Over 1000 colour images of the rarest album covers from over 40 countries. A kaleidoscopic overview of the most expensive collectable albums from all over the world.
An indispensable book for all serious collectors with accurate description of origin, label, value and rarity, printed on glossy paper and issued as a hard-cover.
This edition has 15 pages more then previous issues featuring a host of British beat.
The image of the Caribbean is as much a creation of the outsider as it is the complex identity of its people, a melting pot of races created out of the participants of the 400 year slave trade - enforced Africans, indigenous Caribbeans and their colonisers - French, Spanish, Dutch, English.
From luscious and beautiful backdrop of tourism and hedonist retreat, to colonial outpost and revolutionary threat within North America's backyard, the complex identity of the Caribbean stands at the intersection of tourism, the detritus of the slave trade, the decline of colonialism and the region's tropicality.
The regions politics span an almost constantly changing path of ideas, radicalism and revolutionaries - from Castro's Cuba and Michael Manley's Jamaica, to the violent right-wing dictatorships of Haiti's Francois 'Papa Doc' Duvalier and the Dominican Republic's Rafael Trujillo.
The hundreds of fascinating and unique photographs featured here illustrate more than one hundred years of Caribbean history, culture and industry as well as the subsequent diaspora of its people to America, England, Canada and elsewhere.
Introduction by Paul Gilroy. Edited by Stuart Baker.
Paul Gilroy is the author of There Ain't No Black in the Union Jack: The Cultural Politics of Race and Nation (1987), The Black Atlantic: Modernity and Double Consciousness (1993), Black Britain - A Photographic History (2004) amongst others.
Stuart Baker is the editor of a number of photography and design books all of which deal with culture and identity including Punk 45 (with Jon Savage), Dancehall (with Beth Lesser), Kanaval: Vodou, Politics and Revolution on the Streets of Haiti (with Leah Gordon), Voguing (with Chantal Regnault), Bossa Nova, Freedom, Rhythm & Sound (both with Gilles Peterson) and more. He is also the founder of Soul Jazz Records.collection.
Now, in this first book of fictional set pieces, Korine captures the fragmented moments of a life observed through the demented lens of media, TV, and teen obsession. Korine reinvents the novel in this highly experimental montage of scenes that seem both real and surreal at the same time. With a filmmaker's eye and a prankster's glee, this bizarre collection of jokes, half-remembered scenes, dialogue fragments, movie ideas, and suicide notes is an episodic, epigrammatic lovesong to the world of images. Korine is the voice of his media-savvy generation and A Crack-Up at the Race Riots is the satiric lovechild of his dark imagination.
To read the Ace Records: Labels Unlimited is to explore the history of modern music and to discover the stories of the people that made it. The book chronicles this fascinating label and profiles a diverse range of artists including BB King, John Fahey, Lee Hazlewood and Art Blakey & The Jazz Messengers, Riff Raff, Johnny & the Self Abusers, Drug Addix and Rocky Sharpe & The Replays. Illustrated with many unseen archive photographs dating back to the 1920s, rare artwork and newspaper clippings and written by established music journalist and author David Stubbs, the Ace Records: Labels Unlimited is a highly entertaining and visually stunning guide to a pioneering alternative to the mainstream UK music scene.
- 17 interviews across 12 years
- 100 hours of compiling and editing
- 155 pages
Amazing pictures from Ashton Court Festival in 1977. Plus rare unseen photos of out of town bands visiting Bristol Johnny Thunders with Steve Jones and Paul Cook (The Sex Pistols), Ian Dury, Elvis Costello and Big Youth. These 100 copies available from the website will be signed by Gill Loats and some of the artists from the era. Also includes digital download of the CD.
Forewards by Tom Moulton and Nicky Siano (The Gallery), also interviews with Mel Cheren (West End Records), Ken Cayre (Salsoul), Marvin Schlachter (Prelude), label features and more. The book is compiled by Disco Patrick and Patrick Vogt, introduction by Claes Widlund.
- Damage to slipcase (pictured). Actual hardback book in perfect condition.
A stunning 436 page photography and interview coffee table book about the world's most fascinating and accomplished vinyl collectors. Created by noted photographer Eilon Paz.
The second revised edition of the book profiles over 130 vinyl collectors, featuring a foreword by the RZA and interviews with Questlove, Gilles Peterson, Four-Tet, the Gaslamp Killer, and more.
(This edition has 20 more pages than the first edition)
Eilon Paz's 436 page coffee-table book illuminates over 130 vinyl connoisseurs and their collections in the most intimate of environments- their record rooms. With a foreword by the RZA, compelling photographic essays are paired with in-depth interviews to illustrate what motivates record collectors to keep digging.
Readers get an up close and personal look at a variety of well-known vinyl champions as well as a glimpse into the collections of world-renowned and lesser-known DJs, producers, record dealers, and everyday enthusiasts. The book is divided into two main parts: the first features 250 full-page photos framed by captions and select quotes, while the second consists of 12 full-length interviews that delve deeper into collectors' personal histories and vinyl troves.
Unearthing the very soul of the vinyl community, his book will appeal to a broad spectrum of readers, from die-hard record enthusiasts to fans of pop culture, sharp photography, and music history.
Eilon Paz has shot for Israel's top cultural publications and is a regular contributor for the US based food/travel magazine, Saveur, and his work appeared in worldwide publications such as Wax Poetics, Monocle, Conde Nast Traveler, Delta
Airlines' Sky magazine, and the French music magazine Vibrations.
On November 27, 1989, when Pavitt and business partner Jon Poneman arrived to meet the band in Rome, they were almost finished with a grueling six week tour of Europe. Although determined to promote their grungy, riff-heavy debut album, Bleach, their travels with fellow Sub Pop act Tad had left them exhausted. Providing label support, Pavitt and Ponemon did their best to revive the spirits of a frustrated and downcast Kurt Cobain, who then managed to continue to London where Nirvana played the biggest and most important show of their career to date.
LameFest UK, held at the 2,000-capacity Astoria Theatre, featured three Seattle Sub Pop acts: Nirvana, Tad and popular headliners Mudhoney. Although Nirvana opened the show, their heart-pounding performance won over the crowd as well as the powerful British press, who went on to proclaim that Nirvana was, "Sub Pop's answer to The Beatles." It was then that the world's attention began to focus on the band that would become the biggest rock act of their generation.
More than 10 in stock $4.85
Artist, producer and DJ Robi Insinna aka Headman released his first album 'It Rough' in 2001. He has also released tracks as 'Manhead' and remixed the likes of Roxy Music, Gossip, Franz Ferdinand , Richard Fearless, Nitzer Ebb, The Units, Unknown Cases, Gina X and Klein & M.B.O. The new album "6" feels like the conclusion of the music he has been putting out over the years. There are many collaborations on the album, with friends and artists he has worked with over the years.
Featuring on the album are Brassica, The Emperor Machine, Red Axes, David Shaw, Sam from Gramme, Rosie from hot new Berlin Act Ballet School, Brassica, Bozzwell and Tara from It Rough fame!
The album release comes accompanied by a Fanzine like Art Book with a download code for the album, there will be 2 x 12" vinyls together with the digital and CD release. The concept is further developed in the video for the first vinyl EP which is directed by Robi and has been premiered on THUMP/VICE TV. It's a fusion of art, fashion and music, the 3 things that in Robi's eyes should always go together. VIDEO: http://youtu.be/SWkaaVEX_mk
'6' is quite an eclectic album with a strong grounding in electronica whilst also staying true to the previous output of Robi and Relish Recordings. Some tracks can sound more like post punk ESG influenced, some more like pre-detroit machine funk, and some of the vocal tracks have a more pop sensibility!
The album was produced with loads of analog equipment which gives that organic feel, but Robi always stresses that he does not want to be just Retro, but take the best from the past and use it together with the technologies from now to create something modern.
Style is always something very important for his projects, the use of old synths, guitar pedals, tape delays, drum machines or emulations, and old Vintage gear was essential to create a vintage / classy sounding album, which is also reflected in the art book and the video. The video is filled with references from the past, late 70's 80's and 90's but again with a style and taste that makes it very modern.
Following the runaway success of the first two Hip Hop Family Tree instalments, Ed Piskor hits us with another block-rocking volume.
Ed Piskor's acclaimed graphic novel series continues! VOLUME 3 highlights RUN-DMC's rise to fame and introduces unassailable acts like Whodini, The Fat Boys, Slick Rick and Doug E. Fresh. The Beastie Boys became a rap group. And Rick Rubin meets Russell Simmons to form Def Jam
The famous TV pilot to the dance show Graffiti Rock and the documentaries Style Wars and Breakin' and Enterin' are all highlighted in this volume spanning 1983 - 1984. Piskor continues to deliver the goods in this comprehensive history of hip-hop!
The I Am Very Far: The Lyrics is a hard bound lyric book containing the full scope of Sheff's vision for his latest and most refined album to date, Okkervil River's I Am Very Far. The I Am Very Far: The Lyrics is meant to function as a distinct entrance point into the content of the music. More than a complement to the albums themselves, Sheff's prose weaves tales both subtle and dynamic and enriches the content of his songs. Including the lyrics for Mermaid and other songs recorded during the I Am Very Far sessions, the book is a complete work in its own right.
Limited to only 50 copies for the UK and Eire.
The nuances and ambiguities within plain-spoke expression are at the exquisite center of Callahan's gift, and the plain fact of words on paper nails them down in a concrete fashion that signals eternity somehow more concretely than sounds in the air can conjure.
I Drive a Valence does this for the listener - makes him/her a reader, while putting Bill Callahan's songs on another shelf where they sit just as entirely as they do on LP shelves around the world.
The book features an introduction by Robert Smith and includes many photographs never seen before, all carefully scanned and retouched to show Tom's work at its glorious best.
Featuring many previously unseen images, "In Between Days" is divided into three parts focusing on specific phases of their history. Part 1 (1982-84) traces their early travels at home and abroad, also including portraits of Smith's parallel career in Siouxsie & The Banshees and the side-project The Glove.
Part 2 (1985-89) highlights their imperial period through a trio of classic albums The Head On The Door, Kiss Me, Kiss Me and Disintegration, including rare behind the scenes images from the celebrate The Cure in Orange concert film. Finally, Part 3 (1990-2005) collects Sheehan's latter portraits of Smith and the group as they cement their status as one of the biggest alternative bands in the world, still touring today.
Each section is accompanied by an essay by acclaimed Author and music journalist Simon Goddard (Ziggyology).
- Strictly limited edition of 2500
- 240 pages with many unseen images
- Foreword by Robert Smith
- Printed on 170gsm matt art paper
- 3mm rigid board slipcase
Compiled over a number of years, the book features examples of Limonious' newspaper comic strips alongside his illustrations for the publications of JAMAL (the Jamaican Movement for the Advancement of Literacy, and his distinctive artwork for the burgeoning dancehall scene coming out of 1980s Jamaica. Includes a foreword by Beth Lesser and additional words from Orville "Bagga" Case and Dr Donna P Hope.
- Designed by Emery Dash and Al Fingers
- First edition, published by One Love Books, 16 Aug 2016
- 285 colour and 69 black-and-white illustrations
Jim Abbott's book is the result of years of research piecing together evidence, relations and apocryphal stories from Frank's life. It is also part memoir, as Abbott cared for Frank through the final decade of his life. Their friendship was fraught with difficulties, which Abbott portrays with the honesty of a journalist. In doing so, he draws a portrait of a uniquely gifted songwriter, blessed with talent and besotted by demons. At 250 pages, Abbott's memoir shows a flawed and caring individual whose struggle was best depicted in his songs.
Following the release of Jackson C. Frank: The Clear, Hard Light of Genius, Ba Da Bing will release three volumes of Jackson C. Frank: The Complete Recordings in early 2015, compiling work from throughout his life, including unreleased material.
Founding guitarist Brian McMahon's long-awaited memoir of his wild proto-punk days is finally here, the first-ever book covering the primordial ooze of Cleveland's wiry mutants in all their prickly-detailed glory. Over the course of 300 pages, you can really crawl inside the brain of one of America's finest overlooked musical miscreants, a fascinating glimpse into the vivid details and sickening dreams of one half of the songwriting contribution to the Electric Eels demented noise. To be so ahead of their time with so little to lose, now just the utterance of their name holds instant reverence with the punk cognoscenti, but that took a while. Once the meat of their recordings was unearthed and had time to circulate, now everyone is tripping over themselves to drool at their feet, and rightfully so.
Jaguar Ride: Memoir of an Electric Eel taps into the once impenetrable inner space of life around this ground-breaking "band" quite effortlessly. Like the eye of the universe opening up just enough for your weary legs to slip past and dangle in it's toxic waters, McMahon leads us through his haziest experiences with incredible recollections of what it felt like to stand at the edge of the cliff of possibilities. The Electric Eels were true originals that streaked across time and space for a very short amount of time in the early-to-mid 1970s, creating nothing short of atonal atrocities glistening with punk promise. Deranged Rust Belt pop songs blanched in chemical waste and chopped mercilessly with a broken food processor and left for dead, only to be rediscovered when the coast was clear for cultures so noxiously curdled to finally thrive. Now that experience is finally here in book form for you to absorb and indulge, and as the mysteries of the Eels go many layers deep, fear not and embody their pioneering spirit, finally in print.
As a fast paced view of Harrington's journey through the kaleidoscope of the movie business, it acts alternately as a personal memoir and cultural history from a veteran of the entertainment business. As Harrington was living as a gay man in Hollywood, the book additionally gives a rare peek into the hidden world of what was then an elite subculture. Doubling as both a serious study of film aesthetics and a gossipy tell-all, this truly unique look at the Hollywood dream includes an unlikely cast of characters, including Dennis Hopper, Christopher Isherwood, Shelley Winters, Marilyn Monroe, Stanley Kubrick, and Aaron Spelling, as it reveals a portrait of the machinations of the film and television business.
Curtis Harrington was a film and television director whose work included experimental films, horror films, and episodic television. He was a close associate of groundbreaking cult film pioneer Kenneth Anger and is considered one of the forerunners of New Queer Cinema.
The book includes a mid section of black and white photographs.
Only Love Can Bring You Peace is the first selection of Simon Joyner's lyrics (assembled and edited by Simon and his wife Sara) to appear in book form, showcasing the images and characters of over 15 albums, EPs, and rare releases. It also features two interviews with Joyner (from Aquarium Drunkard  and Circumstantial Evidence ), rare liner notes, and illustrations from over a dozen guest starring friends.
Whether you're new to Joyner's work, or you've had his songs stuck in your head since 1992, this book serves as a sturdy companion to what Callaci calls "the grass, branch and bone of a lifetime."
50 Rhythms sorted by Rhythm, Producer and Artist.
138 statements and thoughts of 60 artists, companions, remixers and friends,
such as: Sven Vath, Laurent Garnier, Robag Wruhme, Danny Krivit, Hans Nieswandt, Gerd Janson, Permanent Vacation, Kruder & Dorfmeister, Fat Freddy's Drop, Solomun and many many more.
The book comes in a craft board slipcase, stickered and sealed.
Each book contains an individual download code link (COMPOST 500) with exclusive access to new, unreleased music:
- 13 tracks "Freshly Composted" (unreleased / brand new) incl. Compost Allstars (Beanfield, Christian Prommer, Roland Appel, Michael Reinboth) feat. Robert Owens "Good Day"
...and two "Best Of's" of the Compost catalogue:
13 tracks "Some Michael Reinboth Favorites"
14 tracks "Hidden Compost Gems" - Top B-Sides, secret weapons, undis-covered pearls of the Compost back catalogue
In 1979, Bruce Pavitt moved from Chicago to Olympia, Washington, and began programming a show called Subterranean Pop on local community radio station KAOS-FM. In 1980, he launched Subterranean Pop magazine, dedicated to the unsung punk, new wave, and experimental regional bands of the Pacific Northwest and Midwest. Calvin Johnson of K Records joined the zine's staff later that year, beginning with the second issue.
The Sub Pop zine puzzled punk and new wave fans from major cities; readers were surprised that there were enough bands in the forgotten cities and states to devote a column, let alone an entire fanzine. Even more puzzling was the exclusion of artists like the Clash, Gang of Four, Blondie, or PIL, solely because of their major label associations. Driven by the power of independent thinking, early issues featured impassioned rallying cries for local action that make more sense than ever today, alongside early published artwork by Linda Barry, Charles Burns, and Jad Fair.
In 1983, Pavitt moved to Seattle and commenced his widely-read Sub Pop USA column in the Rocket newspaper, each month exposing new underground and independent artists. From Beat Happening and Pell Mell to early records by the Beastie Boys, Metallica, and Run-D.M.C., Sub Pop was a 1980s independent music bible, written with a diverse appreciation for happening scenes across the USA. In 1986, Pavitt put his ideas into practice, launching Sub Pop Records with the historic Sub Pop 100 compilation and Soundgarden's first release, Screaming Life. While the Sub Pop Records legacy is today legendary, the groundwork and creative wellspring that put Seattle on the musical map is assembled here for the first time.
features hundreds of stunning full size record
cover designs from the legendary Studio One
· Described by Chris Blackwell as The University Of
Reggae, Studio One is by far the most important
record label in the history of Reggae music, an A-Z
of Jamaican music as iconic as Motown was to
soul, or Blue Note for Jazz.
· The book features classic artwork from Bob Marley
And The Wailers, Horace Andy, Alton Ellis, Freddie
McGregor, The Skatalites, Marcia Griffiths, Burning
Spear, The Heptones, Toots and the Maytals and
many more artists all of whom launched their
careers at Studio One.
· As well as many classic sleeves there are
numerous rare designs, including a collector’s
section featuring many alternate, silkscreen and
rarely seen designs.
· As Jamaica approaches the 50th anniversary of
independence, this stunning deluxe book is a
timely look at Reggae music’s legendary record
label and the artists and musicians that it made
· The book also features an introductory essay by
Steve Barrow (author of ‘Rough Guide To Reggae’)
and is edited by Stuart Baker (Soul Jazz Records).
This book is the most thorough look ever done about mixtape culture. It begins in the park jams all the way to the current day and shows how mixtapes shaped Hip Hop over the decades. The book features (deep breath) : Red Alert, Jazzy Joyce, Brucie B, DJ Envy, Doo Wop, Cipha Sounds, Funkmaster Flex, Mick, Jazzy Jeff, DJ Clue, Ron G, DJ Premier, DJ Self, Dj Whoo Kid, Silva-Surfa, Stretch Armstrong, Cosmic Kev, Neil Armstrong, DJ Skee, Statik Selektah, DJ Drama, DJ Soul and countless other tapes with a forward by Kid Capri. The Art Behind The Tape also showcases so many classic tape covers from every era, it's just an endless amount of eye candy, and trip down memory lane for any 90's rap fan. With over 200 pages of full color mixtape art and interviews this book is so expertly done we can't do it enough justice.
God's favorite DJ Clark Kent says "God bless DJ Mars for telling the story of our beloved mixtape world! This is a perfect read for anybody who wants to learn about one of Hip Hop's most vital tools, the mixtape."
Just Blaze adds "To say that I love this book is an understatement. Mars and his team have accomplished the seemingly impossible and presented this archive of History in a way that can only be described as a shinning example of their dedication and love for the craft and more importantly, our culture!"
"At its core hip hop is all about independence and self expression. I feel it is my duty as a card carrying member of the hip hop community to tell this story the right way!"
The best bits of this notorious and outspokenly passionately zine are now available in book format. Alongside hundreds of zine pages, The City Is Ablaze! features new writings by Karren and other members of the Ablaze! team, as well as interviews with fanzine writers John Robb (Rox), Dave Haslam (Debris) and Richard Johnson (Grim Humour), essays by DIY cultural commentators Lucy Cage and Deborah Withers, a re-examination of the Riot Grrrl movement by those who were part of it, and an epilogue by Gary Jarman.
This 320-page A4 book also covers other zines that Karren produced in Manchester and Leeds between 1984 and 1994, capturing an era where DIY was de rigueur and indie actually meant something.
You'll be able to read original interviews with the following bands (in chronological order).
Eyeless In Gaza • The Membranes • The Stone Roses • The Inca Babies • Tools You Can Trust • The Bodines • Inspiral Carpets • The Pastels • The Janitors • Happy Mondays • King of the Slums • The Dust Devils • The Shamen • Cud • Sonic Youth • Dinosaur Jr • The Pixies • Throwing Muses • The Sundays • Thrilled Skinny • Rapeman • UT • Dog Faced Hermans • Edsel Auctioneer • Mudhoney • AC Temple • fIREHOSE • Band of Susans • Henry Rollins • Live Skull • Kilgore Trout • The Sun and The Moon • The Breeders • Happy Flowers • Silverfish • The Keatons • The Stretchheads • Pregnant Neck • Mayomberos Alive • Fluff • Archbishop Kebab • Nirvana • Pale Saints • Mercury Rev • The Heart Throbs • Babes in Toyland • American Music Club • Hole • Pavement • My Bloody Valentine • Shudder To Think • The Wedding Present • Leatherface • Nation of Ulysses • Tsunami • Poster Children • Sugar • Moonshake • Hood • Polvo
The book also includes irate letters from Morrissey and Thurston Moore.
The City Is Ablaze! reads like a musical history of the late eighties and early nineties, a history that could only be obtained by surfing the sliproads, sneaking backstage at a thousand shows, sleeping on strangers' floors and living to type up the tales of the sounds that defined an era.
The Encyclopedia of New Wave comprehensively captures this eclectic music, all of which enthralled the newly emergent MTV generation. With its tendency toward romantic minimalism, dark dance beats, and gender-bending antics, New Wave changed the course of popular musical history, as well as fashion and art.
This is the story of the communist effect on the teenagers and musicians in Czechoslovakia, set against the remarkable career of Tony Prince, a DJ who rocked the boat, met Elvis Presley, sang with Paul McCartney and Ringo Starr, toured with the Osmonds and partied with Led Zeppelin. Tony became the only DJ to perform inside the iron curtain not long after the Russian invasion of Czechoslovakia which is where the authors first met.
This is the story of the daddy of all radio stations and the DJs who entertained an estimated 100 million trans-European listeners every night.
Whilst every kid across Europe listened to their transistor radios hidden beneath their pillows in fear of their parents, Jan Sestak listened in the knowledge that the Czechoslovak Secret Police who prowled his land would send him to prison if he were discovered. Their Gestapo predecessors imposed the death sentence on anyone caught listening to western radio stations.
There are two incredible sides to the Radio Luxembourg listening experience and you may be forgiven if you can hardly believe what you are about to read.
Here is the first book in the world to reveal what teenage life was like under Communism in the Eastern Bloc and what boundless fun it must have been like for the men behind the microphone.
- Hardback with dustcover; 590 pages with 16 pages of photography (black/white and colour).