ultra-secure mounting system for attaching a MagSafer iPhoner or other smartphone with a magnetic case. Five cold shoe mounts allow for easy mounting of a wide range of accessories, including microphones and lights, with in-built cable management ensuring your rig stays neat and tidy. Conveniently placed 14-inch and 3/8-inch threads facilitate connecting even more accessories, including handles and tripods, allowing you to customise it to your needs. The Phone Cage is made from lightweight aluminium and is incredibly rugged, perfect for outdoor use and run-and-gun filmmaking.

Magnetic mobile filmmaking cage
MagSafer compatible
In-built cable management slots
Five cold shoe mounts for attaching microphones and lights
14-inch and 3/8-inch threads for use with tripods, handles and other accessories
Facilitates portrait and landscape shooting

Mechanical specifications

Mounting Options:
Cold Shoe Mounts: 5
Standard 1/4-inch Thread: 14
ARRI 1/4-inch Thread: 17
3/8-inch Threads: 2

Weight (grams): 285
Dimensions (millimetres):
Length: 245
Width: 35.5
Height: 126

What's in the box

1 x Phone Cage
1 x Magnetic Phone Mount
1 x Locking Screw

Review: Dave Lee's "AC Soul Symphony" alias has been releasing delectable and sultry disco since 2005 but reached his magnus opus in 2023 with the release of the "Metamorphosis" LP. Here we find two tracks handpicked from the album and delivered, for the first time, in a 7" format. The single starts much as the album does with the track "Windy City Theme", beautifully scored, recorded, and produced legato strings envelope the track, punctuated with horns and vocals reminiscent of a Love Unlimited Orchestra production. This version of the track has been rearranged, speeding up the pacing of the track and reaching the juicy parts in a really satisfying way. On the flip side we have the title track from the album "Metamorphosis", which is the first time the vocal version has been made available on Vinyl. A bass laden intro gives ways to glistening pianos and those signature strings (have we mentioned how good the strings are?). A more laid back and seductive track than the A side, but no less appealing. Again, due to the limitations of the 7" format, "Metamorphosis" has been expertly rearranged with loving care and attention.

Review: In the realm of electronic music, 'In Your Face' EP by Acerbic emerges as a sonic assault that shatters boundaries and plunges listeners into an abyss of acid-tinged techno. An adrenaline-fueled shot, this four-track E.P. pulsates with raw energy and uncompromising intensity. 'In Your Face' sets the tone with its relentless 90s acid techno grooves, transporting listeners to the heart of the rave scene. Its abrasive and confrontational energy creates an atmosphere both exhilarating and intimidating. 'Assimilate' takes on a darker and more menacing persona, as the stomping beats and menacing synths evoke images of underground warehouse parties. 'I'm Fvxked' cranks up the intensity ever higher, pushing the boundaries of acid techno with its relentless pace and distorted soundscapes. The E.P. concludes with 'Never Changes', a testament to the enduring power of hardcore techno. Acerbic's In Your Face E.P. is a sonic tour de force that pushes the limits of techno music. Its aggressive and confrontational approach leaves an indelible mark on the listener. Hardcore, you know the score!

Review: Adlas has a compelling signature sound - its quick and punchy but also seductive and funk. The opener on this new EP for Answer Code Request certainly fits that bill - Headland' has nice analogue drums and elastic bass down low with rich, smeared synths up top. 'Oscillation' gets deeper and rides on a rolling beat that rocks back and forth with ambient synths up top and a sense of mysticism in the air. 'Bluff' gets back to bumpy beats and dubbed low ends with some static-charged pads and 'Static' is the deepest of the lot - a subaquatic deep techno trip for the heads.

Review: Polish record label Moonshine Recordings top up their ongoing crock of electronic dub come dub techno with a fresh one from mainstays Another Channel, whose name implies we actually had the ability to pick up the remote control and tune into any other dub station other than the Basic channel One all along. Teaming up with Prince Morella and Marina P on 'Nameless Woman' and 'Find A Way', Another Channel follow the tape-hissed early dub techno recipe to a T, shirking any residual desire to over-embellish for a neat pair of pure, squinty horizontal gaze-offs, with both singers riding the same instrumention. The instrumental 'Version Of Love' provides a versioned listen, highlighting the track's bulbous bubbles and highpassed vocal dancings-in-the-distance.

Review: Public Possession welcomes back Aroma Pitch for another four tracker that bares all their usual hallmarks - namely lots of warm analogue sounds that unite everything from driving to Balearic beats via big room nu-disco and playful in-between sounds. 'Millennium Surfer' opens with a wash of gently twirling synth arps and 80s drums, there is a fantastically bubbling bassline and dubby feel to 'Balearic Shift', while 'Staub Groove' is a more thumping house cut with weird synth textures. Without doubt it is closer 'Areal Earth (dub)' that wins the EP with its ethereal pads, dreamy vibes and smooth dub house low end.

Review: ***B-STOCK: Missing original outer sleeve but otherwise in perfect working condition***


Mikal Asher, a scion of Jamaica's Morgan family dynasty, reunites with Chocolate Star Records here and does so with a collaboration with disco legend Gary Davis. Asher, akin to his brother Denroy Morgan, upholds the family's legacy of righteousness through music. Known as the Binghiman, he crafts captivating tunes with profound lyrics and has recorded in Ghana's Hustle Hard Studios and collaborated with industry pioneers in Kingston and Brooklyn, setting new standards in musical excellence along the way. Here, 'Wicked Ah Fi' transforms into a modern dub stepper, while 'Black Woman' offers a soulful, laid-back dedication to Davis' wife, Sonjia. This 7" also comes with innovative remixes from California-based DJ and producer Knoe1.

Review: Reserved for Record Store Day comes this exciting new doublet from brilliant Brazilian jazz-funkers Azymuth, in the form of both an extended mix of their enduring major hit single from 1979, 'Jazz Carnival', and a fresh remix by Yambee, the duo of Ashley Beedle and Yam Who?. The original track was a rare slice of instrumental funk music, dare say instrumental music at all, to climb the UK charts and remain in its upper echelons for a solid twenty weeks. Though its initial popularity was lengthy, it has since then gone underground, becoming a throwback favourite of the likes of Kerri Chandler, Mr. Scruff and Gilles Peterson, to name but a few icons to play it back out over the years.

Review: ***B-STOCK: Sleeve damaged but otherwise in excellent condition***


This official reissue of Bela Lugosi's Dead: The Bela Session comes on black and red splattered vinyl this time around and includes previously unreleased tracks that have been mastered from the original demo tapes of their first ever recording session together. The post-punk outfit's debut single was released initially in 1979. Bela Lugosi's Dead is not only their first single, but also often gets mentioned as the first goth record. It has since been covered by Nine Inch Nails, Massive Attack and Nouvelle Vague. The rest of the tunes from the demo session remain hugely innovative, reflecting their post-punk and dark-glam style with dub reggae influences that would further evolve in their output that followed and explain why the band went on to such cult status.

Review: Popular Hull-based shoegaze quartet bdrmm are building up to their latest tour with the release of single 'Standard Tuning, arriving hot on the heels of their critically acclaimed second album, 'I Don't Know'. Written and recorded during those same sessions and very much similarly flavoured, it continues a fine vein of form right now, with high praise coming in from the likes of Rolling Stone and Consequence. This special 10" also comes with a remix of the live favourite 'Alps' by Ninja Tune/Cambria Instruments electronica specialist Nathan Fake.

Review: Jay Bliss brings his classy tech house touch to this sixth EP on the Berg Audio label. It begins with the title track which is a futuristic mix of silky and serene synth lines and smooth but propulsive drums. 'Pressure' rocks back and forth on a metallic loop and layers up the balmy pads, while 'Rocket Science' has a more textured feel and zippy little synth details that bring plenty of intrigue. 'Stellar Flux' closes out with another comically inclined fusion of dynamic drums and heady synth patterns, this time with a playful neo-disco undertone.

Review: Steve O'Sullivan recently launched the Blue Channel project as a kind of sonic companion to his similarly minded dub techno work as Blue Train, in the process paying tribute to Berlin's masters of the extended dubbed-out groove, Basic Channel. This is the second EP in an ongoing series and begins with a fresh 'Bluetrain Special Edition Dub' of 'Complete With U', a track featured (in its original mix form) on the previous EP. This take is more percussively propulsive and addictive - thanks to a locked-in dub house style groove - with warmer synth sounds and echoing vocalisations. It's basically a hat-tip to classic Rhythm & Sound singles of old, albeit with drums that more neatly fit into a wider variety of DJ sets. Over on side B, 'Traveller' is a fine slab of pitched-down vocal digi-dub with added ambient dub sonics.

Review: Vintage Pleasure Boutique is an excellently named label out of Poland that is fast approaching its 20th releases. This latest 12" is another dazzling Italo disco gem that arrives on translucent yellow vinyl. Claudia T.'s 'Fatal Destination' arrived originally back in 1989 at the height of the genre's popularity and very much takes you back there with its cold but compelling synth sounds and crashing drums, all very reminiscent of the era. The soaring vocals brings the glorious hook next to zippy lead synths. This was a bit hit back in the day and is sure to win over just as many global dancers second time around.

Review: France's faves Battle Weapons deliver two heady new edits, only for those ready. On the A comes an ingenious, probably never-done-before, almost laughably why-hasn't-anyone-else-ever-thought-of-this-until-now breakbeat rendition of Peter Bjorn & John's 'The Young Folks'. To be frank, they've not done much besides beef up the backbeat a little, but a simple sprucing up is sometimes all a tune needs. On the flip comes a phattened version of 'Forgot About Dre' mashed up with the Azzido Da Bass UK garage classic 'Dooms Night', also produced to hilariously, surreally arresting effect.

Review: Da Lukas's Satisfy Your Soul EP is a four-track full of disco goodness that opens with the title track, a driving, percussive workout with a powerful vocal performance. 'Let Your Body Be Free' continues the party music with a dynamic horn section and disco breakdown. 'Supergood' is a hi-energy dancefloor anthem, with a pumping beat an infectious filtered house sound. The EP closes with 'Music Turns Me On', a slow-burning track that enjoys riding the groove with a generous amount of funk. Da Lukas' tracks are nicely crafted, with a deep understanding of the disco genre. Satisfy Your Soul is a must-have for fans of disco and nu disco alike.

Review: Rarely do garage and jungle ever hear any kind of fusion, but more than several perfect examples can be heard on this latest collab EP between Amy Dabbs and Coco Bryce. The second in their collaborative 'Slightly Involved' series, in which they set out to interpret each other's tracks and production techniques, the likes of 'Decipher' and 'Lust Issues' immediately pique the ears as sweet, engaging fidgeters, not backing down from the emotive swing endemic to the former genre while also playing up the pace of the latter. The A-side's listless synthetic pangs are matched in vibe by the B's comparatively by-the-book, dreamatic dolphinny junglisms, with 'Banshee' going ham on the slice-ups and 'Still You See' oscillating between string-laden suspense and light, downtown sunday-midafternoon breaks.

Review: Nowhere does techno as proper as Planet Rhythm. This latest 12" is another no-frills banger with rusty synth and menacing drum loops all perfectly intertwined. There is a hurried sense of funk to 'Formation' that really keeps you on edge, while 'Basel' is turbocharged with video-game style synths. 'Romance' gets more edgy and brings some industrial percussion and automation to the beats while 'Here' slips into thumping and loopy house territory of the sort that reminds us of the one and only Floorplan.

Review: Digital Imagination first dropped their The Essence of Thought back in the nineties and now the cult favourite gets a nice reissue in time for summer when it will be perfect post-rave comedown tackle. It is a sci-fi inspired mixture of house, transcend trip hop of the era with lots of analogue action and dusty drum breaks, smart little samples that add a cinematic edge and some lovely basslines. It was produced by a young Ted Heinz and originally release by Concept Records. OGs are hard to come by so don't sleep on the one which has been restored from the original DAT tape.

Review: Digwah keeps it tough on this next drop on their own self-titled label. It's a ninth outing and in the time it has taken for those to come out, increasing numbers of people have been catching on to the label's work and making it a 'must check' in their mental lists. This one opens up with 'Couldnt Hate You' which has some Ian Brown vocals samples stitched into a glitchy and menacing beat. 'Open Ended' is just as twitchy and anxious with steely drums and brain frying synths all working hard to fire every synapse in your brain. Effective stuff.

Review: Everyone's favourite low-res poly-rendered rave organism DJ Plant Texture returns to their fave label Ilian Tape for their least forgiving, least fluffy and most wayside-thrown techno EP yet. Contrasting to their earlier lo-fi MPC workouts and electro freak-shows, the best of which were also released on the Amsterdam imprint, Plant Texture here switches things up, offering up four jackbooted 4x4 techno bits so menacing that they verge on a dastard take on the Brummy school. An obsession with rhythm and percussive texture rears its head; A-siders 'DDrumz' and 'Mechanical Bongos' are truly intrigued by the drum, revelling in pure, circular samply bongo and timbalero repetition; the theme continues on B-sider 'Dubbish', which only does so much as add a scopeout dub chord stab to the mix, yet still sounds sick; 'Let The Machine Speak (Jazz Mix)', finally, seems to hold the work of fellow techy rhythmusoidal geek Machinedrum firmly in mind, seeming to cleverly parody the artist's Ninja Tune/Vapor City IDM era with a jeering nu-footwork-jazz half-smile.

Review: Dombrance is back with a typically vibrant new EP on Discolypso that features two fresh tracks and remixes from luminaries Francois K and Lindstrom. Once referred to as a 'French Jarvis Cocker with a bushy moustache and flares,' Dombrance is a musical maverick who dropped his debut album last year and performed globally from Glastonbury to Downtown LA. On this one, 'Bayrou' and 'Cope' draw inspiration from politicians, delivering timeless electronic disco vibes with sugary chords and pulsating synths, then Francois K transforms 'Cope' into a psychedelic journey, while Lindstrom's remix of 'Bayrou' conjures images of a David Lynch pool party. It's peak disco fun.

Review: The now ten year old 'Acid Test 09' sees a special tenth Anniversary Edition repress with a new vocal mix of the track 'Test 3'. The original EP, released in 2014, saw acid nomad Tin Man team up with techno dreamweaver Donato Dozzy for three slices of deep acid and dubby, bleepy ambient; this special anniversary version adds a surprise new vocal mix on the A2, with either Dozzy or Tin Man himself gracing the beats with a set of carefree, moony phonic impressions, lyrically concerning the object of his affections looking oh so good on the dancefloor. We already know and love the rest; it's up to you to put the new addition to the test.

Review: Especial Specials has recently helped to take the Japanese label Chill Mountain Record into the world of wax after it previously operated only in the digital world. Now it carries on with a similar MO as it works with Multi Culti label head, DJ and producer Dreems on new set of limited-edition EPs. He has already landed on the likes of Kompakt, Pinchy & Friends and Futureboogie and now digs into his vaults to serve up some edits and dubs that are hard to pin down but often doused in psychedelic overtones, acid and dub. Each one is a unique work in its own right but they all add up to one helluva good EP.

Review: Especial Specials always deal in releases with a story often as interesting as the music itself. This time out they enlist DJ and producer Dreems for a fine collection of limited-edition 12"s. Angus Gruzman aka Dreems is the man behind the vital Multi Culti label and has dropped his own wares on the likes of Kompakt, Pinchy & Friends and Futureboogie but somehow remains rather in the shadows. This deep dive into his vaults should change that - these are edits and dubs that come doused in psychedelia as they trip through several genres. There is off-kilter dub, melon-twisting dub, intensely percussive and tribal dub, and more besides across the five fantastic tracks.

Review: Soiree hands over its next 12" to a pair of artists who take care of one side each. Drivetrain goes first with 'The Moonlight' which is a moon-lit jaunt through a futuristic city scope with broken beats and neon chords. 'Moonlight & You' carries over similar melodies with steely drums and vocal harmonies, and then G-Prod steps up with 'Moonlight' which brings a more stripped back and dark groove run through with acid menace. Last of all is David Duriez with his Floating Light mix of the same cut and it's a dreamy deep house roller for cosy basements.

Review: Dubfire's EVOLV presents two captivating techno remixes that showcase the distinct styles of renowned artists. Carl Craig's 'Descent' remix unfolds as a gradual builder, echoing his signature style. An underlying acid line intertwines with a soaring melody, incorporating elements of house music. Conversely, LB Dub Corp's 'Dark Matter' remix plunges into a percussive techno realm, its peak-time intensity bringing melodic depth and creating an immersive and dynamic journey.

Review: The Cold Diggin label out of Dresden has long been serving up the work of The Duke Ya Love To Hate, which is one of myriad aliases of an artist who gets by the name of Stefan Senf. They are generally few and far between but are always worth copying when they do drop and this one comes on lovely hand-numbered 7" in a special screen-printed sleeve. 'Introducin' is a loose-limbed funk workout with classic hip-hop breaks and free-wheeling pads. 'Prescribin' is more slow and seductive with its florid melodic leads and lovely lazy beats.

Review: Few labels do minimal as well as Trelik and in terms of artists, Edward is also as good as they come right now. This perfect pairing opens up with the deeply alluring 'Time' with its woozy pads and smeared chords over warm and rubbery drums. It's a hypnagogic affair then 'Vacuum Tube' has a more menacing air thanks to the wispy and unsettling synth details and clunky hooks. 'Watch Out' brings a more spangled and rubbery rhythm that has colourful details peeling off the beats and last of all, 'Stream' ups the ante with some thudding deep house and widescreen ambient synth work.

Review: Seclusion debuts with its first vinyl release here and it decides to use the opportunity to showcase four remixes from three different techno titans. UK favourite Ben Sims goes first with his turbocharged take on Elyas/Anta's 'Real 13130 G's' and then Elyas offers the first two remixes. His version of Geto Mark and DJ Deeon's 'In This House' is seriously heavy, with rock solid kicks and muted acid spraying about them, then he remixes Player's 'Player Three' into a funked up and loopy house banger for the peak time. Mark Broom is the last to remix and goes for a fusion of smeared Detroit-style synth soul over hefty techno drums.

Review: Exos' latest EP is a heavy, beat-laden techno record with three distinct tracks. The title track 'Infrared', opens with a crushing beat and fast percussion. It's a dynamic and powerful track with a strong build up and a devastating, menacing sound. The second track, 'Kaldur Klaki,' is a loopy, hard and fast, percussive, tribal track. It's a peak time track with an organic, drummy sound. The third track, 'The Bad', is a 90s German style track with a cool beat and a storming sound. Overall, 'Infrared' is a strong techno EP with three tracks that are sure to get you moving.

Review: Every new Carl Finlow record release brings an enthusiastic interest to those who follow him. Carl's robotic electro prowess is on full display on the A-side in 'Heed'. Fans of early 80s electro, Kraftwerk and the future of the genre, swear by this guy. 'Overlord' is a deeper groove that reminds of his otherworldly Silicon Scally moniker. 'Expansion' is just down right dirty. Nuff said! Dangerous stuff from one of the most consistent producers in futuristic electro.

Review: Greyscale unveils its latest endeavour, the Spectrum Series, as a way to continue to evolve its offerings and this time it is with something that makes a vibrant departure from its traditional black-and-white aesthetic. The inaugural release features the iconic Lithuanian dub track 'Kasdienybes Sventykla' by grad_u & Eazystyle MC as a way of commemorating its 15th anniversary. It came as a double CD in 2011 but now gets a first vinyl pressing on a nice 10" slab of wax. The track itself taps into the earliest roots of dub in the 70s and traces a line through the 80s with its heavyweight drums and endlessly echoing bass topped by great mic work. A pared-back instrumental features on the flip of this latest crucial drop from the dub dons at Greyscale