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Magical Mystery Tour Take 9/Vocal & Bass Overdub (27th April 1967 - EMI Studio 3, London - 7:00 PM-12:45 AM)
Magical Mystery Tour Take 9/Bass Overdub (27th April 1967 - EMI Studio 3, London - 7:00 PM-12:45 AM)
Baby You're A Rich Man Vocal & Bass Overdub (11th May 1967 - Olympic Sound 1, London - 9:00 PM-3:00 AM)
Baby You're A Rich Man Clavioline & Guitars Overdub (11th May 1967 - Olympic Sound 1, London - 9:00 PM-3:00 AM)
You Know My Name (Look Up The Number) Part 1 Take 9 (17th May 1967 - EMI Studio 2, London - 7:00 PM-2:30 AM)
You Know My Name (Look Up The Number) Edit Piece (9th June 1967 - EMI Studio 2, London - 7:00 PM-11:00 PM)
All You Need Is Love Take 44-47/Brass & Strings Overdub (24th June1967 - EMI Studio 1, London - 5:00 PM-8:00 AM)
All You Need Is Love Take 59/Our World Performance (25th June1967 - EMI Studio 1, London - 2:00 PM-1:00 AM)
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Cat: MODENACD 96. Rel: 28 Mar 24
Uplifting Trance
Review: Complementing the main LP release of this career-bookending Chicane release comes the CD edition of the new symphonic edition of Far From The Maddening Crowds. The original trance uplifter LP blew us all away at its initial '90s moment, proving producer Nicholas Bracegirdle's fine talents to the world. Now, however, comes the full orchestral version, sating our tireless retroactive desire for symphonies after trance; every track on the original album hears a full-blown symphonic orchestral rerub, utilising the collective talents of members of the The Halle and the Royal Liverpool Philharmonic Orchestra, and combining them with glistening SFX and studio embellishments to lend an epic neoclassical vibe to an all-out classic.
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Review: Four years after the untimely death of her husband John Coltrane, Alice Coltrane held a special concert at Carnegie Hall. This was planned to be released by Impulse at the time but somehow this legendary concert recording stayed dormant until this year. This release is to kick off a release tribute that will continue through the year that joins Verve and Impulse in tribute to Alice and her work. This double CD included two transcendental tunes from Journey in Satchidananda (Which Alice released just the year before), followed by two compositions by John Coltrane and served as a sign of things to come. These two pieces that showed a sign of what was to come from John Coltrane as he entered into the 1970s. Make sure to pick up this special concert!
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DEF JAM BLASTER / VARIOUS
The Lost & Found 1987-1993 (unmixed CD limited to 250 copies)
Cat: HHE 111CD. Rel: 25 Jan 24
Hip Hop/R&B
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Boundary Road Snacks & Drinks/Sweet Princess (Japanese Edition) (CD with obi-strip)
Cat: 4AD 571CDJP. Rel: 21 Mar 24
Indie/Alternative
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Review: A decade after making his major label with Doris, all all-star affair featuring contributions from the RZA, Frank Ocean and Tyler The Creator, Los Angeles MC Earl Sweatshirt delivers album number six - a two-way hoedown with acclaimed beat-maker, Cypress Hill affiliate and fellow LA resident The Alchemist. It's a musical marriage with great potential, all told, as Earl Sweatshirt delivers distinctively enigmatic lyrical flows in his distinctive timbre over impeccable beats that draw on an impressively diverse range of samples. Compare and contrast, for example, the sparse, bluesy brilliance of 'Vin Skully' and the West Coast synth-funk influenced smoothness of 'Heat Check', or gospel-influenced Vince Staples hook-up 'Mancula' and the slow-motion drowsiness and aural beauty of 'Sirius Blac'.
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Review: While Ben Frost's work has long been marked out by deft-touch dark ambient, experimental instincts and clandestine aural textures, he's always thrown in surprise excursions and drawn on musical inspirations that other like-minded producers would fear to embrace. This latter characteristic comes to the fore on Scope Neglect, his first solo set for six years. Remarkably, it utilises the moodiness, weight and ten-ton guitar licks of metal - played by Car Bombs guitarist Greg Kubacki and bass-slinger Liam Andrews of My Disco fame - as a starting point. Frost naturally puts these through the sonic wringer, combining them with his own skittish, IDM-influenced beats, dark ambient soundscapes and razor-sharp electronics. The results are unusual, impressive and emphatically enjoyable, sitting somewhere between timeless electronica, Nine Inch Nails and experimental metal.
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Cat: AV 2018105. Rel: 26 Feb 24
Progressive Rock
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Cat: CST 111CD. Rel: 26 Mar 15
Post Rock/Experimental
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Review: The Canadian post-rock instrumentalists return with a demand for revolution, soundtracked by just shy of 45 minutes of orchestral aggression. As with all of their work, GY!BE convey their ideas articulately through evocative wordless music. The opener, 'Undoing a Luciferian Towers' sets a tone for the album with a monolithic and militaristic march. Passages of feedback open out into anthemic expanse on the three parts of 'Bosses Hang'. 'Fam/Famine' balances between harmonic assonance and dissonance, ramping up the tension before the final triptych 'Anthem Of The State' takes a more optimistic tone, with the movement away from noise providing some glimmers of light in the abyss. 'Luciferian Towers' is an impeccable and polished record, and possibly Godspeed You! Black Emperor's finest to date.
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Cat: CST 081CD. Rel: 05 Jan 90
Post Rock/Experimental
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Review: Prolific Lithuanian dub techno explorer Grad_U is back with a new album which further develops his explorations in realms well beyond the limitations of the dancefloor. Spectral Decay examines all manner of spatial processing, not to mention celebrating the power of the space between the pulses. There are still some steadfast technoid rhythms to latch onto, but the beats are always secondary to the atmospherics in Aleksandr Martinkevic's immersive productions. With a couple of remixes from kindred spirits such as Dominique Jacquinet and Ohrwert Alter folded in for good measure, this is another essential trip into the echo chamber from a master of the craft.
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Review: Four years on from her last full-length outing, Ariana Grande returns with her seventh studio album, Eternal Sunshine. In keeping with many post-pandemic albums, Grande apparently drew on her own personal experiences during the writing process, keen to deliver something that mixed "vulnerability" with entertainment. Musically, it also follows current and recent pop trends, combining r&b and hip-hop roots with nods to disco ('Bye'), 80s synth-pop ('Supernatural', 'This Boy'), trap ('True Story'), EDM (the house-tinged 'Yes and?' and colourful 'We Can't be Friends (Wait For Your Love') and classic balladeering ('I Wish I Hated You', with its expansive musical palette and intricate instrumental flourishes).
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American Beauty (Special Edition) (limited numbered hybrid SACD)
Cat: 821797213868. Rel: 01 Jan 90
Rock
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Workingman's Dead (Special Edition) (limited numbered hybrid SACD)
Cat: 821797 213769. Rel: 01 Jan 90
Rock
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Review: Through his work with revivalist soul band the Indications, Durand Jones has already proved that he's a serious talent - a vocalist and lyricist whose impressive range and impassioned, emotive delivery mark him out as a genuine star in the making. Wait Till I Get Over, his debut solo album, will only enhance his reputation. Framed as a love letter to his hometown of Hillaryville, with thoughtful lyrics that reflect not only on his own intriguing life story but also the history of the town's black community, the collected songs veer from string-laden, socially conscious ballads and fuzzy rhythm & blues workouts, smoky slow jams, nods to Sly Stone and righteous, reverb-laden gospel winners.
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Review: Kangding Ray's debut is a balance between the flow of melodies and the ever changing structure of rhythm.
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Cat: SOR 10513. Rel: 07 Feb 23
Hip Hop/R&B
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