Back catalogue: All genres

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: These are 6" (15cm) right angle patch cables for Eurorack. Colour is pink, pack of 5 cables.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: These are skinny (sometimes called noodle) patch cables for Eurorack. This is a pack of five cables, size 6", pink in colour.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: These are right angle patch cables for Eurorack. Size is 12 inch (30cm), colour is green.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

One end of the cable has a male and female jack, the other end as just a male connector. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), and 24in (60cm).

Notes: This is a pack of five, 12" skinny patch cable for Eurorack. Colour is green.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: This is a pack of five, 18" skinny patch cables for Eurorack. Colour is blue.

Notes: Save space in your rack with stackable cables.

These are the newer shorter stackable Eurorack Patch Cables. Patching is more stable and makes it easier to get a lid on that performance case.

Each end of the cable has a male and female jack. They come in sets of 5 cables.

Available in 6in (15cm), 12in (30cm), 18in (45cm), 24in (60cm).

Notes: After Later Audio Braided Patch Cables for Eurorack in Gold and Black. One size per pack of five cables. Packs come in 15, 30, 45, and 60 centimeters, or 6, 12, 18, and 24 inches.

Notes: This is a pack of five, 24" skinny patch cables for Eurorack. Colour is black.

Notes: A unique hardware synth, Aodyo's Anyma Phi uses physical modelling mixed with virtual analogue oscillators and filters, creating a versatile setup for sounds from resonant acoustic timbres to experimental hybrid sounds.

Supplier's Notes:
Explore and create your own sounds

Discover Anyma Phi, the essential physical modelling synthesizer. Your portal to creating new sound universes inspired from the real world, where objects collide, vibrate, and resonate.

The best of both worlds

Anyma Phi blends the classic ingredients of electronic music, like oscillators and filters, with physical modelling technology, allowing it to simulate acoustic sound sources, such as strings or reeds, as well as resonating structures, like wood, glass, or metal.

Create Unique Sounds; sound design for all

The matrix provides a quick and easy way to explore your sounds by following a physical metaphor, with four macros for each of the five stages of sound generation: Excite, Vibrate, Resonate, Global, and Animate.

Infinite Possibilities; a semi-modular powerhouse

Beyond the matrix lies an insanely powerful semi-modular synthesis engine where you can harness a wide variety of oscillators and effects, and control them effortlessly using an impressive modulator system. Going so deep into sound design has never been easier before with such a small box!

Anyma Phi Editor; standalone, but well-connected?

The Anyma Phi can hold up to 200 patches, and everything you need to create them is right on the machine. You can also benefit from the large screen of your computer (PC or Mac) to edit, manage and share patches even more easily, in a streamlined environment that displays all the synth modules at once and their interactions in real time. Learn more about the Anyma Phi's Updates and Downloads.

MIDI Controller; In tune with its environment

With its small form factor, it can sit on your keyboard, or anywhere on your desk. You can control it using any MIDI controller, keyboard or sequencer, with first-class support for wind controllers, like Sylphyo. And it also shines with World and microtonal music*!

Just Tap and Scratch; the world is your oyster

With its stereo input, you can also use the Anyma Phi as a versatile effects processor for your other gear, or use any external sound to excite its resonators and other physical models. And you don't even need a mic to get interesting sounds: just tap and scratch directly on the case of the Anyma!

Technical specifications:

Hybrid monophonic synthesizer, with physical modelling components
Memory: 200 patches
Stereo audio outputs:
L-R 1/4" mono line jack outputs
1/4" stereo headphone jack output
Stereo audio inputs:
1/4" stereo jack audio input
Internal piezoelectric mic when external input unplugged
MIDI inputs and outputs via USB and DIN ports
Powerful digital semi-modular synthesizer engine:
3 oscillator slots (more than 40 types, including wind/string physical models, modal resonators, virtual analogue and digital algorithms)
5 effect slots (more than 30 types, including resonators, granular processors, and FM operators) along 2 serial buses (Main, Aux) + 1 mono reverb
16 modulator slots (more than 40 types, including envelope generators, LFO, curves, interpolators, slew limiters, sequencers, physical and algorithmic processes, etc.)
32 mapping slots (virtual patch cords), each allowing to control any synth parameter (including another mapping) using a modulator or a controller input, with sidechain input and min/max/curve/smoothing
Responsive to pitch, pitch-bend, velocity, breath control/expression, as well as 4 other controller inputs (with MIDI learn)
External MIDI CC control for the matrix and the entire patch (via NRPN)
World-class microtonal support: up to 8 custom tunings, 50 onboard presets, onboard editor, MTS import/export
Built-in arpeggiator: 15 patterns, internal/external MIDI clock sync, custom triggers
Support for up to 3-note paraphony when building a patch
External audio processors
Automatic random patch generation (optional)
Free software editor/librarian (Mac/PC)
225 x 120 x 70 mm (8.9 x 4.7 x 2.8") and 900 gr (2 lbs)
Included: Anyma Phi, 5V PSU and USB cable
Designed and made in France

Notes: The latest update of Arturia's legendary plugin collection, featuring 39 instruments, three expansion packs and over 9,000 presets. New instruments include CP-70 V, MiniFreak V, Acid V and three Augmented collections.

Supplier's Notes:
V Collection X

Reference instruments for music makers
A premium suite of software instruments for unparalleled sonic exploration; from evocative emulations and hybrid synth engines, to authentically modelled keyboards and beautifully captured acoustic sounds - enhanced for today's production workflow.

This is V Collection X

Immerse yourself in an unparalleled music-making experience with iconic sounds and essential tools to suit your style, performance needs and production workflow. 39 instruments, 3 exclusive expansion packs, thousands of world-class presets - 1 canvas for infinite sonic exploration.

The ultimate selection

A hand-picked, expertly-engineered suite of instruments combining timeless sonic craft with cutting-edge enhancements that seamlessly integrate with demanding production workflows. The most iconic synths, blissful keyboards, evocative hybrids and faithfully captured acoustic instruments for endless inspiration, vivid composition and boundless play.

10,000+ presets

Find the crucial mix-finishing sounds you need in a few clicks with V Collection X's expansive library of expertly-designed sounds, complete with easy browsing. Tap right into any style, any instrument, any time.

Easy to use

You don't need to be an expert to enjoy professional sound. The instruments in V Collection X are designed with accessibility in mind, equipped with intuitive interfaces, interactive in-app tutorials, and intelligent features that deliver electrifying results without hassle.

Perfected for you

High-performance features that you can count on, premium sound quality you deserve; V Collection X is the result of over 20 years of engineering innovation, musical exploration, and a passion for audio excellence and expressivity.

39 Software titles

Augmented WOODWINDS
Augmented GRAND PIANO
Augmented BRASS
Augmented STRINGS
Augmented VOICES
Korg MS-20 V
SQ80 V
CS-80 V
Prophet-5 V
Prophet-VS V
Piano V
Analog Lab V
Vocoder V
Jun-6 V
OP-Xa V
Mellotron V
Synthi V
CZ V
CMI V
Clavinet V
Acid V
MiniFreak V
CP-70 V
DX7 V
Buchla Easel V
Synclavier V
Emulator II V
B-3 V
Mini V
Stage-73 V
Matrix-12 V
Farfisa V
Solina V
SEM V
Jup-8 V
ARP 2600 V
VOX Continental V
Wurli V
Modular V

Platform specifications

Windows

Win 10+ (64bit)
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost)
32GB free hard disk space
OpenGL 2.0 compatible GPU
ARM processors not supported on Windows

Required configuration

Works in Standalone, VST, AAX, Audio Unit, NKS* (64-bit DAWs only).

Apple

Mac OS 11.0+
4 GB RAM
4 cores CPU, 3.4 GHz (4.0 GHz Turbo-boost) or Apple Silicon CPU
32GB free hard disk space
OpenGL 2.0 compatible GPU

Work with ASC

An elegant and simple solution to help you install, activate, and update your Arturia software instruments.

Notes: Looping and sampling combine in a fun new way with this beautifully designed digital 'tape music instrument' from Chompi Club. Record, perform, loop and overdub with built-in effects. Cute but powerful.

Supplier's Notes:
CHOMPI is a quirky, chromatic sampler and tape music instrument, inviting you into the magical world of sound design. With its unique stereo sampling engine, expressive multi-effects and varispeed "tape" style looper; CHOMPI is ready for immediate fun.

Special care was taken with sourcing quality materials for CHOMPI's hardware, but many aspects of the platform have also been designed with user customization in mind. The modular panel enclosure, MX mechanical key switches & keycaps, and DJ style encoder knobs can all be customized and retrofitted by the user to match their own unique style.

CHOMPI's workflow is designed to be user-friendly and accessible to individuals of all experience levels... So whether you've been playing music for years, or are just starting your sonic journey, CHOMPI just might become your new favourite buddy!

Features

Unique screenless workflow utilizes rgb LED indicators
Endless push button encoders for multi-page parameter controls
Two octave chromatic keyboard utilizes MX Cherry switches
3 selectable sampling sources
Built-in microphone
Stereo Aux input
Resample master output signal
Minimal, yet capable sound design engine:
Sample playback speed & direction control
Sample start & end point control
Sample attack & release/decay envelope
Single knob multi-FX section
Pg 1 Magic Wand: combo delay + reverb
Pg 2 Tape Saturation: w/ wow & flutter
Pg 3 Multi-Mode Filter:
Varispeed tape-style looper
Transport knob provides control over loop playback speed & direction, as well as manual tape scrubbing when loop is paused
Overdub decay controls allow for "frippertronics" loop composition techniques
Real time audio thru mode for live FX and loop recording
Two types of sample playback engines: chromatic & 1-shot
7 Voice Polyphony
84 Slots to Save/Recall Presets (3 banks of 14 slots per engine)
~6hrs of sample storage capacity on Micro SD card
16-bit, 48kHz stereo audio I/O
USB-C and rechargeable battery power
Built-In Microphone
3.5mm Stereo Aux Input
3.5mm Stereo Line Output
3.5mm Headphone Output
3.5mm and/or USB-C Midi In & Out

Specs

Dimensions: 13" Wide x 4.5" Deep (without Handle) 5.75" Deep (with Handle) x 2.5" Tall (table/surface to top of encoders)
Weight = 2lb 3oz
Recommended USB power brick spec: 5V / 2A (or higher)
Manufactured in California, USA

Included In The Box

1x CHOMPI Sampler (Classic Black & Gold Colorway)
1x USB-C Cable
1x Quickstart Guide
1x CHOMPI Sticker

Notes: The double stand is intended to house two Behringer synthesizers, with the ability to improve the operating position on both.

At the same time, it saves a lot of space on the surface, ideal for optimizing the space in our studios.

The stand includes rubber feet so it won’t scratch or slip.

It is compatible with Model D, K2, Pro 1, Neutron, Cat, Wasp

Notes: This specially designed stand for Elektron Digitakt / Digitone is attached from below to the equipment’s chassis, utilizing its universal VESA mounting points, enabling the use of the equipment in a much more ergonomic inclined position.

By swapping the position of the feet, it is possible to use the equipment in two different positions: lying down and upright.

It can be set up in a matter of seconds and weighs just a few grams.

Each stand features a groove to accommodate silicone feet to prevent the equipment from slipping or scratching.

Includes both side stands, screws for installation, and silicone feet.

Notes: Protective cover and inclined stand. All in one piece. On one side, it's a cover that protects the OP-1, shielding keys, screen, and knobs. But leaving the side connectors uncovered, so you don't have to unplug it to cover it.

It also provides the option to use it as an inclined stand for the OP-1, simply by reversing its position. Fitting snugly around the perimeter of the synthesizer.

The cover is decorated to resemble the recording view of the OP-1.

***The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

***Please note: The OP-1 is not included, it is shown in the photos for demonstration purposes only. ***

Notes: CoverUp designed two ergonomic support models for the OP-1: Studio and Live versions.

The Studio support has a higher incline and is elevated. This is ideal for seated use, improving screen visibility, and the height allows it to be positioned even behind other desktop equipment.

The Live version of this support has a slight incline and is intended for use in a live or standing situation.

Both supports have rubber feet to prevent slipping and are adorned with two well-known characters that appear on the OP-1.

Notes: ***B-STOCK: Box opened, product in perfect working order***


Typhon has been developed with ultimate care and love, so as to be a great-sounding, portable and affordable synthesizer. It has a complex modulation routing, 256 preset memory, a 32 note sequencer, and powerful stereo effects developed by Sinevibes.

Since it is packed in a compact USB powered box, it can be carried everywhere you go!

Specifications & Connections:

USB powered (at least 500mA)
60 Playing hours with 20,000mA portable power bank
MIDI Din IN and OUT
1/4 in Stereo Out
1/8 in Headphone Out
1/8 in Mono Audio In (for routing via Typhon FX)

Dimensions: 23 x 13 x 6 cm
Weight: 1kg

Notes: Dtronics DT-1000, A hardware controller for the Roland Boutique D-05 and D-50/D-550

The Dtronics DT-1000 is a hardware controller for the Roland Boutique D-05 and D-50/D-550.

The DT-1000 can also be operated on a vintage Roland D-50 / D-550

Almost every parameter of the Roland D-05 gets its own slider, 10 keys and 56 pots in a nice and solid desktop case.

Some pots are doubly assigned, but can be switched quickly and are very easy to read.

For Roland Boutique D-05 Linear Synthesizer
Also compatible with Roland D-50 and D-550 vintage synthesizers
Direct access to all important parameters of the Roland Boutique D-05
10 Buttons and 56 pots
Robust housing
MIDI input and output
USB

Included in the box:
Dtronics DT-1000
DIN(5) MIDI cable
USB cable


Specifications
Material: high-quality plastic
Height: 44 mm
Width: 300 mm
Depth: 200 mm
Weight: 0.985 gram
DIN cord (DIN5P) is included
Power consumption USB or DIN: 60mA

Notes: Future Retro's unique modern take on vector synthesis takes full advantage of an impressive hybrid synth engine. Digital oscillators, ring modulation and complex envelopes meet a multi-mode analogue filter with paraphonic capabilities. Quirky and flexible.

Supplier's Notes:
The Vectra is a unique hybrid synthesizer with a flexible architecture that allows many different forms of synthesis to be realized. It's the best of both worlds... The Vectra utilizes digital oscillators, ring modulators, noise sources, vector mixer, LFO's, complex envelopes, and modulation routings providing many capabilities that would be very difficult to produce with analogue circuitry alone. This allows for accurate tuning, repeatability of complex patches, and patch storage. The Vectra also provides a multi-mode analogue filter, VCA, and final output, as these provide the best sonic qualities.

The Vectra includes a powerful and fun sequencer and arpeggiator, with many new capabilities. Although the Vectra is a self contained instrument, MIDI can be used to interface with other devices.

The Vectra provides four oscillators, white and pink noise sources, four ring modulators, a four-channel mixer, five LFO's, six morphing envelopes, six primary multimode analogue filter types, a main analogue VCA, and numerous internal modulation routings and VCA's controlling modulation amounts.

It really is like having a powerful self-contained semi-modular synthesizer with approximately 500 internal signal routings, and around 256 storable sound parameters.

The synthesizer architecture is designed to allow the greatest flexibility in recreating multiple synthesis techniques of the past while introducing several new innovations. The sound section has been inspired by features of the greatest synthesizers ever made, while not focusing specifically on recreating any instrument in particular. The Vectra is in fact it's own unique self-contained instrument.

The oscillators are digital as this provides the highest degree of tuning stability, while allowing both virtual analogue and digital waveform generations. With features like oscillator Sync, PWM, the new waveform Phase Slice, and Fade features, independent glide times per oscillator, constant beat detuning, and paraphonic voice modes, not to mention FM, AM, ring-modulation, and dedicated LFO's, envelopes, and VCA's per oscillator really make these oscillators a power house.
The four-channel mixer is unique in that it provides an even balance when mixing multiple sources, either manually with the joystick, or applying automated vector mixing, or mixer modulation.

The five LFO's provide 500+ waveforms to choose from, with their frequency spanning from sub-audio into the audio range. Their frequency can be stationary or track keyboard notes with glide. Waveforms can sync to any waveform phase at a note-on, and they can be frequency modulated as well. In short they can be used as LFO's, complex envelopes, or audio rate oscillators.

OSCILLATORS (1-4)
Frequency Range: <0.01 Hz to 20.00 kHz
Analogue Modelled Waveforms: Sine, Triangle, Sawtooth, Square, Pulse Width Modulated
Pulse Width Range: 1% to 99%
Pulse Width Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Digital Waveforms: 500
Number of Digital Waveforms per Oscillator: 2
Waveform Modulation Types: PWM, Slice, Fade
Waveform Start: 0 to 255 samples
Waveform Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Waveform Modulation Amount: 0 to 100
Octave Range: -7 to +5
Pitch Tuning: Semitones
Fine Tuning: 128 steps per semitone
Constant Beat Detuning: -/+5.00Hz
Paraphonic Modes: 8 total
Sync: Off/On, 0-360 degrees
Glide Time per Oscillator: 0ms to 14.7 seconds
Key Tracking: On/Off

OSCILLATOR FREQUENCY MODULATION (1-4)
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO,
Envelope

Modulation 3: Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, Filter LFO, Filter Envelope, Amplifier Envelope

Total Modulation Range: 0.5 to 10 octaves
Individual Modulation Amounts: -99 to 100

LFO (1-4, Filter)
Analog Modelled Waveforms: Sine, Triangle, Ramp, Sawtooth, Square, Random
Digital Waveforms: 500
Waveform Start: 0 to 255 samples
Initial Frequency Range: 0.001 to 1001Hz (greater with key tracking and modulations)
Fine Tuning: 128 steps per semitone
Key Tracking: On/Off
Sync: Off/On, 0-360 degrees
Frequency Modulation Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope, Filter LFO
Total Modulation Range: 1 to 10 octaves
Modulation Amount: -99 to 100

41

ENVELOPES (1-4, Filter, Amplifier)
Initial Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Modulated Envelope Stages: Delay, Attack, Hold, Decay, Sustain, Release, Repeat/Loop
Normal Envelope Contours: 5
One-Shot Envelope Contours: 4
Looping: On/Off with repeat time
Envelope Times per Stage: 0ms to 14.7 seconds
Sustain Level: 0 to 100%
Key Sync: on/off (retriggering)
Attack Reset: Off/On
Time Modulation Sources: Off, Random1, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y

MIXER
Channels: 4
Audio Sources:
Oscillator (1-4)
Oscillator (1-4) controlled by Envelope (1-4)
Oscillator (1-4) controlled by LFO (1-4)
Ring-Modulation of Osc 1&2, Osc 2&3, Osc 3&4, Osc 4&1
White-Noise
White-Noise controlled by Envelope (1-4)
Pink-Noise
Pink-Noise controlled by Envelope (1-4)
Mixer Types: Manual, Envelope, One-Shot, Key-Synced, Free-Running, Modulated
Automix X:Y Location Stages: 4
Automix Stage Times: 0ms to 14.7 seconds
Mod Mix X:Y Location Stages: 2
Mod Mix Control Sources: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y,
LFO, Envelope
Mod Mix Sources: Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO, Envelope,
Filter Envelope
Mod Mix Amount: 0 to 100
Output Gain: 1.00x to 5.00x

ANALOG FILTER
Primary Filter Types: 4p low-pass, 2p low-pass, 1p low-pass, 2p band-pass, 2p high-pass, 2p notch
Filter Frequency Range: approximately 20 Hz to 20 kHz
Resonance: 0 to 100
Key Tracking: Off/On
Modulation 1 Source: LFO
Modulation 1 Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Filter Envelope
Modulation 2 Source: Envelope
Modulation 2 Control: Off, Randon1/2, Key1/2, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, LFO-4,
Envelope-4
Modulation 3: Randon1/2, Key1, Velocity, Aftertouch, Mod-Wheel, Stick X/Y, DC+, Mix-1, Mix-2,
Mix-3, Mix-4, LFO-1, Env-1, Amplifier Envelope
Individual Modulation Amounts: -99 to 100
42

ANALOGUE AMPLIFIER (see also Envelope parameters)
Additional Envelope Type: Drone

Envelope Amplitude Modulation Control: Off, Random1/2, Key1/2, Velocity, Aftertouch, Mod-
Wheel, Stick X/Y, LFO-4, Envelope-4

KEYBOARD / SEQUENCER
Keys: 29
Scales: 29
Linear Transpose: -12 to +16
Scale Transpose: -12 to +16 notes
Octave Reiterations: -3 to +3
Tempo: 10 to 250 BPM
Swing: 50% to 75%
Sequencer Modes: Play, Arpeggiate, Fill, Edit, Real-time, Auto
Max Steps per Sequence: 16
Sequencer Parts: Pitch, Velocity, Rhythm (Note-On/Off, Glide, Sustain)
Time Signatures: 1-4, 2-4, 3-4, 4-4, 6-4, 8-4
Directions: Down, Up/Down, Up, Random, (plus 25 complex directions)
Loop Point: 1 to 16 steps

MEMORY
Max Number of Sounds and Sequences: 999
Global Parameters Saved: Output level, MIDI Channel, Fine Tuning, Screen Saver Time, Last File

MIDI
Channels: 1-16
MIDI Messages Supported: Note-Pitch, Note-On/Off, Velocity, Aftertouch, Pitch-Bend, Mod-Wheel,
MIDI Sync: Clock, Start, Stop

OTHER
Input/output: 15V DC input, MIDI (IN/THRU/OUT), 1/4" unbalanced Audio Out
Unit Dimensions: (width) 18.25" x (depth) 11.0" x (height) 3.5"
Unit Weight: 5.0 lbs
Power: 15V DC (centre-pin positive) rated at 1 Amp current.

Notes: Want to create the perfect filter sweep, manually trigger a gate or step through a sequencer? No more need to turn knobs or to patch up a lot of modules, the Kommander makes it simple: just plug it into a CV input on your (modular) synthesizer, move your hand over the device and you are able to control it with your hands, feet or nose, yes: just like a theremin: Kommand and Konquer!

The Kommander is a handheld dual infrared X-Y motion controller that makes controlling your electronic instruments intuitive and fun. The device measures the distance to your hand or any other surface and sends out corresponding CV signals between 0 and 8V. The closer you have your hand to the Kommander, the higher the output voltage. This will allow you to create complex synth sounds, trigger a drum machine, control your Koma effect pedals or any other instrument that is capable of receiving CV signals.

Koma know that some equipment can only accept CV signals up to 3V or 5V, that's why they fitted the Kommander with attenuators, which are accessible in the back of the unit. The attenuators connected to the CV outputs allow you to attenuate the maximum voltage output, so you can e.g. set the range from 0V to 5V instead of 0V to 8V.

Because of the innovative circuit design there is no interference from sunlight or stage light, so the musician can use it wherever she or he wants. Just plug the Kommander into your Eurorack Modular System, Buchla, Moog, Roland or any other synthesizer and create.

Notes: ***B-STOCK: Slight surface marks ***


If you're looking for a stylish and effective storage solution for your expanding record collection, look no further than the Legend Vinyl Storage case with fold-down front and back flaps. Browsing a large number of albums has never been simpler with this easy-access storage solution. Our LP case has been engineered to balance perfectly so it won't topple over.

Display next to your turntable to access your vinyl collection or use as portable storage, this solid and durable 'flight style' LP case is perfect to pick up and go. If you take your vinyl with you or even want to move them from room to room, this case gives ultimate protection and is built to last! Solid wood 5mm frame and Reinforced handles will support up to 15kgs.

Comfortably fits a mix of up to 50 single and gatefold LPs.

Features:
Unique folding front and back flaps for quick and easy access to your LPs
Outer dimensions 37 x 3 x 23 cm will hold a mix of up to 50 single and double LPs
Easy grip, sturdy handle supports up to 15kg - won't buckle or break
5mm solid wood frame offers maximum protection for your LP collection
Fully lined inner with reinforced corners and hinges

Notes: Introducing the CTRL CASE PUSH 3 - the perfect protective solution for live performers on the go. Custom designed to a hold the new Ableton Push 3 and is a very lightweight and convenient solution to carry the standalone instrument well protected to your next studio or live session. Crafted from rigid Durashock moulded EVA shell and a high-density foam interior it is furthermore equipped with an accessory panel to organize power plug, audio cables and accessories.

Fits

Ableton Push 3
Ableton Push 2
Ableton Push

Specs

Outer measures: 43 x 37 x 10,5 cm
Inner measures: 39 x 33 x 5 cm
Weight: 1,3 kg

Notes: Honey is a palm-sized, touch-based noise instrument based on the bytebeat principle. It runs on a single AAA battery and emits sound through a speaker. It doesn't have an audio jack. It creates dynamic sounds by manipulating variables and mathematical operations through touch.

The internal dynamic equations consist of five variables and four operations, with six possible operators for each operation. They are constantly changing and forming new equations, creating chaotic randomness.

If the unit does not respond correctly, the battery needs to be replaced.

Powered by one AAA battery

Notes: ***B-STOCK: Box opened, product unused & in perfect condition***


Equipped with the same ESS Sabre32 Ultra DAC Technology found in audio interfaces costing thousands, the M4 delivers an astonishing 120 dB Dynamic Range on its main outputs. ESS converters also drive the headphone output, which rivals dedicated headphone amplifiers costing hundreds. Ultra-clean preamp circuits produce a measured -129 dBu EIN on the mic inputs. Capture and monitor your audio with pristine clarity.

The M4 provides best-in-class speed for monitoring live inputs (mic, guitar or keyboard) through your computer, thanks to MOTU's expertly engineered USB drivers, which deliver class-leading, ultra-low 2.5 ms Round Trip Latency (at 96 kHz with a 32 sample buffer).

When recording and mixing, nothing is more critical than achieving optimum levels. The M4 is the only audio interface in its class with a full color LCD featuring clear, detailed level meters for all inputs and outputs. Enjoy professional-level volume control and feedback to get your sound just right.

The M4 driver provides convenient loopback channels to your host computer, so you can easily route computer output back to the computer, where you can mix it with live mics and/or guitar inputs from the M4 in your host software for live streaming or podcasting. Streaming and podcasting has never been easier and better-sounding!

Decades of award-winning product engineering for hit songs, mega tours, primetime shows and blockbuster movies goes into every MOTU audio interface.

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Third-generation version of NI's outstanding MIDI controller keyboard updates what was already a winning formula. Here in the 49-key version, offering outstanding control of software and immense playability.

Suppliers notes:
An intelligent keyboard controller in three size options, designed to be at the core of any studio. Virtual instruments meet the real world with seamless Kontakt integration and a high-resolution screen. Plus, polyphonic aftertouch delivers intuitive parameter control across all three models, in combination with weighted, hammer-action keys in the S88. All contained in an overhauled design that looks incredible and is built to last.

Dimensions: 802.2 × 323 × 86 mm
Weight: 5.5 kg

Thousands of instruments made real Virtual instruments are brought to life in a genuinely immersive experience. Whatever you're playing, get in-depth control and integration through advanced NKS technology. Find sounds quickly with intuitive on-screen navigation. Then fluidly adjust and play them thanks to intelligent auto-mapping. This unparalleled direct connection means you can play completely real-feeling Kontakt instruments, plus thousands of partner sounds, instruments, and effects, with no interruptions to your workflow.

Polyphonic aftertouch

Take expression one-step further and instinctively control parameters with the slightest pressure on each individual key. Modulate cutoff, pitch, vibrato, and much more without reaching for an extra control. All three models have an industry-leading keybed, developed in collaboration with Fatar to deliver the best possible polyphonic aftertouch experience.

Hardware specification

1 high-resolution colour screen with glass surface (1280 × 480)
CNC machined, bead blasted and anodized aluminium, 8 × encoder caps, 1 × 4D encoder cap, 2 × wheels (pitch and mod)
RGB illuminated pitch and mod wheels
New button-islands that form a continuous dustproof control surface and are grouped by function

Included software

Komplete Select
Komplete Kontrol Software
Stradivari Cello
Guitar Rig LE
Elements Suite
Hypha

System requirements

MIDI 2.0 compatible
Intel Core i5, Apple M1 (and equivalent or higher)
macOS 13 (Ventura) or higher (compatible with macOS 12 in MIDI
mode)
Windows 10 (latest service pack) or higher
8 GB RAM
An internet connection and a graphics card that supports Direct 3D 11.1 (feature level 11_0) or higher are required to download and activate this product. Once installed and activated, the product can be used offline.

Notes: Zeus Guitar Pedal Power Supply

NU-X have built an enviable reputation as guitar pedal experts and great guitar sound starts with the power source. Using standard 9Vdc power adaptors usually releases unwanted noise into the signal chain and unstable power can adversely affect the operation and even life expectancy of some boutique pedals. Zeus is an extremely low noise, high current power supply designed specifically for audio effect circuits with 6 fully isolated 9V outlets, 3 switchable 9/12/18V outlets and a fully variable 6-12V outlet. This lightweight and efficient power supply has the flexibility and reliability to run a full pedal board, even with multi-effect units added, with problem-free operation.

Extremely low noise circuitry
Fully isolated outputs
Multiple voltage options
High current capacity
Supplied with various DC link cables to havndle most pedal input types
Supplied with a 2-outlet combiner lead with 2.5mm DC plug for higher power units.

Power supply: 100-240Vac, 50/60Hz (IEC)
Outputs: 6 x 9VDC, 3 x 9/12/18vDC, 1 x 6-12Vdc variable (all DC5521 jack)
USB output current: 1.5A (Type-A outlet)
Dimensions: 195 x 101 x 42mm
Weight: 658g

In the box

The box for this item contains :

Zeus guitar pedal power supply
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.5m
5 x DC jack link cables (5.5x2.1mm) straight to angle 0.3m
1 x DC jack reverse polarity cable (5.5x2.1mm) straight to angle 0.5m
1 x DC jack (5.5x2.1mm) to 3.5mm plug cable 0.5m
1 x twin DC jack (5.5x2.1mm) socket to single DC plug (5.5x2.5mm)
1 x IEC power lead

Notes: ***B-STOCK: Box damaged, product unused & in perfect condition***


Building on the reputation of its award-winning predecessors, the Erisr Studio 5 is a substantial update that delivers richer low-end and more controlled high-frequency response that reproduces every detail in your recordings with a natural sound unparalleled in its class. Designed for superior performance in both home studio and small professional mix rooms, the Eris Studio 5 combines flexible connectivity with sonic accuracy that puts it a class all its own.

The custom-designed EBM (Elliptical Boundary Modeled) waveguide provides superior high-frequency response and wide 100-degree horizontal dispersion to create a broader sweet spot. Narrow vertical dispersion reduces reflections from your desk, and a silk-dome tweeter ensures snappy, accurate transient reproduction. An elegant new enclosure design improves the waveguide performance so you'll hear the finest details in your mix.

The woven-composite low-frequency driver offers Eris' signature tight, clear bass with plenty of punch. Its 80W of biamped power make the Eris Studio 5 more efficient than previous designs. The ported enclosure maximizes bass response and allows the Eris Studio 5 to reach down to an astonishing 48 Hz - without a subwoofer!

Flexible input options let you connect almost any line-level source, from mixers to audio interfaces and more. You'll have no problem hooking your Eris speakers up to virtually anything.

Features

5.25-inch woven composite low-frequency driver
1-inch, ultra-low mass, silk-dome, high frequency driver
Crossover Frequency, 3.5 kHz
100- x 60- EBM waveguide provides a sweet spot
Front-firing acoustic port for superior bass-frequency reproduction and optimized, resonance-suppressing internal bracing
80W, Class AB dual amplification
48 Hz to 20 kHz frequency response
102 dB Peak SPL (@ 1 meter)
Acoustic Tuning Controls:
Acoustic Space (Flat, -2 dB, -4 dB)
High Frequency (+/-6 dB, center 10 kHz, continuously variable)
Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)
Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Inputs:
XLR and 1/4-inch TRS balanced rear-panel inputs
RCA unbalanced rear-panel inputs

Protection:
RF interference
Output-current limiting
Over-temperature
Turn-on/off transient
Subsonic filter
Power Saver mode (engages after 40 minutes)

Set up your studio monitors for your room.

Erisr Studio 5 active monitors are equipped with Acoustic Tuning controls to ensure the flattest response in your mix environment. You get Low Cut, Mid, and High controls, as well as three-way Acoustic Space tuning that makes it easy to compensate for the boundary bass boost that occurs when a speaker is placed too close to a wall.

Honest. Expressive. Powerful.

Like all PreSonus studio monitors, the Eris Studio 5 offers consistent, accurate listening. Their stylish design makes them a welcome addition to any mix space and their smooth, incredibly even frequency response ensures that your mixes will sound great everywhere.

Specs

Electronics
Voltage: 220-240V UK
Wattage: 80 Watts
Input impedance: 10kO

Performance

Peak SPL: 102 dB (@ 1 meter)

Speakers
Crossover frequency: 3.5 kHz
Coverage pattern: 100 degree (H) x 60 degree (V)

Hardware
Cabinet material: Vinyl-Laminated, Medium-Density Fiberboard

Audio controls: Volume High Frequency (+/-6 dB, center 10 kHz, continuously variable) Mid Frequency (+/-6 dB, center 1 kHz, continuously variable)

Audio switches: Acoustic Space (Flat, -2 dB, -4 dB) Low Cut (Flat, 80 Hz, 100 Hz @ -12 dB / octave)

Monitor inputs: 1- Balanced XLR, 1- Balanced 14" TRS, 1- Unbalanced RCA

Power amplifier type: Class AB

Measurements

Dimensions: 11.50 x 8.00 x 8.80 in

Product depth: 8.78" (22.3 cm)
Product height: 11.5" (29.2 cm)
Product width: 8" (20.32 cm)

Notes: The VESA Mount is a sturdy adjustable mount for products fitted with VESA mounting screws, such as the RODECaster Pro II and RODECaster Duo. It features a locking ball head that can rotate 360 degrees for easy manoeuvring of the device in any orientation.

The mount attaches to any standard microphone stand or studio arm, and is the perfect way to position your device in a range of scenarios.

Note - not compatible with the original RODECaster Pro.

Suits both 100 and 75mm VESA mounts
360-degree ball head mount
Easy-to-use cam to lock in any position
Attaches to any standard microphone stand or sudio arm

Mechanical specifications

Weight (grams): 400g (including screws)
Dimensions (millimetres):
Length: 140
Width: 140
Height: 90
Compatible RODE Products: RODECaster Pro II, RODECaster Duo

Notes: 3-inch records were originally released and marketed for a short time in Japan in the early 2000s, just before the worldwide re-birth of vinyl began to take hold. Fast forward 14 years, the idea of resurrecting the format stemmed from a trip to Japan when representatives of Record Store Day met the only factory that used to make these "8ban" records. After a year of ideation, prototyping, tweaking and collaboration with the Record Store Day team, the RSD3 Mini Turntable by Crosley was born. Don't be fooled by its small stature! This mini belt-drive turntable has a lot of the same features as its big brother: AT3600 moving-magnet cartridge, adjustable pitch control, fully supported platter and aux out port with RCA adapter. The RSD3 has a built-in speaker that gets the job done, but use the aux-out and included RCA cable adapter to hook this mini turntable into larger speakers and you're in for a surprise. Record Store Day and Crosley are here to remind you that it's true what they say: size doesn't platter!

Powered via 4AA batteries (not included) or USB power connection.

Includes clear dust cover, aux cable, AUX to RCA Adaptor, and USB to Mini USB charging cord.

Unit (L x W x H) inches = 4.75 x 6.125 x 2.875
Unit Weight (Lbs) = 1

Notes: ***B-STOCK: Box opened, product in perfect working order***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: ***B-STOCK: Item refurbished, repaired and in perfect working order.***


Intended as an all-rounder for all production purposes, the HD 490 Pro are built for comfort as well as top-notch sound quality thanks to their open-back design. DearVR MIX-SE software allows you to mix, monitor and master with accuracy.

Supplier's Notes:
The perfect mix of clarity, comfort, and reliability, HD 490 PRO studio headphones are built to handle all the complexities of today's music production. The open-back design delivers an extremely wide, dimensional sound stage and ultra-precise sound reproduction, eliminating audio blind spots and ensuring you're in full control of every detail.

Handcrafted and German-engineered with built-to-last components and a lightweight, comfortable design, HD 490 PRO lets you feel the music and forget about the headphones. Meticulously engineered ergonomics eliminate pressure points while the open-back design provides natural ventilation, making hours in the music feel like minutes. Two sets of switchable ear pads, each with a unique sound signature for long hours of mixing and producing, eliminate ear fatigue and are designed with sustainability and durability in mind - they're both washable and replaceable. HD 490 PRO mixing headphones also include the innovative DearVR MIX-SE plugin from Dear Reality, placing you in the "sweet spot" and turning your DAW into an ultimate virtual mixing environment. DearVR MIX-SE simulates the carefully designed acoustics of mixing studios, helping you ensure a balanced, consistent translation of your mix on different systems. HD 490 PRO helps you achieve your full creative vision, eliminating audio blind spots, putting you in full control of every detail, and ensuring accurate playback beyond the studio.

Features

Backed by decades of Sennheiser engineering, technology, research and development
Open-back design with an extremely wide, dimensional sound stage and ultra-precise localization
Uncolored frequency response for honest, dynamic sound reproduction across the full spectrum
Innovative low-frequency cylinder system for full, accurate, and clearly defined low end
Precision-engineered ergonomics eliminate pressure points and deliver supreme, flexible, lightweight comfort
Sennheiser Open-frame Architecture reduces total harmonic distortion (THD) and minimizes resonance,improving audio accuracy
Includes Dear Reality dearVR MIX-SE plugin, turning your DAW into an ultimate virtual mixing environment via advanced spatial audio technology
Two unique sets of ear pads for producing or mixing help eliminate ear fatigue and pinpoint frequencies


Sustainability-inspired with washable, replaceable pads and FSC-certified, forest-friendly packaging
Geometrically angled earcup design optimizes transducer placement for a consistent listening experience
State-of-the-art neodymium magnets for superior driver performance and efficiency
Patented cable coil structure blocks cable-borne noise, ensuring the clearest signal
Ultralight voice coil for remarkably authentic and dynamic audio reproduction
Right and left ear jacks with detachable cable easily adapts to any studio configuration
Patented accessibility features: braille-guided L/R earcups and grooved ear pads for eyeglasses
Open-mesh metal earpiece covers provide natural ventilation
Durable design meticulously engineered in Germany and hand-assembled in Romania

Specs

Weight (g): 260 gr. (w/o cable)
Max. Sound Pressure Level: l128 dBSPL (1 kHz @ 5% THD)
Sensitivity: 105 dBSPL (1 kHz/ 1 Vrms), 96 dBSPL (1 kHz/ 1 mW)
Transducer principle: Dynamic, open
Wearing Style: Circumaural

Total harmonic distortion: <0.2% (1kHz, 100dB SPL)
Connector: 3.5mm/6.3mm

Ambient Conditions

Operating Relative Humidity: 10 to 80%, not condensing
Operating Temperature: +0-CC

Electrical Properties:

Sensitivity: 105dBSPL (1kHz/1Vrms), 96 dBSPL (1kHz/1mW)
Impedance: 130 ohms (1kHz)

Dimensions

Weight (g): 260g (w/o cable)
Cable length: 1.8m

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Black
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Blue
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: Green
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Orange
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour: White
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: Connect your USB compatible gear with Audio Optimized UDG Ultimate Cables.

This USB 3.2 cable with a streamlined design helps DJ's and Producers maximize their performance and is ideal for home and professional use where impeccable audio is a must.

UDG Ultimate Cables are designed to interconnect devices with USB interfaces. It is ideal for connecting an audio interface, USB microphone, instrument or most computer peripherals to a PC.

The UDG Ultimate Cables deliver professional performance made with superior flexible PVC cable construction, UDG branding on cable ends and Velcro cable strap validates they're official.

For devices with an older USB version, this cable is backward compatible so you can still make the connection.

Specifications

Colour Yellow
Length: 1.5 m | 4.92 ft
Weight: 0,10 kg / 0.22 lbs
Material: PVC + Metal

Protection:

Constructed with corrosion-resistant, gold-plated connectors for optimal signal
Two ferrite chokes: help eliminate noise in both directions
Includes UDG Velcro strap for easy storage
High-quality multi-shielded PVC USB cable

Extras

High-speed Audio Optimized USB 3.2 C-Male to C-Male cable
Maximum data transfer rates up to 20 Gbps
4k @ 60Hz video support
Ergonomic UDG Design
Various colours makes them easy to identify

Fits

Connects mic, keyboards, and speed-critical devices, such as audio interfaces and external hard drives to your computer

Notes: ***B-STOCK: Box opened, but product is in excellent condition and in perfect working order***


Zoom's top-of-the-range handheld recording option, the H6essential records up to six tracks via built-in stereo mics and four mic/line inputs. Top quality 32-bit/96 kHz recording quality.

Supplier's Notes:
Zoom H6essential Handy Recorder

The Flagship - Zoom's most robust handheld recorder, the H6essential is a recording powerhouse. With 6 tracks of 32-bit float recording, the H6essential provides unprecedented quality and unmatched versatility.

Features

6-track 32-bit float recorder with Dual A/D Converters
Clip-free recording with no need to set gain
Records up to 96kHZ sample rate
Interchangeable Mic Capsule System 3.0 with 32-bit float support
Included X/Y Mic Capsule captures up to 135 dB SPL
4 XLR/TRS combo inputs with locking connector
Colour LCD Screen
Built-in mixer to adjust each track's audio level
Built-in speaker for quick reference playback
3.5mm headphone output plus 3.5mm line output
Voice Guidance accessibility for the visually impaired
32-Bit Float audio interface for PC, Mac, iOS, and Android devices via USB-C port
Use as an interface and record to SD card simultaneously
Using the BTA-1* Bluetooth Adapter, sync with wireless timecode devices via bluetooth
Use the BTA-1* Bluetooth Adapter to pair with the H6essential Control App for iOS
Record to SD cads up to 1TB
10 hours of battery life on AA battery (2x) or USB-C Bus Power
*Please note: BTA-1 Adapter not included

Outputs you need

Use the line output to connect to a camera and the headphone output to monitor your audio.

Quieter controls

Recording and rotary controls have been meticulously designed to allow for silent operation.

Onboard speaker

Use the improved onboard speaker to listen to your recordings for quick reference.

Six perfect tracks

The 4 XLR/TRS combo inputs feature ultra-clean Zoom preamps, and the included X/Y microphones can capture up to a booming 135 dB SPL, equivalent to a jet taking off.

Record and stream

Use the USB-C port to connect to PC, Mac, iOS, and Android device to use the H6essential as a 32-bit float interface while simultaneously recording all 6 tracks to an SD card.

Pair with your iOS device

Use the BTA-1* Bluetooth Adapter to pair with your iOS device to remotely hit record, adjust your mix, view your waveforms, and change settings.

Bluetooth timecode

With the BTA-1* Bluetooth Adapter you can also pair with Bluetooth timecode devices for audio and video sync. *BTA-1 Adapter not included.

Specs

Input & output channels

Inputs
Mic capsule: 1
MIC/LINE (mono): 4

Outputs
LINE OUT: 1
Headphones: 1
Built-in speaker (mono): 1

INPUTS
XY mic: XYH-6e: 90O XY stereo format
Directionality: Unidirectional
Sensitivity: -42dB/1Pa at 1kHz
Maximum sound pressure input: 135 dB SPL

MIC/LINE (mono)
Connectors: 4 XLR/TRS combo jacks (XLR:2 HOT TRS:TIP HOT)
Input gain: Adjustment unnecessary (dual A/D converter circuits used)
Input impedance: MIC: 3.8 kO or more, LINE: 39 kO or more
Maximum input level: MIC: +4 dBu, LINE: +24 dBu
Phantom power: +48 V
Channel total: 32 mA or less
Equivalent input noise MIC: -120 dBu or less(IHF-A) @150 O input, LINE: -95 dBu or less(IHF-A) @600 O input

OUTPUTS

LINE OUT
Connector: Stereo mini jack
Maximum output level: +1 dBu
Output impedance: 110 O or less

Headphones
Connector: Stereo mini jack
Maximum output level: 20 mW + 20 mW(when 32 O load)
Output impedance: 10 O or less

Built-in speaker
Type: 20 mm x 30mm elliptical dynamic speaker
Effective maximum output: 250mW

RECORDER
Maximum simultaneous recording tracks: 8
Maximum simultaneous playback tracks: 6

Recording formats:
WAV
44.1/48/96 kHz,
32-bit float mono/stereo
BWF and iXML formats supported

Recording media: 4-32GB cards compatible with the microSDHC specification, 64GB-1TB cards compatible with the microSDXC specification

Display: 2.0-inch full-colour LCD 360 x 240

USB
Connector: USB Type-C - Use a USB cable that supports data transfer.
Audio Interface : USB 2.0 High Speed
Input and output channels: 6 in / 2 out (Multi), 2 in / 2 out (Stereo)
Sampling frequency: 44.1/48/96 kHz (AIF only), 44.1/48 kHz (AIF + onboard recording)
Bit depth: 24-bit, 32-bit float
File transfer: USB 2.0 High Speed

Remote

Dedicated wireless adapter: ZOOM BTA-1

Power

4 AA batteries: Alkaline, lithium or rechargeable NiMH batteries
AC Adapter: ZOOM AD-17 (DC 5 V/1 A) - USB bus power is supported.

Estimated continuous operation times using batteries: 2-track recording (XYH-6e)
Alkaline batteries: About 18 hours
NiMH batteries (1900 mAh): About 14.5 hours
Lithium batteries: About 30 hours

48 kHz/32-bit float with phantom power off, no headphones, no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Estimated continuous operation times using batteries: 6-track recording (XYH-6e and inputs 1-4)
Alkaline batteries: About 3.5 hours
NiMH batteries (1900 mAh): About 4 hours
Lithium batteries: About 9 hours
48 kHz/32-bit float with phantom power off, headphones used (33O load), no LINE OUT, no REMOTE, Power Saving on, Display Brightness Medium
These values are approximate.
Continuous battery operation times were determined using in-house testing methods.They will vary greatly according to use conditions.

Power consumption: 5 W maximum

Dimensions
Recorder: 78.1 mm (W) × 160.1 mm (D) × 42.8 mm (H)
XYH-6e: 69.1 mm (W) × 50.8 mm (D) × 43.0 mm (H)
Weight Recorder: 381 g (including batteries)
XYH-6e: 42 g
Note: 0 dBu = 0.775 Vrms

Review: West Coast Classics US has taken the hip-hop community by storm with their ability to license such seminal west coast tracks. With an extra focus on gangster rap, the label offers a classic on each side of a 7". Their sixth release has a couple of killers on it! 2pac and Dr.Dre's 'California Love' really needs no introduction. A legendary track that ate up the airwaves around the world and on MTV when it was released in 1996. Not to be outdone, Ice Cube covers the B-side with one of his most important solo tracks that established him after leaving NWA., 'Jackin For Beats'. Getting original copies of these on wax would cost a day's wage for most people. Like the label suggests, these are West Coast Classics and are blueprints for gangster rap.

Review: Humanoid Recordings co-founder 4d lays down another four-track 12" for the label, scouring the weightier and scrapier ends of minimal and acid house, all while teasing out a retro-robotic edge. Only an artist with a real sense of humour can invoke ideas of 'Stupidity' and 'Quantum Theory' in the same breath; both tracks betray the unified whimsy and intelligence that a successful acid house and techno artist must portray in order to win hearts. The latter uses a particularly sticky, hard-to-pin-down 4x4 kick style; contrast to B1 'World In Our Head', which portrays a psychic model of the outside world through trilling trance lines, and the meek glissandos of 'Sowie Lockers', securing an indeterminate but funky mood.

Review: The Veiltail EP by 747 features two heavyweight songs: 'Veiltail', which is a driving, heavy cascading melodic track with bubbling acid flourishes and a touch of soaring trance influence, and 'Stairway', which is a more electro-slanted track that's nevertheless just as pulsating and dramatic as its predecessor, perhaps a touch of Rephlex-style aural radioactivity. The Canadian label Aquaregia continues to be a trendsetter in the very competitive genre.

Review: 'The Sevens' by A Place To Bury Strangers unveils previously unreleased tracks from the band's acclaimed album See Through You. Renowned for their visceral post-punk and shoegaze sounds, the group delivers a sonic revelation across this white 7", which is one of a series of four. Each one invites you to delve into their universe and explore raw and personal tracks that capture life's most emotive essence. 'Chasing Colors/I Can Never Be As Great As You Are' is the second release that A Place To Bury Strangers founder Oliver Ackermann has said reflects on returning to their roots and embracing the unique format of standalone tracks, thereby offering a glimpse into a unique moment in time.