Back catalogue: All genres

Review: Based out of Brooklyn, New York, The Still Brothers is a group made up of two childhood friends, Andrew LeCoche of Ula Ruth and Evan Heinze from The Shacks. They started their musical adventure way back in the 6th grade. In the decade since they have managed to record and tour with their own respective groups, as well as work on their own distinctive brand of indie together. Here they tap up Sloshy for a feature on a new 7" that comes via Lewis. 'It's Not Over' is a dreamy cut lush vocal harmonies and lo-fi drums making for a beautifully melancholic sound. 'Crazy' has slightly more primate drum breaks and the Shoshy is just as smooth.

Review: 'Money Music' is taken from Surprise Chef's Education And Recreation album, released back in October 2022. Overdriven beats, palatable piano progressions and whirly wurlitzers are the band's bag, but there's a progression to each of their tunes that renders them a bit more advanced than that of your average instrumental hip-hop band. Now released on 7", the track (which blends all manner of basses, clicky sounds and vibraphone-like tones) is an ideal cop for turntablists, home-listeners and ambience DJs alike.

Review: Producer and multi-instrumentalist Christopher Royal King goes solo as Symbol for this new and experimental 7" on Mystery Circle. King might well be best known as a founding member and lead guitarist of the orchestral-rock ensemble This Will Destroy You, but is also a skilled composer who has written scores for some top films and documentaries. He embraces a world of melody here as he layers up heavenly and sustained chords with rippling synths into intense, dense, powerful ambient music that awakens the mind, body and soul. 'Hyperballad' is more sparse and designed for daydreaming with its sweeping strings and gentle piano keys.

Review: Top Sounds digs into the garage rock archives and has turned out some real treasure. The Syn were a short-lived but now cult outfit that, in 1967, released just two 45 rpms for the Deram label. Ever since then, fans of them and 60s rock alike, have fawned over them and collectors have paid high prices to own them. Now they can for a much more reasonable fee with this reissued 7" featuring the jaunty melodies and vocal harmonies of 'Created By Clive' and faster, harder more psyched out 'I'm Following You.'

Review: The world is full of heart-rendering electronic pop. So much so, you sometimes have to ask yourself if we can handle - or indeed actually need - any more. Rendered almost-immune to the emotionally barrage that seems to haunt our airwaves, playlists, and Made In Chelsea episodes, anyone who still has feelings in 2023 is doing well by all accounts.
Then along come Synthia, billed by the Big Crown label as a 'supergroup', comprising production don Leon 'El Michels Affair' Michels, and vocalist Claire Cottrill, AKA Clairo. Debate over what constitutes a 'group' aside, So Low, a startling double-A is enough to make you forget everything we just talked about, throw away the idea of overkill, and dive right in. As if born to score something cool, reflective, thought-proving and devastatingly romantic, fans of Electric Youth, Cocteau Twins and Almagris should be here already.

Review: Mr Bongo's Brazil 45s series continues its consistently rich vein of form with two more beautifully contrasting - and previously difficult to track down - Brazilian soul jazz fusions from the 70s. Side A is inhabited by one of the era's most interesting individuals. Infamously censored and eventually exiled, Taiguara's chaotic flute, guitar and piano arrangement is a tight weave of melodies, counter melodies and start dynamics. Flip for the classically soul-oriented "Deixa Eu Te Amar" will bright horns, brash drums and a bold vocal from Marisa Rossi. Pow.

Review: Tuck in your napkin and get seated comfortably for six plates of delicious broken beat and nu jazz funk from Tapes on the small but already well-formed Mida label. These superbly cosmic studies in sound are packed with finely tuned frequencies, cymbals and drums, silky spacecraft arps, video game sounds and playful keys that scatter through arrangements to trippy effect. All of that is underpinned by the sort of hefty low end that locks you in and the whole thing is an ever-shifting sound world that sounds both ancient yet futuristic. Sublime.

Review: Josephine Taylor's 1969 single 'I've Made Up My Mind' is a hugely expensive record if you can find it. It came on a short lived but much hyped Chicago label and was backed with 'Is It Worth A Chance' which is want is pressed up here. It is laced with big brass sounds and has a driving bassline but the vocals from Josephine will always be the centre-piece. Here it is cut with Krystal Generation's 1970 'Satisfied' which was the A-side of the well known 'Is It Meant To Be' and is another pearler of a soul cut with Northern overtones and real musical richness.

Review: Often referred to as "Ramones-core", "Weasel-core" and "leather jacket punk", Wyoming mainstays Teenage Bottlerocket have amassed a sincerely devout and faithful cult following thanks to their retro influences and effortless ability to re-purpose their old school influences for a modern audience. Following up their 2021 debut full-length Sick Sesh! with the snappy four-track 7" So Dumb feels like a brief moment of self-therapy and catharsis, with the lead title-track taking aim at people's ignorance and refusal to work together during the covid pandemic, while the B-side opener So Stoked balances these frustrations with the signs of community that were evident. Here the band asks for ten minutes of your time to look at both sides of the coin with a reliably urgent batch of bouncing, classic pop-punk.

Review: Finnish vibe artisan Jimi Tenor returns to Max Weissenfeldt's Philophon with two more contemporary dreamboat affairs... "Quantum Connection" springs with a bruk-like energy but chats in fluent jazz via the eastern horns and spiralling hook narrative. "My Mind Will Travel" maintains the spring but with much more of a loungey feel and a molten vocal that flops over the tightly plucked strings with humour and syrupy ease. One of a kind.

Review: Thee Heart Tones, Big Crown Records' newest addition, showcase their youthful exuberance and musical prowess on their debut single. Recorded at Diamond West Studio with producers Leon Michels and Tommy Brenneck, the band delivers a captivating performance on both tracks. 'Forever & Ever' is an infectious, feelgood anthem with lead singer Jazmine Alvarado's captivating vocals soaring over the band's lively groove. The song's catchy chorus is bound to linger in listeners' minds long after the music stops. On the B-side, their rendition of the classic 'Sabor A Mi' demonstrates their versatility and skill, with Jazmine's vocals shining once again. Thee Heart Tones have made a promising entrance into the music scene, leaving audiences eagerly anticipating their forthcoming debut album.

Review: Those superb soul overs at Big Crown have dug deep again and unearthed a new one from Thee Marloes, who turn out a ballad sung in Indonesian. It's an inescapably exotic vocal and it comes over a stripped down track made from lovely hand drums, warm electric piano, and super guitar lines. This tune comes as the Thee Marloes are in the midst, we're told, of working on their new album but whether it is a tune from it is unsure. On the B-side of the 45rpm is 'True Love', another heartwarming gem with worldly charm and unforgettable grooves.

Review: Thee Sacred Souls dropped a well-received debut album last year after a great run of singles, all of which came on the Penrose label out of Spain. They have already started with more singles post that LP and 'Future Lover' is next up. The title tune takes up the a-side with its slow-motion soul, languid guitar licks and gorgeous vocal harmonies. Fans of Leon Bridges or Khruangbin will love this one. 'For Now' then strips right back to a beautiful falsetto and star-gazing guitar that makes you ache for you don't know what, but it's a lovely feeling.

Review: February is the month of love and so it is fitting that a new 7" drops from our much loved Washington DC label Peoples Potential Unlimited US. Every bit of lo-fi funk and disco this label deals in comes with a healthy dose of romance and this one from Marshall Titus is another case in point. 'Take A Chance' is full of steamy promise and retro-future 80s synth work over crunchy drums. The vocal is alluring and sensuous and the bassline further pulls you in. On the flip is a more raw and affected alternate version.

Review: Rich gutsy soul from a man who's regularly described as Brazil's James Brown, "O Journalerio" is a blueprint funk jam. Released in 1971 (on his hyper-rare album BR-3) it's all about the orchestrated swing, bluesy groove and Hammond licks so lavish you need to towel on every listen. Flip for Som Tres... An off-shoot of the Sambalanco Trio, it's the sound of Cesar Camargo Mariano controlling a restrained rolling slice of filmic instrumental funk where horns, keys and drums gather momentum with big band drama. Neither have been released on 45" before, making this all the more special.

Review: For the latest volume in their ongoing Brazil 45s series, Mr Bongo has decided to change tack. The two tracks showcased here are from the golden age of Brazilian boogie. On the A-side you'll find Marcos Valle's "A Paraiba Nao E Chicago", a largely overlooked cut from his 1981 full-length Vontade De Rever Voce. While not as instantly as infectious as some of his better-known singles, it's still superb; a breezy, blue-eyed soul cut full of rising horns and sweet Portuguese vocals. On the B-side, you'll find Don Beto's 1978 disco-funk jam "Nao Quero Mais", a superb track that was seemingly inspired by the Doobie Brothers' "Long Train Running".

Review: Two premium Latin funk documents on one limited 45, Mr Bongo deliver once again: Marcos Valle needs no introduction to Brazilian music enthusiasts. "Mentira" is a self-cover as Valle takes his 69 classic "Mentira Carioca" and develops the dynamic with a vocal style that's highly reminiscent of Donovan. Flip for Toni Tornado's Black Rio anthem "Me Libertei". Fusing sleazy rock n roll with jazzy Latin soul, madly this is the first time it's ever graced a 45!

Review: "Huxley's Howl" by Bay-area keyboard savant Howard Wales was originally released as a 7in single in the early '70s on his own Costal Records imprint. Luv N'Haight is proud to present the first official reissue of this classic slice of mid-tempo, instrumental funk, loaded with stabbing horns, explosive Hammond organ and heavy drums with a nice dose of psychedelic vibes to round out it out. The B-side "My Blues" chugs along at a slower pace, with a "bluesier" sound as the title suggests while keeping the same killer psych flavor as the A-side.

Known primarily for his work alongside Grateful Dead frontman Jerry Garcia on their collaborative album "Hooteroll" while also appearing on the Dead's seminal "American Beauty" LP, Howard Wales had already established himself as a talented player during the mid-1960's working and touring with the likes of Ronnie Hawkins, the Four Tops and the Godfather of Soul himself James Brown. A true original and progenitor of the oft-used but mostly maligned "Acid Jazz" genre, Howard Wales paved the way for the psychotropically enhanced excursions of 70s' Jazz, Funk, Soul and fusion.

Review: Miles Away Records are proud to introduce their latest single to land on the label: the cosmic soul gem 'Super Star' by Ruth Waters and the State Of Mind Show Band. Ruth 'Silky' Waters was best known for her two disco-infused albums Never Gonna Be The Same and Out In The Open, produced by the late, great John Davis. 'Super Star', however, was released on the tiny independent KMBA Recordings label in the late 1970s, and draws on the twin wells of modern soul and gospel, lending both a touch of cosmic goodness. On the flip, there's 'Super Star Pt.2', which plunges deeper into the cosmic essence of the track by way of both extended guitar and synth solos; both tracks are stupendios in their own rights, making this a hotly versatile release for a far-and-wide DJ demographic.

Review: Six Minute Mile has rightly got plenty of attention for its first few outings and their early good work connotes with this eight 7". It's from Ohio's Wesley Bright who has joined forces with The Means of Production and New York's Ben Pirani, and is a lovely mid-tempo roller that reminds of balmy summer nights. The tune comes in two parts and opens with lovely Rhodes chords that are a great foundation for the tenor vocals of Wesley. Then come plenty of irresistible hooks and the rousing vocals sing of love and devotion like all good soul sounds should.

Review: The deep archives of disco legend and synth wizard Patrick Cowley continue to prove inspirational for Dark Entries. Cowley, who passed away from AIDS-related illness in 1982, was the multi-faceted producer behind numerous disco anthems such as Sylvester's "You Make Me Feel (Mighty Real)". Since 2009, Dark Entries has been working with Cowley's friends and family to shed light on the lesser known facets of this singular artist's output. This has resulted in a string of celebrated archival albums, including Catholic (featuring Jorge Socarras), School Daze, Muscle Up, Afternooners, Mechanical Fantasy Box, and Some Funkettes.For the latest addition to this saga, White Trash Boom-Boom, Dark Entries has teamed up with The Stud to release four tracks culled from some of Cowley's earliest rehearsal tapes. In 1972 Patrick was living in the Haight-Ashbury neighborhood with Theresa McGinley and Janice Sukaitis, friends of his from New York. In 1973, Theresa and Janice formed White Trash Boom-Boom, an all-female avant-garde performance troupe. Reacting to the Angels of Light and the Cockettes, they captured the spirit of the times: camp, confrontational, and delirious.

Review: .There's plenty to talk about with The Who's historic show at Fete De L'Humanite, a huge open-air event hosted by L'Humanite, the main newspaper of the French Communist Party. For starters, on the day - Saturday 9th September, 1972 - an estimated 400,000 people were in attendance, a crowd size that dwarves pretty much anything we can think of today, and remains the band's largest ever gig. Taking to the stage as evening set in, they set to with a typically ferocious set, and four of the most standout pieces for the show are immortalised here on record. Unsurprisingly, that timeless anthem of misspent youth, love, rebellion, and hope for change, 'Baba O'Riley', is a dominant factor, although epic finale 'Relay' is perhaps where the might of their rock 'n' roll juggernaut is most felt here.

Review: Witch singles are well known by collectors of worldly sounds, but they have never sounded as good as they do now on this reissue seres by Sharp-Flat. Each one has been remastered from the original analogue tapes for the first time ever. These two are taken from the Zambian band's seminal 'Movin' On' LP from 1980. At that time they had survived the Zamrock years and built up a fine catalogue of psych and prog sounds but then took inspiration from the newly emerging electronic sounds of the 80s and reaches new highest. These two brilliantly funk and soul-filled disco stompers prove that and cemented the band as African disco powerhouses.

Review: This 7" from Yao Bobby & Simon Grab is as esoteric as it gets. If you don't like noise, you won't like this, it's that simple. The two tracks are taken from their recent album 'Wum' on LAVALAVA. It is some of their most abrasive and confrontational music to date. 'Nyagblodi' is an attack on corrupt African politicians with a loud, guttural voice and frazzled synth over heavily distorted drums. On the flip, 'Church' has a broken beat rhythm, hardcore industrial texture and more powerful vocal chants. These are two hard-as-nails tunes with a powerful message.

Review: Japanese rapper MC RYT hails from the Serpat Crew and this expansive new record finds him step out with producer Djar One and Kesta AKA Kool Kest. It is a limited album that packs in plenty of different and effective styles from classic boom bap sweeter R&B-tinged joints via jazz swing sounds. Favourites include the laidback and louche sounds of 'On & On', the deep rolling 'Space Talk' with its hard bars and 'Izakaya Style', a nice jazz and loungey cut with a guest sport from Le Jules. This is a superb addition to the shelves of any beat lover and hip hop head.