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Jomox T Resonator MkII Filter Box
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2 in stock $248.97
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Cat: 458808 Rel: 30 Jul 12
 
Time woven filter matrix
Notes: T stands for Time.

The T-Resonator transforms timely events into an analog feedbacked filter network. What comes out of this you can hear in the audio samples.

The T-Resonator is something like an M-Resonator + Digital Delay. But you can select 8 different delay algorithms, each with different delays and different feedbacks and modulate them even with an LFO.

Delays reach from less than a millisecond to 1 second, range and structure is depending on the algorithm.

The delay feedback comes across the analog filters, of course.

You can create gaining analog echoes, klingon parties by extremely feedbacked wave guide algorithm and much more.

By the analog feedback everything sounds organic.

The screaming analog feedbacks can delay themselves and thereby form new sound patterns.

The sine LFO gets retriggered by the audio signal and can be shaped with the audio envelope or just run alone. In center position the amount is 0, to the left it's envelope-shaped LFO, to the right it's only LFO.

The filters are made from discreet parts and form a 24 dB pole lowpass filter transistor cascade.

They can, in any thinkable way, be self feedbacked and be coupled or feedbacked with each other, so that extreme sounds and chaotic states create - all what you need today for creative analog sound design.

Incredible bass gains or screaming scratch sounds are no problem. The mix pots are zeroed in center position; any other angle will couple or feedback negatively or positively. FM in both directions is also available.

The input has an adjustable gain and a Hi-Z input to plug in a guitar directly. Any line level signal can be processed, be it either mono or stereo.

www.youtube.com/watch?v=P6FHbqRb9S4
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Mode Machines OMF1 Oakley Moog Style Analog Filter
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1 in stock $555.97
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Cat: 510772 Rel: 23 Nov 15
 
4 pole true analog filter based on the transistor ladder filter developed by Moog
Notes: A four pole true analogue filter. This is based on the famous transistor ladder filter developed by Dr Bob Moog in the 1960s. A front panel pot controls the filter cut-off frequency, another controls the resonance. The resonance control is configured not to cause volume drop when turned up. The filter can be made to oscillate if required.

Two filter outputs are available. One is the Fizz output. This is a type of -6dB/octave filter and it gives a unique filtering effect with a real bite. The other is the Smooth output. This is a classic -24dB/octave filter, and gives a smooth warm analogue filter sound. Each filter output goes via its own reversible attenuator. This means not only can you adjust the output level, but also the phase of the output signal. This allows complex filter shapes to be made when the two outputs are mixed together in various degrees. This includes a very nice sounding band pass filter.

A wet/dry control allows the filtered audio to be mixed with the original signal. Not only is this useful in controlling the depth of the effect, but it can also create unusual phasing and vibrato type effects.

A wide range pre-amplifier is included. You can use the OMF-1 with virtually any input from guitars to synthesisers. A peak indicator will allow you to monitor overloads, although the OMF-1 is designed to overdrive beautifully.

An inbuilt low frequency oscillator with triangle and square waveforms. The frequency can be changed from 0.05Hz (one cycle in 20 seconds) to over 50Hz. A bi-colour LED gives visual indication of the speed of the LFO. Use the LFO to create auto wah and phaser type effects. The LFO can also be selected to trigger the envelope generator.

An ingenious dynamic envelope section that can move the filter cut off point up or down. It can be put into one of three modes at a flick of a switch:
FLR: It can function as a useful envelope follower, with controllable attack and decay times. Perfect for simulating many classic dynamic follower filter boxes. Play louder and hear the filter open up.
AD: It can be a standard attack-decay envelope generator. This is a type of one shot envelope, that rises and falls at the presence of an initial trigger signal. Useful for percussive type sounds.
AR: It can be a standard attack-release envelope generator. This is triggered either by the LFO, external gate signal or by an automatic audio trigger circuit with a variable threshold level. Powerful for creating rising crescendos.

The final output volume can be controlled with a level control. The output circuitry is configured to drive long length cables with ease and without ground loops.

A side chain input is available. This is a second audio input that can control the main input, but is not heard directly. Use this to trigger the envelope generator, or drive the envelope follower. A common use of this is to make the main audio program respond to a drum machine's output for syncopated effects. Use a deep rich string patch as your main input, and listen to the drum machine automatically pulse the output to the beat. Awesome!

CV and gate inputs are available for connection to a modular synth or midi-CV convertor. The CV input will control the filter frequency, and the gate control will trigger the envelope generator if selected.

With a second OMF-1 a stereo unit may be built. The two channels can either be run independantly or linked together for true stereo processing.
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Moog MF101 Moogerfooger Lowpass Filter (black)
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MRP:$361.15 SAVE 23%
1 in stock $277.99
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Cat: 429575 Rel: 10 Oct 11
 
Moogerfooger series filter pedal
Notes: The award-winning Moog MF-101 lowpass filter is a direct descendant of the original Moog modular synthesizers. It contains 2 complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.

The Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount and envelope amount. All of the lowpass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.

A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 lowpass filter does the same sort of thing to the sound spectrum with its Cutoff Control. As you turn up the Resonance control, the overtones near the cutoff frequency are boosted.

The envelope follower tracks the loudness contour (envelope) of a sound and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.

www.youtube.com/watch?v=dBc6bJsycCk
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Moog MF101 Moogerfooger Lowpass Filter (black) (B-STOCK)
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1 in stock $270.74
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Cat: 548419 Rel: 10 Oct 11
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***

The award-winning Moog MF-101 lowpass filter is a direct descendant of the original Moog modular synthesizers. It contains 2 complete modular functions: a voltage-controlled lowpass filter and an envelope follower. It can be used with any instrument-level to line level-signal.

The Moogerfooger filter's control parameters are signal mix, cutoff frequency, resonance amount and envelope amount. All of the lowpass filter's parameters can be controlled with expression pedals or external control voltages as well as by great feeling knobs which beg to be tweaked. Panel switches select filter mode and envelope follower speed. 1/4" jacks are provided for audio input and output, pedal/control inputs and envelope follower output. A heavy-duty, yet smooth-acting bypass switch allows tabletop or foot operation.

A lowpass filter removes high frequencies from a tone. It makes the tone sound more mellow or muted. The lower the Cutoff, the more muted the tone sounds. As it is pulled down, it cuts out the higher light, then the light from the middle of the window, then finally all the light. The MF-101 lowpass filter does the same sort of thing to the sound spectrum with its Cutoff Control. As you turn up the Resonance control, the overtones near the cutoff frequency are boosted.

The envelope follower tracks the loudness contour (envelope) of a sound and produces a voltage that follows the dynamics of your playing. Every time you play a note, the envelope voltage goes up and then down. The harder you play, the higher the envelope voltage goes. The envelope follower opens and closes the lowpass filter. Think of the envelope voltage as an invisible hand that turns the cutoff knob up and down every time you play a note. Since the envelope follows the dynamics of your instrument's signal, you actually play the filter as you play your instrument.

www.youtube.com/watch?v=dBc6bJsycCk
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Moog MF102 Moogerfooger Ring Modulator (black)
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MRP:$361.15 SAVE 24%
1 in stock $275.58
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Cat: 416878 Rel: 07 Mar 11
 
Ring modulator
Notes: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains 3 x complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The Moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide.

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear 2 x pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.

www.youtube.com/watch?v=ED4ugecZm0Q
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Moog MF102 Moogerfooger Ring Modulator (black) (B-STOCK)
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1 in stock $265.89
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Cat: 474572 Rel: 12 Nov 12
 
** *B-STOCK: Box opened, but product is new & unused ***
Notes: The MF-102 Ring Modulator is a direct descendant of the original Moog modular synthesizers. It contains three complete modular functions: a ring modulator, a voltage-controlled carrier oscillator and voltage-controlled dual-waveform LFO. It can be used to process any instrument-level to line-level signal.

A ring modulator produces sum and difference frequencies between the audio input and a carrier oscillator. The ring modulator's LFO can be used to modulate the carrier frequency. The moogerfooger ring modulator can create effects ranging from subtle tremolo to harmonically rich distortion, gong-like sounds, sweeps, swoops, and divebombs. It can be subtle, or outlandish in its use, you decide!

The Moogerfooger Ring Modulator's control parameters are signal mix, carrier frequency, LFO rate, and LFO amount. All of the ring modulator's parameters can be controlled by the great feeling knobs that beg to be tweaked as well as with expression pedals or external control voltages. Panel switches select LFO waveform and carrier frequency range. 1/4" jacks are provided for audio input and output, pedal/control inputs, carrier input and carrier output. The heavy-duty yet smooth acting bypass switch allows tabletop or floor use.

Imagine that the ring modulator's carrier oscillator is producing a 500 Hz sine wave, and your input signal is a 100 Hz sine wave. The ring modulator's output will be a complex waveform. You will hear two pitches: 400 Hz and 600 Hz. You will not hear your original input or the carrier oscillator.
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Vermona Action Filter 4 Rack Mounted Effects Unit
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1 in stock $269.52
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Cat: 572883 Rel: 22 Jun 15
 
Rack mounted effects unit with RCA & 1/4" jack ins and outs
Notes: We have to admit being more than a little proud when thinking of the Action Filter's history. Twelve years ago we made the first version of this still popular stereo-filter with no end in sight. It still is built upon the same basic principle: ACTION!

Neither MIDI nor control voltage decide about filter sweeps and cues but you. Action Filter demands and supports your intuition and creativity. Reign over frequencies and rhythm instead of being a victim of technique.

What remains?

Like its predecessors, Action Filter 4 consists of a high-/lowpass filter-combination per stereo channel. Together, these either work as bandpass- or notch-filter with variable bandwidth and individual resonance per filter.

What's new?

Unspectacular but a spectacle nevertheless: Beside the mandatory RCA in- and outputs, Action Filter 4 is equipped with 1/4"-jacks. In addition, the FILTER MODE switch made it to the unit's front, labeled as STYLE.

Who is the Action Filter 4 dedicated to?

... of course for all action heroes! With jack- and RCA-connectors, Action Filter 4 is best suited for the DJ booth as well as for studio applications. You can use it to process full tracks or add that "certain something" to individual audio tracks. Emphasize or kill specific frequency bands and - on top of it - have lots of fun actively playing with frequencies! Simply: ACTION!
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Vermona Filter Lancet (includes UK power supply)
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2 in stock $306.99
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Cat: 433132 Rel: 22 Aug 11
 
Analogue multimode desktop filter, includes UK power supply
Notes: The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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Vermona Filter Lancet (includes UK power supply) (B-STOCK)
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1 in stock $282.82
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Cat: 597327 Rel: 22 Aug 11
 
B-STOCK: Box opened, product in perfect working order
Notes: ***B-STOCK: Box opened, product in perfect working order***


The Vermona Filter Lancet is a compact but versatile stand-alone multimode filter for your desktop. It's the right weapon against static sound and boredom and made for any kind of audio signal. The filter section itself has 3 modes: low-pass, high-pass and band-pass. The last one works with a slope of 12 dB per octave whereas low- and high-pass are 24 dB filters.

You can give the filter some extra punch with the Balls knob, known from Kick Lancet. It pushes low and high frequencies of the signal before being filtered. And of course the resonance is self-oscillating.

Other than the filter section of Mono Lancet, the Filter Lancet is not based on (Moog-) cascade circuitry. It was inspired by the filters of the Vermona M.A.R.S. respectively DAF-1 and Action Filter.

Without modulation the Filter Lanced would still be a good filter but kind of boring. So it is equipped with a LFO, an envelope generator, an envelope follower and a CV/pedal input. The LFO has 2 frequency ranges and goes up to 250Hz - that's fast. At low frequencies the LFO can be re-triggered by gate- or audio signals. It has sample & hold and five waveforms: saw up and saw down, square, sine and triangle.

The envelope generator can be triggered by the input signal or an additional audio signal as well as by a gate voltage. If triggering it via gate it works as an attack-sustain-release envelope. With audio triggers its mode is attack-decay. The envelope follower transforms the contour of the input signal into control voltages that can serve as modulation source.

The LFO modulation intensity can be set separately from modulation intensity of envelope generator and envelope follower on the VCF- as well as on the VCA section.

The Filter Lancet features a drive circuit right in the input section to add subtle shades of overdrive up to solid distortions.

The Filter Lancet is packed with useful features. It's a great and powerful addition to any synthesizer including Mono Lancet with or without Modular Dock. But Filter Lancet also is designed for stringed instruments. It creates standard effects like WahWah and tremolo with ease and even adds a palette of extraordinary sounds to any effect repertoire.
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Waldorf 2 Pole Analog Filter With The Waldorf Edition LE Software
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2 in stock $165.58
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Cat: 524139 Rel: 26 May 14
 
Analog filter unit with simple one knob/one function and true bypass
Notes: For some decades now, analog filters have had a deep impact on contemporary music. Since its very beginnings, Waldorf has been renowned for the quality of their excellent sounding analog filters.

Whether these were integrated in stand alone units, such as the 4-Pole, X-Pole or the AFB16, which enabled the world's first analog plug-Ins, or were found inside Waldorf's synthesizers such as the Wave, the Q+ or the Pulse - Waldorf filters have influenced the world's sound for over two decades.

As a logical consequence, Waldorf's exclusive analog filter technology is now available in this novel square box (unexpectedly matching the Rocket synthesizer). 2-Pole is giving the guitar player, the DJ, or the keyboard player access to the heart of the Waldorf sound - with an inspiring user interface with a one knob/one function philosophy. Spice up your live performances with dramatic filter sweeps that really cut through. Funk up your guitar licks by hooking a pedal controller to 2-Poles' cutoff CV In or using the integrated envelope follower. Animate your pad sounds using 2-Pole's LFO. But beware - no matter what you do with this tiny black box, make sure you set the levels to your amplifiers and speakers correctly, as 2-Pole is yet another beast from Waldorf - with love!

https://www.youtube.com/watch?v=2estLReuX7c
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